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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BE1C8 it is the complementary color #C41E37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BE1C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BE1C8 shade: #40E1C3, #51F3D6, #62FFE9, #73FFFC and #84FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BE1C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BE1C8 shade: #3BE1C8, #2ACFB5, #19BDA2, #08AB8F and #00997C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BE1C8 shade: #3CE0C8, #3CE09B, #3CE06F, #3CE043 and #62E03C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BE1C8 shade: #3CE0C8, #3CCDE0, #3CA1E0, #3C74E0 and #3C48E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BE1C8 shade matches the following richer shades: #3CE0C8 and #2AF2D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BE1C8 shade: #3CE0C8, #4FCEBB, #61BCAE, #73AAA1 and #859895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BE1C8 shade: #3CE06E, #3CE099, #3CE0C5, #3CD0E0 and #3CA4E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BE1C8 shade: #1BAF99, #20D3B8, #3CE0C8, #60E6D2 and #84EBDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BE1C8 shade: #3BE1C8, #423CE0 and #E0833C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BE1C8 shade: #3BE1C8, #C53CE0 and #E0C53C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BE1C8 shade: #3BE1C8, #423CE0, #E03C58 and #DBE03C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BE1C8 shade: #3BE1C8, #733CE0, #E03C58 and #AAE03C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 11 / 12

HEX #3BE1C8

RGB 59 225 200

HSL 170.96, 0.73%, 0.56%

LAB 81.26, -47.21, 0.2

 

Complementary color

CMYK 0 / 85 / 72 / 23

HEX #C41E37

RGB 196 30 55

HSL 350.96, 0.73%, 0.44%

LAB 42.67, 62.77, 30.26

 

CMYK 72 / 0 / 13 / 12

HEX #40E1C3

RGB 64 225 195

HSL 168.82, 0.73%, 0.57%

LAB 81.23, -47.88, 2.81

 

CMYK 67 / 0 / 12 / 5

HEX #51F3D6

RGB 81 243 214

HSL 169.26, 0.87%, 0.64%

LAB 87.34, -48.43, 1.74

 

CMYK 62 / 0 / 9 / 0

HEX #62FFE9

RGB 98 255 233

HSL 171.59, 1%, 0.69%

LAB 91.68, -46.23, -1.76

 

CMYK 55 / 0 / 1 / 0

HEX #73FFFC

RGB 115 255 252

HSL 178.71, 1%, 0.73%

LAB 92.66, -38.49, -10.11

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 74 / 0 / 11 / 12

HEX #3BE1C8

RGB 59 225 200

HSL 170.96, 0.73%, 0.56%

LAB 81.26, -47.21, 0.2

 

CMYK 80 / 0 / 13 / 19

HEX #2ACFB5

RGB 42 207 181

HSL 170.55, 0.66%, 0.49%

LAB 75.11, -46.31, 1.36

 

CMYK 87 / 0 / 14 / 26

HEX #19BDA2

RGB 25 189 162

HSL 170.12, 0.77%, 0.42%

LAB 68.9, -45.09, 2.64

 

CMYK 95 / 0 / 16 / 33

HEX #08AB8F

RGB 8 171 143

HSL 169.69, 0.91%, 0.35%

LAB 62.64, -43.47, 4.07

 

CMYK 100 / 0 / 19 / 40

HEX #00997C

RGB 0 153 124

HSL 168.63, 1%, 0.3%

LAB 56.33, -41.37, 5.66

 

CMYK 73 / 0 / 11 / 12

HEX #3CE0C8

RGB 60 224 200

HSL 171.22, 0.73%, 0.56%

LAB 80.98, -46.67, -0.21

 

CMYK 73 / 0 / 31 / 12

HEX #3CE09B

RGB 60 224 155

HSL 154.76, 0.73%, 0.56%

LAB 79.98, -57.24, 22.08

 

