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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C2555 it is the complementary color #C3DAAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C2555. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C2555 shade: #412550, #523763, #634976, #745B89 and #856D9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C2555. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C2555 shade: #3C2555, #2B1342, #1A012F, #09001C and #000009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C2555 shade: #3C2555, #492555, #552554, #552547 and #55253A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C2555 shade: #3C2555, #2F2555 and #252555

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C2555 shade matches the following richer shades: #3C2555, #3B1B5E, #3B1168 and #3A0772

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C2555 shade: #3C2555, #3C2F4B, #3D3941, #3D4337 and #3D4C2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C2555 shade: #252855, #2E2555, #3B2555, #482555 and #552555

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C2555 shade: #130C1B, #271838, #3C2555, #503171 and #643E8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C2555 shade: #3C2555, #552535 and #255528

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C2555 shade: #3C2555, #553B25 and #25553B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C2555 shade: #3C2555, #552535, #3E5525 and #255545

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C2555 shade: #3C2555, #552526, #3E5525 and #255553

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 56 / 0 / 67

HEX #3C2555

RGB 60 37 85

HSL 268.75, 0.39%, 0.24%

LAB 19.8, 21.96, -25.21

 

Complementary color

CMYK 11 / 0 / 22 / 15

HEX #C3DAAA

RGB 195 218 170

HSL 88.75, 0.39%, 0.76%

LAB 84.3, -16.1, 21.12

 

CMYK 19 / 54 / 0 / 69

HEX #412550

RGB 65 37 80

HSL 279.07, 0.37%, 0.23%

LAB 20.15, 22.2, -21.26

 

CMYK 17 / 44 / 0 / 61

HEX #523763

RGB 82 55 99

HSL 276.82, 0.29%, 0.3%

LAB 27.92, 21.25, -21.42

 

CMYK 16 / 38 / 0 / 54

HEX #634976

RGB 99 73 118

HSL 274.67, 0.24%, 0.37%

LAB 35.45, 20.39, -21.57

 

CMYK 15 / 34 / 0 / 46

HEX #745B89

RGB 116 91 137

HSL 272.61, 0.2%, 0.45%

LAB 42.77, 19.63, -21.74

 

CMYK 15 / 30 / 0 / 39

HEX #856D9C

RGB 133 109 156

HSL 270.64, 0.19%, 0.52%

LAB 49.89, 18.96, -21.92

 

CMYK 29 / 56 / 0 / 67

HEX #3C2555

RGB 60 37 85

HSL 268.75, 0.39%, 0.24%

LAB 19.8, 21.96, -25.21

 

CMYK 35 / 71 / 0 / 74

HEX #2B1342

RGB 43 19 66

HSL 270.64, 0.55%, 0.17%

LAB 11.77, 23.05, -25.15

 

CMYK 45 / 98 / 0 / 82

HEX #1A012F

RGB 26 1 47

HSL 272.61, 0.96%, 0.09%

LAB 4.03, 21.35, -23.96

 

CMYK 68 / 100 / 0 / 89

HEX #09001C

RGB 9 0 28

HSL 259.29, 1%, 0.05%

LAB 1.28, 7.68, -13.56

 

CMYK 100 / 100 / 0 / 96

HEX #000009

RGB 0 0 9

HSL 240, 1%, 0.02%

LAB 0.18, 1.25, -3.41

 

CMYK 29 / 56 / 0 / 67

HEX #3C2555

RGB 60 37 85

HSL 268.75, 0.39%, 0.24%

LAB 19.8, 21.96, -25.21

 

CMYK 14 / 56 / 0 / 67

HEX #492555

RGB 73 37 85

HSL 285, 0.39%, 0.24%

LAB 21.56, 26.05, -22.3

 

CMYK 0 / 56 / 1 / 67

HEX #552554

RGB 85 37 84

HSL 301.25, 0.39%, 0.24%

LAB 23.32, 29.69, -18.75

 

CMYK 0 / 56 / 16 / 67

HEX #552547

RGB 85 37 71

HSL 317.5, 0.39%, 0.24%

LAB 22.69, 27.17, -11

 

CMYK 0 / 56 / 32 / 67

HEX #55253A

RGB 85 37 58

HSL 333.75, 0.39%, 0.24%

LAB 22.16, 24.99, -2.93

 

CMYK 29 / 56 / 0 / 67

HEX #3C2555

RGB 60 37 85

HSL 268.75, 0.39%, 0.24%

LAB 19.8, 21.96, -25.21

 

CMYK 45 / 56 / 0 / 67

HEX #2F2555

RGB 47 37 85

HSL 252.5, 0.39%, 0.24%

LAB 18.29, 18.12, -27.71

 

CMYK 56 / 56 / 0 / 67

HEX #252555

RGB 37 37 85

HSL 240, 0.39%, 0.24%

LAB 17.33, 15.47, -29.3

 

CMYK 29 / 56 / 0 / 67

HEX #3C2555

RGB 60 37 85

HSL 268.75, 0.39%, 0.24%

LAB 19.8, 21.96, -25.21

 

CMYK 37 / 71 / 0 / 63

HEX #3B1B5E

RGB 59 27 94

HSL 268.66, 0.55%, 0.24%

LAB 18.02, 30.37, -34.08

 

CMYK 43 / 84 / 0 / 59

HEX #3B1168

RGB 59 17 104

HSL 268.97, 0.72%, 0.24%

LAB 17.13, 38.11, -42.13

 

CMYK 49 / 94 / 0 / 55

HEX #3A0772

RGB 58 7 114

HSL 268.6, 0.88%, 0.24%

LAB 16.83, 44.06, -49.16

 

