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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C9189 it is the complementary color #C36E76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C9189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C9189 shade: #419184, #52A397, #63B5AA, #74C7BD and #85D9D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C9189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C9189 shade: #3C9189, #2B7F76, #1A6D63, #095B50 and #00493D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C9189 shade: #3C8F87, #3C8F71, #3C8F5A, #3C8F44 and #4A8F3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C9189 shade: #3C8F87, #3C818F, #3C6A8F, #3C548F and #3C3D8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C9189 shade matches the following richer shades: #3C8F87, #2BA095, #1BB0A2 and #0AC1B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C9189 shade: #3C8F87, #4C7F7A, #5D6E6D, #6D5E5F and #7E4D52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C9189 shade: #3C8F5A, #3C8F71, #3C8F87, #3C818F and #3C6B8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C9189 shade: #235550, #30726C, #3C8F87, #48ACA3 and #61BDB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C9189 shade: #3C9189, #443C8F and #8F663C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C9189 shade: #3C9189, #873C8F and #8F873C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C9189 shade: #3C9189, #443C8F, #8F3C44 and #878F3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C9189 shade: #3C9189, #5D3C8F, #8F3C44 and #6E8F3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 6 / 43

HEX #3C9189

RGB 60 145 137

HSL 174.35, 0.41%, 0.4%

LAB 55.09, -27.48, -3.45

 

Complementary color

CMYK 0 / 44 / 39 / 24

HEX #C36E76

RGB 195 110 118

HSL 354.35, 0.41%, 0.6%

LAB 56.15, 34.48, 10.46

 

CMYK 55 / 0 / 9 / 43

HEX #419184

RGB 65 145 132

HSL 170.25, 0.38%, 0.41%

LAB 55.11, -27.77, -0.52

 

CMYK 50 / 0 / 7 / 36

HEX #52A397

RGB 82 163 151

HSL 171.11, 0.33%, 0.48%

LAB 61.85, -27.79, -1.39

 

CMYK 45 / 0 / 6 / 29

HEX #63B5AA

RGB 99 181 170

HSL 171.95, 0.36%, 0.55%

LAB 68.46, -27.75, -2.19

 

CMYK 42 / 0 / 5 / 22

HEX #74C7BD

RGB 116 199 189

HSL 172.77, 0.43%, 0.62%

LAB 74.97, -27.66, -2.93

 

CMYK 39 / 0 / 4 / 15

HEX #85D9D0

RGB 133 217 208

HSL 173.57, 0.53%, 0.69%

LAB 81.38, -27.56, -3.62

 

CMYK 59 / 0 / 6 / 43

HEX #3C9189

RGB 60 145 137

HSL 174.35, 0.41%, 0.4%

LAB 55.09, -27.48, -3.45

 

CMYK 66 / 0 / 7 / 50

HEX #2B7F76

RGB 43 127 118

HSL 173.57, 0.49%, 0.33%

LAB 48.26, -27.16, -2.51

 

CMYK 76 / 0 / 9 / 57

HEX #1A6D63

RGB 26 109 99

HSL 172.77, 0.61%, 0.26%

LAB 41.31, -26.56, -1.42

 

CMYK 90 / 0 / 12 / 64

HEX #095B50

RGB 9 91 80

HSL 171.95, 0.82%, 0.2%

LAB 34.23, -25.47, -0.12

 

CMYK 100 / 0 / 16 / 71

HEX #00493D

RGB 0 73 61

HSL 170.14, 1%, 0.14%

LAB 27.02, -23.58, 1.48

 

CMYK 58 / 0 / 6 / 44

HEX #3C8F87

RGB 60 143 135

HSL 174.22, 0.41%, 0.4%

LAB 54.4, -27.04, -3.32

 

CMYK 58 / 0 / 21 / 44

HEX #3C8F71

RGB 60 143 113

HSL 158.31, 0.41%, 0.4%

LAB 53.81, -32.73, 8.49

 

CMYK 58 / 0 / 37 / 44

HEX #3C8F5A

RGB 60 143 90

HSL 141.69, 0.41%, 0.4%

LAB 53.32, -37.73, 20.84

 

