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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B7C03 it is the complementary color #C483FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B7C03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B7C03 shade: #407C00, #518E11, #62A024, #73B237 and #84C44A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B7C03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B7C03 shade: #3B7C03, #2A6A00, #195800, #084600 and #003400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B7C03 shade: #3B7C03, #5B7C03, #7C7C03, #7C5B03 and #7C3A03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B7C03 shade: #3B7C03, #1A7C03, #037C0C, #037C2D and #037C4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B7C03 shade matches the following richer shades: #3B7C03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B7C03 shade: #3B7C03, #3C710D, #3C6717, #3D5D22 and #3E532C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B7C03 shade: #7C7C03, #5C7C03, #3B7C03, #1B7C03 and #037C0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B7C03 shade: #142B01, #285402, #3B7C03, #4EA404 and #61CC05

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B7C03 shade: #3B7C03, #037C5C and #7C036C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B7C03 shade: #3B7C03, #033B7C and #7C033B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B7C03 shade: #3B7C03, #037C5C, #43037C and #7C0323

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B7C03 shade: #3B7C03, #03787C, #43037C and #7C0703

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 98 / 51

HEX #3B7C03

RGB 59 124 3

HSL 92.23, 0.95%, 0.25%

LAB 46.11, -39.59, 49.69

 

Complementary color

CMYK 22 / 48 / 0 / 1

HEX #C483FC

RGB 196 131 252

HSL 272.23, 0.95%, 0.75%

LAB 65.75, 47.06, -51.03

 

CMYK 48 / 0 / 100 / 51

HEX #407C00

RGB 64 124 0

HSL 89.03, 1%, 0.24%

LAB 46.32, -38.03, 50.59

 

CMYK 43 / 0 / 88 / 44

HEX #518E11

RGB 81 142 17

HSL 89.28, 0.79%, 0.31%

LAB 53.1, -39.12, 53.12

 

CMYK 39 / 0 / 78 / 37

HEX #62A024

RGB 98 160 36

HSL 90, 0.63%, 0.38%

LAB 59.77, -39.84, 54.09

 

CMYK 35 / 0 / 69 / 30

HEX #73B237

RGB 115 178 55

HSL 90.73, 0.53%, 0.46%

LAB 66.34, -40.28, 53.98

 

CMYK 33 / 0 / 62 / 23

HEX #84C44A

RGB 132 196 74

HSL 91.48, 0.51%, 0.53%

LAB 72.81, -40.53, 53.31

 

CMYK 52 / 0 / 98 / 51

HEX #3B7C03

RGB 59 124 3

HSL 92.23, 0.95%, 0.25%

LAB 46.11, -39.59, 49.69

 

CMYK 60 / 0 / 100 / 58

HEX #2A6A00

RGB 42 106 0

HSL 96.23, 1%, 0.21%

LAB 39.24, -37.83, 44.65

 

CMYK 72 / 0 / 100 / 65

HEX #195800

RGB 25 88 0

HSL 102.95, 1%, 0.17%

LAB 32.23, -35.56, 38.87

 

CMYK 89 / 0 / 100 / 73

HEX #084600

RGB 8 70 0

HSL 113.14, 1%, 0.14%

LAB 25.05, -32.53, 32.68

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 52 / 0 / 98 / 51

HEX #3B7C03

RGB 59 124 3

HSL 92.23, 0.95%, 0.25%

LAB 46.11, -39.59, 49.69

 

CMYK 27 / 0 / 98 / 51

HEX #5B7C03

RGB 91 124 3

HSL 76.36, 0.95%, 0.25%

LAB 47.81, -27.47, 51.76

 

CMYK 0 / 0 / 98 / 51

HEX #7C7C03

RGB 124 124 3

HSL 60, 0.95%, 0.25%

LAB 50.34, -12.58, 54.81

 

CMYK 0 / 27 / 98 / 51

HEX #7C5B03

RGB 124 91 3

HSL 43.64, 0.95%, 0.25%

LAB 40.85, 6.26, 47.82

 

CMYK 0 / 53 / 98 / 51

HEX #7C3A03

RGB 124 58 3

HSL 27.27, 0.95%, 0.25%

LAB 32.52, 25.65, 42.05

 

CMYK 52 / 0 / 98 / 51

HEX #3B7C03

RGB 59 124 3

HSL 92.23, 0.95%, 0.25%

LAB 46.11, -39.59, 49.69

 

CMYK 79 / 0 / 98 / 51

HEX #1A7C03

RGB 26 124 3

HSL 108.6, 0.95%, 0.25%

LAB 45.14, -47.65, 48.5

 

CMYK 98 / 0 / 90 / 51

HEX #037C0C

RGB 3 124 12

HSL 124.46, 0.95%, 0.25%

LAB 44.89, -49.8, 46.27

 

CMYK 98 / 0 / 64 / 51

HEX #037C2D

RGB 3 124 45

HSL 140.83, 0.95%, 0.25%

LAB 45.12, -46.9, 34.24

 

CMYK 98 / 0 / 38 / 51

HEX #037C4D

RGB 3 124 77

HSL 156.69, 0.95%, 0.25%

LAB 45.59, -41.15, 17.62

 

CMYK 52 / 0 / 98 / 51

HEX #3B7C03

RGB 59 124 3

HSL 92.23, 0.95%, 0.25%

LAB 46.11, -39.59, 49.69

 

CMYK 52 / 0 / 98 / 51

HEX #3B7C03

RGB 59 124 3

HSL 92.23, 0.95%, 0.25%

LAB 46.11, -39.59, 49.69

 

