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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BA81E it is the complementary color #C457E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BA81E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BA81E shade: #40A819, #51BA2C, #62CC3F, #73DE52 and #84F065

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BA81E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BA81E shade: #3BA81E, #2A960B, #198400, #087200 and #006000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BA81E shade: #3BA91D, #60A91D, #86A91D, #A9A61D and #A9801D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BA81E shade: #3BA91D, #1DA926, #1DA94B, #1DA971 and #1DA996

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BA81E shade matches the following richer shades: #3BA91D and #31B90D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BA81E shade: #3BA91D, #44982D, #4D883E, #57784E and #60685E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BA81E shade: #86A91D, #61A91D, #3CA91D, #1DA924 and #1DA949

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BA81E shade: #226211, #2E8517, #3BA91D, #47CC24 and #5EDC3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BA81E shade: #3BA81E, #1DA9A6 and #A91D73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BA81E shade: #3BA81E, #1D3CA9 and #A91D3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BA81E shade: #3BA81E, #1DA9A6, #8A1DA9 and #A91D20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BA81E shade: #3BA81E, #1D81A9, #8A1DA9 and #A9451D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 82 / 34

HEX #3BA81E

RGB 59 168 30

HSL 107.39, 0.7%, 0.39%

LAB 60.81, -54.75, 56.38

 

Complementary color

CMYK 13 / 61 / 0 / 12

HEX #C457E1

RGB 196 87 225

HSL 287.39, 0.7%, 0.61%

LAB 56.08, 63.28, -51.39

 

CMYK 62 / 0 / 85 / 34

HEX #40A819

RGB 64 168 25

HSL 103.64, 0.74%, 0.38%

LAB 60.93, -53.83, 57.86

 

CMYK 56 / 0 / 76 / 27

HEX #51BA2C

RGB 81 186 44

HSL 104.37, 0.62%, 0.45%

LAB 67.31, -54.9, 58.48

 

CMYK 52 / 0 / 69 / 20

HEX #62CC3F

RGB 98 204 63

HSL 105.11, 0.58%, 0.52%

LAB 73.64, -55.56, 58.24

 

CMYK 48 / 0 / 63 / 13

HEX #73DE52

RGB 115 222 82

HSL 105.86, 0.68%, 0.6%

LAB 79.9, -55.94, 57.52

 

CMYK 45 / 0 / 58 / 6

HEX #84F065

RGB 132 240 101

HSL 106.62, 0.82%, 0.67%

LAB 86.09, -56.13, 56.56

 

CMYK 65 / 0 / 82 / 34

HEX #3BA81E

RGB 59 168 30

HSL 107.39, 0.7%, 0.39%

LAB 60.81, -54.75, 56.38

 

CMYK 72 / 0 / 93 / 41

HEX #2A960B

RGB 42 150 11

HSL 106.62, 0.86%, 0.32%

LAB 54.37, -53.05, 54.86

 

CMYK 81 / 0 / 100 / 48

HEX #198400

RGB 25 132 0

HSL 108.64, 1%, 0.26%

LAB 47.89, -50.47, 51.34

 

CMYK 93 / 0 / 100 / 55

HEX #087200

RGB 8 114 0

HSL 115.79, 1%, 0.22%

LAB 41.35, -46.83, 46.02

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 65 / 0 / 83 / 34

HEX #3BA91D

RGB 59 169 29

HSL 107.14, 0.71%, 0.39%

LAB 61.13, -55.15, 56.95

 

CMYK 43 / 0 / 83 / 34

HEX #60A91D

RGB 96 169 29

HSL 91.29, 0.71%, 0.39%

LAB 62.47, -44.67, 58.66

 

CMYK 21 / 0 / 83 / 34

HEX #86A91D

RGB 134 169 29

HSL 75, 0.71%, 0.39%

LAB 64.59, -30.29, 61.36

 

CMYK 0 / 2 / 83 / 34

HEX #A9A61D

RGB 169 166 29

HSL 58.71, 0.71%, 0.39%

LAB 66.36, -13.75, 63.93

 

CMYK 0 / 24 / 83 / 34

HEX #A9801D

RGB 169 128 29

HSL 42.43, 0.71%, 0.39%

LAB 56.05, 6.79, 55.04

 

CMYK 65 / 0 / 83 / 34

HEX #3BA91D

RGB 59 169 29

HSL 107.14, 0.71%, 0.39%

LAB 61.13, -55.15, 56.95

 

CMYK 83 / 0 / 78 / 34

HEX #1DA926

RGB 29 169 38

HSL 123.86, 0.71%, 0.39%

LAB 60.58, -59.64, 53.5

 

CMYK 83 / 0 / 56 / 34

HEX #1DA94B

RGB 29 169 75

HSL 139.71, 0.71%, 0.39%

LAB 60.91, -55.63, 38.23

 

CMYK 83 / 0 / 33 / 34

HEX #1DA971

RGB 29 169 113

HSL 156, 0.71%, 0.39%

LAB 61.51, -48.69, 19.1

 

CMYK 83 / 0 / 11 / 34

HEX #1DA996

RGB 29 169 150

HSL 171.86, 0.71%, 0.39%

LAB 62.37, -39.43, -0.22

 

CMYK 65 / 0 / 83 / 34

HEX #3BA91D

RGB 59 169 29

HSL 107.14, 0.71%, 0.39%

LAB 61.13, -55.15, 56.95

 

CMYK 74 / 0 / 93 / 27

HEX #31B90D

RGB 49 185 13

HSL 107.44, 0.87%, 0.39%

LAB 66.04, -62.89, 64.41

 

CMYK 65 / 0 / 83 / 34

HEX #3BA91D

RGB 59 169 29

HSL 107.14, 0.71%, 0.39%

LAB 61.13, -55.15, 56.95

 

