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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B4634 it is the complementary color #C4B9CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B4634. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B4634 shade: #40462F, #515842, #626A55, #737C68 and #848E7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B4634. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B4634 shade: #3B4634, #2A3421, #19220E and #081000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B4634 shade: #3B4634, #404634, #454634, #464234 and #463D34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B4634 shade: #3B4634, #364634, #344636, #34463B and #344640

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B4634 shade matches the following richer shades: #3B4634, #38502A, #365A20, #346416 and #326D0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B4634 shade: #3B4634, #3D3C3D, #3F3247, #412851 and #431E5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B4634 shade: #454634, #404634, #3B4634, #364634 and #344636

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B4634 shade: #131610, #272E22, #3B4634, #4F5E45 and #637557

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B4634 shade: #3B4634, #344642 and #463442

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B4634 shade: #3B4634, #343B46 and #46343B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B4634 shade: #3B4634, #344642, #3F3446 and #463437

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B4634 shade: #3B4634, #344446, #3F3446 and #463534

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 26 / 73

HEX #3B4634

RGB 59 70 52

HSL 96.67, 0.15%, 0.24%

LAB 28.27, -8.42, 9.41

 

Complementary color

CMYK 3 / 9 / 0 / 20

HEX #C4B9CB

RGB 196 185 203

HSL 276.67, 0.15%, 0.76%

LAB 76.52, 7.2, -7.67

 

CMYK 9 / 0 / 33 / 73

HEX #40462F

RGB 64 70 47

HSL 75.65, 0.2%, 0.23%

LAB 28.58, -7.11, 13.08

 

CMYK 8 / 0 / 25 / 65

HEX #515842

RGB 81 88 66

HSL 79.09, 0.14%, 0.3%

LAB 36.22, -7.18, 11.86

 

CMYK 8 / 0 / 20 / 58

HEX #626A55

RGB 98 106 85

HSL 82.86, 0.11%, 0.37%

LAB 43.6, -7.23, 10.78

 

CMYK 7 / 0 / 16 / 51

HEX #737C68

RGB 115 124 104

HSL 87, 0.09%, 0.45%

LAB 50.76, -7.27, 9.8

 

CMYK 7 / 0 / 13 / 44

HEX #848E7B

RGB 132 142 123

HSL 91.58, 0.08%, 0.52%

LAB 57.73, -7.31, 8.89

 

CMYK 16 / 0 / 26 / 73

HEX #3B4634

RGB 59 70 52

HSL 96.67, 0.15%, 0.24%

LAB 28.27, -8.42, 9.41

 

CMYK 19 / 0 / 37 / 80

HEX #2A3421

RGB 42 52 33

HSL 91.58, 0.22%, 0.17%

LAB 20.27, -8.51, 10.67

 

CMYK 26 / 0 / 59 / 87

HEX #19220E

RGB 25 34 14

HSL 87, 0.42%, 0.09%

LAB 11.84, -8.57, 11.45

 

CMYK 50 / 0 / 100 / 94

HEX #081000

RGB 8 16 0

HSL 90, 1%, 0.03%

LAB 3.81, -4.75, 5.62

 

CMYK 16 / 0 / 26 / 73

HEX #3B4634

RGB 59 70 52

HSL 96.67, 0.15%, 0.24%

LAB 28.27, -8.42, 9.41

 

CMYK 9 / 0 / 26 / 73

HEX #404634

RGB 64 70 52

HSL 80, 0.15%, 0.24%

LAB 28.69, -6.23, 10.05

 

CMYK 1 / 0 / 26 / 73

HEX #454634

RGB 69 70 52

HSL 63.33, 0.15%, 0.24%

LAB 29.14, -3.99, 10.75

 

CMYK 0 / 6 / 26 / 73

HEX #464234

RGB 70 66 52

HSL 46.67, 0.15%, 0.24%

LAB 27.97, -1.02, 9.15

 