CMYK 47 / 0 / 88 / 56

HEX #3C710D

RGB 60 113 13

HSL 91.8, 0.79%, 0.25%

LAB 42.46, -34.32, 44.42

 

CMYK 42 / 0 / 78 / 60

HEX #3C6717

RGB 60 103 23

HSL 92.25, 0.63%, 0.25%

LAB 39.11, -29.28, 38.03

 

CMYK 34 / 0 / 63 / 64

HEX #3D5D22

RGB 61 93 34

HSL 92.54, 0.46%, 0.25%

LAB 35.86, -23.05, 29.58

 

CMYK 25 / 0 / 47 / 67

HEX #3E532C

RGB 62 83 44

HSL 92.31, 0.31%, 0.25%

LAB 32.68, -16.05, 20.24

 

CMYK 0 / 0 / 98 / 51

HEX #7C7C03

RGB 124 124 3

HSL 60, 0.95%, 0.25%

LAB 50.34, -12.58, 54.81

 

CMYK 26 / 0 / 98 / 51

HEX #5C7C03

RGB 92 124 3

HSL 75.87, 0.95%, 0.25%

LAB 47.88, -27.05, 51.84

 

CMYK 52 / 0 / 98 / 51

HEX #3B7C03

RGB 59 124 3

HSL 92.23, 0.95%, 0.25%

LAB 46.11, -39.59, 49.69

 

CMYK 78 / 0 / 98 / 51

HEX #1B7C03

RGB 27 124 3

HSL 108.1, 0.95%, 0.25%

LAB 45.16, -47.49, 48.52

 

CMYK 98 / 0 / 91 / 51

HEX #037C0B

RGB 3 124 11

HSL 123.97, 0.95%, 0.25%

LAB 44.88, -49.84, 46.49

 

CMYK 53 / 0 / 98 / 83

HEX #142B01

RGB 20 43 1

HSL 92.86, 0.95%, 0.09%

LAB 14.84, -17.87, 20.86

 

CMYK 52 / 0 / 98 / 67

HEX #285402

RGB 40 84 2

HSL 92.2, 0.95%, 0.17%

LAB 31.34, -29.31, 37.67

 

CMYK 52 / 0 / 98 / 51

HEX #3B7C03

RGB 59 124 3

HSL 92.23, 0.95%, 0.25%

LAB 46.11, -39.59, 49.69

 

CMYK 52 / 0 / 98 / 36

HEX #4EA404

RGB 78 164 4

HSL 92.25, 0.95%, 0.33%

LAB 60.05, -49.22, 61.03

 

CMYK 52 / 0 / 98 / 20

HEX #61CC05

RGB 97 204 5

HSL 92.26, 0.95%, 0.41%

LAB 73.38, -58.39, 71.85

 

CMYK 52 / 0 / 98 / 51

HEX #3B7C03

RGB 59 124 3

HSL 92.23, 0.95%, 0.25%

LAB 46.11, -39.59, 49.69

 

CMYK 98 / 0 / 26 / 51

HEX #037C5C

RGB 3 124 92

HSL 164.13, 0.95%, 0.25%

LAB 45.92, -37.5, 9.35

 

CMYK 0 / 98 / 13 / 51

HEX #7C036C

RGB 124 3 108

HSL 307.93, 0.95%, 0.25%

LAB 27.93, 54.67, -26.74

 

CMYK 52 / 0 / 98 / 51

HEX #3B7C03

RGB 59 124 3

HSL 92.23, 0.95%, 0.25%

LAB 46.11, -39.59, 49.69

 

CMYK 98 / 52 / 0 / 51

HEX #033B7C

RGB 3 59 124

HSL 212.23, 0.95%, 0.25%

LAB 25.57, 11.11, -41.41

 

CMYK 0 / 98 / 52 / 51

HEX #7C033B

RGB 124 3 59

HSL 332.23, 0.95%, 0.25%

LAB 25.76, 49.02, 2.56

 

CMYK 52 / 0 / 98 / 51

HEX #3B7C03

RGB 59 124 3

HSL 92.23, 0.95%, 0.25%

LAB 46.11, -39.59, 49.69

 

CMYK 98 / 0 / 26 / 51

HEX #037C5C

RGB 3 124 92

HSL 164.13, 0.95%, 0.25%

LAB 45.92, -37.5, 9.35

 

CMYK 46 / 98 / 0 / 51

HEX #43037C

RGB 67 3 124

HSL 271.74, 0.95%, 0.25%

LAB 18.86, 48.67, -52.2

 

CMYK 0 / 98 / 72 / 51

HEX #7C0323

RGB 124 3 35

HSL 344.13, 0.95%, 0.25%

LAB 25.17, 47.42, 18.24

 

CMYK 52 / 0 / 98 / 51

HEX #3B7C03

RGB 59 124 3

HSL 92.23, 0.95%, 0.25%

LAB 46.11, -39.59, 49.69

 

CMYK 98 / 3 / 0 / 51

HEX #03787C

RGB 3 120 124

HSL 181.98, 0.95%, 0.25%

LAB 45.51, -26.03, -10.23

 

CMYK 46 / 98 / 0 / 51

HEX #43037C

RGB 67 3 124

HSL 271.74, 0.95%, 0.25%

LAB 18.86, 48.67, -52.2

 

CMYK 0 / 94 / 98 / 51

HEX #7C0703

RGB 124 7 3

HSL 1.98, 0.95%, 0.25%

LAB 25.09, 45.66, 36.09

 

Description

Color code: HEX #3B7C03 | qconv.com Color code: HEX #3B7C03 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 124 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 124 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 98 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 98% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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