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Color name
HEX #3BC261

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BC261 it is the complementary color #C43D9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BC261. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BC261 shade: #40C25C, #51D46F, #62E682, #73F895 and #84FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BC261. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BC261 shade: #3BC261, #2AB04E, #199E3B, #088C28 and #007A15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BC261 shade: #3BC361, #3BC33D, #5EC33B, #83C33B and #A7C33B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BC261 shade: #3BC361, #3BC386, #3BC3AA, #3BB6C3 and #3B92C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BC261 shade matches the following richer shades: #3BC361, #27D758 and #12EC4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BC261 shade: #3BC361, #50AE6A, #659973, #79857D and #8E7086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BC261 shade: #5FC33B, #3BC33B, #3BC35F, #3BC384 and #3BC3A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BC261 shade: #288342, #32A352, #3BC361, #5BCC7B and #7BD694

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BC261 shade: #3BC261, #3B84C3 and #C33B4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BC261 shade: #3BC261, #5F3BC3 and #C35F3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BC261 shade: #3BC261, #3B84C3, #C33B9F and #C37A3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BC261 shade: #3BC261, #3B5BC3, #C33B9F and #C3A33B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 50 / 24

HEX #3BC261

RGB 59 194 97

HSL 136.89, 0.53%, 0.5%

LAB 69.74, -56.84, 38.31

 

Complementary color

CMYK 0 / 69 / 19 / 23

HEX #C43D9E

RGB 196 61 158

HSL 316.89, 0.53%, 0.5%

LAB 48.94, 62.81, -23.89

 

CMYK 67 / 0 / 53 / 24

HEX #40C25C

RGB 64 194 92

HSL 132.92, 0.52%, 0.51%

LAB 69.79, -56.67, 40.85

 

CMYK 62 / 0 / 48 / 17

HEX #51D46F

RGB 81 212 111

HSL 133.74, 0.6%, 0.57%

LAB 76.06, -57.11, 39.41

 

CMYK 57 / 0 / 43 / 10

HEX #62E682

RGB 98 230 130

HSL 134.55, 0.73%, 0.64%

LAB 82.27, -57.31, 38.02

 

CMYK 54 / 0 / 40 / 3

HEX #73F895

RGB 115 248 149

HSL 135.34, 0.9%, 0.71%

LAB 88.42, -57.36, 36.7

 

CMYK 48 / 0 / 34 / 0

HEX #84FFA8

RGB 132 255 168

HSL 137.56, 1%, 0.76%

LAB 91.35, -52.87, 31.21

 

CMYK 70 / 0 / 50 / 24

HEX #3BC261

RGB 59 194 97

HSL 136.89, 0.53%, 0.5%

LAB 69.74, -56.84, 38.31

 

CMYK 76 / 0 / 56 / 31

HEX #2AB04E

RGB 42 176 78

HSL 136.12, 0.61%, 0.43%

LAB 63.42, -55.97, 39.83

 

CMYK 84 / 0 / 63 / 38

HEX #199E3B

RGB 25 158 59

HSL 135.34, 0.73%, 0.36%

LAB 57.05, -54.54, 41.32

 

CMYK 94 / 0 / 71 / 45

HEX #088C28

RGB 8 140 40

HSL 134.55, 0.89%, 0.29%

LAB 50.64, -52.3, 42.58

 

CMYK 100 / 0 / 83 / 52

HEX #007A15

RGB 0 122 21

HSL 130.33, 1%, 0.24%

LAB 44.19, -48.93, 43.16

 

CMYK 70 / 0 / 50 / 24

HEX #3BC361

RGB 59 195 97

HSL 136.76, 0.54%, 0.5%

LAB 70.05, -57.2, 38.7

 

CMYK 70 / 0 / 69 / 24

HEX #3BC33D

RGB 59 195 61

HSL 120.88, 0.54%, 0.5%

LAB 69.68, -61.57, 54.51

 

