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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C9E8C it is the complementary color #C36173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C9E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C9E8C shade: #419E87, #52B09A, #63C2AD, #74D4C0 and #85E6D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C9E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C9E8C shade: #3C9E8C, #2B8C79, #1A7A66, #096853 and #005640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C9E8C shade: #3C9E8C, #3C9E72, #3C9E57, #3C9E3D and #569E3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C9E8C shade: #3C9E8C, #3C969E, #3C7B9E, #3C619E and #3C469E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C9E8C shade matches the following richer shades: #3C9E8C, #2AB098, #18C2A3 and #07D4AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C9E8C shade: #3C9E8C, #4E8D81, #5F7B76, #71696B and #83585F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C9E8C shade: #3C9E56, #3C9E70, #3C9E8B, #3C989E and #3C7E9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C9E8C shade: #256357, #308172, #3C9E8C, #4ABAA5 and #68C5B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C9E8C shade: #3C9E8C, #3C3C9E and #9E633C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C9E8C shade: #3C9E8C, #8B3C9E and #9E8B3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C9E8C shade: #3C9E8C, #3C3C9E, #9E3C50 and #9E9E3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C9E8C shade: #3C9E8C, #593C9E, #9E3C50 and #819E3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 11 / 38

HEX #3C9E8C

RGB 60 158 140

HSL 168.98, 0.45%, 0.43%

LAB 59.26, -32.94, 0.94

 

Complementary color

CMYK 0 / 50 / 41 / 24

HEX #C36173

RGB 195 97 115

HSL 348.98, 0.45%, 0.57%

LAB 53.37, 40.94, 8.29

 

CMYK 59 / 0 / 15 / 38

HEX #419E87

RGB 65 158 135

HSL 165.16, 0.42%, 0.44%

LAB 59.28, -33.24, 3.82

 

CMYK 53 / 0 / 13 / 31

HEX #52B09A

RGB 82 176 154

HSL 165.96, 0.37%, 0.51%

LAB 65.89, -33.3, 2.82

 

CMYK 49 / 0 / 11 / 24

HEX #63C2AD

RGB 99 194 173

HSL 166.74, 0.44%, 0.57%

LAB 72.4, -33.26, 1.91

 

CMYK 45 / 0 / 9 / 17

HEX #74D4C0

RGB 116 212 192

HSL 167.5, 0.53%, 0.64%

LAB 78.81, -33.17, 1.08

 

CMYK 42 / 0 / 8 / 10

HEX #85E6D3

RGB 133 230 211

HSL 168.25, 0.66%, 0.71%

LAB 85.14, -33.06, 0.3

 

CMYK 62 / 0 / 11 / 38

HEX #3C9E8C

RGB 60 158 140

HSL 168.98, 0.45%, 0.43%

LAB 59.26, -32.94, 0.94

 

CMYK 69 / 0 / 14 / 45

HEX #2B8C79

RGB 43 140 121

HSL 168.25, 0.53%, 0.36%

LAB 52.56, -32.58, 2.03

 

CMYK 79 / 0 / 16 / 52

HEX #1A7A66

RGB 26 122 102

HSL 167.5, 0.65%, 0.29%

LAB 45.77, -31.91, 3.27

 

CMYK 91 / 0 / 20 / 59

HEX #096853

RGB 9 104 83

HSL 166.74, 0.84%, 0.22%

LAB 38.87, -30.74, 4.74

 

CMYK 100 / 0 / 26 / 66

HEX #005640

RGB 0 86 64

HSL 164.65, 1%, 0.17%

LAB 31.87, -28.8, 6.49

 

CMYK 62 / 0 / 11 / 38

HEX #3C9E8C

RGB 60 158 140

HSL 168.98, 0.45%, 0.43%

LAB 59.26, -32.94, 0.94

 

CMYK 62 / 0 / 28 / 38

HEX #3C9E72

RGB 60 158 114

HSL 153.06, 0.45%, 0.43%

LAB 58.63, -39.26, 14.69

 

