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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BDCB1 it is the complementary color #C4234E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BDCB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BDCB1 shade: #40DCAC, #51EEBF, #62FFD2, #73FFE5 and #84FFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BDCB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BDCB1 shade: #3BDCB1, #2ACA9E, #19B88B, #08A678 and #009465

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BDCB1 shade: #3BDCB1, #3BDC86, #3BDC5B, #48DC3B and #73DC3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BDCB1 shade: #3BDCB1, #3BDCDC, #3BB0DC, #3B85DC and #3B5ADC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BDCB1 shade matches the following richer shades: #3BDCB1 and #29EFBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BDCB1 shade: #3BDCB1, #4ECAA9, #61B7A0, #73A497 and #86928F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BDCB1 shade: #3BDC59, #3BDC84, #3BDCAF, #3BDCD9 and #3BB4DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BDCB1 shade: #1DA883, #23CB9E, #3BDCB1, #5EE2BF and #82E8CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BDCB1 shade: #3BDCB1, #3B49DC and #DC6E3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BDCB1 shade: #3BDCB1, #AF3BDC and #DCAF3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BDCB1 shade: #3BDCB1, #3B49DC, #DC3B69 and #DCCF3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BDCB1 shade: #3BDCB1, #5E3BDC, #DC3B69 and #B9DC3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 20 / 14

HEX #3BDCB1

RGB 59 220 177

HSL 163.98, 0.7%, 0.55%

LAB 79.21, -50.87, 9.44

 

Complementary color

CMYK 0 / 82 / 60 / 23

HEX #C4234E

RGB 196 35 78

HSL 343.98, 0.7%, 0.45%

LAB 43.49, 62.83, 17.07

 

CMYK 71 / 0 / 22 / 14

HEX #40DCAC

RGB 64 220 172

HSL 161.54, 0.69%, 0.56%

LAB 79.19, -51.39, 12.07

 

CMYK 66 / 0 / 20 / 7

HEX #51EEBF

RGB 81 238 191

HSL 162.04, 0.82%, 0.63%

LAB 85.33, -51.84, 10.86

 

CMYK 62 / 0 / 18 / 0

HEX #62FFD2

RGB 98 255 210

HSL 162.8, 1%, 0.69%

LAB 91.13, -51.7, 9.33

 

CMYK 55 / 0 / 10 / 0

HEX #73FFE5

RGB 115 255 229

HSL 168.86, 1%, 0.73%

LAB 92.05, -44.16, 0.9

 

CMYK 48 / 0 / 3 / 0

HEX #84FFF8

RGB 132 255 248

HSL 176.59, 1%, 0.76%

LAB 93.1, -36.13, -7.32

 

CMYK 73 / 0 / 20 / 14

HEX #3BDCB1

RGB 59 220 177

HSL 163.98, 0.7%, 0.55%

LAB 79.21, -50.87, 9.44

 

CMYK 79 / 0 / 22 / 21

HEX #2ACA9E

RGB 42 202 158

HSL 163.5, 0.66%, 0.48%

LAB 73.02, -50.06, 10.75

 

CMYK 86 / 0 / 24 / 28

HEX #19B88B

RGB 25 184 139

HSL 163.02, 0.76%, 0.41%

LAB 66.79, -48.91, 12.2

 

CMYK 95 / 0 / 28 / 35

HEX #08A678

RGB 8 166 120

HSL 162.53, 0.91%, 0.34%

LAB 60.5, -47.32, 13.82

 

CMYK 100 / 0 / 32 / 42

HEX #009465

RGB 0 148 101

HSL 160.95, 1%, 0.29%

LAB 54.15, -45.17, 15.64

 

CMYK 73 / 0 / 20 / 14

HEX #3BDCB1

RGB 59 220 177

HSL 163.98, 0.7%, 0.55%

LAB 79.21, -50.87, 9.44

 

CMYK 73 / 0 / 39 / 14

HEX #3BDC86

RGB 59 220 134

HSL 147.95, 0.7%, 0.55%

LAB 78.37, -60.01, 30.74

 

