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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BD27A it is the complementary color #C42D85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BD27A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BD27A shade: #40D275, #51E488, #62F69B, #73FFAE and #84FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BD27A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BD27A shade: #3BD27A, #2AC067, #19AE54, #089C41 and #008A2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BD27A shade: #3BD27A, #3BD251, #4ED23B, #76D23B and #9FD23B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BD27A shade: #3BD27A, #3BD2A3, #3BD2CC, #3BB0D2 and #3B87D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BD27A shade matches the following richer shades: #3BD27A, #28E677 and #14F974

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BD27A shade: #3BD27A, #4FBF7D, #62AB81, #759884 and #898587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BD27A shade: #4DD23B, #3BD252, #3BD27A, #3BD2A2 and #3BD2CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BD27A shade: #229954, #2ABA66, #3BD27A, #5DDA91 and #7EE1A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BD27A shade: #3BD27A, #3B75D2 and #D23E3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BD27A shade: #3BD27A, #7A3BD2 and #D27A3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BD27A shade: #3BD27A, #3B75D2, #D23B93 and #D2983B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BD27A shade: #3BD27A, #3B48D2, #D23B93 and #D2C63B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 42 / 18

HEX #3BD27A

RGB 59 210 122

HSL 145.03, 0.63%, 0.53%

LAB 75.09, -58.52, 32.56

 

Complementary color

CMYK 0 / 77 / 32 / 23

HEX #C42D85

RGB 196 45 133

HSL 325.03, 0.63%, 0.47%

LAB 46.05, 64.98, -13.28

 

CMYK 70 / 0 / 44 / 18

HEX #40D275

RGB 64 210 117

HSL 141.78, 0.62%, 0.54%

LAB 75.12, -58.59, 35.14

 

CMYK 64 / 0 / 40 / 11

HEX #51E488

RGB 81 228 136

HSL 142.45, 0.73%, 0.61%

LAB 81.3, -59.04, 33.68

 

CMYK 60 / 0 / 37 / 4

HEX #62F69B

RGB 98 246 155

HSL 143.11, 0.89%, 0.67%

LAB 87.42, -59.27, 32.3

 

CMYK 55 / 0 / 32 / 0

HEX #73FFAE

RGB 115 255 174

HSL 145.29, 1%, 0.73%

LAB 90.88, -55.8, 27.46

 

CMYK 48 / 0 / 24 / 0

HEX #84FFC1

RGB 132 255 193

HSL 149.76, 1%, 0.76%

LAB 91.81, -48.28, 19.17

 

CMYK 72 / 0 / 42 / 18

HEX #3BD27A

RGB 59 210 122

HSL 145.03, 0.63%, 0.53%

LAB 75.09, -58.52, 32.56

 

CMYK 78 / 0 / 46 / 25

HEX #2AC067

RGB 42 192 103

HSL 144.4, 0.64%, 0.46%

LAB 68.87, -57.67, 34.14

 

CMYK 86 / 0 / 52 / 32

HEX #19AE54

RGB 25 174 84

HSL 143.76, 0.75%, 0.39%

LAB 62.61, -56.36, 35.82

 

CMYK 95 / 0 / 58 / 39

HEX #089C41

RGB 8 156 65

HSL 143.11, 0.9%, 0.32%

LAB 56.3, -54.39, 37.56

 

CMYK 100 / 0 / 67 / 46

HEX #008A2E

RGB 0 138 46

HSL 140, 1%, 0.27%

LAB 49.95, -51.55, 39.21

 

CMYK 72 / 0 / 42 / 18

HEX #3BD27A

RGB 59 210 122

HSL 145.03, 0.63%, 0.53%

LAB 75.09, -58.52, 32.56

 

CMYK 72 / 0 / 61 / 18

HEX #3BD251

RGB 59 210 81

HSL 128.74, 0.63%, 0.53%

LAB 74.58, -64.48, 51.55

 