CMYK 62 / 0 / 45 / 38

HEX #3C9E57

RGB 60 158 87

HSL 136.53, 0.45%, 0.43%

LAB 58.13, -44.56, 28.78

 

CMYK 62 / 0 / 61 / 38

HEX #3C9E3D

RGB 60 158 61

HSL 120.61, 0.45%, 0.43%

LAB 57.8, -48.31, 41.44

 

CMYK 46 / 0 / 62 / 38

HEX #569E3C

RGB 86 158 60

HSL 104.08, 0.45%, 0.43%

LAB 58.75, -41.15, 43.23

 

CMYK 62 / 0 / 11 / 38

HEX #3C9E8C

RGB 60 158 140

HSL 168.98, 0.45%, 0.43%

LAB 59.26, -32.94, 0.94

 

CMYK 62 / 5 / 0 / 38

HEX #3C969E

RGB 60 150 158

HSL 184.9, 0.45%, 0.43%

LAB 57.31, -23.94, -12.18

 

CMYK 62 / 22 / 0 / 38

HEX #3C7B9E

RGB 60 123 158

HSL 201.43, 0.45%, 0.43%

LAB 49, -9.27, -24.86

 

CMYK 62 / 39 / 0 / 38

HEX #3C619E

RGB 60 97 158

HSL 217.35, 0.45%, 0.43%

LAB 41.18, 6.5, -37.11

 

CMYK 62 / 56 / 0 / 38

HEX #3C469E

RGB 60 70 158

HSL 233.88, 0.45%, 0.43%

LAB 33.58, 24.08, -49.28

 

CMYK 62 / 0 / 11 / 38

HEX #3C9E8C

RGB 60 158 140

HSL 168.98, 0.45%, 0.43%

LAB 59.26, -32.94, 0.94

 

CMYK 76 / 0 / 14 / 31

HEX #2AB098

RGB 42 176 152

HSL 169.25, 0.61%, 0.43%

LAB 64.81, -40.64, 2.24

 

CMYK 88 / 0 / 16 / 24

HEX #18C2A3

RGB 24 194 163

HSL 169.06, 0.78%, 0.43%

LAB 70.47, -46.99, 4.36

 

CMYK 97 / 0 / 18 / 17

HEX #07D4AE

RGB 7 212 174

HSL 168.88, 0.94%, 0.43%

LAB 76.18, -52.17, 6.64

 

CMYK 62 / 0 / 11 / 38

HEX #3C9E8C

RGB 60 158 140

HSL 168.98, 0.45%, 0.43%

LAB 59.26, -32.94, 0.94

 

CMYK 45 / 0 / 9 / 45

HEX #4E8D81

RGB 78 141 129

HSL 168.57, 0.29%, 0.43%

LAB 54.3, -23.35, 0.07

 

CMYK 23 / 0 / 4 / 52

HEX #5F7B76

RGB 95 123 118

HSL 169.29, 0.13%, 0.43%

LAB 49.38, -11.19, -0.58

 

CMYK 0 / 7 / 5 / 56

HEX #71696B

RGB 113 105 107

HSL 345, 0.04%, 0.43%

LAB 45.19, 3.53, 0

 

CMYK 0 / 33 / 27 / 49

HEX #83585F

RGB 131 88 95

HSL 350.23, 0.2%, 0.43%

LAB 42.2, 18.82, 3.2

 

CMYK 62 / 0 / 46 / 38

HEX #3C9E56

RGB 60 158 86

HSL 135.92, 0.45%, 0.43%

LAB 58.12, -44.73, 29.29

 

CMYK 62 / 0 / 29 / 38

HEX #3C9E70

RGB 60 158 112

HSL 151.84, 0.45%, 0.43%

LAB 58.59, -39.7, 15.74

 

CMYK 62 / 0 / 12 / 38

HEX #3C9E8B

RGB 60 158 139

HSL 168.37, 0.45%, 0.43%

LAB 59.23, -33.2, 1.47

 

CMYK 62 / 4 / 0 / 38

HEX #3C989E

RGB 60 152 158

HSL 183.67, 0.45%, 0.43%

LAB 57.93, -24.96, -11.25

 

