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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BDCB7 it is the complementary color #C42348. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BDCB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BDCB7 shade: #40DCB2, #51EEC5, #62FFD8, #73FFEB and #84FFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BDCB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BDCB7 shade: #3BDCB7, #2ACAA4, #19B891, #08A67E and #00946B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BDCB7 shade: #3BDCB7, #3BDC8C, #3BDC61, #42DC3B and #6DDC3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BDCB7 shade: #3BDCB7, #3BD6DC, #3BAADC, #3B7FDC and #3B54DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BDCB7 shade matches the following richer shades: #3BDCB7 and #29EFC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BDCB7 shade: #3BDCB7, #4ECAAD, #61B7A3, #73A499 and #86928F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BDCB7 shade: #3BDC61, #3BDC8C, #3BDCB7, #3BD7DC and #3BACDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BDCB7 shade: #1DA888, #23CBA4, #3BDCB7, #5EE2C4 and #82E8D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BDCB7 shade: #3BDCB7, #3B41DC and #DC763B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BDCB7 shade: #3BDCB7, #B73BDC and #DCB73B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BDCB7 shade: #3BDCB7, #3B41DC, #DC3B61 and #DCD73B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BDCB7 shade: #3BDCB7, #663BDC, #DC3B61 and #B1DC3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 17 / 14

HEX #3BDCB7

RGB 59 220 183

HSL 166.21, 0.7%, 0.55%

LAB 79.35, -49.41, 6.45

 

Complementary color

CMYK 0 / 82 / 63 / 23

HEX #C42348

RGB 196 35 72

HSL 346.21, 0.7%, 0.45%

LAB 43.37, 62.47, 20.65

 

CMYK 71 / 0 / 19 / 14

HEX #40DCB2

RGB 64 220 178

HSL 163.85, 0.69%, 0.56%

LAB 79.32, -49.97, 9.08

 

CMYK 66 / 0 / 17 / 7

HEX #51EEC5

RGB 81 238 197

HSL 164.33, 0.82%, 0.63%

LAB 85.47, -50.44, 7.92

 

CMYK 62 / 0 / 15 / 0

HEX #62FFD8

RGB 98 255 216

HSL 165.1, 1%, 0.69%

LAB 91.27, -50.32, 6.43

 

CMYK 55 / 0 / 8 / 0

HEX #73FFEB

RGB 115 255 235

HSL 171.43, 1%, 0.73%

LAB 92.2, -42.72, -1.98

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFE

RGB 132 255 254

HSL 179.51, 1%, 0.76%

LAB 93.27, -34.65, -10.18

 

CMYK 73 / 0 / 17 / 14

HEX #3BDCB7

RGB 59 220 183

HSL 166.21, 0.7%, 0.55%

LAB 79.35, -49.41, 6.45

 

CMYK 79 / 0 / 19 / 21

HEX #2ACAA4

RGB 42 202 164

HSL 165.75, 0.66%, 0.48%

LAB 73.16, -48.59, 7.71

 

CMYK 86 / 0 / 21 / 28

HEX #19B891

RGB 25 184 145

HSL 165.28, 0.76%, 0.41%

LAB 66.92, -47.43, 9.11

 

CMYK 95 / 0 / 24 / 35

HEX #08A67E

RGB 8 166 126

HSL 164.81, 0.91%, 0.34%

LAB 60.63, -45.85, 10.67

 

CMYK 100 / 0 / 28 / 42

HEX #00946B

RGB 0 148 107

HSL 163.38, 1%, 0.29%

LAB 54.28, -43.72, 12.43

 

CMYK 73 / 0 / 17 / 14

HEX #3BDCB7

RGB 59 220 183

HSL 166.21, 0.7%, 0.55%

LAB 79.35, -49.41, 6.45

 

CMYK 73 / 0 / 36 / 14

HEX #3BDC8C

RGB 59 220 140

HSL 150.19, 0.7%, 0.55%

LAB 78.47, -58.88, 27.8

 