CMYK 73 / 0 / 59 / 14

HEX #3BDC5B

RGB 59 220 91

HSL 131.93, 0.7%, 0.55%

LAB 77.8, -66.6, 50.83

 

CMYK 67 / 0 / 73 / 14

HEX #48DC3B

RGB 72 220 59

HSL 115.16, 0.7%, 0.55%

LAB 77.8, -67.51, 63.72

 

CMYK 48 / 0 / 73 / 14

HEX #73DC3B

RGB 115 220 59

HSL 99.13, 0.7%, 0.55%

LAB 79.13, -57, 65.48

 

CMYK 73 / 0 / 20 / 14

HEX #3BDCB1

RGB 59 220 177

HSL 163.98, 0.7%, 0.55%

LAB 79.21, -50.87, 9.44

 

CMYK 73 / 0 / 0 / 14

HEX #3BDCDC

RGB 59 220 220

HSL 180, 0.7%, 0.55%

LAB 80.34, -39.58, -11.81

 

CMYK 73 / 20 / 0 / 14

HEX #3BB0DC

RGB 59 176 220

HSL 196.4, 0.7%, 0.55%

LAB 67.39, -18.06, -31.5

 

CMYK 73 / 40 / 0 / 14

HEX #3B85DC

RGB 59 133 220

HSL 212.42, 0.7%, 0.55%

LAB 54.94, 6.29, -51.05

 

CMYK 73 / 59 / 0 / 14

HEX #3B5ADC

RGB 59 90 220

HSL 228.45, 0.7%, 0.55%

LAB 43.37, 33.21, -69.69

 

CMYK 73 / 0 / 20 / 14

HEX #3BDCB1

RGB 59 220 177

HSL 163.98, 0.7%, 0.55%

LAB 79.21, -50.87, 9.44

 

CMYK 83 / 0 / 22 / 6

HEX #29EFBA

RGB 41 239 186

HSL 163.94, 0.86%, 0.55%

LAB 84.87, -58.08, 12.72

 

CMYK 73 / 0 / 20 / 14

HEX #3BDCB1

RGB 59 220 177

HSL 163.98, 0.7%, 0.55%

LAB 79.21, -50.87, 9.44

 

CMYK 61 / 0 / 16 / 21

HEX #4ECAA9

RGB 78 202 169

HSL 164.03, 0.54%, 0.55%

LAB 74.01, -42.26, 6.33

 

CMYK 47 / 0 / 13 / 28

HEX #61B7A0

RGB 97 183 160

HSL 163.95, 0.37%, 0.55%

LAB 68.71, -31.62, 3.67

 

CMYK 30 / 0 / 8 / 36

HEX #73A497

RGB 115 164 151

HSL 164.08, 0.21%, 0.55%

LAB 63.7, -19.23, 1.49

 

CMYK 8 / 0 / 2 / 43

HEX #86928F

RGB 134 146 143

HSL 165, 0.05%, 0.55%

LAB 59.53, -4.93, 0.1

 

CMYK 73 / 0 / 60 / 14

HEX #3BDC59

RGB 59 220 89

HSL 131.18, 0.7%, 0.55%

LAB 77.78, -66.84, 51.7

 

CMYK 73 / 0 / 40 / 14

HEX #3BDC84

RGB 59 220 132

HSL 147.2, 0.7%, 0.55%

LAB 78.33, -60.37, 31.72

 

CMYK 73 / 0 / 20 / 14

HEX #3BDCAF

RGB 59 220 175

HSL 163.23, 0.7%, 0.55%

LAB 79.16, -51.34, 10.43

 

CMYK 73 / 0 / 1 / 14

HEX #3BDCD9

RGB 59 220 217

HSL 178.88, 0.7%, 0.55%

LAB 80.25, -40.42, -10.34

 

CMYK 73 / 18 / 0 / 14

HEX #3BB4DC

RGB 59 180 220

HSL 194.91, 0.7%, 0.55%

LAB 68.56, -20.16, -29.69

 

