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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BC78D it is the complementary color #C43872. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BC78D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BC78D shade: #40C788, #51D99B, #62EBAE, #73FDC1 and #84FFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BC78D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BC78D shade: #3BC78D, #2AB57A, #19A367, #089154 and #007F41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BC78D shade: #3CC88E, #3CC868, #3CC842, #5BC83C and #81C83C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BC78D shade: #3CC88E, #3CC8B3, #3CB6C8, #3C90C8 and #3C6BC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BC78D shade matches the following richer shades: #3CC88E, #27DC91 and #13F094

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BC78D shade: #3CC88E, #50B38A, #649F87, #788B83 and #8C7780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BC78D shade: #3CC843, #3CC868, #3CC88D, #3CC8B3 and #3CB7C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BC78D shade: #278A61, #30AA77, #3CC88E, #5CD1A0 and #7CDAB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BC78D shade: #3BC78D, #3C5AC8 and #C8553C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BC78D shade: #3BC78D, #8D3CC8 and #C88D3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BC78D shade: #3BC78D, #3C5AC8, #C83C76 and #C8A93C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BC78D shade: #3BC78D, #473CC8, #C83C76 and #BCC83C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 29 / 22

HEX #3BC78D

RGB 59 199 141

HSL 155.14, 0.56%, 0.51%

LAB 72.03, -50.6, 18.51

 

Complementary color

CMYK 0 / 71 / 42 / 23

HEX #C43872

RGB 196 56 114

HSL 335.14, 0.56%, 0.49%

LAB 46.68, 59.37, -0.73

 

CMYK 68 / 0 / 32 / 22

HEX #40C788

RGB 64 199 136

HSL 152, 0.55%, 0.52%

LAB 72.04, -50.86, 21.2

 

CMYK 63 / 0 / 29 / 15

HEX #51D99B

RGB 81 217 155

HSL 152.65, 0.64%, 0.58%

LAB 78.31, -51.15, 19.86

 

CMYK 58 / 0 / 26 / 8

HEX #62EBAE

RGB 98 235 174

HSL 153.28, 0.77%, 0.65%

LAB 84.52, -51.27, 18.63

 

CMYK 55 / 0 / 24 / 1

HEX #73FDC1

RGB 115 253 193

HSL 153.91, 0.97%, 0.72%

LAB 90.66, -51.29, 17.49

 

CMYK 48 / 0 / 17 / 0

HEX #84FFD4

RGB 132 255 212

HSL 159.02, 1%, 0.76%

LAB 92.21, -44.39, 9.99

 

CMYK 70 / 0 / 29 / 22

HEX #3BC78D

RGB 59 199 141

HSL 155.14, 0.56%, 0.51%

LAB 72.03, -50.6, 18.51

 

CMYK 77 / 0 / 33 / 29

HEX #2AB57A

RGB 42 181 122

HSL 154.53, 0.62%, 0.44%

LAB 65.71, -49.95, 19.97

 

CMYK 85 / 0 / 37 / 36

HEX #19A367

RGB 25 163 103

HSL 153.91, 0.73%, 0.37%

LAB 59.32, -48.91, 21.6

 

CMYK 94 / 0 / 42 / 43

HEX #089154

RGB 8 145 84

HSL 153.28, 0.9%, 0.3%

LAB 52.89, -47.31, 23.4

 

CMYK 100 / 0 / 49 / 50

HEX #007F41

RGB 0 127 65

HSL 150.71, 1%, 0.25%

LAB 46.39, -44.96, 25.39

 

CMYK 70 / 0 / 29 / 22

HEX #3CC88E

RGB 60 200 142

HSL 155.14, 0.56%, 0.51%

LAB 72.38, -50.63, 18.46

 

CMYK 70 / 0 / 48 / 22

HEX #3CC868

RGB 60 200 104

HSL 138.86, 0.56%, 0.51%

LAB 71.74, -57.75, 37.34

 

