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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BAF94 it is the complementary color #C4506B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BAF94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BAF94 shade: #40AF8F, #51C1A2, #62D3B5, #73E5C8 and #84F7DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BAF94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BAF94 shade: #3BAF94, #2A9D81, #198B6E, #08795B and #006748

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BAF94 shade: #3AAF94, #3AAF75, #3AAF55, #3FAF3A and #5FAF3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BAF94 shade: #3AAF94, #3AABAF, #3A8BAF, #3A6CAF and #3A4CAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BAF94 shade matches the following richer shades: #3AAF94, #27C29E, #14D5A8 and #01E8B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BAF94 shade: #3AAF94, #4D9C8A, #608980, #737776 and #86646C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BAF94 shade: #3AAF56, #3AAF75, #3AAF94, #3AACAF and #3A8CAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BAF94 shade: #267260, #30917A, #3AAF94, #4FC4A9 and #6ECEB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BAF94 shade: #3BAF94, #3A3EAF and #AF653A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BAF94 shade: #3BAF94, #943AAF and #AF943A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BAF94 shade: #3BAF94, #3A3EAF, #AF3A56 and #AFAC3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BAF94 shade: #3BAF94, #593AAF, #AF3A56 and #90AF3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 15 / 31

HEX #3BAF94

RGB 59 175 148

HSL 166.03, 0.5%, 0.46%

LAB 64.75, -38.84, 4.41

 

Complementary color

CMYK 0 / 59 / 45 / 23

HEX #C4506B

RGB 196 80 107

HSL 346.03, 0.5%, 0.54%

LAB 50.14, 48.75, 8.5

 

CMYK 63 / 0 / 18 / 31

HEX #40AF8F

RGB 64 175 143

HSL 162.7, 0.46%, 0.47%

LAB 64.75, -39.21, 7.21

 

CMYK 58 / 0 / 16 / 24

HEX #51C1A2

RGB 81 193 162

HSL 163.39, 0.47%, 0.54%

LAB 71.21, -39.37, 6.11

 

CMYK 54 / 0 / 14 / 17

HEX #62D3B5

RGB 98 211 181

HSL 164.07, 0.56%, 0.61%

LAB 77.59, -39.41, 5.11

 

CMYK 50 / 0 / 13 / 10

HEX #73E5C8

RGB 115 229 200

HSL 164.74, 0.69%, 0.67%

LAB 83.89, -39.38, 4.19

 

CMYK 47 / 0 / 11 / 3

HEX #84F7DB

RGB 132 247 219

HSL 165.39, 0.88%, 0.74%

LAB 90.11, -39.3, 3.34

 

CMYK 66 / 0 / 15 / 31

HEX #3BAF94

RGB 59 175 148

HSL 166.03, 0.5%, 0.46%

LAB 64.75, -38.84, 4.41

 

CMYK 73 / 0 / 18 / 38

HEX #2A9D81

RGB 42 157 129

HSL 165.39, 0.58%, 0.39%

LAB 58.22, -38.33, 5.61

 

CMYK 82 / 0 / 21 / 45

HEX #198B6E

RGB 25 139 110

HSL 164.74, 0.7%, 0.32%

LAB 51.61, -37.5, 6.97

 

CMYK 93 / 0 / 25 / 53

HEX #08795B

RGB 8 121 91

HSL 164.07, 0.88%, 0.25%

LAB 44.92, -36.15, 8.54

 

CMYK 100 / 0 / 30 / 60

HEX #006748

RGB 0 103 72

HSL 161.94, 1%, 0.2%

LAB 38.14, -34.07, 10.37

 

CMYK 67 / 0 / 15 / 31

HEX #3AAF94

RGB 58 175 148

HSL 166.15, 0.5%, 0.46%

LAB 64.72, -39, 4.37

 

CMYK 67 / 0 / 33 / 31

HEX #3AAF75

RGB 58 175 117

HSL 150.26, 0.5%, 0.46%

LAB 64.03, -46.17, 20.45

 

