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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C0F60 it is the complementary color #C3F09F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C0F60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C0F60 shade: #410F5B, #52216E, #633381, #744594 and #8557A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C0F60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C0F60 shade: #3C0F60, #2B004D, #1A003A, #090027 and #000014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C0F60 shade: #3C0F61, #520F61, #610F59, #610F43 and #610F2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C0F60 shade: #3C0F61, #260F61, #100F61 and #0F0F61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C0F60 shade matches the following richer shades: #3C0F61 and #3D066A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C0F60 shade: #3C0F61, #3B1857, #3A214E, #392A45 and #38333C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C0F60 shade: #100F61, #260F61, #3C0F61, #520F61 and #610F5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C0F60 shade: #100419, #26093D, #3C0F61, #521484 and #691AA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C0F60 shade: #3C0F60, #610F23 and #0F611B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C0F60 shade: #3C0F60, #613C0F and #0F613C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C0F60 shade: #3C0F60, #610F23, #34610F and #0F614C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C0F60 shade: #3C0F60, #61130F, #34610F and #0F5C61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 84 / 0 / 62

HEX #3C0F60

RGB 60 15 96

HSL 273.33, 0.73%, 0.22%

LAB 16.24, 37.04, -38.3

 

Complementary color

CMYK 19 / 0 / 34 / 6

HEX #C3F09F

RGB 195 240 159

HSL 93.33, 0.73%, 0.78%

LAB 90.06, -28.4, 34.55

 

CMYK 29 / 84 / 0 / 64

HEX #410F5B

RGB 65 15 91

HSL 279.47, 0.72%, 0.21%

LAB 16.61, 36.77, -34.33

 

CMYK 25 / 70 / 0 / 57

HEX #52216E

RGB 82 33 110

HSL 278.18, 0.54%, 0.28%

LAB 23.7, 36.85, -35.23

 

CMYK 23 / 60 / 0 / 49

HEX #633381

RGB 99 51 129

HSL 276.92, 0.43%, 0.35%

LAB 30.89, 36.2, -35.62

 

CMYK 22 / 53 / 0 / 42

HEX #744594

RGB 116 69 148

HSL 275.7, 0.36%, 0.43%

LAB 38.03, 35.33, -35.8

 

CMYK 20 / 48 / 0 / 35

HEX #8557A7

RGB 133 87 167

HSL 274.5, 0.31%, 0.5%

LAB 45.07, 34.43, -35.91

 

CMYK 38 / 84 / 0 / 62

HEX #3C0F60

RGB 60 15 96

HSL 273.33, 0.73%, 0.22%

LAB 16.24, 37.04, -38.3

 

CMYK 44 / 100 / 0 / 70

HEX #2B004D

RGB 43 0 77

HSL 273.51, 1%, 0.15%

LAB 9.4, 35.9, -36.72

 

CMYK 55 / 100 / 0 / 77

HEX #1A003A

RGB 26 0 58

HSL 266.9, 1%, 0.11%

LAB 4.74, 26.68, -30.95

 

CMYK 77 / 100 / 0 / 85

HEX #090027

RGB 9 0 39

HSL 253.85, 1%, 0.08%

LAB 1.85, 11.65, -21.41

 

CMYK 100 / 100 / 0 / 92

HEX #000014

RGB 0 0 20

HSL 240, 1%, 0.04%

LAB 0.46, 3.21, -8.72

 

CMYK 38 / 85 / 0 / 62

HEX #3C0F61

RGB 60 15 97

HSL 272.93, 0.73%, 0.22%

LAB 16.33, 37.29, -38.81

 

CMYK 15 / 85 / 0 / 62

HEX #520F61

RGB 82 15 97

HSL 289.02, 0.73%, 0.22%

LAB 20.04, 41.6, -32.63

 

CMYK 0 / 85 / 8 / 62

HEX #610F59

RGB 97 15 89

HSL 305.85, 0.73%, 0.22%

LAB 22.32, 43.46, -23.51

 

CMYK 0 / 85 / 31 / 62

HEX #610F43

RGB 97 15 67

HSL 321.95, 0.73%, 0.22%

LAB 21.16, 40.15, -10.4

 

CMYK 0 / 85 / 54 / 62

HEX #610F2D

RGB 97 15 45

HSL 338.05, 0.73%, 0.22%

LAB 20.33, 37.66, 3.74

 

CMYK 38 / 85 / 0 / 62

HEX #3C0F61

RGB 60 15 97

HSL 272.93, 0.73%, 0.22%

LAB 16.33, 37.29, -38.81

 

CMYK 61 / 85 / 0 / 62

HEX #260F61

RGB 38 15 97

HSL 256.83, 0.73%, 0.22%

LAB 13.33, 33.8, -43.85

 

CMYK 84 / 85 / 0 / 62

HEX #100F61

RGB 16 15 97

HSL 240.73, 0.73%, 0.22%

LAB 11.38, 31.52, -47.14

 

CMYK 85 / 85 / 0 / 62

HEX #0F0F61

RGB 15 15 97

HSL 240, 0.73%, 0.22%

LAB 11.32, 31.45, -47.24

 

CMYK 38 / 85 / 0 / 62

HEX #3C0F61

RGB 60 15 97

HSL 272.93, 0.73%, 0.22%

LAB 16.33, 37.29, -38.81

 

CMYK 42 / 94 / 0 / 58

HEX #3D066A

RGB 61 6 106

HSL 273, 0.89%, 0.22%

LAB 16.32, 42.78, -44.76

 

CMYK 38 / 85 / 0 / 62

HEX #3C0F61

RGB 60 15 97

HSL 272.93, 0.73%, 0.22%

LAB 16.33, 37.29, -38.81

 

