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Color name
HEX #3B67CD

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B67CD it is the complementary color #C49832. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B67CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B67CD shade: #4067C8, #5179DB, #628BEE, #739DFF and #84AFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B67CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B67CD shade: #3B67CD, #2A55BA, #1943A7, #083194 and #001F81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B67CD shade: #3C67CC, #3C40CC, #5E3CCC, #853CCC and #AC3CCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B67CD shade: #3C67CC, #3C40CC and #3C3CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B67CD shade matches the following richer shades: #3C67CC, #2860E0 and #1458F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B67CD shade: #3C67CC, #506FB9, #6377A5, #777F91 and #8B877D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B67CD shade: #3CB7CC, #3C90CC, #3C6ACC, #3C43CC and #5B3CCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B67CD shade: #254591, #2D55B2, #3C67CC, #5D81D5 and #7D9ADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B67CD shade: #3B67CD, #BB3CCC and #A3CC3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B67CD shade: #3B67CD, #CC3C6A and #6ACC3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B67CD shade: #3B67CD, #BB3CCC, #CC9F3C and #4DCC3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B67CD shade: #3B67CD, #CC3CB2, #CC9F3C and #3CCC56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 50 / 0 / 20

HEX #3B67CD

RGB 59 103 205

HSL 221.92, 0.59%, 0.52%

LAB 45.69, 19.49, -57.37

 

Complementary color

CMYK 0 / 22 / 74 / 23

HEX #C49832

RGB 196 152 50

HSL 41.92, 0.59%, 0.48%

LAB 65.3, 6.49, 56.96

SW® 6699

CMYK 68 / 49 / 0 / 22

HEX #4067C8

RGB 64 103 200

HSL 222.79, 0.55%, 0.52%

LAB 45.58, 18.42, -54.65

 

CMYK 63 / 45 / 0 / 14

HEX #5179DB

RGB 81 121 219

HSL 222.61, 0.66%, 0.59%

LAB 52.44, 16.65, -54.42

 

CMYK 59 / 42 / 0 / 7

HEX #628BEE

RGB 98 139 238

HSL 222.43, 0.8%, 0.66%

LAB 59.19, 15.2, -54.21

 

CMYK 55 / 38 / 0 / 0

HEX #739DFF

RGB 115 157 255

HSL 222, 1%, 0.73%

LAB 65.73, 13.37, -53.1

 

CMYK 48 / 31 / 0 / 0

HEX #84AFFF

RGB 132 175 255

HSL 219.02, 1%, 0.76%

LAB 71.41, 6.76, -44.09

 

CMYK 71 / 50 / 0 / 20

HEX #3B67CD

RGB 59 103 205

HSL 221.92, 0.59%, 0.52%

LAB 45.69, 19.49, -57.37

 

CMYK 77 / 54 / 0 / 27

HEX #2A55BA

RGB 42 85 186

HSL 222.08, 0.63%, 0.45%

LAB 38.78, 21.91, -57.55

 

CMYK 85 / 60 / 0 / 35

HEX #1943A7

RGB 25 67 167

HSL 222.25, 0.74%, 0.38%

LAB 31.83, 24.91, -57.62

 

CMYK 95 / 67 / 0 / 42

HEX #083194

RGB 8 49 148

HSL 222.43, 0.9%, 0.31%

LAB 24.91, 28.59, -57.43

 

CMYK 100 / 76 / 0 / 49

HEX #001F81

RGB 0 31 129

HSL 225.58, 1%, 0.25%

LAB 18.21, 32.79, -56.62

 

CMYK 71 / 50 / 0 / 20

HEX #3C67CC

RGB 60 103 204

HSL 222.08, 0.59%, 0.52%

LAB 45.66, 19.27, -56.83

 

CMYK 71 / 69 / 0 / 20

HEX #3C40CC

RGB 60 64 204

HSL 238.33, 0.59%, 0.52%

LAB 35.96, 43.79, -72.63

 