CMYK 55 / 0 / 70 / 40

HEX #44982D

RGB 68 152 45

HSL 107.1, 0.54%, 0.39%

LAB 55.96, -45.59, 46.52

 

CMYK 43 / 0 / 54 / 47

HEX #4D883E

RGB 77 136 62

HSL 107.84, 0.37%, 0.39%

LAB 51.31, -34.26, 33.49

 

CMYK 28 / 0 / 35 / 53

HEX #57784E

RGB 87 120 78

HSL 107.14, 0.21%, 0.39%

LAB 46.99, -20.51, 19.38

 

CMYK 8 / 0 / 10 / 59

HEX #60685E

RGB 96 104 94

HSL 108, 0.05%, 0.39%

LAB 43.06, -5.16, 4.58

 

CMYK 21 / 0 / 83 / 34

HEX #86A91D

RGB 134 169 29

HSL 75, 0.71%, 0.39%

LAB 64.59, -30.29, 61.36

 

CMYK 43 / 0 / 83 / 34

HEX #61A91D

RGB 97 169 29

HSL 90.86, 0.71%, 0.39%

LAB 62.51, -44.33, 58.72

 

CMYK 64 / 0 / 83 / 34

HEX #3CA91D

RGB 60 169 29

HSL 106.71, 0.71%, 0.39%

LAB 61.16, -54.93, 56.98

 

CMYK 83 / 0 / 79 / 34

HEX #1DA924

RGB 29 169 36

HSL 123, 0.71%, 0.39%

LAB 60.57, -59.78, 54.14

 

CMYK 83 / 0 / 57 / 34

HEX #1DA949

RGB 29 169 73

HSL 138.86, 0.71%, 0.39%

LAB 60.89, -55.92, 39.17

 

CMYK 65 / 0 / 83 / 62

HEX #226211

RGB 34 98 17

HSL 107.41, 0.7%, 0.23%

LAB 36.21, -36.09, 37.07

 

CMYK 65 / 0 / 83 / 48

HEX #2E8517

RGB 46 133 23

HSL 107.45, 0.71%, 0.31%

LAB 48.78, -45.83, 47.13

 

CMYK 65 / 0 / 83 / 34

HEX #3BA91D

RGB 59 169 29

HSL 107.14, 0.71%, 0.39%

LAB 61.13, -55.15, 56.95

 

CMYK 65 / 0 / 82 / 20

HEX #47CC24

RGB 71 204 36

HSL 107.5, 0.7%, 0.47%

LAB 72.66, -63.91, 65.76

 

CMYK 57 / 0 / 73 / 14

HEX #5EDC3C

RGB 94 220 60

HSL 107.25, 0.7%, 0.55%

LAB 78.4, -62.63, 64.17

 

CMYK 65 / 0 / 82 / 34

HEX #3BA81E

RGB 59 168 30

HSL 107.39, 0.7%, 0.39%

LAB 60.81, -54.75, 56.38

 

CMYK 83 / 0 / 2 / 34

HEX #1DA9A6

RGB 29 169 166

HSL 178.71, 0.71%, 0.39%

LAB 62.84, -34.79, -8.5

 

CMYK 0 / 83 / 32 / 34

HEX #A91D73

RGB 169 29 115

HSL 323.14, 0.71%, 0.39%

LAB 38.81, 60.61, -13.62

 

CMYK 65 / 0 / 82 / 34

HEX #3BA81E

RGB 59 168 30

HSL 107.39, 0.7%, 0.39%

LAB 60.81, -54.75, 56.38

 

CMYK 83 / 64 / 0 / 34

HEX #1D3CA9

RGB 29 60 169

HSL 226.71, 0.71%, 0.39%

LAB 30.3, 30.71, -61.33

 

CMYK 0 / 83 / 64 / 34

HEX #A91D3C

RGB 169 29 60

HSL 346.71, 0.71%, 0.39%

LAB 37.19, 55.82, 19.11

 

CMYK 65 / 0 / 82 / 34

HEX #3BA81E

RGB 59 168 30

HSL 107.39, 0.7%, 0.39%

LAB 60.81, -54.75, 56.38

 

CMYK 83 / 0 / 2 / 34

HEX #1DA9A6

RGB 29 169 166

HSL 178.71, 0.71%, 0.39%

LAB 62.84, -34.79, -8.5

 

CMYK 18 / 83 / 0 / 34

HEX #8A1DA9

RGB 138 29 169

HSL 286.71, 0.71%, 0.39%

LAB 36.26, 62.29, -51.13

 

CMYK 0 / 83 / 81 / 34

HEX #A91D20

RGB 169 29 32

HSL 358.71, 0.71%, 0.39%

LAB 36.78, 54.57, 35.83

 

CMYK 65 / 0 / 82 / 34

HEX #3BA81E

RGB 59 168 30

HSL 107.39, 0.7%, 0.39%

LAB 60.81, -54.75, 56.38

 

CMYK 83 / 24 / 0 / 34

HEX #1D81A9

RGB 29 129 169

HSL 197.14, 0.71%, 0.39%

LAB 50.48, -13.29, -29.03

 

CMYK 18 / 83 / 0 / 34

HEX #8A1DA9

RGB 138 29 169

HSL 286.71, 0.71%, 0.39%

LAB 36.26, 62.29, -51.13

 

CMYK 0 / 59 / 83 / 34

HEX #A9451D

RGB 169 69 29

HSL 17.14, 0.71%, 0.39%

LAB 42.43, 39.02, 42.83

 

Description

Color code: HEX #3BA81E | qconv.com Color code: HEX #3BA81E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 168 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 168 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 82 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 82% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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