CMYK 58 / 0 / 52 / 44

HEX #3C8F44

RGB 60 143 68

HSL 125.78, 0.41%, 0.4%

LAB 52.97, -41.49, 32.27

 

CMYK 48 / 0 / 58 / 44

HEX #4A8F3C

RGB 74 143 60

HSL 109.88, 0.41%, 0.4%

LAB 53.41, -38.56, 36.97

 

CMYK 58 / 0 / 6 / 44

HEX #3C8F87

RGB 60 143 135

HSL 174.22, 0.41%, 0.4%

LAB 54.4, -27.04, -3.32

 

CMYK 58 / 10 / 0 / 44

HEX #3C818F

RGB 60 129 143

HSL 190.12, 0.41%, 0.4%

LAB 50.27, -17.42, -14.14

 

CMYK 58 / 26 / 0 / 44

HEX #3C6A8F

RGB 60 106 143

HSL 206.75, 0.41%, 0.4%

LAB 43.14, -4.25, -25.09

 

CMYK 58 / 41 / 0 / 44

HEX #3C548F

RGB 60 84 143

HSL 222.65, 0.41%, 0.4%

LAB 36.53, 9.57, -35.48

 

CMYK 58 / 57 / 0 / 44

HEX #3C3D8F

RGB 60 61 143

HSL 239.28, 0.41%, 0.4%

LAB 30.11, 24.75, -45.76

 

CMYK 58 / 0 / 6 / 44

HEX #3C8F87

RGB 60 143 135

HSL 174.22, 0.41%, 0.4%

LAB 54.4, -27.04, -3.32

 

CMYK 73 / 0 / 7 / 37

HEX #2BA095

RGB 43 160 149

HSL 174.36, 0.58%, 0.4%

LAB 59.73, -34.11, -3.51

 

CMYK 85 / 0 / 8 / 31

HEX #1BB0A2

RGB 27 176 162

HSL 174.36, 0.73%, 0.4%

LAB 64.88, -39.31, -3.24

 

CMYK 95 / 0 / 9 / 24

HEX #0AC1B0

RGB 10 193 176

HSL 174.43, 0.9%, 0.4%

LAB 70.41, -43.66, -2.83

 

CMYK 58 / 0 / 6 / 44

HEX #3C8F87

RGB 60 143 135

HSL 174.22, 0.41%, 0.4%

LAB 54.4, -27.04, -3.32

 

CMYK 40 / 0 / 4 / 50

HEX #4C7F7A

RGB 76 127 122

HSL 174.12, 0.25%, 0.4%

LAB 49.64, -18.36, -2.68

 

CMYK 15 / 0 / 1 / 57

HEX #5D6E6D

RGB 93 110 109

HSL 176.47, 0.08%, 0.4%

LAB 45.06, -6.56, -1.58

 

CMYK 0 / 14 / 13 / 57

HEX #6D5E5F

RGB 109 94 95

HSL 356, 0.07%, 0.4%

LAB 41.35, 6.23, 1.66

 

CMYK 0 / 39 / 35 / 51

HEX #7E4D52

RGB 126 77 82

HSL 353.88, 0.24%, 0.4%

LAB 38.47, 21.39, 5.81

 

CMYK 58 / 0 / 37 / 44

HEX #3C8F5A

RGB 60 143 90

HSL 141.69, 0.41%, 0.4%

LAB 53.32, -37.73, 20.84

 

CMYK 58 / 0 / 21 / 44

HEX #3C8F71

RGB 60 143 113

HSL 158.31, 0.41%, 0.4%

LAB 53.81, -32.73, 8.49

 

CMYK 58 / 0 / 6 / 44

HEX #3C8F87

RGB 60 143 135

HSL 174.22, 0.41%, 0.4%

LAB 54.4, -27.04, -3.32

 

CMYK 58 / 10 / 0 / 44

HEX #3C818F

RGB 60 129 143

HSL 190.12, 0.41%, 0.4%

LAB 50.27, -17.42, -14.14

 