CMYK 52 / 0 / 70 / 24

HEX #5EC33B

RGB 94 195 59

HSL 104.56, 0.54%, 0.5%

LAB 70.68, -53.61, 56.65

 

CMYK 33 / 0 / 70 / 24

HEX #83C33B

RGB 131 195 59

HSL 88.24, 0.54%, 0.5%

LAB 72.34, -41.63, 58.89

 

CMYK 14 / 0 / 70 / 24

HEX #A7C33B

RGB 167 195 59

HSL 72.35, 0.54%, 0.5%

LAB 74.55, -27.72, 61.83

 

CMYK 70 / 0 / 50 / 24

HEX #3BC361

RGB 59 195 97

HSL 136.76, 0.54%, 0.5%

LAB 70.05, -57.2, 38.7

 

CMYK 70 / 0 / 31 / 24

HEX #3BC386

RGB 59 195 134

HSL 153.09, 0.54%, 0.5%

LAB 70.65, -50.5, 20.35

 

CMYK 70 / 0 / 13 / 24

HEX #3BC3AA

RGB 59 195 170

HSL 168.97, 0.54%, 0.5%

LAB 71.46, -42.04, 2.04

 

CMYK 70 / 7 / 0 / 24

HEX #3BB6C3

RGB 59 182 195

HSL 185.74, 0.54%, 0.5%

LAB 68.26, -28.99, -16.41

 

CMYK 70 / 25 / 0 / 24

HEX #3B92C3

RGB 59 146 195

HSL 201.62, 0.54%, 0.5%

LAB 57.49, -10.08, -32.94

 

CMYK 70 / 0 / 50 / 24

HEX #3BC361

RGB 59 195 97

HSL 136.76, 0.54%, 0.5%

LAB 70.05, -57.2, 38.7

 

CMYK 82 / 0 / 59 / 16

HEX #27D758

RGB 39 215 88

HSL 136.7, 0.69%, 0.5%

LAB 75.91, -67.88, 49.9

 

CMYK 92 / 0 / 67 / 7

HEX #12EC4F

RGB 18 236 79

HSL 136.79, 0.86%, 0.5%

LAB 82.21, -76.73, 60.71

 

CMYK 70 / 0 / 50 / 24

HEX #3BC361

RGB 59 195 97

HSL 136.76, 0.54%, 0.5%

LAB 70.05, -57.2, 38.7

 

CMYK 54 / 0 / 39 / 32

HEX #50AE6A

RGB 80 174 106

HSL 136.6, 0.37%, 0.5%

LAB 64.18, -43.09, 26.67

 

CMYK 34 / 0 / 25 / 40

HEX #659973

RGB 101 153 115

HSL 136.15, 0.2%, 0.5%

LAB 58.78, -25.65, 14.59

 

CMYK 9 / 0 / 6 / 48

HEX #79857D

RGB 121 133 125

HSL 140, 0.05%, 0.5%

LAB 54.37, -6.03, 2.8

 

CMYK 0 / 21 / 6 / 44

HEX #8E7086

RGB 142 112 134

HSL 316, 0.12%, 0.5%

LAB 50.76, 15.73, -7.55

 

CMYK 51 / 0 / 70 / 24

HEX #5FC33B

RGB 95 195 59

HSL 104.12, 0.54%, 0.5%

LAB 70.72, -53.32, 56.7

 

CMYK 70 / 0 / 70 / 24

HEX #3BC33B

RGB 59 195 59

HSL 120, 0.54%, 0.5%

LAB 69.67, -61.75, 55.27

 

CMYK 70 / 0 / 51 / 24

HEX #3BC35F

RGB 59 195 95

HSL 135.88, 0.54%, 0.5%

LAB 70.03, -57.5, 39.65

 

CMYK 70 / 0 / 32 / 24

HEX #3BC384

RGB 59 195 132

HSL 152.21, 0.54%, 0.5%

LAB 70.61, -50.92, 21.36

 

CMYK 70 / 0 / 14 / 24

HEX #3BC3A8

RGB 59 195 168

HSL 168.09, 0.54%, 0.5%

LAB 71.41, -42.55, 3.06

 

