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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C4249 it is the complementary color #C3BDB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C4249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C4249 shade: #414244, #525457, #63666A, #74787D and #858A90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C4249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C4249 shade: #3C4249, #2B3036, #1A1E23 and #090C10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C4249 shade: #3B4148, #3B3E48, #3C3B48, #403B48 and #433B48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C4249 shade: #3B4148, #3B3E48 and #3B3B48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C4249 shade matches the following richer shades: #3B4148, #304053, #26405E, #1B3F69 and #103E73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C4249 shade: #3B4148, #46423E, #514333, #5B4428 and #66451E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C4249 shade: #3B4848, #3B4548, #3B4148, #3B3E48 and #3C3B48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C4249 shade: #16181B, #292D32, #3B4148, #4E565F and #606A76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C4249 shade: #3C4249, #453B48 and #47483B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C4249 shade: #3C4249, #483B41 and #41483B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C4249 shade: #3C4249, #453B48, #48423B and #3F483B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C4249 shade: #3C4249, #483B48, #48423B and #3B483C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 10 / 0 / 71

HEX #3C4249

RGB 60 66 73

HSL 212.31, 0.1%, 0.26%

LAB 27.68, -0.74, -5.08

 

Complementary color

CMYK 0 / 3 / 7 / 24

HEX #C3BDB6

RGB 195 189 182

HSL 32.31, 0.1%, 0.74%

LAB 76.91, 0.86, 4.27

 

CMYK 4 / 3 / 0 / 73

HEX #414244

RGB 65 66 68

HSL 220, 0.02%, 0.26%

LAB 27.95, 0.04, -1.36

 

CMYK 6 / 3 / 0 / 66

HEX #525457

RGB 82 84 87

HSL 216, 0.03%, 0.33%

LAB 35.64, -0.14, -2.03

 

CMYK 7 / 4 / 0 / 58

HEX #63666A

RGB 99 102 106

HSL 214.29, 0.03%, 0.4%

LAB 43.06, -0.3, -2.66

HEX #63666A

CMYK 7 / 4 / 0 / 51

HEX #74787D

RGB 116 120 125

HSL 213.33, 0.04%, 0.47%

LAB 50.25, -0.45, -3.26

HEX #74787D

CMYK 8 / 4 / 0 / 44

HEX #858A90

RGB 133 138 144

HSL 212.73, 0.05%, 0.54%

LAB 57.25, -0.59, -3.84

HEX #858A90

CMYK 18 / 10 / 0 / 71

HEX #3C4249

RGB 60 66 73

HSL 212.31, 0.1%, 0.26%

LAB 27.68, -0.74, -5.08

 

CMYK 20 / 11 / 0 / 79

HEX #2B3036

RGB 43 48 54

HSL 212.73, 0.11%, 0.19%

LAB 19.61, -0.59, -4.55

 

CMYK 26 / 14 / 0 / 86

HEX #1A1E23

RGB 26 30 35

HSL 213.33, 0.15%, 0.12%

LAB 11.06, -0.42, -4.03

 

CMYK 44 / 25 / 0 / 94

HEX #090C10

RGB 9 12 16

HSL 214.29, 0.28%, 0.05%

LAB 3.24, -0.12, -2.16

 

CMYK 18 / 10 / 0 / 72

HEX #3B4148

RGB 59 65 72

HSL 212.31, 0.1%, 0.26%

LAB 27.24, -0.74, -5.09

 

CMYK 18 / 14 / 0 / 72

HEX #3B3E48

RGB 59 62 72

HSL 226.15, 0.1%, 0.26%

LAB 26.28, 1.22, -6.52

 

CMYK 17 / 18 / 0 / 72

HEX #3C3B48

RGB 60 59 72

HSL 244.62, 0.1%, 0.26%

LAB 25.43, 3.59, -7.79

 

CMYK 11 / 18 / 0 / 72

HEX #403B48

RGB 64 59 72

HSL 263.08, 0.1%, 0.26%

LAB 25.82, 5.17, -7.17

 

CMYK 7 / 18 / 0 / 72

HEX #433B48

RGB 67 59 72

HSL 276.92, 0.1%, 0.26%

LAB 26.13, 6.38, -6.68

 

