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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C90AE it is the complementary color #C36F51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C90AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C90AE shade: #4190A9, #52A2BC, #63B4CF, #74C6E2 and #85D8F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C90AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C90AE shade: #3C90AE, #2B7E9B, #1A6C88, #095A75 and #004862

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C90AE shade: #3B90AE, #3B71AE, #3B52AE, #443BAE and #633BAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C90AE shade: #3B90AE, #3B71AE, #3B52AE and #3B3BAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C90AE shade matches the following richer shades: #3B90AE, #2899C1, #15A2D4 and #02ABE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C90AE shade: #3B90AE, #4E879B, #617E88, #747575 and #876C62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C90AE shade: #3BAE8E, #3BAEAC, #3B92AE, #3B73AE and #3B54AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C90AE shade: #265D71, #317790, #3B90AE, #50A5C3 and #6FB4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C90AE shade: #3C90AE, #6F3BAE and #AE9D3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C90AE shade: #3C90AE, #AE3B92 and #92AE3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C90AE shade: #3C90AE, #6F3BAE, #AE583B and #7BAE3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C90AE shade: #3C90AE, #923BAE, #AE583B and #58AE3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 17 / 0 / 32

HEX #3C90AE

RGB 60 144 174

HSL 195.79, 0.49%, 0.46%

LAB 56.05, -15.79, -23.24

 

Complementary color

CMYK 0 / 43 / 58 / 24

HEX #C36F51

RGB 195 111 81

HSL 15.79, 0.49%, 0.54%

LAB 55.65, 30.37, 31.04

 

CMYK 62 / 15 / 0 / 34

HEX #4190A9

RGB 65 144 169

HSL 194.42, 0.44%, 0.46%

LAB 56.02, -16.48, -20.41

 

CMYK 56 / 14 / 0 / 26

HEX #52A2BC

RGB 82 162 188

HSL 194.72, 0.44%, 0.53%

LAB 62.73, -16.97, -20.86

 

CMYK 52 / 13 / 0 / 19

HEX #63B4CF

RGB 99 180 207

HSL 195, 0.53%, 0.6%

LAB 69.33, -17.33, -21.28

 

CMYK 49 / 12 / 0 / 11

HEX #74C6E2

RGB 116 198 226

HSL 195.27, 0.65%, 0.67%

LAB 75.82, -17.6, -21.68

 

CMYK 46 / 12 / 0 / 4

HEX #85D8F5

RGB 133 216 245

HSL 195.54, 0.85%, 0.74%

LAB 82.21, -17.8, -22.07

 

CMYK 66 / 17 / 0 / 32

HEX #3C90AE

RGB 60 144 174

HSL 195.79, 0.49%, 0.46%

LAB 56.05, -15.79, -23.24

 

CMYK 72 / 19 / 0 / 39

HEX #2B7E9B

RGB 43 126 155

HSL 195.54, 0.57%, 0.39%

LAB 49.25, -14.89, -22.76

 

CMYK 81 / 21 / 0 / 47

HEX #1A6C88

RGB 26 108 136

HSL 195.27, 0.68%, 0.32%

LAB 42.34, -13.62, -22.22

 

CMYK 92 / 23 / 0 / 54

HEX #095A75

RGB 9 90 117

HSL 195, 0.86%, 0.25%

LAB 35.31, -11.79, -21.57

 

CMYK 100 / 27 / 0 / 62

HEX #004862

RGB 0 72 98

HSL 195.92, 1%, 0.19%

LAB 28.16, -9.16, -20.76

 

CMYK 66 / 17 / 0 / 32

HEX #3B90AE

RGB 59 144 174

HSL 195.65, 0.49%, 0.46%

LAB 56.02, -15.95, -23.29

 

CMYK 66 / 35 / 0 / 32

HEX #3B71AE

RGB 59 113 174

HSL 211.83, 0.49%, 0.46%

LAB 46.71, 2, -37.8

 