CMYK 73 / 0 / 56 / 14

HEX #3BDC61

RGB 59 220 97

HSL 134.16, 0.7%, 0.55%

LAB 77.86, -65.84, 48.19

 

CMYK 70 / 0 / 73 / 14

HEX #42DC3B

RGB 66 220 59

HSL 117.39, 0.7%, 0.55%

LAB 77.67, -68.6, 63.55

 

CMYK 50 / 0 / 73 / 14

HEX #6DDC3B

RGB 109 220 59

HSL 101.37, 0.7%, 0.55%

LAB 78.9, -58.73, 65.18

 

CMYK 73 / 0 / 17 / 14

HEX #3BDCB7

RGB 59 220 183

HSL 166.21, 0.7%, 0.55%

LAB 79.35, -49.41, 6.45

 

CMYK 73 / 3 / 0 / 14

HEX #3BD6DC

RGB 59 214 220

HSL 182.24, 0.7%, 0.55%

LAB 78.57, -36.83, -14.45

 

CMYK 73 / 23 / 0 / 14

HEX #3BAADC

RGB 59 170 220

HSL 198.63, 0.7%, 0.55%

LAB 65.63, -14.87, -34.23

 

CMYK 73 / 42 / 0 / 14

HEX #3B7FDC

RGB 59 127 220

HSL 214.66, 0.7%, 0.55%

LAB 53.25, 9.94, -53.74

 

CMYK 73 / 62 / 0 / 14

HEX #3B54DC

RGB 59 84 220

HSL 230.68, 0.7%, 0.55%

LAB 41.9, 36.97, -72.09

 

CMYK 73 / 0 / 17 / 14

HEX #3BDCB7

RGB 59 220 183

HSL 166.21, 0.7%, 0.55%

LAB 79.35, -49.41, 6.45

 

CMYK 83 / 0 / 19 / 6

HEX #29EFC1

RGB 41 239 193

HSL 166.06, 0.86%, 0.55%

LAB 85.02, -56.41, 9.29

 

CMYK 73 / 0 / 17 / 14

HEX #3BDCB7

RGB 59 220 183

HSL 166.21, 0.7%, 0.55%

LAB 79.35, -49.41, 6.45

 

CMYK 61 / 0 / 14 / 21

HEX #4ECAAD

RGB 78 202 173

HSL 165.97, 0.54%, 0.55%

LAB 74.11, -41.28, 4.31

 

CMYK 47 / 0 / 11 / 28

HEX #61B7A3

RGB 97 183 163

HSL 166.05, 0.37%, 0.55%

LAB 68.79, -30.91, 2.13

 

CMYK 30 / 0 / 7 / 36

HEX #73A499

RGB 115 164 153

HSL 166.53, 0.21%, 0.55%

LAB 63.75, -18.78, 0.45

 

CMYK 8 / 0 / 2 / 43

HEX #86928F

RGB 134 146 143

HSL 165, 0.05%, 0.55%

LAB 59.53, -4.93, 0.1

 

CMYK 73 / 0 / 56 / 14

HEX #3BDC61

RGB 59 220 97

HSL 134.16, 0.7%, 0.55%

LAB 77.86, -65.84, 48.19

 

CMYK 73 / 0 / 36 / 14

HEX #3BDC8C

RGB 59 220 140

HSL 150.19, 0.7%, 0.55%

LAB 78.47, -58.88, 27.8

 

CMYK 73 / 0 / 17 / 14

HEX #3BDCB7

RGB 59 220 183

HSL 166.21, 0.7%, 0.55%

LAB 79.35, -49.41, 6.45

 

CMYK 73 / 2 / 0 / 14

HEX #3BD7DC

RGB 59 215 220

HSL 181.86, 0.7%, 0.55%

LAB 78.87, -37.29, -14.01

 

CMYK 73 / 22 / 0 / 14

HEX #3BACDC

RGB 59 172 220

HSL 197.89, 0.7%, 0.55%

LAB 66.21, -15.94, -33.32

 

