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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B78D4 it is the complementary color #C4872B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B78D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B78D4 shade: #4078CF, #518AE2, #629CF5, #73AEFF and #84C0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B78D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B78D4 shade: #3B78D4, #2A66C1, #1954AE, #08429B and #003088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B78D4 shade: #3A77D3, #3A4ED3, #503AD3, #793AD3 and #A23AD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B78D4 shade: #3A77D3, #3A4ED3 and #3A3AD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B78D4 shade matches the following richer shades: #3A77D3, #2773E7 and #136FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B78D4 shade: #3A77D3, #4D7BC0, #617FAD, #748399 and #888786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B78D4 shade: #3AC9D3, #3AA0D3, #3A77D3, #3A4ED3 and #4E3AD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B78D4 shade: #215199, #2963BB, #3A77D3, #5C8EDB and #7EA6E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B78D4 shade: #3B78D4, #B53AD3 and #B5D33A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B78D4 shade: #3B78D4, #D33A77 and #77D33A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B78D4 shade: #3B78D4, #B53AD3, #D3963A and #59D33A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B78D4 shade: #3B78D4, #D33AC4, #D3963A and #3AD349

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 43 / 0 / 17

HEX #3B78D4

RGB 59 120 212

HSL 216.08, 0.64%, 0.53%

LAB 50.82, 11.35, -53.11

 

Complementary color

CMYK 0 / 31 / 78 / 23

HEX #C4872B

RGB 196 135 43

HSL 36.08, 0.64%, 0.47%

LAB 60.99, 15.49, 55.6

 

CMYK 69 / 42 / 0 / 19

HEX #4078CF

RGB 64 120 207

HSL 216.5, 0.6%, 0.53%

LAB 50.72, 10.27, -50.42

 

CMYK 64 / 39 / 0 / 11

HEX #518AE2

RGB 81 138 226

HSL 216.41, 0.71%, 0.6%

LAB 57.48, 8.72, -50.31

 

CMYK 60 / 36 / 0 / 4

HEX #629CF5

RGB 98 156 245

HSL 216.33, 0.88%, 0.67%

LAB 64.13, 7.46, -50.22

 

CMYK 55 / 32 / 0 / 0

HEX #73AEFF

RGB 115 174 255

HSL 214.71, 1%, 0.73%

LAB 70.27, 3.63, -45.94

 

CMYK 48 / 25 / 0 / 0

HEX #84C0FF

RGB 132 192 255

HSL 210.73, 1%, 0.76%

LAB 75.96, -2.64, -37

 

CMYK 72 / 43 / 0 / 17

HEX #3B78D4

RGB 59 120 212

HSL 216.08, 0.64%, 0.53%

LAB 50.82, 11.35, -53.11

 

CMYK 78 / 47 / 0 / 24

HEX #2A66C1

RGB 42 102 193

HSL 216.16, 0.64%, 0.46%

LAB 44.01, 13.52, -53.18

 

CMYK 86 / 52 / 0 / 32

HEX #1954AE

RGB 25 84 174

HSL 216.24, 0.75%, 0.39%

LAB 37.12, 16.24, -53.2

 

CMYK 95 / 57 / 0 / 39

HEX #08429B

RGB 8 66 155

HSL 216.33, 0.9%, 0.32%

LAB 30.19, 19.69, -53.06

 

CMYK 100 / 65 / 0 / 47

HEX #003088

RGB 0 48 136

HSL 218.82, 1%, 0.27%

LAB 23.31, 23.97, -52.62

 

CMYK 73 / 44 / 0 / 17

HEX #3A77D3

RGB 58 119 211

HSL 216.08, 0.63%, 0.53%

LAB 50.45, 11.47, -53.14

 

CMYK 73 / 63 / 0 / 17

HEX #3A4ED3

RGB 58 78 211

HSL 232.16, 0.63%, 0.53%

LAB 39.67, 37.43, -70.6

 

CMYK 62 / 73 / 0 / 17

HEX #503AD3

RGB 80 58 211

HSL 248.63, 0.63%, 0.53%

LAB 36.81, 51.75, -75.23

 

CMYK 43 / 73 / 0 / 17

HEX #793AD3

RGB 121 58 211

HSL 264.71, 0.63%, 0.53%

LAB 40.89, 57.82, -68.39

 

CMYK 23 / 73 / 0 / 17

HEX #A23AD3

RGB 162 58 211

HSL 280.78, 0.63%, 0.53%

LAB 46.19, 65.3, -59.53

 

CMYK 73 / 44 / 0 / 17

HEX #3A77D3

RGB 58 119 211

HSL 216.08, 0.63%, 0.53%

LAB 50.45, 11.47, -53.14

 

CMYK 73 / 63 / 0 / 17

HEX #3A4ED3

RGB 58 78 211

HSL 232.16, 0.63%, 0.53%

LAB 39.67, 37.43, -70.6

 

CMYK 73 / 73 / 0 / 17

HEX #3A3AD3

RGB 58 58 211

HSL 240, 0.63%, 0.53%

LAB 35.26, 49.35, -77.84

 

CMYK 73 / 44 / 0 / 17

HEX #3A77D3

RGB 58 119 211

HSL 216.08, 0.63%, 0.53%

LAB 50.45, 11.47, -53.14

 

CMYK 83 / 50 / 0 / 9

HEX #2773E7

RGB 39 115 231

HSL 216.25, 0.8%, 0.53%

LAB 50.05, 19.43, -65.1

 

CMYK 92 / 56 / 0 / 2

HEX #136FFA

RGB 19 111 250

HSL 216.1, 0.96%, 0.53%

LAB 49.99, 28.08, -75.83

 

