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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BE2CE it is the complementary color #C41D31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BE2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BE2CE shade: #40E2C9, #51F4DC, #62FFEF, #73FFFF and #84FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BE2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BE2CE shade: #3BE2CE, #2AD0BB, #19BEA8, #08AC95 and #009A82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BE2CE shade: #3BE1CD, #3BE1A1, #3BE174, #3BE147 and #5CE13B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BE2CE shade: #3BE1CD, #3BC8E1, #3B9CE1, #3B6FE1 and #3B42E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BE2CE shade matches the following richer shades: #3BE1CD and #29F3DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BE2CE shade: #3BE1CD, #4DCFC0, #60BDB2, #72ABA4 and #849996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BE2CE shade: #3BE173, #3BE19F, #3BE1CB, #3BCBE1 and #3B9FE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BE2CE shade: #1AB09E, #1FD4BE, #3BE1CD, #5FE7D6 and #83ECDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BE2CE shade: #3BE2CE, #463BE1 and #E1893B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BE2CE shade: #3BE2CE, #CB3BE1 and #E1CB3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BE2CE shade: #3BE2CE, #463BE1, #E13B51 and #D6E13B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BE2CE shade: #3BE2CE, #783BE1, #E13B51 and #A4E13B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 9 / 11

HEX #3BE2CE

RGB 59 226 206

HSL 172.81, 0.74%, 0.56%

LAB 81.72, -46.06, -2.32

 

Complementary color

CMYK 0 / 85 / 75 / 23

HEX #C41D31

RGB 196 29 49

HSL 352.81, 0.74%, 0.44%

LAB 42.52, 62.74, 33.68

 

CMYK 72 / 0 / 11 / 11

HEX #40E2C9

RGB 64 226 201

HSL 170.74, 0.74%, 0.57%

LAB 81.67, -46.78, 0.28

 

CMYK 67 / 0 / 10 / 4

HEX #51F4DC

RGB 81 244 220

HSL 171.17, 0.88%, 0.64%

LAB 87.78, -47.35, -0.75

 

CMYK 62 / 0 / 6 / 0

HEX #62FFEF

RGB 98 255 239

HSL 173.89, 1%, 0.69%

LAB 91.84, -44.73, -4.64

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 74 / 0 / 9 / 11

HEX #3BE2CE

RGB 59 226 206

HSL 172.81, 0.74%, 0.56%

LAB 81.72, -46.06, -2.32

 

CMYK 80 / 0 / 10 / 18

HEX #2AD0BB

RGB 42 208 187

HSL 172.41, 0.66%, 0.49%

LAB 75.57, -45.13, -1.2

 

CMYK 87 / 0 / 12 / 25

HEX #19BEA8

RGB 25 190 168

HSL 172, 0.77%, 0.42%

LAB 69.37, -43.89, 0.03

 

CMYK 95 / 0 / 13 / 33

HEX #08AC95

RGB 8 172 149

HSL 171.59, 0.91%, 0.35%

LAB 63.12, -42.25, 1.4

 

CMYK 100 / 0 / 16 / 40

HEX #009A82

RGB 0 154 130

HSL 170.65, 1%, 0.3%

LAB 56.8, -40.14, 2.94

 

CMYK 74 / 0 / 9 / 12

HEX #3BE1CD

RGB 59 225 205

HSL 172.77, 0.73%, 0.56%

LAB 81.39, -45.9, -2.26

 

CMYK 74 / 0 / 28 / 12

HEX #3BE1A1

RGB 59 225 161

HSL 156.87, 0.73%, 0.56%

LAB 80.38, -56.49, 19.51

 

CMYK 74 / 0 / 48 / 12

HEX #3BE174

RGB 59 225 116

HSL 140.6, 0.73%, 0.56%

LAB 79.64, -64.82, 41.36

 

CMYK 74 / 0 / 68 / 12

HEX #3BE147

RGB 59 225 71

HSL 124.34, 0.73%, 0.56%

LAB 79.18, -70.32, 60.69

 

CMYK 59 / 0 / 74 / 12

HEX #5CE13B

RGB 92 225 59

HSL 108.07, 0.73%, 0.56%

LAB 79.86, -64.91, 65.95

 

CMYK 74 / 0 / 9 / 12

HEX #3BE1CD

RGB 59 225 205

HSL 172.77, 0.73%, 0.56%

LAB 81.39, -45.9, -2.26

 

CMYK 74 / 11 / 0 / 12

HEX #3BC8E1

RGB 59 200 225

HSL 189.04, 0.73%, 0.56%

LAB 74.62, -28.67, -23.12

 

CMYK 74 / 31 / 0 / 12

HEX #3B9CE1

RGB 59 156 225

HSL 204.94, 0.73%, 0.56%

LAB 61.78, -5.42, -43.01

 

CMYK 74 / 51 / 0 / 12

HEX #3B6FE1

RGB 59 111 225

HSL 221.2, 0.73%, 0.56%

LAB 49.17, 21.73, -63.11

 

CMYK 74 / 71 / 0 / 12

HEX #3B42E1

RGB 59 66 225

HSL 237.47, 0.73%, 0.56%

LAB 38.31, 49.5, -80.85

 

CMYK 74 / 0 / 9 / 12

HEX #3BE1CD

RGB 59 225 205

HSL 172.77, 0.73%, 0.56%

LAB 81.39, -45.9, -2.26

 

CMYK 83 / 0 / 10 / 5

HEX #29F3DB

RGB 41 243 219

HSL 172.87, 0.89%, 0.56%

LAB 86.84, -51.44, -1.68

 

CMYK 74 / 0 / 9 / 12

HEX #3BE1CD

RGB 59 225 205

HSL 172.77, 0.73%, 0.56%

LAB 81.39, -45.9, -2.26

 