CMYK 83 / 0 / 19 / 34

HEX #1DA888

RGB 29 168 136

HSL 166.19, 0.71%, 0.39%

LAB 61.69, -42.77, 6.63

 

CMYK 83 / 0 / 19 / 20

HEX #23CBA4

RGB 35 203 164

HSL 166.07, 0.71%, 0.47%

LAB 73.38, -49.63, 8.02

 

CMYK 73 / 0 / 17 / 14

HEX #3BDCB7

RGB 59 220 183

HSL 166.21, 0.7%, 0.55%

LAB 79.35, -49.41, 6.45

 

CMYK 58 / 0 / 13 / 11

HEX #5EE2C4

RGB 94 226 196

HSL 166.36, 0.69%, 0.63%

LAB 82.25, -43.32, 3.85

 

CMYK 44 / 0 / 10 / 9

HEX #82E8D1

RGB 130 232 209

HSL 166.47, 0.69%, 0.71%

LAB 85.54, -35.18, 1.91

 

CMYK 73 / 0 / 17 / 14

HEX #3BDCB7

RGB 59 220 183

HSL 166.21, 0.7%, 0.55%

LAB 79.35, -49.41, 6.45

 

CMYK 73 / 70 / 0 / 14

HEX #3B41DC

RGB 59 65 220

HSL 237.76, 0.7%, 0.55%

LAB 37.62, 48.42, -79.12

 

CMYK 0 / 46 / 73 / 14

HEX #DC763B

RGB 220 118 59

HSL 21.99, 0.7%, 0.55%

LAB 60.33, 35.37, 48.9

 

CMYK 73 / 0 / 17 / 14

HEX #3BDCB7

RGB 59 220 183

HSL 166.21, 0.7%, 0.55%

LAB 79.35, -49.41, 6.45

 

CMYK 17 / 73 / 0 / 14

HEX #B73BDC

RGB 183 59 220

HSL 286.21, 0.7%, 0.55%

LAB 49.93, 70.78, -58.49

 

CMYK 0 / 17 / 73 / 14

HEX #DCB73B

RGB 220 183 59

HSL 46.21, 0.7%, 0.55%

LAB 75.7, 0.8, 64.44

 

CMYK 73 / 0 / 17 / 14

HEX #3BDCB7

RGB 59 220 183

HSL 166.21, 0.7%, 0.55%

LAB 79.35, -49.41, 6.45

 

CMYK 73 / 70 / 0 / 14

HEX #3B41DC

RGB 59 65 220

HSL 237.76, 0.7%, 0.55%

LAB 37.62, 48.42, -79.12

 

CMYK 0 / 73 / 56 / 14

HEX #DC3B61

RGB 220 59 97

HSL 345.84, 0.7%, 0.55%

LAB 50.93, 63.78, 16.25

 

CMYK 0 / 2 / 73 / 14

HEX #DCD73B

RGB 220 215 59

HSL 58.14, 0.7%, 0.55%

LAB 84.03, -15.53, 72.4

 

CMYK 73 / 0 / 17 / 14

HEX #3BDCB7

RGB 59 220 183

HSL 166.21, 0.7%, 0.55%

LAB 79.35, -49.41, 6.45

 

CMYK 54 / 73 / 0 / 14

HEX #663BDC

RGB 102 59 220

HSL 256.02, 0.7%, 0.55%

LAB 39.78, 56.77, -75.45

 

CMYK 0 / 73 / 56 / 14

HEX #DC3B61

RGB 220 59 97

HSL 345.84, 0.7%, 0.55%

LAB 50.93, 63.78, 16.25

 

CMYK 20 / 0 / 73 / 14

HEX #B1DC3B

RGB 177 220 59

HSL 76.02, 0.7%, 0.55%

LAB 82.3, -35.41, 69.66

 

Description

Color code: HEX #3BDCB7 | qconv.com Color code: HEX #3BDCB7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 220 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 220 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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