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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BECC9 it is the complementary color #C41336. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BECC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BECC9 shade: #40ECC4, #51FED7, #62FFEA, #73FFFD and #84FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BECC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BECC9 shade: #3BECC9, #2ADAB6, #19C8A3, #08B690 and #00A47D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BECC9 shade: #3CEBC9, #3CEB99, #3CEB6A, #3DEB3C and #6CEB3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BECC9 shade: #3CEBC9, #3CDFEB, #3CAFEB, #3C80EB and #3C50EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BECC9 shade matches the following richer shades: #3CEBC9 and #2AFDD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BECC9 shade: #3CEBC9, #4DDABE, #5EC9B4, #70B7A9 and #81A69F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BECC9 shade: #3CEB6A, #3CEB99, #3CEBC8, #3CE0EB and #3CB1EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BECC9 shade: #13C29F, #16E7BE, #3CEBC9, #61EFD3 and #87F3DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BECC9 shade: #3BECC9, #3C3CEB and #EB823C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BECC9 shade: #3BECC9, #C83CEB and #EBC83C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BECC9 shade: #3BECC9, #3C3CEB, #EB3C5F and #EBEB3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BECC9 shade: #3BECC9, #703CEB, #EB3C5F and #B7EB3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 15 / 7

HEX #3BECC9

RGB 59 236 201

HSL 168.14, 0.82%, 0.58%

LAB 84.55, -51.56, 4.45

 

Complementary color

CMYK 0 / 90 / 72 / 23

HEX #C41336

RGB 196 19 54

HSL 348.14, 0.82%, 0.42%

LAB 41.95, 64.76, 30.01

 

CMYK 73 / 0 / 17 / 7

HEX #40ECC4

RGB 64 236 196

HSL 166.05, 0.82%, 0.59%

LAB 84.52, -52.21, 7.03

 

CMYK 68 / 0 / 15 / 0

HEX #51FED7

RGB 81 254 215

HSL 166.47, 0.99%, 0.66%

LAB 90.57, -52.78, 5.89

 

CMYK 62 / 0 / 8 / 0

HEX #62FFEA

RGB 98 255 234

HSL 171.97, 1%, 0.69%

LAB 91.71, -45.98, -2.24

 

CMYK 55 / 0 / 1 / 0

HEX #73FFFD

RGB 115 255 253

HSL 179.14, 1%, 0.73%

LAB 92.69, -38.23, -10.58

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 75 / 0 / 15 / 7

HEX #3BECC9

RGB 59 236 201

HSL 168.14, 0.82%, 0.58%

LAB 84.55, -51.56, 4.45

 

CMYK 81 / 0 / 17 / 15

HEX #2ADAB6

RGB 42 218 182

HSL 167.73, 0.7%, 0.51%

LAB 78.47, -50.63, 5.69

 

CMYK 88 / 0 / 19 / 22

HEX #19C8A3

RGB 25 200 163

HSL 167.31, 0.78%, 0.44%

LAB 72.34, -49.39, 7.04

 

CMYK 96 / 0 / 21 / 29

HEX #08B690

RGB 8 182 144

HSL 166.9, 0.92%, 0.37%

LAB 66.15, -47.75, 8.55

 

CMYK 100 / 0 / 24 / 36

HEX #00A47D

RGB 0 164 125

HSL 165.73, 1%, 0.32%

LAB 59.92, -45.64, 10.22

 

CMYK 74 / 0 / 14 / 8

HEX #3CEBC9

RGB 60 235 201

HSL 168.34, 0.81%, 0.58%

LAB 84.27, -51.03, 4.05

 

CMYK 74 / 0 / 35 / 8

HEX #3CEB99

RGB 60 235 153

HSL 151.89, 0.81%, 0.58%

LAB 83.27, -61.76, 27.6

 

CMYK 74 / 0 / 55 / 8

HEX #3CEB6A

RGB 60 235 106

HSL 135.77, 0.81%, 0.58%

LAB 82.6, -69.47, 49.72

 