CMYK 0 / 13 / 26 / 73

HEX #463D34

RGB 70 61 52

HSL 30, 0.15%, 0.24%

LAB 26.41, 2.19, 6.98

 

CMYK 16 / 0 / 26 / 73

HEX #3B4634

RGB 59 70 52

HSL 96.67, 0.15%, 0.24%

LAB 28.27, -8.42, 9.41

 

CMYK 23 / 0 / 26 / 73

HEX #364634

RGB 54 70 52

HSL 113.33, 0.15%, 0.24%

LAB 27.88, -10.54, 8.81

 

CMYK 26 / 0 / 23 / 73

HEX #344636

RGB 52 70 54

HSL 126.67, 0.15%, 0.24%

LAB 27.78, -10.94, 7.36

 

CMYK 26 / 0 / 16 / 73

HEX #34463B

RGB 52 70 59

HSL 143.33, 0.15%, 0.24%

LAB 27.92, -9.82, 4.32

 

CMYK 26 / 0 / 9 / 73

HEX #344640

RGB 52 70 64

HSL 160, 0.15%, 0.24%

LAB 28.06, -8.62, 1.29

 

CMYK 16 / 0 / 26 / 73

HEX #3B4634

RGB 59 70 52

HSL 96.67, 0.15%, 0.24%

LAB 28.27, -8.42, 9.41

 

CMYK 30 / 0 / 48 / 69

HEX #38502A

RGB 56 80 42

HSL 97.89, 0.31%, 0.24%

LAB 31.22, -17.22, 19.48

 

CMYK 40 / 0 / 64 / 65

HEX #365A20

RGB 54 90 32

HSL 97.24, 0.48%, 0.24%

LAB 34.4, -24.56, 28.84

 

CMYK 48 / 0 / 78 / 61

HEX #346416

RGB 52 100 22

HSL 96.92, 0.64%, 0.24%

LAB 37.67, -30.94, 36.86

 

CMYK 54 / 0 / 89 / 57

HEX #326D0C

RGB 50 109 12

HSL 96.49, 0.8%, 0.24%

LAB 40.64, -36.06, 42.91

 

CMYK 16 / 0 / 26 / 73

HEX #3B4634

RGB 59 70 52

HSL 96.67, 0.15%, 0.24%

LAB 28.27, -8.42, 9.41

 

CMYK 0 / 2 / 0 / 76

HEX #3D3C3D

RGB 61 60 61

HSL 300, 0.01%, 0.24%

LAB 25.44, 0.65, -0.47

 

CMYK 11 / 30 / 0 / 72

HEX #3F3247

RGB 63 50 71

HSL 277.14, 0.17%, 0.24%

LAB 22.97, 10.55, -10.83

 

CMYK 20 / 51 / 0 / 68

HEX #412851

RGB 65 40 81

HSL 276.59, 0.34%, 0.24%

LAB 20.96, 20.53, -20.65

 

CMYK 26 / 67 / 0 / 64

HEX #431E5B

RGB 67 30 91

HSL 276.39, 0.5%, 0.24%

LAB 19.55, 29.88, -29.57

 

CMYK 1 / 0 / 26 / 73

HEX #454634

RGB 69 70 52

HSL 63.33, 0.15%, 0.24%

LAB 29.14, -3.99, 10.75

 

CMYK 9 / 0 / 26 / 73

HEX #404634

RGB 64 70 52

HSL 80, 0.15%, 0.24%

LAB 28.69, -6.23, 10.05

 

CMYK 16 / 0 / 26 / 73

HEX #3B4634

RGB 59 70 52

HSL 96.67, 0.15%, 0.24%

LAB 28.27, -8.42, 9.41

 

CMYK 23 / 0 / 26 / 73

HEX #364634

RGB 54 70 52

HSL 113.33, 0.15%, 0.24%

LAB 27.88, -10.54, 8.81

 

