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Color name
HEX #3BC95D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BC95D it is the complementary color #C436A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BC95D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BC95D shade: #40C958, #51DB6B, #62ED7E, #73FF91 and #84FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BC95D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BC95D shade: #3BC95D, #2AB74A, #19A537, #089324 and #008111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BC95D shade: #3AC95C, #3FC93A, #65C93A, #8BC93A and #B2C93A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BC95D shade: #3AC95C, #3AC983, #3AC9A9, #3AC2C9 and #3A9BC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BC95D shade matches the following richer shades: #3AC95C, #26DD52 and #12F147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BC95D shade: #3AC95C, #4FB567, #63A072, #778C7C and #8B7887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BC95D shade: #65C93A, #3FC93A, #3AC95C, #3AC982 and #3AC9A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BC95D shade: #268B3E, #2FAB4C, #3AC95C, #5BD277 and #7BDB92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BC95D shade: #3BC95D, #3A8BC9 and #C93A52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BC95D shade: #3BC95D, #5C3AC9 and #C95C3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BC95D shade: #3BC95D, #3A8BC9, #C93AA8 and #C9783A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BC95D shade: #3BC95D, #3A60C9, #C93AA8 and #C9A33A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 54 / 21

HEX #3BC95D

RGB 59 201 93

HSL 134.37, 0.57%, 0.51%

LAB 71.89, -59.9, 42.89

 

Complementary color

CMYK 0 / 72 / 17 / 23

HEX #C436A2

RGB 196 54 162

HSL 314.37, 0.57%, 0.49%

LAB 48.24, 65.82, -27.34

 

CMYK 68 / 0 / 56 / 21

HEX #40C958

RGB 64 201 88

HSL 130.51, 0.56%, 0.52%

LAB 71.94, -59.7, 45.34

 

CMYK 63 / 0 / 51 / 14

HEX #51DB6B

RGB 81 219 107

HSL 131.3, 0.66%, 0.59%

LAB 78.15, -60.27, 43.96

 

CMYK 59 / 0 / 47 / 7

HEX #62ED7E

RGB 98 237 126

HSL 132.09, 0.79%, 0.66%

LAB 84.31, -60.57, 42.58

 

CMYK 55 / 0 / 43 / 0

HEX #73FF91

RGB 115 255 145

HSL 132.86, 1%, 0.73%

LAB 90.42, -60.69, 41.24

 

CMYK 48 / 0 / 36 / 0

HEX #84FFA4

RGB 132 255 164

HSL 135.61, 1%, 0.76%

LAB 91.28, -53.55, 33.12

 

CMYK 71 / 0 / 54 / 21

HEX #3BC95D

RGB 59 201 93

HSL 134.37, 0.57%, 0.51%

LAB 71.89, -59.9, 42.89

 

CMYK 77 / 0 / 60 / 28

HEX #2AB74A

RGB 42 183 74

HSL 133.62, 0.63%, 0.44%

LAB 65.63, -58.88, 44.34

 

CMYK 85 / 0 / 67 / 35

HEX #19A537

RGB 25 165 55

HSL 132.86, 0.74%, 0.37%

LAB 59.34, -57.28, 45.65

 

CMYK 95 / 0 / 76 / 42

HEX #089324

RGB 8 147 36

HSL 132.09, 0.9%, 0.3%

LAB 53, -54.85, 46.59

 

CMYK 100 / 0 / 87 / 49

HEX #008111

RGB 0 129 17

HSL 127.91, 1%, 0.25%

LAB 46.63, -51.29, 46.59

 

CMYK 71 / 0 / 54 / 21

HEX #3AC95C

RGB 58 201 92

HSL 134.27, 0.57%, 0.51%

LAB 71.86, -60.21, 43.33

 

CMYK 69 / 0 / 71 / 21

HEX #3FC93A

RGB 63 201 58

HSL 117.9, 0.57%, 0.51%

LAB 71.65, -63.08, 57.74

 