CMYK 69 / 0 / 50 / 49

HEX #288342

RGB 40 131 66

HSL 137.14, 0.53%, 0.34%

LAB 48.36, -41.56, 27.46

 

CMYK 69 / 0 / 50 / 36

HEX #32A352

RGB 50 163 82

HSL 136.99, 0.53%, 0.42%

LAB 59.42, -49.37, 32.96

 

CMYK 70 / 0 / 50 / 24

HEX #3BC361

RGB 59 195 97

HSL 136.76, 0.54%, 0.5%

LAB 70.05, -57.2, 38.7

 

CMYK 55 / 0 / 40 / 20

HEX #5BCC7B

RGB 91 204 123

HSL 136.99, 0.53%, 0.58%

LAB 74.09, -49.84, 30.88

 

CMYK 43 / 0 / 31 / 16

HEX #7BD694

RGB 123 214 148

HSL 136.48, 0.53%, 0.66%

LAB 78.72, -41.36, 24.32

 

CMYK 70 / 0 / 50 / 24

HEX #3BC261

RGB 59 194 97

HSL 136.89, 0.53%, 0.5%

LAB 69.74, -56.84, 38.31

 

CMYK 70 / 32 / 0 / 24

HEX #3B84C3

RGB 59 132 195

HSL 207.79, 0.54%, 0.5%

LAB 53.35, -2.02, -39.42

 

CMYK 0 / 70 / 61 / 24

HEX #C33B4D

RGB 195 59 77

HSL 352.06, 0.54%, 0.5%

LAB 46, 54.87, 20.98

 

CMYK 70 / 0 / 50 / 24

HEX #3BC261

RGB 59 194 97

HSL 136.89, 0.53%, 0.5%

LAB 69.74, -56.84, 38.31

 

CMYK 51 / 70 / 0 / 24

HEX #5F3BC3

RGB 95 59 195

HSL 255.88, 0.54%, 0.5%

LAB 36.93, 48.69, -65.68

 

CMYK 0 / 51 / 70 / 24

HEX #C35F3B

RGB 195 95 59

HSL 15.88, 0.54%, 0.5%

LAB 51.95, 37.35, 38.7

 

CMYK 70 / 0 / 50 / 24

HEX #3BC261

RGB 59 194 97

HSL 136.89, 0.53%, 0.5%

LAB 69.74, -56.84, 38.31

 

CMYK 70 / 32 / 0 / 24

HEX #3B84C3

RGB 59 132 195

HSL 207.79, 0.54%, 0.5%

LAB 53.35, -2.02, -39.42

 

CMYK 0 / 70 / 18 / 24

HEX #C33B9F

RGB 195 59 159

HSL 315.88, 0.54%, 0.5%

LAB 48.55, 63.42, -25.09

 

CMYK 0 / 37 / 70 / 24

HEX #C37A3B

RGB 195 122 59

HSL 27.79, 0.54%, 0.5%

LAB 57.88, 22.94, 45.29

 

CMYK 70 / 0 / 50 / 24

HEX #3BC261

RGB 59 194 97

HSL 136.89, 0.53%, 0.5%

LAB 69.74, -56.84, 38.31

 

CMYK 70 / 53 / 0 / 24

HEX #3B5BC3

RGB 59 91 195

HSL 225.88, 0.54%, 0.5%

LAB 41.77, 23.54, -57.92

 

CMYK 0 / 70 / 18 / 24

HEX #C33B9F

RGB 195 59 159

HSL 315.88, 0.54%, 0.5%

LAB 48.55, 63.42, -25.09

 

CMYK 0 / 16 / 70 / 24

HEX #C3A33B

RGB 195 163 59

HSL 45.88, 0.54%, 0.5%

LAB 68.1, 0.56, 56.06

 

Description

Color code: HEX #3BC261 | qconv.com Color code: HEX #3BC261 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 194 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 194 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 50 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 50% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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