CMYK 63 / 0 / 72 / 18

HEX #4ED23B

RGB 78 210 59

HSL 112.45, 0.63%, 0.53%

LAB 74.84, -62.97, 60.77

 

CMYK 44 / 0 / 72 / 18

HEX #76D23B

RGB 118 210 59

HSL 96.56, 0.63%, 0.53%

LAB 76.23, -52.23, 62.63

 

CMYK 24 / 0 / 72 / 18

HEX #9FD23B

RGB 159 210 59

HSL 80.26, 0.63%, 0.53%

LAB 78.33, -37.83, 65.42

 

CMYK 72 / 0 / 42 / 18

HEX #3BD27A

RGB 59 210 122

HSL 145.03, 0.63%, 0.53%

LAB 75.09, -58.52, 32.56

 

CMYK 72 / 0 / 22 / 18

HEX #3BD2A3

RGB 59 210 163

HSL 161.32, 0.63%, 0.53%

LAB 75.86, -50.1, 12.13

 

CMYK 72 / 0 / 3 / 18

HEX #3BD2CC

RGB 59 210 204

HSL 177.62, 0.63%, 0.53%

LAB 76.91, -39.55, -8.35

 

CMYK 72 / 16 / 0 / 18

HEX #3BB0D2

RGB 59 176 210

HSL 193.51, 0.63%, 0.53%

LAB 67, -21.3, -26.6

 

CMYK 72 / 36 / 0 / 18

HEX #3B87D2

RGB 59 135 210

HSL 209.8, 0.63%, 0.53%

LAB 54.98, 1.51, -45.35

 

CMYK 72 / 0 / 42 / 18

HEX #3BD27A

RGB 59 210 122

HSL 145.03, 0.63%, 0.53%

LAB 75.09, -58.52, 32.56

 

CMYK 83 / 0 / 48 / 10

HEX #28E677

RGB 40 230 119

HSL 144.95, 0.79%, 0.53%

LAB 80.95, -68.23, 41.49

 

CMYK 92 / 0 / 53 / 2

HEX #14F974

RGB 20 249 116

HSL 145.15, 0.95%, 0.53%

LAB 86.58, -76.05, 49.83

 

CMYK 72 / 0 / 42 / 18

HEX #3BD27A

RGB 59 210 122

HSL 145.03, 0.63%, 0.53%

LAB 75.09, -58.52, 32.56

 

CMYK 59 / 0 / 35 / 25

HEX #4FBF7D

RGB 79 191 125

HSL 144.64, 0.47%, 0.53%

LAB 69.76, -46.92, 24.01

 

CMYK 43 / 0 / 25 / 33

HEX #62AB81

RGB 98 171 129

HSL 145.48, 0.3%, 0.53%

LAB 64.41, -32.49, 14.63

 

CMYK 23 / 0 / 13 / 40

HEX #759884

RGB 117 152 132

HSL 145.71, 0.15%, 0.53%

LAB 59.8, -16.38, 6.59

 

CMYK 0 / 3 / 1 / 46

HEX #898587

RGB 137 133 135

HSL 330, 0.02%, 0.53%

LAB 55.93, 1.88, -0.55

 

CMYK 63 / 0 / 72 / 18

HEX #4DD23B

RGB 77 210 59

HSL 112.85, 0.63%, 0.53%

LAB 74.82, -63.19, 60.74

 

CMYK 72 / 0 / 61 / 18

HEX #3BD252

RGB 59 210 82

HSL 129.14, 0.63%, 0.53%

LAB 74.59, -64.36, 51.13

 

CMYK 72 / 0 / 42 / 18

HEX #3BD27A

RGB 59 210 122

HSL 145.03, 0.63%, 0.53%

LAB 75.09, -58.52, 32.56

 

CMYK 72 / 0 / 23 / 18

HEX #3BD2A2

RGB 59 210 162

HSL 160.93, 0.63%, 0.53%

LAB 75.84, -50.33, 12.64

 

CMYK 72 / 0 / 3 / 18

HEX #3BD2CB

RGB 59 210 203

HSL 177.22, 0.63%, 0.53%

LAB 76.88, -39.83, -7.86

 