CMYK 50 / 0 / 71 / 21

HEX #65C93A

RGB 101 201 58

HSL 101.96, 0.57%, 0.51%

LAB 72.79, -53.96, 59.28

 

CMYK 31 / 0 / 71 / 21

HEX #8BC93A

RGB 139 201 58

HSL 86.01, 0.57%, 0.51%

LAB 74.55, -41.4, 61.63

 

CMYK 11 / 0 / 71 / 21

HEX #B2C93A

RGB 178 201 58

HSL 69.65, 0.57%, 0.51%

LAB 77.01, -26.17, 64.89

 

CMYK 71 / 0 / 54 / 21

HEX #3AC95C

RGB 58 201 92

HSL 134.27, 0.57%, 0.51%

LAB 71.86, -60.21, 43.33

 

CMYK 71 / 0 / 35 / 21

HEX #3AC983

RGB 58 201 131

HSL 150.63, 0.57%, 0.51%

LAB 72.44, -53.61, 24.37

 

CMYK 71 / 0 / 16 / 21

HEX #3AC9A9

RGB 58 201 169

HSL 166.57, 0.57%, 0.51%

LAB 73.24, -45.03, 5.16

 

CMYK 71 / 3 / 0 / 21

HEX #3AC2C9

RGB 58 194 201

HSL 182.94, 0.57%, 0.51%

LAB 72.03, -33.12, -14.02

 

CMYK 71 / 23 / 0 / 21

HEX #3A9BC9

RGB 58 155 201

HSL 199.3, 0.57%, 0.51%

LAB 60.39, -13.2, -31.81

 

CMYK 71 / 0 / 54 / 21

HEX #3AC95C

RGB 58 201 92

HSL 134.27, 0.57%, 0.51%

LAB 71.86, -60.21, 43.33

 

CMYK 83 / 0 / 63 / 13

HEX #26DD52

RGB 38 221 82

HSL 134.43, 0.73%, 0.51%

LAB 77.72, -70.56, 54.58

 

CMYK 93 / 0 / 71 / 5

HEX #12F147

RGB 18 241 71

HSL 134.26, 0.89%, 0.51%

LAB 83.7, -78.89, 65.3

 

CMYK 71 / 0 / 54 / 21

HEX #3AC95C

RGB 58 201 92

HSL 134.27, 0.57%, 0.51%

LAB 71.86, -60.21, 43.33

 

CMYK 56 / 0 / 43 / 29

HEX #4FB567

RGB 79 181 103

HSL 134.12, 0.41%, 0.51%

LAB 66.28, -46.76, 30.99

 

CMYK 38 / 0 / 29 / 37

HEX #63A072

RGB 99 160 114

HSL 134.75, 0.24%, 0.51%

LAB 60.79, -29.91, 17.91

 

CMYK 15 / 0 / 11 / 45

HEX #778C7C

RGB 119 140 124

HSL 134.29, 0.08%, 0.51%

LAB 56.22, -10.84, 6.03

 

CMYK 0 / 14 / 3 / 45

HEX #8B7887

RGB 139 120 135

HSL 312.63, 0.08%, 0.51%

LAB 52.59, 10.13, -5.45

 

CMYK 50 / 0 / 71 / 21

HEX #65C93A

RGB 101 201 58

HSL 101.96, 0.57%, 0.51%

LAB 72.79, -53.96, 59.28

 

CMYK 69 / 0 / 71 / 21

HEX #3FC93A

RGB 63 201 58

HSL 117.9, 0.57%, 0.51%

LAB 71.65, -63.08, 57.74

 

CMYK 71 / 0 / 54 / 21

HEX #3AC95C

RGB 58 201 92

HSL 134.27, 0.57%, 0.51%

LAB 71.86, -60.21, 43.33

 

CMYK 71 / 0 / 35 / 21

HEX #3AC982

RGB 58 201 130

HSL 150.21, 0.57%, 0.51%

LAB 72.42, -53.81, 24.87

 

CMYK 71 / 0 / 16 / 21

HEX #3AC9A8

RGB 58 201 168

HSL 166.15, 0.57%, 0.51%

LAB 73.22, -45.28, 5.67

 