CMYK 73 / 0 / 50 / 12

HEX #3CE06F

RGB 60 224 111

HSL 138.66, 0.73%, 0.56%

LAB 79.28, -65.09, 43.33

 

CMYK 73 / 0 / 70 / 12

HEX #3CE043

RGB 60 224 67

HSL 122.56, 0.73%, 0.56%

LAB 78.85, -70.2, 61.86

 

CMYK 56 / 0 / 73 / 12

HEX #62E03C

RGB 98 224 60

HSL 106.1, 0.73%, 0.56%

LAB 79.75, -63.03, 65.56

 

CMYK 73 / 0 / 11 / 12

HEX #3CE0C8

RGB 60 224 200

HSL 171.22, 0.73%, 0.56%

LAB 80.98, -46.67, -0.21

 

CMYK 73 / 8 / 0 / 12

HEX #3CCDE0

RGB 60 205 224

HSL 186.95, 0.73%, 0.56%

LAB 76.07, -31.29, -20.37

 

CMYK 73 / 28 / 0 / 12

HEX #3CA1E0

RGB 60 161 224

HSL 203.05, 0.73%, 0.56%

LAB 63.2, -8.45, -40.22

 

CMYK 73 / 48 / 0 / 12

HEX #3C74E0

RGB 60 116 224

HSL 219.51, 0.73%, 0.56%

LAB 50.49, 18.35, -60.42

 

CMYK 73 / 68 / 0 / 12

HEX #3C48E0

RGB 60 72 224

HSL 235.61, 0.73%, 0.56%

LAB 39.54, 45.77, -78.25

 

CMYK 73 / 0 / 11 / 12

HEX #3CE0C8

RGB 60 224 200

HSL 171.22, 0.73%, 0.56%

LAB 80.98, -46.67, -0.21

 

CMYK 83 / 0 / 12 / 5

HEX #2AF2D4

RGB 42 242 212

HSL 171, 0.88%, 0.56%

LAB 86.38, -52.78, 1.31

 

CMYK 73 / 0 / 11 / 12

HEX #3CE0C8

RGB 60 224 200

HSL 171.22, 0.73%, 0.56%

LAB 80.98, -46.67, -0.21

 

CMYK 62 / 0 / 9 / 19

HEX #4FCEBB

RGB 79 206 187

HSL 171.02, 0.56%, 0.56%

LAB 75.7, -39.38, -0.94

 

CMYK 48 / 0 / 7 / 26

HEX #61BCAE

RGB 97 188 174

HSL 170.77, 0.4%, 0.56%

LAB 70.57, -30.63, -1.31

 

CMYK 32 / 0 / 5 / 33

HEX #73AAA1

RGB 115 170 161

HSL 170.18, 0.24%, 0.56%

LAB 65.72, -20.05, -1.13

 

CMYK 13 / 0 / 2 / 40

HEX #859895

RGB 133 152 149

HSL 170.53, 0.08%, 0.56%

LAB 61.32, -7.35, -0.71

 

CMYK 73 / 0 / 51 / 12

HEX #3CE06E

RGB 60 224 110

HSL 138.29, 0.73%, 0.56%

LAB 79.27, -65.24, 43.79

 

CMYK 73 / 0 / 32 / 12

HEX #3CE099

RGB 60 224 153

HSL 154.02, 0.73%, 0.56%

LAB 79.94, -57.66, 23.07

 

CMYK 73 / 0 / 12 / 12

HEX #3CE0C5

RGB 60 224 197

HSL 170.12, 0.73%, 0.56%

LAB 80.91, -47.44, 1.27

 

CMYK 73 / 7 / 0 / 12

HEX #3CD0E0

RGB 60 208 224

HSL 185.85, 0.73%, 0.56%

LAB 76.95, -32.73, -19.04

 

CMYK 73 / 27 / 0 / 12

HEX #3CA4E0

RGB 60 164 224

HSL 201.95, 0.73%, 0.56%

LAB 64.07, -10.12, -38.85

 