CMYK 74 / 0 / 74 / 8

HEX #3DEB3C

RGB 61 235 60

HSL 119.66, 0.81%, 0.58%

LAB 82.24, -73.98, 67.74

 

CMYK 54 / 0 / 74 / 8

HEX #6CEB3C

RGB 108 235 60

HSL 103.54, 0.81%, 0.58%

LAB 83.41, -64.35, 69.29

 

CMYK 74 / 0 / 14 / 8

HEX #3CEBC9

RGB 60 235 201

HSL 168.34, 0.81%, 0.58%

LAB 84.27, -51.03, 4.05

 

CMYK 74 / 5 / 0 / 8

HEX #3CDFEB

RGB 60 223 235

HSL 184.11, 0.81%, 0.58%

LAB 81.69, -36.52, -17.75

 

CMYK 74 / 26 / 0 / 8

HEX #3CAFEB

RGB 60 175 235

HSL 200.57, 0.81%, 0.58%

LAB 67.74, -12.42, -39.17

 

CMYK 74 / 46 / 0 / 8

HEX #3C80EB

RGB 60 128 235

HSL 216.69, 0.81%, 0.58%

LAB 54.45, 14.9, -60.23

 

CMYK 74 / 66 / 0 / 8

HEX #3C50EB

RGB 60 80 235

HSL 233.14, 0.81%, 0.58%

LAB 42.3, 44.74, -79.96

 

CMYK 74 / 0 / 14 / 8

HEX #3CEBC9

RGB 60 235 201

HSL 168.34, 0.81%, 0.58%

LAB 84.27, -51.03, 4.05

 

CMYK 83 / 0 / 17 / 1

HEX #2AFDD3

RGB 42 253 211

HSL 168.06, 0.98%, 0.58%

LAB 89.6, -57.45, 6.49

 

CMYK 74 / 0 / 14 / 8

HEX #3CEBC9

RGB 60 235 201

HSL 168.34, 0.81%, 0.58%

LAB 84.27, -51.03, 4.05

 

CMYK 65 / 0 / 13 / 15

HEX #4DDABE

RGB 77 218 190

HSL 168.09, 0.66%, 0.58%

LAB 79.29, -44.27, 2.69

 

CMYK 53 / 0 / 10 / 21

HEX #5EC9B4

RGB 94 201 180

HSL 168.22, 0.5%, 0.58%

LAB 74.48, -35.95, 1.12

 

CMYK 39 / 0 / 8 / 28

HEX #70B7A9

RGB 112 183 169

HSL 168.17, 0.33%, 0.58%

LAB 69.59, -25.6, 0.09

 

CMYK 22 / 0 / 4 / 35

HEX #81A69F

RGB 129 166 159

HSL 168.65, 0.17%, 0.58%

LAB 65.31, -14.08, -0.52

 

CMYK 74 / 0 / 55 / 8

HEX #3CEB6A

RGB 60 235 106

HSL 135.77, 0.81%, 0.58%

LAB 82.6, -69.47, 49.72

 

CMYK 74 / 0 / 35 / 8

HEX #3CEB99

RGB 60 235 153

HSL 151.89, 0.81%, 0.58%

LAB 83.27, -61.76, 27.6

 

CMYK 74 / 0 / 15 / 8

HEX #3CEBC8

RGB 60 235 200

HSL 168, 0.81%, 0.58%

LAB 84.25, -51.28, 4.54

 

CMYK 74 / 5 / 0 / 8

HEX #3CE0EB

RGB 60 224 235

HSL 183.77, 0.81%, 0.58%

LAB 81.98, -36.99, -17.31

 

CMYK 74 / 25 / 0 / 8

HEX #3CB1EB

RGB 60 177 235

HSL 199.89, 0.81%, 0.58%

LAB 68.32, -13.51, -38.27

 