CMYK 73 / 0 / 55 / 45

HEX #268B3E

RGB 38 139 62

HSL 134.26, 0.57%, 0.35%

LAB 50.95, -45.64, 32.75

 

CMYK 73 / 0 / 56 / 33

HEX #2FAB4C

RGB 47 171 76

HSL 134.03, 0.57%, 0.43%

LAB 61.87, -53.72, 38.96

 

CMYK 71 / 0 / 54 / 21

HEX #3AC95C

RGB 58 201 92

HSL 134.27, 0.57%, 0.51%

LAB 71.86, -60.21, 43.33

 

CMYK 57 / 0 / 43 / 18

HEX #5BD277

RGB 91 210 119

HSL 134.12, 0.57%, 0.59%

LAB 75.85, -52.89, 35.22

 

CMYK 44 / 0 / 33 / 14

HEX #7BDB92

RGB 123 219 146

HSL 134.38, 0.57%, 0.67%

LAB 80.15, -43.89, 27.29

 

CMYK 71 / 0 / 54 / 21

HEX #3BC95D

RGB 59 201 93

HSL 134.37, 0.57%, 0.51%

LAB 71.89, -59.9, 42.89

 

CMYK 71 / 31 / 0 / 21

HEX #3A8BC9

RGB 58 139 201

HSL 206.01, 0.57%, 0.51%

LAB 55.67, -4.16, -39.19

 

CMYK 0 / 71 / 59 / 21

HEX #C93A52

RGB 201 58 82

HSL 349.93, 0.57%, 0.51%

LAB 47.04, 57.44, 19.52

 

CMYK 71 / 0 / 54 / 21

HEX #3BC95D

RGB 59 201 93

HSL 134.37, 0.57%, 0.51%

LAB 71.89, -59.9, 42.89

 

CMYK 54 / 71 / 0 / 21

HEX #5C3AC9

RGB 92 58 201

HSL 254.27, 0.57%, 0.51%

LAB 36.96, 50.46, -69.14

 

CMYK 0 / 54 / 71 / 21

HEX #C95C3A

RGB 201 92 58

HSL 14.27, 0.57%, 0.51%

LAB 52.26, 41.13, 39.83

 

CMYK 71 / 0 / 54 / 21

HEX #3BC95D

RGB 59 201 93

HSL 134.37, 0.57%, 0.51%

LAB 71.89, -59.9, 42.89

 

CMYK 71 / 31 / 0 / 21

HEX #3A8BC9

RGB 58 139 201

HSL 206.01, 0.57%, 0.51%

LAB 55.67, -4.16, -39.19

 

CMYK 0 / 71 / 16 / 21

HEX #C93AA8

RGB 201 58 168

HSL 313.85, 0.57%, 0.51%

LAB 49.82, 66.52, -28.37

 

CMYK 0 / 40 / 71 / 21

HEX #C9783A

RGB 201 120 58

HSL 26.01, 0.57%, 0.51%

LAB 58.18, 26.5, 46.33

 

CMYK 71 / 0 / 54 / 21

HEX #3BC95D

RGB 59 201 93

HSL 134.37, 0.57%, 0.51%

LAB 71.89, -59.9, 42.89

 

CMYK 71 / 52 / 0 / 21

HEX #3A60C9

RGB 58 96 201

HSL 224.06, 0.57%, 0.51%

LAB 43.48, 22.37, -58.63

 

CMYK 0 / 71 / 16 / 21

HEX #C93AA8

RGB 201 58 168

HSL 313.85, 0.57%, 0.51%

LAB 49.82, 66.52, -28.37

 

CMYK 0 / 19 / 71 / 21

HEX #C9A33A

RGB 201 163 58

HSL 44.06, 0.57%, 0.51%

LAB 68.69, 3.13, 57.27

 

Description

Color code: HEX #3BC95D | qconv.com Color code: HEX #3BC95D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 201 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 201 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 54 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 54% 21% C M Y K

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Provide designers and agencies with accurate color values.

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