CMYK 78 / 0 / 45 / 40

HEX #229954

RGB 34 153 84

HSL 145.21, 0.64%, 0.37%

LAB 55.85, -47.85, 27.32

 

CMYK 77 / 0 / 45 / 27

HEX #2ABA66

RGB 42 186 102

HSL 145, 0.63%, 0.45%

LAB 66.95, -55.71, 32.2

 

CMYK 72 / 0 / 42 / 18

HEX #3BD27A

RGB 59 210 122

HSL 145.03, 0.63%, 0.53%

LAB 75.09, -58.52, 32.56

 

CMYK 57 / 0 / 33 / 15

HEX #5DDA91

RGB 93 218 145

HSL 144.96, 0.63%, 0.61%

LAB 78.76, -51.11, 25.75

 

CMYK 44 / 0 / 25 / 12

HEX #7EE1A8

RGB 126 225 168

HSL 145.45, 0.62%, 0.69%

LAB 82.44, -41.67, 19.01

 

CMYK 72 / 0 / 42 / 18

HEX #3BD27A

RGB 59 210 122

HSL 145.03, 0.63%, 0.53%

LAB 75.09, -58.52, 32.56

 

CMYK 72 / 44 / 0 / 18

HEX #3B75D2

RGB 59 117 210

HSL 216.95, 0.63%, 0.53%

LAB 49.86, 12.49, -53.5

 

CMYK 0 / 70 / 72 / 18

HEX #D23E3B

RGB 210 62 59

HSL 1.19, 0.63%, 0.53%

LAB 48.84, 57.48, 35.79

 

CMYK 72 / 0 / 42 / 18

HEX #3BD27A

RGB 59 210 122

HSL 145.03, 0.63%, 0.53%

LAB 75.09, -58.52, 32.56

 

CMYK 42 / 72 / 0 / 18

HEX #7A3BD2

RGB 122 59 210

HSL 265.03, 0.63%, 0.53%

LAB 41.09, 57.27, -67.48

 

CMYK 0 / 42 / 72 / 18

HEX #D27A3B

RGB 210 122 59

HSL 25.03, 0.63%, 0.53%

LAB 59.83, 29.21, 47.96

 

CMYK 72 / 0 / 42 / 18

HEX #3BD27A

RGB 59 210 122

HSL 145.03, 0.63%, 0.53%

LAB 75.09, -58.52, 32.56

 

CMYK 72 / 44 / 0 / 18

HEX #3B75D2

RGB 59 117 210

HSL 216.95, 0.63%, 0.53%

LAB 49.86, 12.49, -53.5

 

CMYK 0 / 72 / 30 / 18

HEX #D23B93

RGB 210 59 147

HSL 325.03, 0.63%, 0.53%

LAB 50.61, 65.74, -14.56

 

CMYK 0 / 28 / 72 / 18

HEX #D2983B

RGB 210 152 59

HSL 36.95, 0.63%, 0.53%

LAB 66.88, 13.01, 55.32

 

CMYK 72 / 0 / 42 / 18

HEX #3BD27A

RGB 59 210 122

HSL 145.03, 0.63%, 0.53%

LAB 75.09, -58.52, 32.56

 

CMYK 72 / 66 / 0 / 18

HEX #3B48D2

RGB 59 72 210

HSL 234.83, 0.63%, 0.53%

LAB 38.23, 40.9, -72.37

 

CMYK 0 / 72 / 30 / 18

HEX #D23B93

RGB 210 59 147

HSL 325.03, 0.63%, 0.53%

LAB 50.61, 65.74, -14.56

 

CMYK 0 / 6 / 72 / 18

HEX #D2C63B

RGB 210 198 59

HSL 55.23, 0.63%, 0.53%

LAB 78.7, -11.22, 67.03

 

Description

Color code: HEX #3BD27A | qconv.com Color code: HEX #3BD27A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 210 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 210 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 42 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 42% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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