CMYK 90 / 0 / 18 / 24

HEX #13C29F

RGB 19 194 159

HSL 168, 0.82%, 0.42%

LAB 70.33, -48.31, 6.33

 

CMYK 90 / 0 / 18 / 9

HEX #16E7BE

RGB 22 231 190

HSL 168.23, 0.83%, 0.5%

LAB 82.4, -55.15, 7.08

 

CMYK 74 / 0 / 14 / 8

HEX #3CEBC9

RGB 60 235 201

HSL 168.34, 0.81%, 0.58%

LAB 84.27, -51.03, 4.05

 

CMYK 59 / 0 / 12 / 6

HEX #61EFD3

RGB 97 239 211

HSL 168.17, 0.82%, 0.66%

LAB 86.49, -44.84, 2.12

 

CMYK 44 / 0 / 9 / 5

HEX #87F3DD

RGB 135 243 221

HSL 167.78, 0.82%, 0.74%

LAB 89.15, -36.32, 0.91

 

CMYK 75 / 0 / 15 / 7

HEX #3BECC9

RGB 59 236 201

HSL 168.14, 0.82%, 0.58%

LAB 84.55, -51.56, 4.45

 

CMYK 74 / 74 / 0 / 8

HEX #3C3CEB

RGB 60 60 235

HSL 240, 0.81%, 0.58%

LAB 38.18, 56.09, -86.74

 

CMYK 0 / 45 / 74 / 8

HEX #EB823C

RGB 235 130 60

HSL 24, 0.81%, 0.58%

LAB 64.93, 35.19, 53.85

 

CMYK 75 / 0 / 15 / 7

HEX #3BECC9

RGB 59 236 201

HSL 168.14, 0.82%, 0.58%

LAB 84.55, -51.56, 4.45

 

CMYK 15 / 74 / 0 / 8

HEX #C83CEB

RGB 200 60 235

HSL 288, 0.81%, 0.58%

LAB 53.5, 76.46, -61.1

 

CMYK 0 / 15 / 74 / 8

HEX #EBC83C

RGB 235 200 60

HSL 48, 0.81%, 0.58%

LAB 81.45, -1.57, 70.09

 

CMYK 75 / 0 / 15 / 7

HEX #3BECC9

RGB 59 236 201

HSL 168.14, 0.82%, 0.58%

LAB 84.55, -51.56, 4.45

 

CMYK 74 / 74 / 0 / 8

HEX #3C3CEB

RGB 60 60 235

HSL 240, 0.81%, 0.58%

LAB 38.18, 56.09, -86.74

 

CMYK 0 / 74 / 60 / 8

HEX #EB3C5F

RGB 235 60 95

HSL 348, 0.81%, 0.58%

LAB 53.73, 67.6, 21.69

 

CMYK 0 / 0 / 74 / 8

HEX #EBEB3C

RGB 235 235 60

HSL 60, 0.81%, 0.58%

LAB 90.51, -19.06, 78.53

 

CMYK 75 / 0 / 15 / 7

HEX #3BECC9

RGB 59 236 201

HSL 168.14, 0.82%, 0.58%

LAB 84.55, -51.56, 4.45

 

CMYK 52 / 74 / 0 / 8

HEX #703CEB

RGB 112 60 235

HSL 257.83, 0.81%, 0.58%

LAB 42.27, 61.74, -79.87

 

CMYK 0 / 74 / 60 / 8

HEX #EB3C5F

RGB 235 60 95

HSL 348, 0.81%, 0.58%

LAB 53.73, 67.6, 21.69

 

CMYK 22 / 0 / 74 / 8

HEX #B7EB3C

RGB 183 235 60

HSL 77.83, 0.81%, 0.58%

LAB 86.9, -39.78, 73.87

 

Description

Color code: HEX #3BECC9 | qconv.com Color code: HEX #3BECC9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 236 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 236 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 15 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 15% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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