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Color name
HEX #3B5C8C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B5C8C it is the complementary color #C4A373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B5C8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B5C8C shade: #405C87, #516E9A, #6280AD, #7392C0 and #84A4D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B5C8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B5C8C shade: #3B5C8C, #2A4A79, #193866, #082653 and #001440

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B5C8C shade: #3A5B8C, #3A458C, #453A8C, #5B3A8C and #713A8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B5C8C shade: #3A5B8C, #3A458C and #3A3A8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B5C8C shade matches the following richer shades: #3A5B8C, #2A589C, #1A55AC and #0A52BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B5C8C shade: #3A5B8C, #4A5E7C, #5A616C, #6A645B and #7B674B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B5C8C shade: #3A888C, #3A728C, #3A5C8C, #3A468C and #443A8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B5C8C shade: #223552, #2E486F, #3A5B8C, #466EA9 and #5D84BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B5C8C shade: #3B5C8C, #7A3A8C and #7D8C3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B5C8C shade: #3B5C8C, #8C3A5C and #5C8C3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B5C8C shade: #3B5C8C, #7A3A8C, #8C6A3A and #4C8C3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B5C8C shade: #3B5C8C, #8C3A85, #8C6A3A and #3A8C41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 34 / 0 / 45

HEX #3B5C8C

RGB 59 92 140

HSL 215.56, 0.41%, 0.39%

LAB 38.69, 3.16, -30.25

 

Complementary color

CMYK 0 / 17 / 41 / 23

HEX #C4A373

RGB 196 163 115

HSL 35.56, 0.41%, 0.61%

LAB 68.87, 5.58, 29.46

 

CMYK 53 / 32 / 0 / 47

HEX #405C87

RGB 64 92 135

HSL 216.34, 0.36%, 0.39%

LAB 38.71, 2.66, -27.15

 

CMYK 47 / 29 / 0 / 40

HEX #516E9A

RGB 81 110 154

HSL 216.16, 0.31%, 0.46%

LAB 45.95, 1.97, -27.16

 

CMYK 43 / 26 / 0 / 32

HEX #6280AD

RGB 98 128 173

HSL 216, 0.31%, 0.53%

LAB 53.01, 1.43, -27.22

 

CMYK 40 / 24 / 0 / 25

HEX #7392C0

RGB 115 146 192

HSL 215.84, 0.38%, 0.6%

LAB 59.9, 0.99, -27.32

 

CMYK 37 / 22 / 0 / 17

HEX #84A4D3

RGB 132 164 211

HSL 215.7, 0.47%, 0.67%

LAB 66.64, 0.62, -27.45

 

CMYK 58 / 34 / 0 / 45

HEX #3B5C8C

RGB 59 92 140

HSL 215.56, 0.41%, 0.39%

LAB 38.69, 3.16, -30.25

 

CMYK 65 / 39 / 0 / 53

HEX #2A4A79

RGB 42 74 121

HSL 215.7, 0.48%, 0.32%

LAB 31.28, 4.34, -30.32

 

CMYK 75 / 45 / 0 / 60

HEX #193866

RGB 25 56 102

HSL 215.84, 0.61%, 0.25%

LAB 23.65, 6.04, -30.42

 

CMYK 90 / 54 / 0 / 67

HEX #082653

RGB 8 38 83

HSL 216, 0.82%, 0.18%

LAB 15.81, 8.64, -30.49

 

CMYK 100 / 69 / 0 / 75

HEX #001440

RGB 0 20 64

HSL 221.25, 1%, 0.13%

LAB 7.86, 12.77, -30.27

 

CMYK 59 / 35 / 0 / 45

HEX #3A5B8C

RGB 58 91 140

HSL 215.85, 0.41%, 0.39%

LAB 38.33, 3.57, -30.81

 

CMYK 59 / 51 / 0 / 45

HEX #3A458C

RGB 58 69 140

HSL 231.95, 0.41%, 0.39%

LAB 31.92, 17.98, -41.01

 

