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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C5927 it is the complementary color #C3A6D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C5927. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C5927 shade: #415922, #526B35, #637D48, #748F5B and #85A16E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C5927. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C5927 shade: #3C5927, #2B4714, #1A3501, #092300 and #001100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C5927 shade: #3B5826, #495826, #565826, #584D26 and #583F26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C5927 shade: #3B5826, #2E5826, #26582C, #26583A and #265847

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C5927 shade matches the following richer shades: #3B5826, #3A621C, #386D12 and #367707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C5927 shade: #3B5826, #3D4E31, #3F433B, #403945 and #422F50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C5927 shade: #565826, #495826, #3C5826, #2F5826 and #26582B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C5927 shade: #151F0D, #283B1A, #3B5826, #4F7533 and #629140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C5927 shade: #3C5927, #26584D and #582650

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C5927 shade: #3C5927, #263C58 and #58263C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C5927 shade: #3C5927, #26584D, #432658 and #582632

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C5927 shade: #3C5927, #265558, #432658 and #582A26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 56 / 65

HEX #3C5927

RGB 60 89 39

HSL 94.8, 0.39%, 0.25%

LAB 34.5, -20.81, 25.31

 

Complementary color

CMYK 10 / 23 / 0 / 15

HEX #C3A6D8

RGB 195 166 216

HSL 274.8, 0.39%, 0.75%

LAB 72.12, 19.84, -21.4

 

CMYK 27 / 0 / 62 / 65

HEX #415922

RGB 65 89 34

HSL 86.18, 0.45%, 0.24%

LAB 34.77, -19.3, 28.41

 

CMYK 23 / 0 / 50 / 58

HEX #526B35

RGB 82 107 53

HSL 87.78, 0.34%, 0.31%

LAB 42.1, -19.38, 27.16

 

CMYK 21 / 0 / 42 / 51

HEX #637D48

RGB 99 125 72

HSL 89.43, 0.27%, 0.39%

LAB 49.24, -19.36, 25.86

 

CMYK 19 / 0 / 36 / 44

HEX #748F5B

RGB 116 143 91

HSL 91.15, 0.22%, 0.46%

LAB 56.2, -19.3, 24.62

 

CMYK 17 / 0 / 32 / 37

HEX #85A16E

RGB 133 161 110

HSL 92.94, 0.21%, 0.53%

LAB 63.01, -19.22, 23.45

 

CMYK 33 / 0 / 56 / 65

HEX #3C5927

RGB 60 89 39

HSL 94.8, 0.39%, 0.25%

LAB 34.5, -20.81, 25.31

 

CMYK 39 / 0 / 72 / 72

HEX #2B4714

RGB 43 71 20

HSL 92.94, 0.56%, 0.18%

LAB 26.93, -20.71, 26.48

 

CMYK 51 / 0 / 98 / 79

HEX #1A3501

RGB 26 53 1

HSL 91.15, 0.96%, 0.11%

LAB 19.09, -20.37, 26.15

 

CMYK 74 / 0 / 100 / 86

HEX #092300

RGB 9 35 0

HSL 104.57, 1%, 0.07%

LAB 10.99, -18.15, 16.01

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 33 / 0 / 57 / 65

HEX #3B5826

RGB 59 88 38

HSL 94.8, 0.4%, 0.25%

LAB 34.09, -20.83, 25.35

 

CMYK 17 / 0 / 57 / 65

HEX #495826

RGB 73 88 38

HSL 78, 0.4%, 0.25%

LAB 35.07, -14.77, 26.77

 

CMYK 2 / 0 / 57 / 65

HEX #565826

RGB 86 88 38

HSL 62.4, 0.4%, 0.25%

LAB 36.17, -8.74, 28.33

 

CMYK 0 / 13 / 57 / 65

HEX #584D26

RGB 88 77 38

HSL 46.8, 0.4%, 0.25%

LAB 32.97, -1.2, 24.59

 

CMYK 0 / 28 / 57 / 65

HEX #583F26

RGB 88 63 38

HSL 30, 0.4%, 0.25%

LAB 28.82, 7.55, 19.52

 

CMYK 33 / 0 / 57 / 65

HEX #3B5826

RGB 59 88 38

HSL 94.8, 0.4%, 0.25%

LAB 34.09, -20.83, 25.35

 

CMYK 48 / 0 / 57 / 65

HEX #2E5826

RGB 46 88 38

HSL 110.4, 0.4%, 0.25%

LAB 33.35, -25.79, 24.29

 

CMYK 57 / 0 / 50 / 65

HEX #26582C

RGB 38 88 44

HSL 127.2, 0.4%, 0.25%

LAB 33.08, -27.45, 20.46

 

CMYK 57 / 0 / 34 / 65

HEX #26583A

RGB 38 88 58

HSL 144, 0.4%, 0.25%

LAB 33.34, -24.68, 12.41

 

CMYK 57 / 0 / 19 / 65

HEX #265847

RGB 38 88 71

HSL 159.6, 0.4%, 0.25%

LAB 33.66, -21.53, 4.78

 

CMYK 33 / 0 / 57 / 65

HEX #3B5826

RGB 59 88 38

HSL 94.8, 0.4%, 0.25%

LAB 34.09, -20.83, 25.35

 

CMYK 41 / 0 / 71 / 62

HEX #3A621C

RGB 58 98 28

HSL 94.29, 0.56%, 0.25%

LAB 37.33, -27.3, 34.06

 

CMYK 49 / 0 / 83 / 57

HEX #386D12

RGB 56 109 18

HSL 94.95, 0.72%, 0.25%

LAB 40.93, -33.75, 41.51

 

CMYK 55 / 0 / 94 / 53

HEX #367707

RGB 54 119 7

HSL 94.82, 0.89%, 0.25%

LAB 44.22, -39.04, 47.2

 