CMYK 54 / 71 / 0 / 20

HEX #5E3CCC

RGB 94 60 204

HSL 254.17, 0.59%, 0.52%

LAB 37.79, 50.58, -69.52

 

CMYK 35 / 71 / 0 / 20

HEX #853CCC

RGB 133 60 204

HSL 270.42, 0.59%, 0.52%

LAB 42.12, 57.35, -62.28

 

CMYK 16 / 71 / 0 / 20

HEX #AC3CCC

RGB 172 60 204

HSL 286.67, 0.59%, 0.52%

LAB 47.45, 65.16, -53.41

 

CMYK 71 / 50 / 0 / 20

HEX #3C67CC

RGB 60 103 204

HSL 222.08, 0.59%, 0.52%

LAB 45.66, 19.27, -56.83

 

CMYK 71 / 69 / 0 / 20

HEX #3C40CC

RGB 60 64 204

HSL 238.33, 0.59%, 0.52%

LAB 35.96, 43.79, -72.63

 

CMYK 71 / 71 / 0 / 20

HEX #3C3CCC

RGB 60 60 204

HSL 240, 0.59%, 0.52%

LAB 35.11, 46.13, -74.03

 

CMYK 71 / 50 / 0 / 20

HEX #3C67CC

RGB 60 103 204

HSL 222.08, 0.59%, 0.52%

LAB 45.66, 19.27, -56.83

 

CMYK 82 / 57 / 0 / 12

HEX #2860E0

RGB 40 96 224

HSL 221.74, 0.75%, 0.52%

LAB 44.52, 28.98, -70.13

 

CMYK 92 / 64 / 0 / 4

HEX #1458F4

RGB 20 88 244

HSL 221.79, 0.91%, 0.52%

LAB 43.74, 40.42, -82.7

 

CMYK 71 / 50 / 0 / 20

HEX #3C67CC

RGB 60 103 204

HSL 222.08, 0.59%, 0.52%

LAB 45.66, 19.27, -56.83

 

CMYK 57 / 40 / 0 / 27

HEX #506FB9

RGB 80 111 185

HSL 222.29, 0.43%, 0.52%

LAB 47.72, 11.13, -42.52

 

CMYK 40 / 28 / 0 / 35

HEX #6377A5

RGB 99 119 165

HSL 221.82, 0.27%, 0.52%

LAB 50.17, 4.72, -26.97

 

CMYK 18 / 12 / 0 / 43

HEX #777F91

RGB 119 127 145

HSL 221.54, 0.11%, 0.52%

LAB 53.11, 1.04, -10.7

 

CMYK 0 / 3 / 10 / 45

HEX #8B877D

RGB 139 135 125

HSL 42.86, 0.06%, 0.52%

LAB 56.38, -0.37, 5.9

 

CMYK 71 / 10 / 0 / 20

HEX #3CB7CC

RGB 60 183 204

HSL 188.75, 0.59%, 0.52%

LAB 68.89, -26.61, -20.41

 

CMYK 71 / 29 / 0 / 20

HEX #3C90CC

RGB 60 144 204

HSL 205, 0.59%, 0.52%

LAB 57.33, -5.72, -38.26

 

CMYK 71 / 48 / 0 / 20

HEX #3C6ACC

RGB 60 106 204

HSL 220.83, 0.59%, 0.52%

LAB 46.48, 17.36, -55.51

 

CMYK 71 / 67 / 0 / 20

HEX #3C43CC

RGB 60 67 204

HSL 237.08, 0.59%, 0.52%

LAB 36.62, 42, -71.54

 

CMYK 55 / 71 / 0 / 20

HEX #5B3CCC

RGB 91 60 204

HSL 252.92, 0.59%, 0.52%

LAB 37.51, 50.12, -69.99

 