CMYK 18 / 10 / 0 / 72

HEX #3B4148

RGB 59 65 72

HSL 212.31, 0.1%, 0.26%

LAB 27.24, -0.74, -5.09

 

CMYK 18 / 14 / 0 / 72

HEX #3B3E48

RGB 59 62 72

HSL 226.15, 0.1%, 0.26%

LAB 26.28, 1.22, -6.52

 

CMYK 18 / 18 / 0 / 72

HEX #3B3B48

RGB 59 59 72

HSL 240, 0.1%, 0.26%

LAB 25.34, 3.2, -7.94

 

CMYK 18 / 10 / 0 / 72

HEX #3B4148

RGB 59 65 72

HSL 212.31, 0.1%, 0.26%

LAB 27.24, -0.74, -5.09

 

CMYK 42 / 23 / 0 / 67

HEX #304053

RGB 48 64 83

HSL 212.57, 0.27%, 0.26%

LAB 26.5, -0.82, -13.48

 

CMYK 60 / 32 / 0 / 63

HEX #26405E

RGB 38 64 94

HSL 212.14, 0.42%, 0.26%

LAB 26.41, 0.11, -20.83

 

CMYK 74 / 40 / 0 / 59

HEX #1B3F69

RGB 27 63 105

HSL 212.31, 0.59%, 0.26%

LAB 26.18, 2.74, -28.32

 

CMYK 86 / 46 / 0 / 55

HEX #103E73

RGB 16 62 115

HSL 212.12, 0.76%, 0.26%

LAB 26.14, 6.11, -34.79

 

CMYK 18 / 10 / 0 / 72

HEX #3B4148

RGB 59 65 72

HSL 212.31, 0.1%, 0.26%

LAB 27.24, -0.74, -5.09

 

CMYK 0 / 6 / 11 / 73

HEX #46423E

RGB 70 66 62

HSL 30, 0.06%, 0.26%

LAB 28.24, 0.86, 3.04

 

CMYK 0 / 17 / 37 / 68

HEX #514333

RGB 81 67 51

HSL 32, 0.23%, 0.26%

LAB 29.42, 3.29, 11.96

 

CMYK 0 / 25 / 56 / 64

HEX #5B4428

RGB 91 68 40

HSL 32.94, 0.39%, 0.26%

LAB 30.67, 6.05, 20.68

 

CMYK 0 / 32 / 71 / 60

HEX #66451E

RGB 102 69 30

HSL 32.5, 0.55%, 0.26%

LAB 32.2, 9.9, 28.63

 

CMYK 18 / 0 / 0 / 72

HEX #3B4848

RGB 59 72 72

HSL 180, 0.1%, 0.26%

LAB 29.49, -5.19, -1.74

 

CMYK 18 / 4 / 0 / 72

HEX #3B4548

RGB 59 69 72

HSL 193.85, 0.1%, 0.26%

LAB 28.52, -3.3, -3.18

 

CMYK 18 / 10 / 0 / 72

HEX #3B4148

RGB 59 65 72

HSL 212.31, 0.1%, 0.26%

LAB 27.24, -0.74, -5.09

 

CMYK 18 / 14 / 0 / 72

HEX #3B3E48

RGB 59 62 72

HSL 226.15, 0.1%, 0.26%

LAB 26.28, 1.22, -6.52

 

CMYK 17 / 18 / 0 / 72

HEX #3C3B48

RGB 60 59 72

HSL 244.62, 0.1%, 0.26%

LAB 25.43, 3.59, -7.79

 

CMYK 19 / 11 / 0 / 89

HEX #16181B

RGB 22 24 27

HSL 216, 0.1%, 0.1%

LAB 8.16, -0.12, -2.44

 

CMYK 18 / 10 / 0 / 80

HEX #292D32

RGB 41 45 50

HSL 213.33, 0.1%, 0.18%

LAB 18.27, -0.45, -3.82

 

CMYK 18 / 10 / 0 / 72

HEX #3B4148

RGB 59 65 72

HSL 212.31, 0.1%, 0.26%

LAB 27.24, -0.74, -5.09

 

