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Color name
HEX #3C59A8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C59A8 it is the complementary color #C3A657. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C59A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C59A8 shade: #4159A3, #526BB6, #637DC9, #748FDC and #85A1EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C59A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C59A8 shade: #3C59A8, #2B4795, #1A3582, #09236F and #00115C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C59A8 shade: #3C59A8, #3C3CA8, #5A3CA8, #773CA8 and #943CA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C59A8 shade: #3C59A8 and #3C3CA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C59A8 shade matches the following richer shades: #3C59A8, #2A51BB, #1748CD and #053FE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C59A8 shade: #3C59A8, #4F6296, #616A83, #747370 and #877C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C59A8 shade: #3C94A8, #3C78A8, #3C5BA8, #3C3EA8 and #573CA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C59A8 shade: #26396C, #31498A, #3C59A8, #4F6DBF and #6D86CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C59A8 shade: #3C59A8, #9F3CA8 and #86A83C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C59A8 shade: #3C59A8, #A83C5B and #5BA83C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C59A8 shade: #3C59A8, #9F3CA8, #A88A3C and #45A83C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C59A8 shade: #3C59A8, #A83C91, #A88A3C and #3CA854

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 47 / 0 / 34

HEX #3C59A8

RGB 60 89 168

HSL 223.89, 0.47%, 0.45%

LAB 39.47, 15.21, -45.79

 

Complementary color

CMYK 0 / 15 / 55 / 24

HEX #C3A657

RGB 195 166 87

HSL 43.89, 0.47%, 0.55%

LAB 69.16, 0.84, 44.32

 

CMYK 60 / 45 / 0 / 36

HEX #4159A3

RGB 65 89 163

HSL 225.31, 0.43%, 0.45%

LAB 39.43, 14.4, -42.86

 

CMYK 55 / 41 / 0 / 29

HEX #526BB6

RGB 82 107 182

HSL 225, 0.41%, 0.52%

LAB 46.56, 13.05, -42.62

 

CMYK 51 / 38 / 0 / 21

HEX #637DC9

RGB 99 125 201

HSL 224.71, 0.49%, 0.59%

LAB 53.53, 11.97, -42.43

 

CMYK 47 / 35 / 0 / 14

HEX #748FDC

RGB 116 143 220

HSL 224.42, 0.6%, 0.66%

LAB 60.36, 11.08, -42.29

 

CMYK 44 / 33 / 0 / 6

HEX #85A1EF

RGB 133 161 239

HSL 224.15, 0.77%, 0.73%

LAB 67.06, 10.33, -42.2

 

CMYK 64 / 47 / 0 / 34

HEX #3C59A8

RGB 60 89 168

HSL 223.89, 0.47%, 0.45%

LAB 39.47, 15.21, -45.79

 

CMYK 71 / 52 / 0 / 42

HEX #2B4795

RGB 43 71 149

HSL 224.15, 0.55%, 0.38%

LAB 32.24, 17.2, -46.05

 

CMYK 80 / 59 / 0 / 49

HEX #1A3582

RGB 26 53 130

HSL 224.42, 0.67%, 0.31%

LAB 24.88, 19.82, -46.27

 

CMYK 92 / 68 / 0 / 56

HEX #09236F

RGB 9 35 111

HSL 224.71, 0.85%, 0.24%

LAB 17.5, 23.27, -46.26

 

CMYK 100 / 82 / 0 / 64

HEX #00115C

RGB 0 17 92

HSL 228.91, 1%, 0.18%

LAB 10.36, 27.39, -45.5

 

CMYK 64 / 47 / 0 / 34

HEX #3C59A8

RGB 60 89 168

HSL 223.89, 0.47%, 0.45%

LAB 39.47, 15.21, -45.79

 

CMYK 64 / 64 / 0 / 34

HEX #3C3CA8

RGB 60 60 168

HSL 240, 0.47%, 0.45%

LAB 31.85, 34.02, -58.12

 