CMYK 83 / 0 / 22 / 34

HEX #1DA883

RGB 29 168 131

HSL 164.03, 0.71%, 0.39%

LAB 61.57, -44.04, 9.25

 

CMYK 83 / 0 / 22 / 20

HEX #23CB9E

RGB 35 203 158

HSL 163.93, 0.71%, 0.47%

LAB 73.24, -51.11, 11.05

 

CMYK 73 / 0 / 20 / 14

HEX #3BDCB1

RGB 59 220 177

HSL 163.98, 0.7%, 0.55%

LAB 79.21, -50.87, 9.44

 

CMYK 58 / 0 / 15 / 11

HEX #5EE2BF

RGB 94 226 191

HSL 164.09, 0.69%, 0.63%

LAB 82.13, -44.51, 6.32

 

CMYK 44 / 0 / 12 / 9

HEX #82E8CD

RGB 130 232 205

HSL 164.12, 0.69%, 0.71%

LAB 85.44, -36.09, 3.87

 

CMYK 73 / 0 / 20 / 14

HEX #3BDCB1

RGB 59 220 177

HSL 163.98, 0.7%, 0.55%

LAB 79.21, -50.87, 9.44

 

CMYK 73 / 67 / 0 / 14

HEX #3B49DC

RGB 59 73 220

HSL 234.78, 0.7%, 0.55%

LAB 39.35, 43.72, -76.28

 

CMYK 0 / 50 / 73 / 14

HEX #DC6E3B

RGB 220 110 59

HSL 19.01, 0.7%, 0.55%

LAB 58.68, 39.47, 47.15

 

CMYK 73 / 0 / 20 / 14

HEX #3BDCB1

RGB 59 220 177

HSL 163.98, 0.7%, 0.55%

LAB 79.21, -50.87, 9.44

 

CMYK 20 / 73 / 0 / 14

HEX #AF3BDC

RGB 175 59 220

HSL 283.23, 0.7%, 0.55%

LAB 48.77, 69.23, -60.42

 

CMYK 0 / 20 / 73 / 14

HEX #DCAF3B

RGB 220 175 59

HSL 43.23, 0.7%, 0.55%

LAB 73.67, 5.01, 62.46

 

CMYK 73 / 0 / 20 / 14

HEX #3BDCB1

RGB 59 220 177

HSL 163.98, 0.7%, 0.55%

LAB 79.21, -50.87, 9.44

 

CMYK 73 / 67 / 0 / 14

HEX #3B49DC

RGB 59 73 220

HSL 234.78, 0.7%, 0.55%

LAB 39.35, 43.72, -76.28

 

CMYK 0 / 73 / 52 / 14

HEX #DC3B69

RGB 220 59 105

HSL 342.86, 0.7%, 0.55%

LAB 51.11, 64.37, 11.66

 

CMYK 0 / 6 / 73 / 14

HEX #DCCF3B

RGB 220 207 59

HSL 55.16, 0.7%, 0.55%

LAB 81.92, -11.53, 70.41

 

CMYK 73 / 0 / 20 / 14

HEX #3BDCB1

RGB 59 220 177

HSL 163.98, 0.7%, 0.55%

LAB 79.21, -50.87, 9.44

 

CMYK 57 / 73 / 0 / 14

HEX #5E3BDC

RGB 94 59 220

HSL 253.04, 0.7%, 0.55%

LAB 39.03, 55.67, -76.72

 

CMYK 0 / 73 / 52 / 14

HEX #DC3B69

RGB 220 59 105

HSL 342.86, 0.7%, 0.55%

LAB 51.11, 64.37, 11.66

 

CMYK 16 / 0 / 73 / 14

HEX #B9DC3B

RGB 185 220 59

HSL 73.04, 0.7%, 0.55%

LAB 82.82, -32.26, 70.34

 

Description

Color code: HEX #3BDCB1 | qconv.com Color code: HEX #3BDCB1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 220 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 220 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 20 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 20% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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