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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C9391 it is the complementary color #C36C6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C9391. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C9391 shade: #41938C, #52A59F, #63B7B2, #74C9C5 and #85DBD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C9391. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C9391 shade: #3C9391, #2B817E, #1A6F6B, #095D58 and #004B45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C9391 shade: #3C9492, #3C947A, #3C9463, #3C944B and #45943C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C9391 shade: #3C9492, #3C7E94, #3C6794, #3C4F94 and #3C3C94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C9391 shade matches the following richer shades: #3C9492, #2BA5A2, #1AB6B2 and #09C7C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C9391 shade: #3C9492, #4D8382, #5E7272, #6F6162 and #805051

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C9391 shade: #3C9462, #3C947A, #3C9491, #3C7F94 and #3C6894

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C9391 shade: #245958, #307775, #3C9492, #48B1AF and #63BFBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C9391 shade: #3C9391, #4B3C94 and #946E3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C9391 shade: #3C9391, #913C94 and #94913C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C9391 shade: #3C9391, #4B3C94, #943C3F and #85943C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C9391 shade: #3C9391, #653C94, #943C3F and #6B943C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 1 / 42

HEX #3C9391

RGB 60 147 145

HSL 178.62, 0.42%, 0.41%

LAB 55.96, -26.22, -6.76

 

Complementary color

CMYK 0 / 45 / 44 / 24

HEX #C36C6E

RGB 195 108 110

HSL 358.62, 0.42%, 0.59%

LAB 55.54, 34.65, 14.26

 

CMYK 56 / 0 / 5 / 42

HEX #41938C

RGB 65 147 140

HSL 174.88, 0.39%, 0.42%

LAB 55.97, -26.61, -3.86

 

CMYK 50 / 0 / 4 / 35

HEX #52A59F

RGB 82 165 159

HSL 175.66, 0.34%, 0.48%

LAB 62.68, -26.7, -4.66

 

CMYK 46 / 0 / 3 / 28

HEX #63B7B2

RGB 99 183 178

HSL 176.43, 0.37%, 0.55%

LAB 69.28, -26.72, -5.39

 

CMYK 42 / 0 / 2 / 21

HEX #74C9C5

RGB 116 201 197

HSL 177.18, 0.44%, 0.62%

LAB 75.77, -26.69, -6.08

 

CMYK 39 / 0 / 1 / 14

HEX #85DBD8

RGB 133 219 216

HSL 177.91, 0.54%, 0.69%

LAB 82.17, -26.63, -6.72

 

CMYK 59 / 0 / 1 / 42

HEX #3C9391

RGB 60 147 145

HSL 178.62, 0.42%, 0.41%

LAB 55.96, -26.22, -6.76

 

CMYK 67 / 0 / 2 / 49

HEX #2B817E

RGB 43 129 126

HSL 177.91, 0.5%, 0.34%

LAB 49.16, -25.81, -5.9

 

CMYK 77 / 0 / 4 / 56

HEX #1A6F6B

RGB 26 111 107

HSL 177.18, 0.62%, 0.27%

LAB 42.23, -25.11, -4.9

 

CMYK 90 / 0 / 5 / 64

HEX #095D58

RGB 9 93 88

HSL 176.43, 0.82%, 0.2%

LAB 35.19, -23.91, -3.71

 

CMYK 100 / 0 / 8 / 71

HEX #004B45

RGB 0 75 69

HSL 175.2, 1%, 0.15%

LAB 28.01, -21.94, -2.26

 

CMYK 59 / 0 / 1 / 42

HEX #3C9492

RGB 60 148 146

HSL 178.64, 0.42%, 0.41%

LAB 56.3, -26.44, -6.82

 

CMYK 59 / 0 / 18 / 42

HEX #3C947A

RGB 60 148 122

HSL 162.27, 0.42%, 0.41%

LAB 55.63, -32.87, 5.94

 

CMYK 59 / 0 / 33 / 42

HEX #3C9463

RGB 60 148 99

HSL 146.59, 0.42%, 0.41%

LAB 55.11, -38.11, 18.24

 