CMYK 18 / 9 / 0 / 63

HEX #4E565F

RGB 78 86 95

HSL 211.76, 0.1%, 0.34%

LAB 36.18, -1.01, -6.28

 

CMYK 19 / 10 / 0 / 54

HEX #606A76

RGB 96 106 118

HSL 212.73, 0.1%, 0.42%

LAB 44.38, -1.02, -7.98

 

CMYK 18 / 10 / 0 / 71

HEX #3C4249

RGB 60 66 73

HSL 212.31, 0.1%, 0.26%

LAB 27.68, -0.74, -5.08

 

CMYK 4 / 18 / 0 / 72

HEX #453B48

RGB 69 59 72

HSL 286.15, 0.1%, 0.26%

LAB 26.34, 7.19, -6.34

 

CMYK 1 / 0 / 18 / 72

HEX #47483B

RGB 71 72 59

HSL 64.62, 0.1%, 0.26%

LAB 30.13, -3.08, 7.68

 

CMYK 18 / 10 / 0 / 71

HEX #3C4249

RGB 60 66 73

HSL 212.31, 0.1%, 0.26%

LAB 27.68, -0.74, -5.08

 

CMYK 0 / 18 / 10 / 72

HEX #483B41

RGB 72 59 65

HSL 332.31, 0.1%, 0.26%

LAB 26.41, 6.89, -1.57

 

CMYK 10 / 0 / 18 / 72

HEX #41483B

RGB 65 72 59

HSL 92.31, 0.1%, 0.26%

LAB 29.6, -5.69, 6.85

 

CMYK 18 / 10 / 0 / 71

HEX #3C4249

RGB 60 66 73

HSL 212.31, 0.1%, 0.26%

LAB 27.68, -0.74, -5.08

 

CMYK 4 / 18 / 0 / 72

HEX #453B48

RGB 69 59 72

HSL 286.15, 0.1%, 0.26%

LAB 26.34, 7.19, -6.34

 

CMYK 0 / 8 / 18 / 72

HEX #48423B

RGB 72 66 59

HSL 32.31, 0.1%, 0.26%

LAB 28.35, 1.16, 5.18

 

CMYK 13 / 0 / 18 / 72

HEX #3F483B

RGB 63 72 59

HSL 101.54, 0.1%, 0.26%

LAB 29.43, -6.54, 6.59

 

CMYK 18 / 10 / 0 / 71

HEX #3C4249

RGB 60 66 73

HSL 212.31, 0.1%, 0.26%

LAB 27.68, -0.74, -5.08

 

CMYK 0 / 18 / 0 / 72

HEX #483B48

RGB 72 59 72

HSL 300, 0.1%, 0.26%

LAB 26.66, 8.41, -5.82

 

CMYK 0 / 8 / 18 / 72

HEX #48423B

RGB 72 66 59

HSL 32.31, 0.1%, 0.26%

LAB 28.35, 1.16, 5.18

 

CMYK 18 / 0 / 17 / 72

HEX #3B483C

RGB 59 72 60

HSL 124.62, 0.1%, 0.26%

LAB 29.14, -8, 5.48

 

Description

Color code: HEX #3C4249 | qconv.com Color code: HEX #3C4249 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 66 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 66 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 10 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 10% 0% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - Mundabla » Translati...
Link: http://mundabla.com

94% - PBS NewsHour | PBS
Link: http://www.pbs.org

37% - 乐商店-安卓软件_安卓游戏_安卓手机应用...
Link: http://app.lenovo.com

61% - セイコーウオッチ株式会社
Link: http://www.seiko-watch.co.jp

19% - Actualité Jeux Vidéo...
Link: http://www.eclypsia.com

74% - Software and UI Serv...
Link: http://pixint.com

42% - New Prototyping and ...
Link: http://www.invisionapp.com

62% - Architectural & ...
Link: http://www.hive-rd.com

49% - Chamonix Valley vall...
Link: http://skiweather.eu

11% - Home - Ceroc Asia
Link: http://www.cerocasia.com

11% - Sunday - Ceroc Asia
Link: http://www.cerocasia.com

61% - メルセデス・ベンツ
Link: http://www.mercedes-benz.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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