CMYK 33 / 0 / 57 / 65

HEX #3B5826

RGB 59 88 38

HSL 94.8, 0.4%, 0.25%

LAB 34.09, -20.83, 25.35

 

CMYK 22 / 0 / 37 / 69

HEX #3D4E31

RGB 61 78 49

HSL 95.17, 0.23%, 0.25%

LAB 31.03, -12.85, 15.05

 

CMYK 6 / 0 / 12 / 74

HEX #3F433B

RGB 63 67 59

HSL 90, 0.06%, 0.25%

LAB 27.81, -3.42, 4.29

 

CMYK 7 / 17 / 0 / 73

HEX #403945

RGB 64 57 69

HSL 275, 0.1%, 0.25%

LAB 25.09, 5.76, -6.27

 

CMYK 18 / 41 / 0 / 69

HEX #422F50

RGB 66 47 80

HSL 274.55, 0.26%, 0.25%

LAB 22.9, 16.01, -16.94

 

CMYK 2 / 0 / 57 / 65

HEX #565826

RGB 86 88 38

HSL 62.4, 0.4%, 0.25%

LAB 36.17, -8.74, 28.33

 

CMYK 17 / 0 / 57 / 65

HEX #495826

RGB 73 88 38

HSL 78, 0.4%, 0.25%

LAB 35.07, -14.77, 26.77

 

CMYK 32 / 0 / 57 / 65

HEX #3C5826

RGB 60 88 38

HSL 93.6, 0.4%, 0.25%

LAB 34.15, -20.41, 25.44

 

CMYK 47 / 0 / 57 / 65

HEX #2F5826

RGB 47 88 38

HSL 109.2, 0.4%, 0.25%

LAB 33.4, -25.44, 24.36

 

CMYK 57 / 0 / 51 / 65

HEX #26582B

RGB 38 88 43

HSL 126, 0.4%, 0.25%

LAB 33.06, -27.63, 21.02

 

CMYK 32 / 0 / 58 / 88

HEX #151F0D

RGB 21 31 13

HSL 93.33, 0.41%, 0.09%

LAB 10.32, -8.79, 9.78

 

CMYK 32 / 0 / 56 / 77

HEX #283B1A

RGB 40 59 26

HSL 94.55, 0.39%, 0.17%

LAB 22.49, -14.77, 17.95

 

CMYK 33 / 0 / 57 / 65

HEX #3B5826

RGB 59 88 38

HSL 94.8, 0.4%, 0.25%

LAB 34.09, -20.83, 25.35

 

CMYK 32 / 0 / 56 / 54

HEX #4F7533

RGB 79 117 51

HSL 94.55, 0.39%, 0.33%

LAB 45.11, -25.95, 31.81

 

CMYK 32 / 0 / 56 / 43

HEX #629140

RGB 98 145 64

HSL 94.81, 0.39%, 0.41%

LAB 55.3, -30.73, 37.5

 

CMYK 33 / 0 / 56 / 65

HEX #3C5927

RGB 60 89 39

HSL 94.8, 0.39%, 0.25%

LAB 34.5, -20.81, 25.31

 

CMYK 57 / 0 / 13 / 65

HEX #26584D

RGB 38 88 77

HSL 166.8, 0.4%, 0.25%

LAB 33.83, -19.9, 1.27

 

CMYK 0 / 57 / 9 / 65

HEX #582650

RGB 88 38 80

HSL 309.6, 0.4%, 0.25%

LAB 23.8, 29.33, -15.29

 

CMYK 33 / 0 / 56 / 65

HEX #3C5927

RGB 60 89 39

HSL 94.8, 0.39%, 0.25%

LAB 34.5, -20.81, 25.31

 

CMYK 57 / 32 / 0 / 65

HEX #263C58

RGB 38 60 88

HSL 213.6, 0.4%, 0.25%

LAB 24.79, 0.62, -19.46

 

CMYK 0 / 57 / 32 / 65

HEX #58263C

RGB 88 38 60

HSL 333.6, 0.4%, 0.25%

LAB 22.96, 25.87, -3.07

 

CMYK 33 / 0 / 56 / 65

HEX #3C5927

RGB 60 89 39

HSL 94.8, 0.39%, 0.25%

LAB 34.5, -20.81, 25.31

 

CMYK 57 / 0 / 13 / 65

HEX #26584D

RGB 38 88 77

HSL 166.8, 0.4%, 0.25%

LAB 33.83, -19.9, 1.27

 

CMYK 24 / 57 / 0 / 65

HEX #432658

RGB 67 38 88

HSL 274.8, 0.4%, 0.25%

LAB 21.15, 24.3, -25.01

 

CMYK 0 / 57 / 43 / 65

HEX #582632

RGB 88 38 50

HSL 345.6, 0.4%, 0.25%

LAB 22.62, 24.46, 3.3

 

CMYK 33 / 0 / 56 / 65

HEX #3C5927

RGB 60 89 39

HSL 94.8, 0.39%, 0.25%

LAB 34.5, -20.81, 25.31

 

CMYK 57 / 3 / 0 / 65

HEX #265558

RGB 38 85 88

HSL 183.6, 0.4%, 0.25%

LAB 33.16, -14.96, -6.64

 

CMYK 24 / 57 / 0 / 65

HEX #432658

RGB 67 38 88

HSL 274.8, 0.4%, 0.25%

LAB 21.15, 24.3, -25.01

 

CMYK 0 / 52 / 57 / 65

HEX #582A26

RGB 88 42 38

HSL 4.8, 0.4%, 0.25%

LAB 23.24, 20.71, 12.31

 

Description

Color code: HEX #3C5927 | qconv.com Color code: HEX #3C5927 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 89 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 89 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 56 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 56% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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