CMYK 67 / 0 / 51 / 31

HEX #3AAF55

RGB 58 175 85

HSL 133.85, 0.5%, 0.46%

LAB 63.52, -51.88, 36.58

 

CMYK 64 / 0 / 67 / 31

HEX #3FAF3A

RGB 63 175 58

HSL 117.44, 0.5%, 0.46%

LAB 63.36, -54.18, 48.98

 

CMYK 46 / 0 / 67 / 31

HEX #5FAF3A

RGB 95 175 58

HSL 101.03, 0.5%, 0.46%

LAB 64.48, -45.53, 50.52

 

CMYK 67 / 0 / 15 / 31

HEX #3AAF94

RGB 58 175 148

HSL 166.15, 0.5%, 0.46%

LAB 64.72, -39, 4.37

 

CMYK 67 / 2 / 0 / 31

HEX #3AABAF

RGB 58 171 175

HSL 182.05, 0.5%, 0.46%

LAB 64.26, -29.71, -11.35

 

CMYK 67 / 21 / 0 / 31

HEX #3A8BAF

RGB 58 139 175

HSL 198.46, 0.5%, 0.46%

LAB 54.51, -13.04, -26.19

 

CMYK 67 / 38 / 0 / 31

HEX #3A6CAF

RGB 58 108 175

HSL 214.36, 0.5%, 0.46%

LAB 45.25, 5.27, -40.7

 

CMYK 67 / 57 / 0 / 31

HEX #3A4CAF

RGB 58 76 175

HSL 230.77, 0.5%, 0.46%

LAB 36.3, 25.88, -55.06

 

CMYK 67 / 0 / 15 / 31

HEX #3AAF94

RGB 58 175 148

HSL 166.15, 0.5%, 0.46%

LAB 64.72, -39, 4.37

 

CMYK 80 / 0 / 19 / 24

HEX #27C29E

RGB 39 194 158

HSL 166.06, 0.67%, 0.46%

LAB 70.51, -47.08, 7.16

 

CMYK 91 / 0 / 21 / 16

HEX #14D5A8

RGB 20 213 168

HSL 166.01, 0.83%, 0.46%

LAB 76.41, -53.61, 10.18

 

CMYK 100 / 0 / 23 / 9

HEX #01E8B3

RGB 1 232 179

HSL 166.23, 0.99%, 0.46%

LAB 82.36, -58.89, 12.8

 

CMYK 67 / 0 / 15 / 31

HEX #3AAF94

RGB 58 175 148

HSL 166.15, 0.5%, 0.46%

LAB 64.72, -39, 4.37

 

CMYK 51 / 0 / 12 / 39

HEX #4D9C8A

RGB 77 156 138

HSL 166.33, 0.34%, 0.46%

LAB 59.15, -28.84, 1.99

 

CMYK 30 / 0 / 7 / 46

HEX #608980

RGB 96 137 128

HSL 166.83, 0.18%, 0.46%

LAB 53.96, -16.21, 0.27

 

CMYK 3 / 0 / 1 / 53

HEX #737776

RGB 115 119 118

HSL 165, 0.02%, 0.46%

LAB 49.67, -1.71, 0.02

 

CMYK 0 / 25 / 19 / 47

HEX #86646C

RGB 134 100 108

HSL 345.88, 0.15%, 0.46%

LAB 46, 15.02, 0.84

 

CMYK 67 / 0 / 51 / 31

HEX #3AAF56

RGB 58 175 86

HSL 134.36, 0.5%, 0.46%

LAB 63.53, -51.73, 36.09

 

CMYK 67 / 0 / 33 / 31

HEX #3AAF75

RGB 58 175 117

HSL 150.26, 0.5%, 0.46%

LAB 64.03, -46.17, 20.45

 

CMYK 67 / 0 / 15 / 31

HEX #3AAF94

RGB 58 175 148

HSL 166.15, 0.5%, 0.46%

LAB 64.72, -39, 4.37

 

CMYK 67 / 2 / 0 / 31

HEX #3AACAF

RGB 58 172 175

HSL 181.54, 0.5%, 0.46%

LAB 64.56, -30.2, -10.89

 