CMYK 26 / 0 / 23 / 73

HEX #344636

RGB 52 70 54

HSL 126.67, 0.15%, 0.24%

LAB 27.78, -10.94, 7.36

 

CMYK 14 / 0 / 27 / 91

HEX #131610

RGB 19 22 16

HSL 90, 0.16%, 0.07%

LAB 6.77, -2.6, 3.08

 

CMYK 15 / 0 / 26 / 82

HEX #272E22

RGB 39 46 34

HSL 95, 0.15%, 0.16%

LAB 17.92, -5.86, 6.75

 

CMYK 16 / 0 / 26 / 73

HEX #3B4634

RGB 59 70 52

HSL 96.67, 0.15%, 0.24%

LAB 28.27, -8.42, 9.41

 

CMYK 16 / 0 / 27 / 63

HEX #4F5E45

RGB 79 94 69

HSL 96, 0.15%, 0.32%

LAB 38.02, -10.99, 12.47

 

CMYK 15 / 0 / 26 / 54

HEX #637557

RGB 99 117 87

HSL 96, 0.15%, 0.4%

LAB 47.06, -12.69, 14.4

 

CMYK 16 / 0 / 26 / 73

HEX #3B4634

RGB 59 70 52

HSL 96.67, 0.15%, 0.24%

LAB 28.27, -8.42, 9.41

 

CMYK 26 / 0 / 6 / 73

HEX #344642

RGB 52 70 66

HSL 166.67, 0.15%, 0.24%

LAB 28.12, -8.11, 0.08

 

CMYK 0 / 26 / 6 / 73

HEX #463442

RGB 70 52 66

HSL 313.33, 0.15%, 0.24%

LAB 24.17, 10.88, -5.59

 

CMYK 16 / 0 / 26 / 73

HEX #3B4634

RGB 59 70 52

HSL 96.67, 0.15%, 0.24%

LAB 28.27, -8.42, 9.41

 

CMYK 26 / 16 / 0 / 73

HEX #343B46

RGB 52 59 70

HSL 216.67, 0.15%, 0.24%

LAB 24.64, -0.02, -7.73

 

CMYK 0 / 26 / 16 / 73

HEX #46343B

RGB 70 52 59

HSL 336.67, 0.15%, 0.24%

LAB 23.91, 9.42, -1.26

 

CMYK 16 / 0 / 26 / 73

HEX #3B4634

RGB 59 70 52

HSL 96.67, 0.15%, 0.24%

LAB 28.27, -8.42, 9.41

 

CMYK 26 / 0 / 6 / 73

HEX #344642

RGB 52 70 66

HSL 166.67, 0.15%, 0.24%

LAB 28.12, -8.11, 0.08

 

CMYK 10 / 26 / 0 / 73

HEX #3F3446

RGB 63 52 70

HSL 276.67, 0.15%, 0.24%

LAB 23.52, 8.95, -9.32

 

CMYK 0 / 26 / 21 / 73

HEX #463437

RGB 70 52 55

HSL 350, 0.15%, 0.24%

LAB 23.78, 8.64, 1.24

 

CMYK 16 / 0 / 26 / 73

HEX #3B4634

RGB 59 70 52

HSL 96.67, 0.15%, 0.24%

LAB 28.27, -8.42, 9.41

 

CMYK 26 / 3 / 0 / 73

HEX #344446

RGB 52 68 70

HSL 186.67, 0.15%, 0.24%

LAB 27.59, -5.83, -3.32

 

CMYK 10 / 26 / 0 / 73

HEX #3F3446

RGB 63 52 70

HSL 276.67, 0.15%, 0.24%

LAB 23.52, 8.95, -9.32

 

CMYK 0 / 24 / 26 / 73

HEX #463534

RGB 70 53 52

HSL 3.33, 0.15%, 0.24%

LAB 23.99, 7.43, 3.55

 

Description

Color code: HEX #3B4634 | qconv.com Color code: HEX #3B4634 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 70 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 70 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 26 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 26% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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