CMYK 59 / 0 / 49 / 42

HEX #3C944B

RGB 60 148 75

HSL 130.23, 0.42%, 0.41%

LAB 54.71, -42.47, 30.77

 

CMYK 53 / 0 / 59 / 42

HEX #45943C

RGB 69 148 60

HSL 113.86, 0.42%, 0.41%

LAB 54.84, -42.15, 38.57

 

CMYK 59 / 0 / 1 / 42

HEX #3C9492

RGB 60 148 146

HSL 178.64, 0.42%, 0.41%

LAB 56.3, -26.44, -6.82

 

CMYK 59 / 15 / 0 / 42

HEX #3C7E94

RGB 60 126 148

HSL 195, 0.42%, 0.41%

LAB 49.52, -14.21, -18.21

 

CMYK 59 / 30 / 0 / 42

HEX #3C6794

RGB 60 103 148

HSL 210.68, 0.42%, 0.41%

LAB 42.46, -0.74, -29.14

 

CMYK 59 / 47 / 0 / 42

HEX #3C4F94

RGB 60 79 148

HSL 227.05, 0.42%, 0.41%

LAB 35.38, 14.61, -40.34

 

CMYK 59 / 59 / 0 / 42

HEX #3C3C94

RGB 60 60 148

HSL 240, 0.42%, 0.41%

LAB 30.23, 27.13, -48.63

 

CMYK 59 / 0 / 1 / 42

HEX #3C9492

RGB 60 148 146

HSL 178.64, 0.42%, 0.41%

LAB 56.3, -26.44, -6.82

 

CMYK 74 / 0 / 2 / 35

HEX #2BA5A2

RGB 43 165 162

HSL 178.52, 0.59%, 0.41%

LAB 61.68, -32.7, -7.95

 

CMYK 86 / 0 / 2 / 29

HEX #1AB6B2

RGB 26 182 178

HSL 178.46, 0.75%, 0.41%

LAB 67.19, -37.43, -8.68

 

CMYK 95 / 0 / 3 / 22

HEX #09C7C2

RGB 9 199 194

HSL 178.42, 0.91%, 0.41%

LAB 72.76, -41.12, -9.18

 

CMYK 59 / 0 / 1 / 42

HEX #3C9492

RGB 60 148 146

HSL 178.64, 0.42%, 0.41%

LAB 56.3, -26.44, -6.82

 

CMYK 41 / 0 / 1 / 49

HEX #4D8382

RGB 77 131 130

HSL 178.89, 0.26%, 0.41%

LAB 51.18, -18.12, -5.1

 

CMYK 18 / 0 / 0 / 55

HEX #5E7272

RGB 94 114 114

HSL 180, 0.1%, 0.41%

LAB 46.48, -7.36, -2.47

 

CMYK 0 / 13 / 12 / 56

HEX #6F6162

RGB 111 97 98

HSL 355.71, 0.07%, 0.41%

LAB 42.48, 5.79, 1.49

 

CMYK 0 / 38 / 37 / 50

HEX #805051

RGB 128 80 81

HSL 358.75, 0.23%, 0.41%

LAB 39.45, 20.3, 7.86

 

CMYK 59 / 0 / 34 / 42

HEX #3C9462

RGB 60 148 98

HSL 145.91, 0.42%, 0.41%

LAB 55.1, -38.31, 18.77

 

CMYK 59 / 0 / 18 / 42

HEX #3C947A

RGB 60 148 122

HSL 162.27, 0.42%, 0.41%

LAB 55.63, -32.87, 5.94

 

CMYK 59 / 0 / 2 / 42

HEX #3C9491

RGB 60 148 145

HSL 177.95, 0.42%, 0.41%

LAB 56.27, -26.72, -6.3

 

CMYK 59 / 14 / 0 / 42

HEX #3C7F94

RGB 60 127 148

HSL 194.32, 0.42%, 0.41%

LAB 49.83, -14.77, -17.74

 