CMYK 73 / 44 / 0 / 17

HEX #3A77D3

RGB 58 119 211

HSL 216.08, 0.63%, 0.53%

LAB 50.45, 11.47, -53.14

 

CMYK 60 / 36 / 0 / 25

HEX #4D7BC0

RGB 77 123 192

HSL 216, 0.48%, 0.53%

LAB 51.32, 5.5, -40.86

 

CMYK 44 / 27 / 0 / 32

HEX #617FAD

RGB 97 127 173

HSL 216.32, 0.32%, 0.53%

LAB 52.66, 1.75, -27.76

 

CMYK 24 / 14 / 0 / 40

HEX #748399

RGB 116 131 153

HSL 215.68, 0.15%, 0.53%

LAB 54.29, -0.36, -13.59

 

CMYK 0 / 1 / 1 / 47

HEX #888786

RGB 136 135 134

HSL 30, 0.01%, 0.53%

LAB 56.37, 0.18, 0.66

 

CMYK 73 / 5 / 0 / 17

HEX #3AC9D3

RGB 58 201 211

HSL 183.92, 0.63%, 0.53%

LAB 74.43, -33.5, -15.84

 

CMYK 73 / 24 / 0 / 17

HEX #3AA0D3

RGB 58 160 211

HSL 200, 0.63%, 0.53%

LAB 62.29, -12.58, -34.44

 

CMYK 73 / 44 / 0 / 17

HEX #3A77D3

RGB 58 119 211

HSL 216.08, 0.63%, 0.53%

LAB 50.45, 11.47, -53.14

 

CMYK 73 / 63 / 0 / 17

HEX #3A4ED3

RGB 58 78 211

HSL 232.16, 0.63%, 0.53%

LAB 39.67, 37.43, -70.6

 

CMYK 63 / 73 / 0 / 17

HEX #4E3AD3

RGB 78 58 211

HSL 247.84, 0.63%, 0.53%

LAB 36.65, 51.5, -75.5

 

CMYK 78 / 47 / 0 / 40

HEX #215199

RGB 33 81 153

HSL 216, 0.65%, 0.36%

LAB 35.02, 10.65, -44.01

 

CMYK 78 / 47 / 0 / 27

HEX #2963BB

RGB 41 99 187

HSL 216.16, 0.64%, 0.45%

LAB 42.74, 13.04, -51.75

 

CMYK 73 / 44 / 0 / 17

HEX #3A77D3

RGB 58 119 211

HSL 216.08, 0.63%, 0.53%

LAB 50.45, 11.47, -53.14

 

CMYK 58 / 35 / 0 / 14

HEX #5C8EDB

RGB 92 142 219

HSL 216.38, 0.64%, 0.61%

LAB 58.73, 6.06, -44.4

 

CMYK 44 / 27 / 0 / 11

HEX #7EA6E2

RGB 126 166 226

HSL 216, 0.63%, 0.69%

LAB 67.43, 2.06, -34.53

 

CMYK 72 / 43 / 0 / 17

HEX #3B78D4

RGB 59 120 212

HSL 216.08, 0.64%, 0.53%

LAB 50.82, 11.35, -53.11

 

CMYK 14 / 73 / 0 / 17

HEX #B53AD3

RGB 181 58 211

HSL 288.24, 0.63%, 0.53%

LAB 48.95, 69.06, -54.95

 

CMYK 14 / 0 / 73 / 17

HEX #B5D33A

RGB 181 211 58

HSL 71.76, 0.63%, 0.53%

LAB 80.02, -29.71, 67.89

 

CMYK 72 / 43 / 0 / 17

HEX #3B78D4

RGB 59 120 212

HSL 216.08, 0.64%, 0.53%

LAB 50.82, 11.35, -53.11

 

CMYK 0 / 73 / 44 / 17

HEX #D33A77

RGB 211 58 119

HSL 336.08, 0.63%, 0.53%

LAB 49.75, 63.38, 1.02

 

CMYK 44 / 0 / 73 / 17

HEX #77D33A

RGB 119 211 58

HSL 96.08, 0.63%, 0.53%

LAB 76.57, -52.38, 63.33

 

CMYK 72 / 43 / 0 / 17

HEX #3B78D4

RGB 59 120 212

HSL 216.08, 0.64%, 0.53%

LAB 50.82, 11.35, -53.11

 

CMYK 14 / 73 / 0 / 17

HEX #B53AD3

RGB 181 58 211

HSL 288.24, 0.63%, 0.53%

LAB 48.95, 69.06, -54.95

 

CMYK 0 / 29 / 73 / 17

HEX #D3963A

RGB 211 150 58

HSL 36.08, 0.63%, 0.53%

LAB 66.49, 14.48, 55.39

 

CMYK 58 / 0 / 73 / 17

HEX #59D33A

RGB 89 211 58

HSL 107.84, 0.63%, 0.53%

LAB 75.46, -60.84, 61.86

 

CMYK 72 / 43 / 0 / 17

HEX #3B78D4

RGB 59 120 212

HSL 216.08, 0.64%, 0.53%

LAB 50.82, 11.35, -53.11

 

CMYK 0 / 73 / 7 / 17

HEX #D33AC4

RGB 211 58 196

HSL 305.88, 0.63%, 0.53%

LAB 52.8, 72.9, -39.92

 

CMYK 0 / 29 / 73 / 17

HEX #D3963A

RGB 211 150 58

HSL 36.08, 0.63%, 0.53%

LAB 66.49, 14.48, 55.39

 

CMYK 73 / 0 / 65 / 17

HEX #3AD349

RGB 58 211 73

HSL 125.88, 0.63%, 0.53%

LAB 74.81, -65.82, 55.19

 

Description

Color code: HEX #3B78D4 | qconv.com Color code: HEX #3B78D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 120 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 120 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 43 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 43% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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