CMYK 85 / 0 / 13 / 31

HEX #1BAF99

RGB 27 175 153

HSL 171.08, 0.73%, 0.4%

LAB 64.32, -41.39, 0.94

 

CMYK 85 / 0 / 13 / 17

HEX #20D3B8

RGB 32 211 184

HSL 170.95, 0.74%, 0.48%

LAB 76.29, -48, 1.44

 

CMYK 73 / 0 / 11 / 12

HEX #3CE0C8

RGB 60 224 200

HSL 171.22, 0.73%, 0.56%

LAB 80.98, -46.67, -0.21

 

CMYK 58 / 0 / 9 / 10

HEX #60E6D2

RGB 96 230 210

HSL 171.04, 0.73%, 0.64%

LAB 83.83, -41.3, -1.25

 

CMYK 44 / 0 / 6 / 8

HEX #84EBDC

RGB 132 235 220

HSL 171.26, 0.72%, 0.72%

LAB 86.75, -33.56, -2.09

 

CMYK 74 / 0 / 11 / 12

HEX #3BE1C8

RGB 59 225 200

HSL 170.96, 0.73%, 0.56%

LAB 81.26, -47.21, 0.2

 

CMYK 71 / 73 / 0 / 12

HEX #423CE0

RGB 66 60 224

HSL 242.2, 0.73%, 0.56%

LAB 37.43, 53.15, -81.71

 

CMYK 0 / 42 / 73 / 12

HEX #E0833C

RGB 224 131 60

HSL 25.98, 0.73%, 0.56%

LAB 63.68, 30.23, 52.1

 

CMYK 74 / 0 / 11 / 12

HEX #3BE1C8

RGB 59 225 200

HSL 170.96, 0.73%, 0.56%

LAB 81.26, -47.21, 0.2

 

CMYK 12 / 73 / 0 / 12

HEX #C53CE0

RGB 197 60 224

HSL 290.12, 0.73%, 0.56%

LAB 52.38, 73.91, -56.72

 

CMYK 0 / 12 / 73 / 12

HEX #E0C53C

RGB 224 197 60

HSL 50.12, 0.73%, 0.56%

LAB 79.67, -4.71, 68.04

 

CMYK 74 / 0 / 11 / 12

HEX #3BE1C8

RGB 59 225 200

HSL 170.96, 0.73%, 0.56%

LAB 81.26, -47.21, 0.2

 

CMYK 71 / 73 / 0 / 12

HEX #423CE0

RGB 66 60 224

HSL 242.2, 0.73%, 0.56%

LAB 37.43, 53.15, -81.71

 

CMYK 0 / 73 / 61 / 12

HEX #E03C58

RGB 224 60 88

HSL 349.76, 0.73%, 0.56%

LAB 51.59, 64, 22.68

 

CMYK 2 / 0 / 73 / 12

HEX #DBE03C

RGB 219 224 60

HSL 61.83, 0.73%, 0.56%

LAB 86.35, -20.31, 74.23

 

CMYK 74 / 0 / 11 / 12

HEX #3BE1C8

RGB 59 225 200

HSL 170.96, 0.73%, 0.56%

LAB 81.26, -47.21, 0.2

 

CMYK 49 / 73 / 0 / 12

HEX #733CE0

RGB 115 60 224

HSL 260.12, 0.73%, 0.56%

LAB 41.62, 59.27, -74.67

 

CMYK 0 / 73 / 61 / 12

HEX #E03C58

RGB 224 60 88

HSL 349.76, 0.73%, 0.56%

LAB 51.59, 64, 22.68

 

CMYK 24 / 0 / 73 / 12

HEX #AAE03C

RGB 170 224 60

HSL 79.76, 0.73%, 0.56%

LAB 83.01, -39.84, 69.87

 

Description

Color code: HEX #3BE1C8 | qconv.com Color code: HEX #3BE1C8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 225 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 225 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 11 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 11% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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