CMYK 62 / 20 / 0 / 38

HEX #3C7E9E

RGB 60 126 158

HSL 199.59, 0.45%, 0.43%

LAB 49.92, -10.99, -23.45

 

CMYK 63 / 0 / 12 / 61

HEX #256357

RGB 37 99 87

HSL 168.39, 0.46%, 0.27%

LAB 37.85, -23.09, 0.89

 

CMYK 63 / 0 / 12 / 49

HEX #308172

RGB 48 129 114

HSL 168.89, 0.46%, 0.35%

LAB 48.94, -28.33, 0.86

 

CMYK 62 / 0 / 11 / 38

HEX #3C9E8C

RGB 60 158 140

HSL 168.98, 0.45%, 0.43%

LAB 59.26, -32.94, 0.94

 

CMYK 60 / 0 / 11 / 27

HEX #4ABAA5

RGB 74 186 165

HSL 168.75, 0.45%, 0.51%

LAB 68.96, -36.82, 1.19

 

CMYK 47 / 0 / 9 / 23

HEX #68C5B4

RGB 104 197 180

HSL 169.03, 0.44%, 0.59%

LAB 73.66, -31.81, -0.03

 

CMYK 62 / 0 / 11 / 38

HEX #3C9E8C

RGB 60 158 140

HSL 168.98, 0.45%, 0.43%

LAB 59.26, -32.94, 0.94

 

CMYK 62 / 62 / 0 / 38

HEX #3C3C9E

RGB 60 60 158

HSL 240, 0.45%, 0.43%

LAB 31.02, 30.58, -53.44

 

CMYK 0 / 37 / 62 / 38

HEX #9E633C

RGB 158 99 60

HSL 23.88, 0.45%, 0.43%

LAB 47.65, 19.93, 31.81

 

CMYK 62 / 0 / 11 / 38

HEX #3C9E8C

RGB 60 158 140

HSL 168.98, 0.45%, 0.43%

LAB 59.26, -32.94, 0.94

 

CMYK 12 / 62 / 0 / 38

HEX #8B3C9E

RGB 139 60 158

HSL 288.37, 0.45%, 0.43%

LAB 39.9, 48.49, -38.69

 

CMYK 0 / 12 / 62 / 38

HEX #9E8B3C

RGB 158 139 60

HSL 48.37, 0.45%, 0.43%

LAB 58.09, -2.69, 43.87

 

CMYK 62 / 0 / 11 / 38

HEX #3C9E8C

RGB 60 158 140

HSL 168.98, 0.45%, 0.43%

LAB 59.26, -32.94, 0.94

 

CMYK 62 / 62 / 0 / 38

HEX #3C3C9E

RGB 60 60 158

HSL 240, 0.45%, 0.43%

LAB 31.02, 30.58, -53.44

 

CMYK 0 / 62 / 49 / 38

HEX #9E3C50

RGB 158 60 80

HSL 347.76, 0.45%, 0.43%

LAB 39.71, 42.47, 9.51

 

CMYK 0 / 0 / 62 / 38

HEX #9E9E3C

RGB 158 158 60

HSL 60, 0.45%, 0.43%

LAB 63.38, -12.91, 49.65

 

CMYK 62 / 0 / 11 / 38

HEX #3C9E8C

RGB 60 158 140

HSL 168.98, 0.45%, 0.43%

LAB 59.26, -32.94, 0.94

 

CMYK 44 / 62 / 0 / 38

HEX #593C9E

RGB 89 60 158

HSL 257.76, 0.45%, 0.43%

LAB 33.61, 36.33, -49.11

 

CMYK 0 / 62 / 49 / 38

HEX #9E3C50

RGB 158 60 80

HSL 347.76, 0.45%, 0.43%

LAB 39.71, 42.47, 9.51

 

CMYK 18 / 0 / 62 / 38

HEX #819E3C

RGB 129 158 60

HSL 77.76, 0.45%, 0.43%

LAB 61.17, -25.21, 46.61

 

Description

Color code: HEX #3C9E8C | qconv.com Color code: HEX #3C9E8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 158 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 158 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 11 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 11% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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