CMYK 32 / 72 / 0 / 66

HEX #3B1857

RGB 59 24 87

HSL 273.33, 0.57%, 0.22%

LAB 16.85, 30.13, -31.29

 

CMYK 26 / 58 / 0 / 69

HEX #3A214E

RGB 58 33 78

HSL 273.33, 0.41%, 0.22%

LAB 18.09, 21.98, -23.23

 

CMYK 17 / 39 / 0 / 73

HEX #392A45

RGB 57 42 69

HSL 273.33, 0.24%, 0.22%

LAB 19.86, 13.16, -14.32

 

CMYK 7 / 15 / 0 / 76

HEX #38333C

RGB 56 51 60

HSL 273.33, 0.08%, 0.22%

LAB 22.07, 4.29, -4.85

 

CMYK 84 / 85 / 0 / 62

HEX #100F61

RGB 16 15 97

HSL 240.73, 0.73%, 0.22%

LAB 11.38, 31.52, -47.14

 

CMYK 61 / 85 / 0 / 62

HEX #260F61

RGB 38 15 97

HSL 256.83, 0.73%, 0.22%

LAB 13.33, 33.8, -43.85

 

CMYK 38 / 85 / 0 / 62

HEX #3C0F61

RGB 60 15 97

HSL 272.93, 0.73%, 0.22%

LAB 16.33, 37.29, -38.81

 

CMYK 15 / 85 / 0 / 62

HEX #520F61

RGB 82 15 97

HSL 289.02, 0.73%, 0.22%

LAB 20.04, 41.6, -32.63

 

CMYK 0 / 85 / 7 / 62

HEX #610F5A

RGB 97 15 90

HSL 305.12, 0.73%, 0.22%

LAB 22.38, 43.62, -24.08

 

CMYK 36 / 84 / 0 / 90

HEX #100419

RGB 16 4 25

HSL 274.29, 0.72%, 0.06%

LAB 2.41, 7.32, -9.41

 

CMYK 38 / 85 / 0 / 76

HEX #26093D

RGB 38 9 61

HSL 273.46, 0.74%, 0.14%

LAB 8.52, 26.07, -26.9

 

CMYK 38 / 85 / 0 / 62

HEX #3C0F61

RGB 60 15 97

HSL 272.93, 0.73%, 0.22%

LAB 16.33, 37.29, -38.81

 

CMYK 38 / 85 / 0 / 48

HEX #521484

RGB 82 20 132

HSL 273.21, 0.74%, 0.3%

LAB 23.54, 47.73, -49.5

 

CMYK 38 / 85 / 0 / 34

HEX #691AA8

RGB 105 26 168

HSL 273.38, 0.73%, 0.38%

LAB 30.81, 57.59, -59.64

 

CMYK 38 / 84 / 0 / 62

HEX #3C0F60

RGB 60 15 96

HSL 273.33, 0.73%, 0.22%

LAB 16.24, 37.04, -38.3

 

CMYK 0 / 85 / 64 / 62

HEX #610F23

RGB 97 15 35

HSL 345.37, 0.73%, 0.22%

LAB 20.06, 36.83, 10.43

 

CMYK 85 / 0 / 72 / 62

HEX #0F611B

RGB 15 97 27

HSL 128.78, 0.73%, 0.22%

LAB 35.46, -38.68, 32.06

 

CMYK 38 / 84 / 0 / 62

HEX #3C0F60

RGB 60 15 96

HSL 273.33, 0.73%, 0.22%

LAB 16.24, 37.04, -38.3

 

CMYK 0 / 38 / 85 / 62

HEX #613C0F

RGB 97 60 15

HSL 32.93, 0.73%, 0.22%

LAB 28.92, 12.21, 32.66

 

CMYK 85 / 0 / 38 / 62

HEX #0F613C

RGB 15 97 60

HSL 152.93, 0.73%, 0.22%

LAB 35.94, -33.01, 14.61

 

CMYK 38 / 84 / 0 / 62

HEX #3C0F60

RGB 60 15 96

HSL 273.33, 0.73%, 0.22%

LAB 16.24, 37.04, -38.3

 

CMYK 0 / 85 / 64 / 62

HEX #610F23

RGB 97 15 35

HSL 345.37, 0.73%, 0.22%

LAB 20.06, 36.83, 10.43

 

CMYK 46 / 0 / 85 / 62

HEX #34610F

RGB 52 97 15

HSL 92.93, 0.73%, 0.22%

LAB 36.58, -30.06, 38.37

 

CMYK 85 / 0 / 22 / 62

HEX #0F614C

RGB 15 97 76

HSL 164.63, 0.73%, 0.22%

LAB 36.31, -28.92, 5.38

 

CMYK 38 / 84 / 0 / 62

HEX #3C0F60

RGB 60 15 96

HSL 273.33, 0.73%, 0.22%

LAB 16.24, 37.04, -38.3

 

CMYK 0 / 80 / 85 / 62

HEX #61130F

RGB 97 19 15

HSL 2.93, 0.73%, 0.22%

LAB 20.21, 34.33, 23.94

 

CMYK 46 / 0 / 85 / 62

HEX #34610F

RGB 52 97 15

HSL 92.93, 0.73%, 0.22%

LAB 36.58, -30.06, 38.37

 

CMYK 85 / 5 / 0 / 62

HEX #0F5C61

RGB 15 92 97

HSL 183.66, 0.73%, 0.22%

LAB 35.24, -19.78, -9.24

 

Description

Color code: HEX #3C0F60 | qconv.com Color code: HEX #3C0F60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 15 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 15 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 84 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 84% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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