CMYK 29 / 56 / 0 / 67

HEX #3C2555

RGB 60 37 85

HSL 268.75, 0.39%, 0.24%

LAB 19.8, 21.96, -25.21

 

CMYK 20 / 37 / 0 / 71

HEX #3C2F4B

RGB 60 47 75

HSL 267.86, 0.23%, 0.24%

LAB 21.95, 12.49, -15.12

 

CMYK 6 / 12 / 0 / 75

HEX #3D3941

RGB 61 57 65

HSL 270, 0.07%, 0.24%

LAB 24.64, 3.57, -4.32

 

CMYK 9 / 0 / 18 / 74

HEX #3D4337

RGB 61 67 55

HSL 90, 0.1%, 0.24%

LAB 27.52, -5.11, 6.46

 

CMYK 20 / 0 / 41 / 70

HEX #3D4C2D

RGB 61 76 45

HSL 89.03, 0.26%, 0.24%

LAB 30.28, -12.35, 16.53

 

CMYK 56 / 53 / 0 / 67

HEX #252855

RGB 37 40 85

HSL 236.25, 0.39%, 0.24%

LAB 18.22, 13.31, -27.88

 

CMYK 46 / 56 / 0 / 67

HEX #2E2555

RGB 46 37 85

HSL 251.25, 0.39%, 0.24%

LAB 18.19, 17.84, -27.88

 

CMYK 31 / 56 / 0 / 67

HEX #3B2555

RGB 59 37 85

HSL 267.5, 0.39%, 0.24%

LAB 19.67, 21.65, -25.42

 

CMYK 15 / 56 / 0 / 67

HEX #482555

RGB 72 37 85

HSL 283.75, 0.39%, 0.24%

LAB 21.42, 25.73, -22.54

 

CMYK 0 / 56 / 0 / 67

HEX #552555

RGB 85 37 85

HSL 300, 0.39%, 0.24%

LAB 23.37, 29.9, -19.34

 

CMYK 30 / 56 / 0 / 89

HEX #130C1B

RGB 19 12 27

HSL 268, 0.38%, 0.08%

LAB 4.34, 5.78, -8.14

 

CMYK 30 / 57 / 0 / 78

HEX #271838

RGB 39 24 56

HSL 268.13, 0.4%, 0.16%

LAB 11.76, 15.51, -18.11

 

CMYK 29 / 56 / 0 / 67

HEX #3C2555

RGB 60 37 85

HSL 268.75, 0.39%, 0.24%

LAB 19.8, 21.96, -25.21

 

CMYK 29 / 57 / 0 / 56

HEX #503171

RGB 80 49 113

HSL 269.06, 0.4%, 0.32%

LAB 27, 28.03, -31.87

 

CMYK 30 / 56 / 0 / 44

HEX #643E8E

RGB 100 62 142

HSL 268.5, 0.39%, 0.4%

LAB 34.21, 33.45, -38.36

 

CMYK 29 / 56 / 0 / 67

HEX #3C2555

RGB 60 37 85

HSL 268.75, 0.39%, 0.24%

LAB 19.8, 21.96, -25.21

 

CMYK 0 / 56 / 38 / 67

HEX #552535

RGB 85 37 53

HSL 340, 0.39%, 0.24%

LAB 21.99, 24.24, 0.25

 

CMYK 56 / 0 / 53 / 67

HEX #255528

RGB 37 85 40

HSL 123.75, 0.39%, 0.24%

LAB 31.91, -27.03, 21.29

 

CMYK 29 / 56 / 0 / 67

HEX #3C2555

RGB 60 37 85

HSL 268.75, 0.39%, 0.24%

LAB 19.8, 21.96, -25.21

 

CMYK 0 / 31 / 56 / 67

HEX #553B25

RGB 85 59 37

HSL 27.5, 0.39%, 0.24%

LAB 27.28, 8.53, 18.11

 

CMYK 56 / 0 / 31 / 67

HEX #25553B

RGB 37 85 59

HSL 147.5, 0.39%, 0.24%

LAB 32.27, -23.24, 10.31

 

CMYK 29 / 56 / 0 / 67

HEX #3C2555

RGB 60 37 85

HSL 268.75, 0.39%, 0.24%

LAB 19.8, 21.96, -25.21

 

CMYK 0 / 56 / 38 / 67

HEX #552535

RGB 85 37 53

HSL 340, 0.39%, 0.24%

LAB 21.99, 24.24, 0.25

 

CMYK 27 / 0 / 56 / 67

HEX #3E5525

RGB 62 85 37

HSL 88.75, 0.39%, 0.24%

LAB 33.25, -18.1, 24.96

 

CMYK 56 / 0 / 19 / 67

HEX #255545

RGB 37 85 69

HSL 160, 0.39%, 0.24%

LAB 32.52, -20.75, 4.41

 

CMYK 29 / 56 / 0 / 67

HEX #3C2555

RGB 60 37 85

HSL 268.75, 0.39%, 0.24%

LAB 19.8, 21.96, -25.21

 

CMYK 0 / 56 / 55 / 67

HEX #552526

RGB 85 37 38

HSL 358.75, 0.39%, 0.24%

LAB 21.56, 22.38, 9.97

 

CMYK 27 / 0 / 56 / 67

HEX #3E5525

RGB 62 85 37

HSL 88.75, 0.39%, 0.24%

LAB 33.25, -18.1, 24.96

 

CMYK 56 / 0 / 2 / 67

HEX #255553

RGB 37 85 83

HSL 177.5, 0.39%, 0.24%

LAB 32.95, -16.75, -3.81

 

Description

Color code: HEX #3C2555 | qconv.com Color code: HEX #3C2555 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 37 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 37 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 56 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 56% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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