CMYK 70 / 0 / 67 / 22

HEX #3CC842

RGB 60 200 66

HSL 122.57, 0.56%, 0.51%

LAB 71.33, -62.58, 54.27

 

CMYK 55 / 0 / 70 / 22

HEX #5BC83C

RGB 91 200 60

HSL 106.71, 0.56%, 0.51%

LAB 72.13, -56.21, 57.74

 

CMYK 36 / 0 / 70 / 22

HEX #81C83C

RGB 129 200 60

HSL 90.43, 0.56%, 0.51%

LAB 73.74, -44.41, 59.9

 

CMYK 70 / 0 / 29 / 22

HEX #3CC88E

RGB 60 200 142

HSL 155.14, 0.56%, 0.51%

LAB 72.38, -50.63, 18.46

 

CMYK 70 / 0 / 11 / 22

HEX #3CC8B3

RGB 60 200 179

HSL 171, 0.56%, 0.51%

LAB 73.24, -41.75, -0.26

 

CMYK 70 / 9 / 0 / 22

HEX #3CB6C8

RGB 60 182 200

HSL 187.71, 0.56%, 0.51%

LAB 68.45, -27.34, -18.87

 

CMYK 70 / 28 / 0 / 22

HEX #3C90C8

RGB 60 144 200

HSL 204, 0.56%, 0.51%

LAB 57.15, -7.1, -36.29

 

CMYK 70 / 47 / 0 / 22

HEX #3C6BC8

RGB 60 107 200

HSL 219.86, 0.56%, 0.51%

LAB 46.51, 15.27, -53.17

 

CMYK 70 / 0 / 29 / 22

HEX #3CC88E

RGB 60 200 142

HSL 155.14, 0.56%, 0.51%

LAB 72.38, -50.63, 18.46

 

CMYK 82 / 0 / 34 / 14

HEX #27DC91

RGB 39 220 145

HSL 155.14, 0.72%, 0.51%

LAB 78.26, -60.15, 24.89

 

CMYK 92 / 0 / 38 / 6

HEX #13F094

RGB 19 240 148

HSL 155.02, 0.88%, 0.51%

LAB 84.28, -67.88, 31.4

 

CMYK 70 / 0 / 29 / 22

HEX #3CC88E

RGB 60 200 142

HSL 155.14, 0.56%, 0.51%

LAB 72.38, -50.63, 18.46

 

CMYK 55 / 0 / 23 / 30

HEX #50B38A

RGB 80 179 138

HSL 155.15, 0.39%, 0.51%

LAB 66.35, -38.87, 12.3

 

CMYK 37 / 0 / 15 / 38

HEX #649F87

RGB 100 159 135

HSL 155.59, 0.24%, 0.51%

LAB 61.01, -24.8, 6.49

 

CMYK 14 / 0 / 6 / 45

HEX #788B83

RGB 120 139 131

HSL 154.74, 0.08%, 0.51%

LAB 56.18, -8.51, 1.97

 

CMYK 0 / 15 / 9 / 45

HEX #8C7780

RGB 140 119 128

HSL 334.29, 0.08%, 0.51%

LAB 52.21, 9.75, -1.9

 

CMYK 70 / 0 / 67 / 22

HEX #3CC843

RGB 60 200 67

HSL 123, 0.56%, 0.51%

LAB 71.33, -62.48, 53.87

 

CMYK 70 / 0 / 48 / 22

HEX #3CC868

RGB 60 200 104

HSL 138.86, 0.56%, 0.51%

LAB 71.74, -57.75, 37.34

 

CMYK 70 / 0 / 30 / 22

HEX #3CC88D

RGB 60 200 141

HSL 154.71, 0.56%, 0.51%

LAB 72.36, -50.85, 18.97

 

CMYK 70 / 0 / 11 / 22

HEX #3CC8B3

RGB 60 200 179

HSL 171, 0.56%, 0.51%

LAB 73.24, -41.75, -0.26

 

CMYK 70 / 9 / 0 / 22

HEX #3CB7C8

RGB 60 183 200

HSL 187.29, 0.56%, 0.51%

LAB 68.75, -27.84, -18.42

 