CMYK 58 / 25 / 0 / 44

HEX #3C6B8F

RGB 60 107 143

HSL 206.02, 0.41%, 0.4%

LAB 43.45, -4.86, -24.61

 

CMYK 59 / 0 / 6 / 67

HEX #235550

RGB 35 85 80

HSL 174, 0.42%, 0.24%

LAB 32.77, -18.14, -2.18

 

CMYK 58 / 0 / 5 / 55

HEX #30726C

RGB 48 114 108

HSL 174.55, 0.41%, 0.32%

LAB 43.87, -22.45, -3.01

 

CMYK 58 / 0 / 6 / 44

HEX #3C8F87

RGB 60 143 135

HSL 174.22, 0.41%, 0.4%

LAB 54.4, -27.04, -3.32

 

CMYK 58 / 0 / 5 / 33

HEX #48ACA3

RGB 72 172 163

HSL 174.6, 0.41%, 0.48%

LAB 64.59, -31.16, -4.13

 

CMYK 49 / 0 / 5 / 26

HEX #61BDB4

RGB 97 189 180

HSL 174.13, 0.41%, 0.56%

LAB 71.03, -29.61, -3.92

 

CMYK 59 / 0 / 6 / 43

HEX #3C9189

RGB 60 145 137

HSL 174.35, 0.41%, 0.4%

LAB 55.09, -27.48, -3.45

 

CMYK 52 / 58 / 0 / 44

HEX #443C8F

RGB 68 60 143

HSL 245.78, 0.41%, 0.4%

LAB 30.51, 27.08, -45.09

 

CMYK 0 / 29 / 58 / 44

HEX #8F663C

RGB 143 102 60

HSL 30.36, 0.41%, 0.4%

LAB 46.54, 11.58, 30.02

 

CMYK 59 / 0 / 6 / 43

HEX #3C9189

RGB 60 145 137

HSL 174.35, 0.41%, 0.4%

LAB 55.09, -27.48, -3.45

 

CMYK 6 / 58 / 0 / 44

HEX #873C8F

RGB 135 60 143

HSL 294.22, 0.41%, 0.4%

LAB 38.49, 44.42, -31.88

 

CMYK 0 / 6 / 58 / 44

HEX #8F873C

RGB 143 135 60

HSL 54.22, 0.41%, 0.4%

LAB 55.58, -7.18, 40.66

 

CMYK 59 / 0 / 6 / 43

HEX #3C9189

RGB 60 145 137

HSL 174.35, 0.41%, 0.4%

LAB 55.09, -27.48, -3.45

 

CMYK 52 / 58 / 0 / 44

HEX #443C8F

RGB 68 60 143

HSL 245.78, 0.41%, 0.4%

LAB 30.51, 27.08, -45.09

 

CMYK 0 / 58 / 52 / 44

HEX #8F3C44

RGB 143 60 68

HSL 354.22, 0.41%, 0.4%

LAB 36.91, 35.92, 12.8

 

CMYK 6 / 0 / 58 / 44

HEX #878F3C

RGB 135 143 60

HSL 65.78, 0.41%, 0.4%

LAB 57.19, -15.01, 42.3

 

CMYK 59 / 0 / 6 / 43

HEX #3C9189

RGB 60 145 137

HSL 174.35, 0.41%, 0.4%

LAB 55.09, -27.48, -3.45

 

CMYK 35 / 58 / 0 / 44

HEX #5D3C8F

RGB 93 60 143

HSL 263.86, 0.41%, 0.4%

LAB 33.01, 33.06, -40.93

 

CMYK 0 / 58 / 52 / 44

HEX #8F3C44

RGB 143 60 68

HSL 354.22, 0.41%, 0.4%

LAB 36.91, 35.92, 12.8

 

CMYK 23 / 0 / 58 / 44

HEX #6E8F3C

RGB 110 143 60

HSL 83.86, 0.41%, 0.4%

LAB 55.37, -25.52, 39.73

 

Description

Color code: HEX #3C9189 | qconv.com Color code: HEX #3C9189 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 145 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 145 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 6 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 6% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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