CMYK 74 / 52 / 0 / 43

HEX #254591

RGB 37 69 145

HSL 222.22, 0.59%, 0.36%

LAB 31.1, 16.12, -45.46

 

CMYK 75 / 52 / 0 / 30

HEX #2D55B2

RGB 45 85 178

HSL 221.95, 0.6%, 0.44%

LAB 38.32, 19.22, -53.59

 

CMYK 71 / 50 / 0 / 20

HEX #3C67CC

RGB 60 103 204

HSL 222.08, 0.59%, 0.52%

LAB 45.66, 19.27, -56.83

 

CMYK 56 / 39 / 0 / 16

HEX #5D81D5

RGB 93 129 213

HSL 222, 0.59%, 0.6%

LAB 54.9, 12.07, -47.08

 

CMYK 43 / 30 / 0 / 13

HEX #7D9ADD

RGB 125 154 221

HSL 221.88, 0.59%, 0.68%

LAB 63.91, 7.21, -37.25

 

CMYK 71 / 50 / 0 / 20

HEX #3B67CD

RGB 59 103 205

HSL 221.92, 0.59%, 0.52%

LAB 45.69, 19.49, -57.37

 

CMYK 8 / 71 / 0 / 20

HEX #BB3CCC

RGB 187 60 204

HSL 292.92, 0.59%, 0.52%

LAB 49.68, 68.33, -49.7

 

CMYK 20 / 0 / 71 / 20

HEX #A3CC3C

RGB 163 204 60

HSL 77.08, 0.59%, 0.52%

LAB 76.86, -33.5, 63.68

 

CMYK 71 / 50 / 0 / 20

HEX #3B67CD

RGB 59 103 205

HSL 221.92, 0.59%, 0.52%

LAB 45.69, 19.49, -57.37

 

CMYK 0 / 71 / 48 / 20

HEX #CC3C6A

RGB 204 60 106

HSL 340.83, 0.59%, 0.52%

LAB 48.4, 59.49, 6.82

 

CMYK 48 / 0 / 71 / 20

HEX #6ACC3C

RGB 106 204 60

HSL 100.83, 0.59%, 0.52%

LAB 73.92, -53.49, 59.76

 

CMYK 71 / 50 / 0 / 20

HEX #3B67CD

RGB 59 103 205

HSL 221.92, 0.59%, 0.52%

LAB 45.69, 19.49, -57.37

 

CMYK 8 / 71 / 0 / 20

HEX #BB3CCC

RGB 187 60 204

HSL 292.92, 0.59%, 0.52%

LAB 49.68, 68.33, -49.7

 

CMYK 0 / 22 / 71 / 20

HEX #CC9F3C

RGB 204 159 60

HSL 41.25, 0.59%, 0.52%

LAB 67.99, 6.69, 55.82

 

CMYK 62 / 0 / 71 / 20

HEX #4DCC3C

RGB 77 204 60

HSL 112.92, 0.59%, 0.52%

LAB 72.95, -61.06, 58.45

 

CMYK 71 / 50 / 0 / 20

HEX #3B67CD

RGB 59 103 205

HSL 221.92, 0.59%, 0.52%

LAB 45.69, 19.49, -57.37

 

CMYK 0 / 71 / 13 / 20

HEX #CC3CB2

RGB 204 60 178

HSL 310.83, 0.59%, 0.52%

LAB 51.02, 67.98, -32.34

 

CMYK 0 / 22 / 71 / 20

HEX #CC9F3C

RGB 204 159 60

HSL 41.25, 0.59%, 0.52%

LAB 67.99, 6.69, 55.82

 

CMYK 71 / 0 / 58 / 20

HEX #3CCC56

RGB 60 204 86

HSL 130.83, 0.59%, 0.52%

LAB 72.77, -61.7, 47.23

 

Description

Color code: HEX #3B67CD | qconv.com Color code: HEX #3B67CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 103 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 103 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 50 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 50% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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