CMYK 66 / 53 / 0 / 32

HEX #3B52AE

RGB 59 82 174

HSL 228, 0.49%, 0.46%

LAB 37.88, 21.77, -51.91

 

CMYK 61 / 66 / 0 / 32

HEX #443BAE

RGB 68 59 174

HSL 244.7, 0.49%, 0.46%

LAB 32.73, 37.89, -60.25

 

CMYK 43 / 66 / 0 / 32

HEX #633BAE

RGB 99 59 174

HSL 260.87, 0.49%, 0.46%

LAB 35.67, 43.53, -55.33

 

CMYK 66 / 17 / 0 / 32

HEX #3B90AE

RGB 59 144 174

HSL 195.65, 0.49%, 0.46%

LAB 56.02, -15.95, -23.29

 

CMYK 66 / 35 / 0 / 32

HEX #3B71AE

RGB 59 113 174

HSL 211.83, 0.49%, 0.46%

LAB 46.71, 2, -37.8

 

CMYK 66 / 53 / 0 / 32

HEX #3B52AE

RGB 59 82 174

HSL 228, 0.49%, 0.46%

LAB 37.88, 21.77, -51.91

 

CMYK 66 / 66 / 0 / 32

HEX #3B3BAE

RGB 59 59 174

HSL 240, 0.49%, 0.46%

LAB 32.06, 36.54, -61.36

 

CMYK 66 / 17 / 0 / 32

HEX #3B90AE

RGB 59 144 174

HSL 195.65, 0.49%, 0.46%

LAB 56.02, -15.95, -23.29

 

CMYK 79 / 21 / 0 / 24

HEX #2899C1

RGB 40 153 193

HSL 195.69, 0.66%, 0.46%

LAB 59.05, -17.01, -29.42

 

CMYK 90 / 24 / 0 / 17

HEX #15A2D4

RGB 21 162 212

HSL 195.71, 0.82%, 0.46%

LAB 62.3, -16.65, -35.03

 

CMYK 99 / 26 / 0 / 9

HEX #02ABE7

RGB 2 171 231

HSL 195.72, 0.98%, 0.46%

LAB 65.68, -15.4, -40.26

 

CMYK 66 / 17 / 0 / 32

HEX #3B90AE

RGB 59 144 174

HSL 195.65, 0.49%, 0.46%

LAB 56.02, -15.95, -23.29

 

CMYK 50 / 13 / 0 / 39

HEX #4E879B

RGB 78 135 155

HSL 195.58, 0.33%, 0.46%

LAB 53.29, -13.02, -16.47

 

CMYK 29 / 7 / 0 / 47

HEX #617E88

RGB 97 126 136

HSL 195.38, 0.17%, 0.46%

LAB 50.97, -7.86, -8.81

 

CMYK 1 / 0 / 0 / 54

HEX #747575

RGB 116 117 117

HSL 180, 0%, 0.46%

LAB 49.15, -0.38, -0.14

 

CMYK 0 / 20 / 27 / 47

HEX #876C62

RGB 135 108 98

HSL 16.22, 0.16%, 0.46%

LAB 47.95, 9.11, 9.65

 

CMYK 66 / 0 / 18 / 32

HEX #3BAE8E

RGB 59 174 142

HSL 163.3, 0.49%, 0.46%

LAB 64.29, -39.9, 7.08

 

CMYK 66 / 0 / 1 / 32

HEX #3BAEAC

RGB 59 174 172

HSL 178.96, 0.49%, 0.46%

LAB 65.11, -31.88, -8.41

 

CMYK 66 / 16 / 0 / 32

HEX #3B92AE

RGB 59 146 174

HSL 194.61, 0.49%, 0.46%

LAB 56.63, -17.04, -22.35

 

CMYK 66 / 34 / 0 / 32

HEX #3B73AE

RGB 59 115 174

HSL 210.78, 0.49%, 0.46%

LAB 47.3, 0.77, -36.87

 

CMYK 66 / 52 / 0 / 32

HEX #3B54AE

RGB 59 84 174

HSL 226.96, 0.49%, 0.46%

LAB 38.42, 20.46, -51.03

 