CMYK 51 / 59 / 0 / 45

HEX #453A8C

RGB 69 58 140

HSL 248.05, 0.41%, 0.39%

LAB 29.87, 27.61, -44.26

 

CMYK 35 / 59 / 0 / 45

HEX #5B3A8C

RGB 91 58 140

HSL 264.15, 0.41%, 0.39%

LAB 32.13, 32.91, -40.51

 

CMYK 19 / 59 / 0 / 45

HEX #713A8C

RGB 113 58 140

HSL 280.24, 0.41%, 0.39%

LAB 34.86, 38.75, -35.99

 

CMYK 59 / 35 / 0 / 45

HEX #3A5B8C

RGB 58 91 140

HSL 215.85, 0.41%, 0.39%

LAB 38.33, 3.57, -30.81

 

CMYK 59 / 51 / 0 / 45

HEX #3A458C

RGB 58 69 140

HSL 231.95, 0.41%, 0.39%

LAB 31.92, 17.98, -41.01

 

CMYK 59 / 59 / 0 / 45

HEX #3A3A8C

RGB 58 58 140

HSL 240, 0.41%, 0.39%

LAB 28.95, 25.29, -45.8

 

CMYK 59 / 35 / 0 / 45

HEX #3A5B8C

RGB 58 91 140

HSL 215.85, 0.41%, 0.39%

LAB 38.33, 3.57, -30.81

 

CMYK 73 / 44 / 0 / 39

HEX #2A589C

RGB 42 88 156

HSL 215.79, 0.58%, 0.39%

LAB 37.61, 8.41, -41.65

 

CMYK 85 / 51 / 0 / 33

HEX #1A55AC

RGB 26 85 172

HSL 215.75, 0.74%, 0.39%

LAB 37.29, 14.85, -51.74

 

CMYK 95 / 56 / 0 / 26

HEX #0A52BC

RGB 10 82 188

HSL 215.73, 0.9%, 0.39%

LAB 37.35, 22.38, -61.08

 

CMYK 59 / 35 / 0 / 45

HEX #3A5B8C

RGB 58 91 140

HSL 215.85, 0.41%, 0.39%

LAB 38.33, 3.57, -30.81

 

CMYK 40 / 24 / 0 / 51

HEX #4A5E7C

RGB 74 94 124

HSL 216, 0.25%, 0.39%

LAB 39.44, 0.68, -19.27

 

CMYK 17 / 10 / 0 / 58

HEX #5A616C

RGB 90 97 108

HSL 216.67, 0.09%, 0.39%

LAB 40.91, -0.17, -7.15

 

CMYK 0 / 6 / 14 / 58

HEX #6A645B

RGB 106 100 91

HSL 36, 0.08%, 0.39%

LAB 42.66, 0.66, 5.95

 

CMYK 0 / 16 / 39 / 52

HEX #7B674B

RGB 123 103 75

HSL 35, 0.24%, 0.39%

LAB 44.83, 3.67, 18.78

 

CMYK 59 / 3 / 0 / 45

HEX #3A888C

RGB 58 136 140

HSL 182.93, 0.41%, 0.39%

LAB 52.29, -22.46, -9.36

 

CMYK 59 / 19 / 0 / 45

HEX #3A728C

RGB 58 114 140

HSL 199.02, 0.41%, 0.39%

LAB 45.4, -10.4, -19.82

 

CMYK 59 / 34 / 0 / 45

HEX #3A5C8C

RGB 58 92 140

HSL 215.12, 0.41%, 0.39%

LAB 38.63, 2.93, -30.33

 

CMYK 59 / 50 / 0 / 45

HEX #3A468C

RGB 58 70 140

HSL 231.22, 0.41%, 0.39%

LAB 32.2, 17.31, -40.56

 

CMYK 51 / 59 / 0 / 45

HEX #443A8C

RGB 68 58 140

HSL 247.32, 0.41%, 0.39%

LAB 29.78, 27.39, -44.41

 

