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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C8A95 it is the complementary color #C3756A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C8A95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C8A95 shade: #418A90, #529CA3, #63AEB6, #74C0C9 and #85D2DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C8A95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C8A95 shade: #3C8A95, #2B7882, #1A666F, #09545C and #004249

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C8A95 shade: #3B8A95, #3B7295, #3B5995, #3B4195 and #4D3B95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C8A95 shade: #3B8A95, #3B7295, #3B5995, #3B4195 and #3B3B95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C8A95 shade matches the following richer shades: #3B8A95, #2A97A6, #19A3B7 and #08B0C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C8A95 shade: #3B8A95, #4C7D84, #5D7073, #6E6462 and #7F5751

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C8A95 shade: #3B9570, #3B9588, #3B8B95, #3B7395 and #3B5B95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C8A95 shade: #24535A, #2F6F78, #3B8A95, #47A5B3 and #62B5C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C8A95 shade: #3C8A95, #583B95 and #957C3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C8A95 shade: #3C8A95, #953B8B and #8B953B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C8A95 shade: #3C8A95, #583B95, #95463B and #79953B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C8A95 shade: #3C8A95, #733B95, #95463B and #5E953B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 7 / 0 / 42

HEX #3C8A95

RGB 60 138 149

HSL 187.42, 0.43%, 0.41%

LAB 53.28, -20.41, -13.08

 

Complementary color

CMYK 0 / 40 / 46 / 24

HEX #C3756A

RGB 195 117 106

HSL 7.42, 0.43%, 0.59%

LAB 57.43, 29.39, 19.18

 

CMYK 55 / 4 / 0 / 44

HEX #418A90

RGB 65 138 144

HSL 184.56, 0.38%, 0.41%

LAB 53.29, -20.87, -10.15

 

CMYK 50 / 4 / 0 / 36

HEX #529CA3

RGB 82 156 163

HSL 185.19, 0.33%, 0.48%

LAB 60.08, -21.04, -10.78

 

CMYK 46 / 4 / 0 / 29

HEX #63AEB6

RGB 99 174 182

HSL 185.78, 0.36%, 0.55%

LAB 66.75, -21.14, -11.37

 

CMYK 42 / 4 / 0 / 21

HEX #74C0C9

RGB 116 192 201

HSL 186.35, 0.44%, 0.62%

LAB 73.3, -21.19, -11.92

 

CMYK 40 / 5 / 0 / 14

HEX #85D2DC

RGB 133 210 220

HSL 186.9, 0.55%, 0.69%

LAB 79.75, -21.2, -12.44

 

CMYK 60 / 7 / 0 / 42

HEX #3C8A95

RGB 60 138 149

HSL 187.42, 0.43%, 0.41%

LAB 53.28, -20.41, -13.08

 

CMYK 67 / 8 / 0 / 49

HEX #2B7882

RGB 43 120 130

HSL 186.9, 0.5%, 0.34%

LAB 46.39, -19.9, -12.41

 

CMYK 77 / 8 / 0 / 56

HEX #1A666F

RGB 26 102 111

HSL 186.35, 0.62%, 0.27%

LAB 39.36, -19.08, -11.64

 

CMYK 90 / 9 / 0 / 64

HEX #09545C

RGB 9 84 92

HSL 185.78, 0.82%, 0.2%

LAB 32.19, -17.74, -10.71

 

CMYK 100 / 10 / 0 / 71

HEX #004249

RGB 0 66 73

HSL 185.75, 1%, 0.14%

LAB 24.88, -15.6, -9.57

 

CMYK 60 / 7 / 0 / 42

HEX #3B8A95

RGB 59 138 149

HSL 187.33, 0.43%, 0.41%

LAB 53.25, -20.61, -13.13

 

CMYK 60 / 23 / 0 / 42

HEX #3B7295

RGB 59 114 149

HSL 203.33, 0.43%, 0.41%

LAB 45.82, -7.23, -24.5

 

CMYK 60 / 40 / 0 / 42

HEX #3B5995

RGB 59 89 149

HSL 220, 0.43%, 0.41%

LAB 38.28, 8.23, -36.33

 