CMYK 72 / 0 / 30 / 46

HEX #278A61

RGB 39 138 97

HSL 155.15, 0.56%, 0.35%

LAB 51.23, -38.39, 13.95

 

CMYK 72 / 0 / 30 / 33

HEX #30AA77

RGB 48 170 119

HSL 154.92, 0.56%, 0.43%

LAB 62.26, -45.38, 16.9

 

CMYK 70 / 0 / 29 / 22

HEX #3CC88E

RGB 60 200 142

HSL 155.14, 0.56%, 0.51%

LAB 72.38, -50.63, 18.46

 

CMYK 56 / 0 / 23 / 18

HEX #5CD1A0

RGB 92 209 160

HSL 154.87, 0.56%, 0.59%

LAB 76.32, -44.55, 14.5

 

CMYK 43 / 0 / 18 / 15

HEX #7CDAB3

RGB 124 218 179

HSL 155.11, 0.56%, 0.67%

LAB 80.56, -36.83, 10.56

 

CMYK 70 / 0 / 29 / 22

HEX #3BC78D

RGB 59 199 141

HSL 155.14, 0.56%, 0.51%

LAB 72.03, -50.6, 18.51

 

CMYK 70 / 55 / 0 / 22

HEX #3C5AC8

RGB 60 90 200

HSL 227.14, 0.56%, 0.51%

LAB 41.91, 26.14, -60.59

 

CMYK 0 / 58 / 70 / 22

HEX #C8553C

RGB 200 85 60

HSL 10.71, 0.56%, 0.51%

LAB 50.81, 44.27, 37.05

 

CMYK 70 / 0 / 29 / 22

HEX #3BC78D

RGB 59 199 141

HSL 155.14, 0.56%, 0.51%

LAB 72.03, -50.6, 18.51

 

CMYK 30 / 70 / 0 / 22

HEX #8D3CC8

RGB 141 60 200

HSL 274.71, 0.56%, 0.51%

LAB 42.86, 57.99, -58.71

 

CMYK 0 / 30 / 70 / 22

HEX #C88D3C

RGB 200 141 60

HSL 34.71, 0.56%, 0.51%

LAB 63.06, 14.73, 50.55

 

CMYK 70 / 0 / 29 / 22

HEX #3BC78D

RGB 59 199 141

HSL 155.14, 0.56%, 0.51%

LAB 72.03, -50.6, 18.51

 

CMYK 70 / 55 / 0 / 22

HEX #3C5AC8

RGB 60 90 200

HSL 227.14, 0.56%, 0.51%

LAB 41.91, 26.14, -60.59

 

CMYK 0 / 70 / 41 / 22

HEX #C83C76

RGB 200 60 118

HSL 335.14, 0.56%, 0.51%

LAB 48.03, 59.47, -1.11

 

CMYK 0 / 16 / 70 / 22

HEX #C8A93C

RGB 200 169 60

HSL 46.71, 0.56%, 0.51%

LAB 70.16, -0.41, 57.91

 

CMYK 70 / 0 / 29 / 22

HEX #3BC78D

RGB 59 199 141

HSL 155.14, 0.56%, 0.51%

LAB 72.03, -50.6, 18.51

 

CMYK 65 / 70 / 0 / 22

HEX #473CC8

RGB 71 60 200

HSL 244.71, 0.56%, 0.51%

LAB 35.48, 46.12, -71.06

 

CMYK 0 / 70 / 41 / 22

HEX #C83C76

RGB 200 60 118

HSL 335.14, 0.56%, 0.51%

LAB 48.03, 59.47, -1.11

 

CMYK 6 / 0 / 70 / 22

HEX #BCC83C

RGB 188 200 60

HSL 65.14, 0.56%, 0.51%

LAB 77.48, -21.44, 64.88

 

Description

Color code: HEX #3BC78D | qconv.com Color code: HEX #3BC78D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 199 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 199 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 29 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 29% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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