CMYK 46 / 64 / 0 / 34

HEX #5A3CA8

RGB 90 60 168

HSL 256.67, 0.47%, 0.45%

LAB 34.46, 39.44, -53.75

 

CMYK 29 / 64 / 0 / 34

HEX #773CA8

RGB 119 60 168

HSL 272.78, 0.47%, 0.45%

LAB 37.81, 45.81, -48.18

 

CMYK 12 / 64 / 0 / 34

HEX #943CA8

RGB 148 60 168

HSL 288.89, 0.47%, 0.45%

LAB 41.77, 52.75, -41.61

 

CMYK 64 / 47 / 0 / 34

HEX #3C59A8

RGB 60 89 168

HSL 223.89, 0.47%, 0.45%

LAB 39.47, 15.21, -45.79

 

CMYK 64 / 64 / 0 / 34

HEX #3C3CA8

RGB 60 60 168

HSL 240, 0.47%, 0.45%

LAB 31.85, 34.02, -58.12

 

CMYK 64 / 47 / 0 / 34

HEX #3C59A8

RGB 60 89 168

HSL 223.89, 0.47%, 0.45%

LAB 39.47, 15.21, -45.79

 

CMYK 78 / 57 / 0 / 27

HEX #2A51BB

RGB 42 81 187

HSL 223.86, 0.63%, 0.45%

LAB 37.78, 24.93, -59.76

 

CMYK 89 / 65 / 0 / 20

HEX #1748CD

RGB 23 72 205

HSL 223.85, 0.8%, 0.45%

LAB 36.41, 36.18, -72.52

 

CMYK 98 / 72 / 0 / 12

HEX #053FE0

RGB 5 63 224

HSL 224.11, 0.96%, 0.45%

LAB 35.92, 48.15, -84.27

 

CMYK 64 / 47 / 0 / 34

HEX #3C59A8

RGB 60 89 168

HSL 223.89, 0.47%, 0.45%

LAB 39.47, 15.21, -45.79

 

CMYK 47 / 35 / 0 / 41

HEX #4F6296

RGB 79 98 150

HSL 223.94, 0.31%, 0.45%

LAB 42.15, 7.59, -30.73

 

CMYK 26 / 19 / 0 / 49

HEX #616A83

RGB 97 106 131

HSL 224.12, 0.15%, 0.45%

LAB 44.93, 2.58, -14.96

 

CMYK 0 / 1 / 3 / 55

HEX #747370

RGB 116 115 112

HSL 45, 0.02%, 0.45%

LAB 48.44, -0.21, 1.79

 

CMYK 0 / 8 / 30 / 47

HEX #877C5E

RGB 135 124 94

HSL 43.9, 0.18%, 0.45%

LAB 52.26, -0.74, 17.93

 

CMYK 64 / 12 / 0 / 34

HEX #3C94A8

RGB 60 148 168

HSL 191.11, 0.47%, 0.45%

LAB 57.04, -19.84, -18.29

 

CMYK 64 / 29 / 0 / 34

HEX #3C78A8

RGB 60 120 168

HSL 206.67, 0.47%, 0.45%

LAB 48.54, -4.14, -31.42

 

CMYK 64 / 46 / 0 / 34

HEX #3C5BA8

RGB 60 91 168

HSL 222.78, 0.47%, 0.45%

LAB 40.03, 13.92, -44.89

 

CMYK 64 / 63 / 0 / 34

HEX #3C3EA8

RGB 60 62 168

HSL 238.89, 0.47%, 0.45%

LAB 32.33, 32.75, -57.33

 

CMYK 48 / 64 / 0 / 34

HEX #573CA8

RGB 87 60 168

HSL 255, 0.47%, 0.45%

LAB 34.16, 38.84, -54.26

 