CMYK 60 / 56 / 0 / 42

HEX #3B4195

RGB 59 65 149

HSL 236, 0.43%, 0.41%

LAB 31.53, 24.01, -47.14

 

CMYK 48 / 60 / 0 / 42

HEX #4D3B95

RGB 77 59 149

HSL 252, 0.43%, 0.41%

LAB 31.52, 31.59, -47.09

 

CMYK 60 / 7 / 0 / 42

HEX #3B8A95

RGB 59 138 149

HSL 187.33, 0.43%, 0.41%

LAB 53.25, -20.61, -13.13

 

CMYK 60 / 23 / 0 / 42

HEX #3B7295

RGB 59 114 149

HSL 203.33, 0.43%, 0.41%

LAB 45.82, -7.23, -24.5

 

CMYK 60 / 40 / 0 / 42

HEX #3B5995

RGB 59 89 149

HSL 220, 0.43%, 0.41%

LAB 38.28, 8.23, -36.33

 

CMYK 60 / 56 / 0 / 42

HEX #3B4195

RGB 59 65 149

HSL 236, 0.43%, 0.41%

LAB 31.53, 24.01, -47.14

 

CMYK 60 / 60 / 0 / 42

HEX #3B3B95

RGB 59 59 149

HSL 240, 0.43%, 0.41%

LAB 29.98, 27.94, -49.66

 

CMYK 60 / 7 / 0 / 42

HEX #3B8A95

RGB 59 138 149

HSL 187.33, 0.43%, 0.41%

LAB 53.25, -20.61, -13.13

 

CMYK 75 / 9 / 0 / 35

HEX #2A97A6

RGB 42 151 166

HSL 187.26, 0.6%, 0.41%

LAB 57.44, -24.7, -16.59

 

CMYK 86 / 11 / 0 / 28

HEX #19A3B7

RGB 25 163 183

HSL 187.59, 0.76%, 0.41%

LAB 61.5, -26.84, -20.06

 

CMYK 96 / 12 / 0 / 22

HEX #08B0C8

RGB 8 176 200

HSL 187.5, 0.92%, 0.41%

LAB 65.96, -28.49, -22.73

 

CMYK 60 / 7 / 0 / 42

HEX #3B8A95

RGB 59 138 149

HSL 187.33, 0.43%, 0.41%

LAB 53.25, -20.61, -13.13

 

CMYK 42 / 5 / 0 / 48

HEX #4C7D84

RGB 76 125 132

HSL 187.5, 0.27%, 0.41%

LAB 49.34, -14.59, -9.02

 

CMYK 19 / 3 / 0 / 55

HEX #5D7073

RGB 93 112 115

HSL 188.18, 0.11%, 0.41%

LAB 45.84, -6.32, -4.02

 

CMYK 0 / 9 / 11 / 57

HEX #6E6462

RGB 110 100 98

HSL 10, 0.06%, 0.41%

LAB 43.23, 3.58, 2.56

 

CMYK 0 / 31 / 36 / 50

HEX #7F5751

RGB 127 87 81

HSL 7.83, 0.22%, 0.41%

LAB 41.09, 15.72, 10.15

 

CMYK 60 / 0 / 25 / 42

HEX #3B9570

RGB 59 149 112

HSL 155.33, 0.43%, 0.41%

LAB 55.68, -35.94, 11.69

 

CMYK 60 / 0 / 9 / 42

HEX #3B9588

RGB 59 149 136

HSL 171.33, 0.43%, 0.41%

LAB 56.29, -29.91, -1.12

 

CMYK 60 / 7 / 0 / 42

HEX #3B8B95

RGB 59 139 149

HSL 186.67, 0.43%, 0.41%

LAB 53.56, -21.13, -12.66

 

CMYK 60 / 23 / 0 / 42

HEX #3B7395

RGB 59 115 149

HSL 202.67, 0.43%, 0.41%

LAB 46.12, -7.81, -24.03

 