CMYK 59 / 35 / 0 / 68

HEX #223552

RGB 34 53 82

HSL 216.25, 0.41%, 0.23%

LAB 21.93, 2.16, -20

 

CMYK 59 / 35 / 0 / 56

HEX #2E486F

RGB 46 72 111

HSL 216, 0.41%, 0.31%

LAB 30.31, 2.88, -25.55

 

CMYK 59 / 35 / 0 / 45

HEX #3A5B8C

RGB 58 91 140

HSL 215.85, 0.41%, 0.39%

LAB 38.33, 3.57, -30.81

 

CMYK 59 / 35 / 0 / 34

HEX #466EA9

RGB 70 110 169

HSL 215.76, 0.41%, 0.47%

LAB 46.07, 4.24, -35.85

 

CMYK 50 / 29 / 0 / 27

HEX #5D84BB

RGB 93 132 187

HSL 215.11, 0.41%, 0.55%

LAB 54.47, 2.02, -33.01

 

CMYK 58 / 34 / 0 / 45

HEX #3B5C8C

RGB 59 92 140

HSL 215.56, 0.41%, 0.39%

LAB 38.69, 3.16, -30.25

 

CMYK 13 / 59 / 0 / 45

HEX #7A3A8C

RGB 122 58 140

HSL 286.83, 0.41%, 0.39%

LAB 36.09, 41.22, -33.95

 

CMYK 11 / 0 / 59 / 45

HEX #7D8C3A

RGB 125 140 58

HSL 70.98, 0.41%, 0.39%

LAB 55.5, -17.92, 41.14

 

CMYK 58 / 34 / 0 / 45

HEX #3B5C8C

RGB 59 92 140

HSL 215.56, 0.41%, 0.39%

LAB 38.69, 3.16, -30.25

 

CMYK 0 / 59 / 34 / 45

HEX #8C3A5C

RGB 140 58 92

HSL 335.12, 0.41%, 0.39%

LAB 36.7, 38.55, -2.81

 

CMYK 34 / 0 / 59 / 45

HEX #5C8C3A

RGB 92 140 58

HSL 95.12, 0.41%, 0.39%

LAB 53.32, -31.27, 38.06

 

CMYK 58 / 34 / 0 / 45

HEX #3B5C8C

RGB 59 92 140

HSL 215.56, 0.41%, 0.39%

LAB 38.69, 3.16, -30.25

 

CMYK 13 / 59 / 0 / 45

HEX #7A3A8C

RGB 122 58 140

HSL 286.83, 0.41%, 0.39%

LAB 36.09, 41.22, -33.95

 

CMYK 0 / 24 / 59 / 45

HEX #8C6A3A

RGB 140 106 58

HSL 35.12, 0.41%, 0.39%

LAB 47.22, 7.72, 31.87

 

CMYK 46 / 0 / 59 / 45

HEX #4C8C3A

RGB 76 140 58

HSL 106.83, 0.41%, 0.39%

LAB 52.51, -36.87, 36.91

 

CMYK 58 / 34 / 0 / 45

HEX #3B5C8C

RGB 59 92 140

HSL 215.56, 0.41%, 0.39%

LAB 38.69, 3.16, -30.25

 

CMYK 0 / 59 / 5 / 45

HEX #8C3A85

RGB 140 58 133

HSL 305.12, 0.41%, 0.39%

LAB 38.37, 44.93, -25.9

 

CMYK 0 / 24 / 59 / 45

HEX #8C6A3A

RGB 140 106 58

HSL 35.12, 0.41%, 0.39%

LAB 47.22, 7.72, 31.87

 

CMYK 59 / 0 / 54 / 45

HEX #3A8C41

RGB 58 140 65

HSL 125.12, 0.41%, 0.39%

LAB 51.88, -41.21, 32.46

 

Description

Color code: HEX #3B5C8C | qconv.com Color code: HEX #3B5C8C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 92 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 92 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 34 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 34% 0% 45% C M Y K

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