CMYK 63 / 0 / 7 / 19

HEX #4DCFC0

RGB 77 207 192

HSL 173.08, 0.58%, 0.56%

LAB 76.07, -38.88, -3.08

 

CMYK 49 / 0 / 6 / 26

HEX #60BDB2

RGB 96 189 178

HSL 172.9, 0.41%, 0.56%

LAB 70.94, -30.34, -2.96

 

CMYK 33 / 0 / 4 / 33

HEX #72ABA4

RGB 114 171 164

HSL 172.63, 0.25%, 0.56%

LAB 66.05, -20.15, -2.33

 

CMYK 14 / 0 / 2 / 40

HEX #849996

RGB 132 153 150

HSL 171.43, 0.09%, 0.56%

LAB 61.56, -8.03, -0.93

 

CMYK 74 / 0 / 49 / 12

HEX #3BE173

RGB 59 225 115

HSL 140.24, 0.73%, 0.56%

LAB 79.62, -64.98, 41.82

 

CMYK 74 / 0 / 29 / 12

HEX #3BE19F

RGB 59 225 159

HSL 156.14, 0.73%, 0.56%

LAB 80.34, -56.92, 20.5

 

CMYK 74 / 0 / 10 / 12

HEX #3BE1CB

RGB 59 225 203

HSL 172.05, 0.73%, 0.56%

LAB 81.34, -46.43, -1.28

 

CMYK 74 / 10 / 0 / 12

HEX #3BCBE1

RGB 59 203 225

HSL 187.95, 0.73%, 0.56%

LAB 75.5, -30.14, -21.78

 

CMYK 74 / 29 / 0 / 12

HEX #3B9FE1

RGB 59 159 225

HSL 203.86, 0.73%, 0.56%

LAB 62.64, -7.12, -41.65

 

CMYK 85 / 0 / 10 / 31

HEX #1AB09E

RGB 26 176 158

HSL 172.8, 0.74%, 0.4%

LAB 64.75, -40.52, -1.2

 

CMYK 85 / 0 / 10 / 17

HEX #1FD4BE

RGB 31 212 190

HSL 172.71, 0.74%, 0.48%

LAB 76.74, -46.88, -1.12

 

CMYK 74 / 0 / 9 / 12

HEX #3BE1CD

RGB 59 225 205

HSL 172.77, 0.73%, 0.56%

LAB 81.39, -45.9, -2.26

 

CMYK 59 / 0 / 7 / 9

HEX #5FE7D6

RGB 95 231 214

HSL 172.5, 0.74%, 0.64%

LAB 84.19, -40.93, -2.82

 

CMYK 44 / 0 / 6 / 7

HEX #83ECDF

RGB 131 236 223

HSL 172.57, 0.73%, 0.72%

LAB 87.07, -33.56, -3.2

 

CMYK 74 / 0 / 9 / 11

HEX #3BE2CE

RGB 59 226 206

HSL 172.81, 0.74%, 0.56%

LAB 81.72, -46.06, -2.32

 

CMYK 69 / 74 / 0 / 12

HEX #463BE1

RGB 70 59 225

HSL 243.98, 0.73%, 0.56%

LAB 37.6, 54.38, -81.99

 

CMYK 0 / 39 / 74 / 12

HEX #E1893B

RGB 225 137 59

HSL 28.19, 0.73%, 0.56%

LAB 65.13, 27.42, 54.1

 

CMYK 74 / 0 / 9 / 11

HEX #3BE2CE

RGB 59 226 206

HSL 172.81, 0.74%, 0.56%

LAB 81.72, -46.06, -2.32

 

CMYK 10 / 74 / 0 / 12

HEX #CB3BE1

RGB 203 59 225

HSL 292.05, 0.73%, 0.56%

LAB 53.23, 75.6, -55.87

 

CMYK 0 / 10 / 74 / 12

HEX #E1CB3B

RGB 225 203 59

HSL 52.05, 0.73%, 0.56%

LAB 81.31, -7.39, 69.98

 

CMYK 74 / 0 / 9 / 11

HEX #3BE2CE

RGB 59 226 206

HSL 172.81, 0.74%, 0.56%

LAB 81.72, -46.06, -2.32

 

CMYK 69 / 74 / 0 / 12

HEX #463BE1

RGB 70 59 225

HSL 243.98, 0.73%, 0.56%

LAB 37.6, 54.38, -81.99

 

CMYK 0 / 74 / 64 / 12

HEX #E13B51

RGB 225 59 81

HSL 352.05, 0.73%, 0.56%

LAB 51.53, 64.21, 26.82

 

CMYK 5 / 0 / 74 / 12

HEX #D6E13B

RGB 214 225 59

HSL 63.98, 0.73%, 0.56%

LAB 86.24, -22.9, 74.3

 

CMYK 74 / 0 / 9 / 11

HEX #3BE2CE

RGB 59 226 206

HSL 172.81, 0.74%, 0.56%

LAB 81.72, -46.06, -2.32

 

CMYK 47 / 74 / 0 / 12

HEX #783BE1

RGB 120 59 225

HSL 262.05, 0.73%, 0.56%

LAB 42.09, 60.75, -74.45

 

CMYK 0 / 74 / 64 / 12

HEX #E13B51

RGB 225 59 81

HSL 352.05, 0.73%, 0.56%

LAB 51.53, 64.21, 26.82

 

CMYK 27 / 0 / 74 / 12

HEX #A4E13B

RGB 164 225 59

HSL 82.05, 0.73%, 0.56%

LAB 82.94, -42.58, 70.01

 

Description

Color code: HEX #3BE2CE | qconv.com Color code: HEX #3BE2CE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 226 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 226 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 9 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 9% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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