CMYK 60 / 39 / 0 / 42

HEX #3B5B95

RGB 59 91 149

HSL 218.67, 0.43%, 0.41%

LAB 38.87, 6.94, -35.4

 

CMYK 60 / 8 / 0 / 65

HEX #24535A

RGB 36 83 90

HSL 187.78, 0.43%, 0.25%

LAB 32.48, -13.64, -8.95

 

CMYK 61 / 8 / 0 / 53

HEX #2F6F78

RGB 47 111 120

HSL 187.4, 0.44%, 0.33%

LAB 43.26, -17.44, -11.15

 

CMYK 60 / 7 / 0 / 42

HEX #3B8A95

RGB 59 138 149

HSL 187.33, 0.43%, 0.41%

LAB 53.25, -20.61, -13.13

 

CMYK 60 / 8 / 0 / 30

HEX #47A5B3

RGB 71 165 179

HSL 187.78, 0.43%, 0.49%

LAB 62.93, -23.36, -15.55

 

CMYK 49 / 6 / 0 / 25

HEX #62B5C0

RGB 98 181 192

HSL 187.02, 0.43%, 0.57%

LAB 69.08, -22.26, -13.41

 

CMYK 60 / 7 / 0 / 42

HEX #3C8A95

RGB 60 138 149

HSL 187.42, 0.43%, 0.41%

LAB 53.28, -20.41, -13.08

 

CMYK 41 / 60 / 0 / 42

HEX #583B95

RGB 88 59 149

HSL 259.33, 0.43%, 0.41%

LAB 32.64, 34.1, -45.22

 

CMYK 0 / 17 / 60 / 42

HEX #957C3B

RGB 149 124 59

HSL 43.33, 0.43%, 0.41%

LAB 53.08, 1.56, 38.46

 

CMYK 60 / 7 / 0 / 42

HEX #3C8A95

RGB 60 138 149

HSL 187.42, 0.43%, 0.41%

LAB 53.28, -20.41, -13.08

 

CMYK 0 / 60 / 7 / 42

HEX #953B8B

RGB 149 59 139

HSL 306.67, 0.43%, 0.41%

LAB 40.22, 48.07, -26.58

 

CMYK 7 / 0 / 60 / 42

HEX #8B953B

RGB 139 149 59

HSL 66.67, 0.43%, 0.41%

LAB 59.25, -16.51, 45.15

 

CMYK 60 / 7 / 0 / 42

HEX #3C8A95

RGB 60 138 149

HSL 187.42, 0.43%, 0.41%

LAB 53.28, -20.41, -13.08

 

CMYK 41 / 60 / 0 / 42

HEX #583B95

RGB 88 59 149

HSL 259.33, 0.43%, 0.41%

LAB 32.64, 34.1, -45.22

 

CMYK 0 / 53 / 60 / 42

HEX #95463B

RGB 149 70 59

HSL 7.33, 0.43%, 0.41%

LAB 39.72, 32.24, 22.29

 

CMYK 19 / 0 / 60 / 42

HEX #79953B

RGB 121 149 59

HSL 78.67, 0.43%, 0.41%

LAB 57.92, -24.11, 43.3

 

CMYK 60 / 7 / 0 / 42

HEX #3C8A95

RGB 60 138 149

HSL 187.42, 0.43%, 0.41%

LAB 53.28, -20.41, -13.08

 

CMYK 23 / 60 / 0 / 42

HEX #733B95

RGB 115 59 149

HSL 277.33, 0.43%, 0.41%

LAB 35.87, 40.84, -39.86

 

CMYK 0 / 53 / 60 / 42

HEX #95463B

RGB 149 70 59

HSL 7.33, 0.43%, 0.41%

LAB 39.72, 32.24, 22.29

 

CMYK 37 / 0 / 60 / 42

HEX #5E953B

RGB 94 149 59

HSL 96.67, 0.43%, 0.41%

LAB 56.28, -34.59, 41.01

 

Description

Color code: HEX #3C8A95 | qconv.com Color code: HEX #3C8A95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 138 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 138 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 7 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 7% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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