CMYK 67 / 20 / 0 / 31

HEX #3A8CAF

RGB 58 140 175

HSL 197.95, 0.5%, 0.46%

LAB 54.81, -13.6, -25.72

 

CMYK 67 / 0 / 16 / 55

HEX #267260

RGB 38 114 96

HSL 165.79, 0.5%, 0.3%

LAB 43.2, -27.88, 3.18

 

CMYK 67 / 0 / 16 / 43

HEX #30917A

RGB 48 145 122

HSL 165.77, 0.5%, 0.38%

LAB 54.33, -33.79, 4.02

 

CMYK 67 / 0 / 15 / 31

HEX #3AAF94

RGB 58 175 148

HSL 166.15, 0.5%, 0.46%

LAB 64.72, -39, 4.37

 

CMYK 60 / 0 / 14 / 23

HEX #4FC4A9

RGB 79 196 169

HSL 166.15, 0.5%, 0.54%

LAB 72.23, -39.41, 3.77

 

CMYK 47 / 0 / 11 / 19

HEX #6ECEB8

RGB 110 206 184

HSL 166.25, 0.49%, 0.62%

LAB 76.63, -33.68, 2.16

 

CMYK 66 / 0 / 15 / 31

HEX #3BAF94

RGB 59 175 148

HSL 166.03, 0.5%, 0.46%

LAB 64.75, -38.84, 4.41

 

CMYK 67 / 65 / 0 / 31

HEX #3A3EAF

RGB 58 62 175

HSL 237.95, 0.5%, 0.46%

LAB 32.79, 34.88, -60.78

 

CMYK 0 / 42 / 67 / 31

HEX #AF653A

RGB 175 101 58

HSL 22.05, 0.5%, 0.46%

LAB 50.37, 25.95, 36.66

 

CMYK 66 / 0 / 15 / 31

HEX #3BAF94

RGB 59 175 148

HSL 166.03, 0.5%, 0.46%

LAB 64.75, -38.84, 4.41

 

CMYK 15 / 67 / 0 / 31

HEX #943AAF

RGB 148 58 175

HSL 286.15, 0.5%, 0.46%

LAB 41.87, 55.03, -45.6

 

CMYK 0 / 15 / 67 / 31

HEX #AF943A

RGB 175 148 58

HSL 46.15, 0.5%, 0.46%

LAB 62.17, -0.2, 49.7

 

CMYK 66 / 0 / 15 / 31

HEX #3BAF94

RGB 59 175 148

HSL 166.03, 0.5%, 0.46%

LAB 64.75, -38.84, 4.41

 

CMYK 67 / 65 / 0 / 31

HEX #3A3EAF

RGB 58 62 175

HSL 237.95, 0.5%, 0.46%

LAB 32.79, 34.88, -60.78

 

CMYK 0 / 67 / 51 / 31

HEX #AF3A56

RGB 175 58 86

HSL 345.64, 0.5%, 0.46%

LAB 42.48, 49.59, 10.06

 

CMYK 0 / 2 / 67 / 31

HEX #AFAC3A

RGB 175 172 58

HSL 58.46, 0.5%, 0.46%

LAB 68.7, -12.96, 56.5

 

CMYK 66 / 0 / 15 / 31

HEX #3BAF94

RGB 59 175 148

HSL 166.03, 0.5%, 0.46%

LAB 64.75, -38.84, 4.41

 

CMYK 49 / 67 / 0 / 31

HEX #593AAF

RGB 89 58 175

HSL 255.9, 0.5%, 0.46%

LAB 34.49, 42.42, -57.89

 

CMYK 0 / 67 / 51 / 31

HEX #AF3A56

RGB 175 58 86

HSL 345.64, 0.5%, 0.46%

LAB 42.48, 49.59, 10.06

 

CMYK 18 / 0 / 67 / 31

HEX #90AF3A

RGB 144 175 58

HSL 75.9, 0.5%, 0.46%

LAB 67.2, -27.53, 54.21

 

Description

Color code: HEX #3BAF94 | qconv.com Color code: HEX #3BAF94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 175 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 175 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 15 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 15% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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