CMYK 59 / 30 / 0 / 42

HEX #3C6894

RGB 60 104 148

HSL 210, 0.42%, 0.41%

LAB 42.76, -1.35, -28.66

 

CMYK 60 / 0 / 1 / 65

HEX #245958

RGB 36 89 88

HSL 178.87, 0.42%, 0.25%

LAB 34.45, -17.68, -4.74

 

CMYK 60 / 0 / 2 / 53

HEX #307775

RGB 48 119 117

HSL 178.31, 0.43%, 0.33%

LAB 45.78, -22.43, -5.57

 

CMYK 59 / 0 / 1 / 42

HEX #3C9492

RGB 60 148 146

HSL 178.64, 0.42%, 0.41%

LAB 56.3, -26.44, -6.82

 

CMYK 59 / 0 / 1 / 31

HEX #48B1AF

RGB 72 177 175

HSL 178.86, 0.42%, 0.49%

LAB 66.46, -30.29, -8.03

 

CMYK 48 / 0 / 1 / 25

HEX #63BFBD

RGB 99 191 189

HSL 178.7, 0.42%, 0.57%

LAB 71.95, -27.82, -7.47

 

CMYK 59 / 0 / 1 / 42

HEX #3C9391

RGB 60 147 145

HSL 178.62, 0.42%, 0.41%

LAB 55.96, -26.22, -6.76

 

CMYK 49 / 59 / 0 / 42

HEX #4B3C94

RGB 75 60 148

HSL 250.23, 0.42%, 0.41%

LAB 31.5, 30.22, -46.52

 

CMYK 0 / 26 / 59 / 42

HEX #946E3C

RGB 148 110 60

HSL 34.09, 0.42%, 0.41%

LAB 49.22, 9.19, 33.39

 

CMYK 59 / 0 / 1 / 42

HEX #3C9391

RGB 60 147 145

HSL 178.62, 0.42%, 0.41%

LAB 55.96, -26.22, -6.76

 

CMYK 2 / 59 / 0 / 42

HEX #913C94

RGB 145 60 148

HSL 297.95, 0.42%, 0.41%

LAB 40.23, 48.12, -32.08

 

CMYK 0 / 2 / 59 / 42

HEX #94913C

RGB 148 145 60

HSL 57.95, 0.42%, 0.41%

LAB 58.86, -10.39, 44.46

 

CMYK 59 / 0 / 1 / 42

HEX #3C9391

RGB 60 147 145

HSL 178.62, 0.42%, 0.41%

LAB 55.96, -26.22, -6.76

 

CMYK 49 / 59 / 0 / 42

HEX #4B3C94

RGB 75 60 148

HSL 250.23, 0.42%, 0.41%

LAB 31.5, 30.22, -46.52

 

CMYK 0 / 59 / 57 / 42

HEX #943C3F

RGB 148 60 63

HSL 357.95, 0.42%, 0.41%

LAB 37.64, 37.35, 17.08

 

CMYK 10 / 0 / 59 / 42

HEX #85943C

RGB 133 148 60

HSL 70.23, 0.42%, 0.41%

LAB 58.5, -18.48, 43.73

 

CMYK 59 / 0 / 1 / 42

HEX #3C9391

RGB 60 147 145

HSL 178.62, 0.42%, 0.41%

LAB 55.96, -26.22, -6.76

 

CMYK 32 / 59 / 0 / 42

HEX #653C94

RGB 101 60 148

HSL 267.95, 0.42%, 0.41%

LAB 34.27, 36.44, -41.92

 

CMYK 0 / 59 / 57 / 42

HEX #943C3F

RGB 148 60 63

HSL 357.95, 0.42%, 0.41%

LAB 37.64, 37.35, 17.08

 

CMYK 28 / 0 / 59 / 42

HEX #6B943C

RGB 107 148 60

HSL 87.95, 0.42%, 0.41%

LAB 56.71, -29.15, 41.23

 

Description

Color code: HEX #3C9391 | qconv.com Color code: HEX #3C9391 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 147 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 147 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 1 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 1% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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