CMYK 66 / 18 / 0 / 56

HEX #265D71

RGB 38 93 113

HSL 196, 0.5%, 0.3%

LAB 36.8, -11.31, -16.73

 

CMYK 66 / 17 / 0 / 44

HEX #317790

RGB 49 119 144

HSL 195.79, 0.49%, 0.38%

LAB 46.79, -13.71, -20.07

 

CMYK 66 / 17 / 0 / 32

HEX #3B90AE

RGB 59 144 174

HSL 195.65, 0.49%, 0.46%

LAB 56.02, -15.95, -23.29

 

CMYK 59 / 15 / 0 / 24

HEX #50A5C3

RGB 80 165 195

HSL 195.65, 0.49%, 0.54%

LAB 63.8, -16.86, -23.14

 

CMYK 46 / 12 / 0 / 20

HEX #6FB4CD

RGB 111 180 205

HSL 195.96, 0.48%, 0.62%

LAB 69.77, -15.14, -19.45

 

CMYK 66 / 17 / 0 / 32

HEX #3C90AE

RGB 60 144 174

HSL 195.79, 0.49%, 0.46%

LAB 56.05, -15.79, -23.24

 

CMYK 36 / 66 / 0 / 32

HEX #6F3BAE

RGB 111 59 174

HSL 267.13, 0.49%, 0.46%

LAB 37.05, 46.04, -53.03

 

CMYK 0 / 10 / 66 / 32

HEX #AE9D3B

RGB 174 157 59

HSL 51.13, 0.49%, 0.46%

LAB 64.51, -5.44, 51.71

 

CMYK 66 / 17 / 0 / 32

HEX #3C90AE

RGB 60 144 174

HSL 195.79, 0.49%, 0.46%

LAB 56.05, -15.79, -23.24

 

CMYK 0 / 66 / 16 / 32

HEX #AE3B92

RGB 174 59 146

HSL 314.61, 0.49%, 0.46%

LAB 44.52, 56.07, -23.83

 

CMYK 16 / 0 / 66 / 32

HEX #92AE3B

RGB 146 174 59

HSL 74.61, 0.49%, 0.46%

LAB 67.05, -26.16, 53.69

 

CMYK 66 / 17 / 0 / 32

HEX #3C90AE

RGB 60 144 174

HSL 195.79, 0.49%, 0.46%

LAB 56.05, -15.79, -23.24

 

CMYK 36 / 66 / 0 / 32

HEX #6F3BAE

RGB 111 59 174

HSL 267.13, 0.49%, 0.46%

LAB 37.05, 46.04, -53.03

 

CMYK 0 / 49 / 66 / 32

HEX #AE583B

RGB 174 88 59

HSL 15.13, 0.49%, 0.46%

LAB 47.36, 32.66, 32.55

 

CMYK 29 / 0 / 66 / 32

HEX #7BAE3B

RGB 123 174 59

HSL 86.61, 0.49%, 0.46%

LAB 65.59, -35.25, 51.71

 

CMYK 66 / 17 / 0 / 32

HEX #3C90AE

RGB 60 144 174

HSL 195.79, 0.49%, 0.46%

LAB 56.05, -15.79, -23.24

 

CMYK 16 / 66 / 0 / 32

HEX #923BAE

RGB 146 59 174

HSL 285.39, 0.49%, 0.46%

LAB 41.68, 53.92, -45.33

 

CMYK 0 / 49 / 66 / 32

HEX #AE583B

RGB 174 88 59

HSL 15.13, 0.49%, 0.46%

LAB 47.36, 32.66, 32.55

 

CMYK 49 / 0 / 66 / 32

HEX #58AE3B

RGB 88 174 59

HSL 104.87, 0.49%, 0.46%

LAB 63.89, -47.19, 49.37

 

Description

Color code: HEX #3C90AE | qconv.com Color code: HEX #3C90AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 144 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 144 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 17 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 17% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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