CMYK 65 / 47 / 0 / 58

HEX #26396C

RGB 38 57 108

HSL 223.71, 0.48%, 0.29%

LAB 25.02, 10.16, -32.06

 

CMYK 64 / 47 / 0 / 46

HEX #31498A

RGB 49 73 138

HSL 223.82, 0.48%, 0.37%

LAB 32.38, 12.74, -39.08

 

CMYK 64 / 47 / 0 / 34

HEX #3C59A8

RGB 60 89 168

HSL 223.89, 0.47%, 0.45%

LAB 39.47, 15.21, -45.79

 

CMYK 59 / 43 / 0 / 25

HEX #4F6DBF

RGB 79 109 191

HSL 223.93, 0.47%, 0.53%

LAB 47.44, 14.18, -46.43

 

CMYK 46 / 34 / 0 / 21

HEX #6D86CA

RGB 109 134 202

HSL 223.87, 0.47%, 0.61%

LAB 56.65, 9.3, -38.05

 

CMYK 64 / 47 / 0 / 34

HEX #3C59A8

RGB 60 89 168

HSL 223.89, 0.47%, 0.45%

LAB 39.47, 15.21, -45.79

 

CMYK 5 / 64 / 0 / 34

HEX #9F3CA8

RGB 159 60 168

HSL 295, 0.47%, 0.45%

LAB 43.4, 55.44, -38.92

 

CMYK 20 / 0 / 64 / 34

HEX #86A83C

RGB 134 168 60

HSL 78.89, 0.47%, 0.45%

LAB 64.48, -28.05, 50.3

 

CMYK 64 / 47 / 0 / 34

HEX #3C59A8

RGB 60 89 168

HSL 223.89, 0.47%, 0.45%

LAB 39.47, 15.21, -45.79

 

CMYK 0 / 64 / 46 / 34

HEX #A83C5B

RGB 168 60 91

HSL 342.78, 0.47%, 0.45%

LAB 41.71, 46.92, 5.68

 

CMYK 46 / 0 / 64 / 34

HEX #5BA83C

RGB 91 168 60

HSL 102.78, 0.47%, 0.45%

LAB 62.13, -43.74, 47.06

 

CMYK 64 / 47 / 0 / 34

HEX #3C59A8

RGB 60 89 168

HSL 223.89, 0.47%, 0.45%

LAB 39.47, 15.21, -45.79

 

CMYK 5 / 64 / 0 / 34

HEX #9F3CA8

RGB 159 60 168

HSL 295, 0.47%, 0.45%

LAB 43.4, 55.44, -38.92

 

CMYK 0 / 18 / 64 / 34

HEX #A88A3C

RGB 168 138 60

HSL 43.33, 0.47%, 0.45%

LAB 58.81, 2.32, 44.95

 

CMYK 59 / 0 / 64 / 34

HEX #45A83C

RGB 69 168 60

HSL 115, 0.47%, 0.45%

LAB 61.3, -50, 45.91

 

CMYK 64 / 47 / 0 / 34

HEX #3C59A8

RGB 60 89 168

HSL 223.89, 0.47%, 0.45%

LAB 39.47, 15.21, -45.79

 

CMYK 0 / 64 / 14 / 34

HEX #A83C91

RGB 168 60 145

HSL 312.78, 0.47%, 0.45%

LAB 43.66, 53.88, -24.64

 

CMYK 0 / 18 / 64 / 34

HEX #A88A3C

RGB 168 138 60

HSL 43.33, 0.47%, 0.45%

LAB 58.81, 2.32, 44.95

 

CMYK 64 / 0 / 50 / 34

HEX #3CA854

RGB 60 168 84

HSL 133.33, 0.47%, 0.45%

LAB 61.31, -48.98, 34.36

 

Description

Color code: HEX #3C59A8 | qconv.com Color code: HEX #3C59A8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 89 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 89 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 47 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 47% 0% 34% C M Y K

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Provide designers and agencies with accurate color values.

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