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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D374F it is the complementary color #C2C8B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D374F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D374F shade: #42374A, #53495D, #645B70, #756D83 and #867F96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D374F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D374F shade: #3D374F, #2C253C, #1B1329, #0A0116 and #000003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D374F shade: #3C364E, #42364E, #49364E, #4E364C and #4E3646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D374F shade: #3C364E and #36364E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D374F shade matches the following richer shades: #3C364E, #362B58, #312063, #2C166E and #260B79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D374F shade: #3C364E, #414143, #474B38, #4C562E and #516123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D374F shade: #363D4E, #36364E, #3C364E, #42364E and #49364E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D374F shade: #16141D, #292535, #3C364E, #4F4766 and #61587E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D374F shade: #3D374F, #4E3643 and #394E36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D374F shade: #3D374F, #4E3C36 and #364E3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D374F shade: #3D374F, #4E3643, #484E36 and #364E41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D374F shade: #3D374F, #4E363C, #484E36 and #364E48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 30 / 0 / 69

HEX #3D374F

RGB 61 55 79

HSL 255, 0.18%, 0.26%

LAB 24.6, 8.53, -13.68

 

Complementary color

CMYK 3 / 0 / 12 / 22

HEX #C2C8B0

RGB 194 200 176

HSL 75, 0.18%, 0.74%

LAB 79.56, -6.31, 11.3

 

CMYK 11 / 26 / 0 / 71

HEX #42374A

RGB 66 55 74

HSL 274.74, 0.15%, 0.25%

LAB 24.91, 9.12, -9.86

 

CMYK 11 / 22 / 0 / 64

HEX #53495D

RGB 83 73 93

HSL 270, 0.12%, 0.33%

LAB 32.69, 8.58, -10.22

 

CMYK 11 / 19 / 0 / 56

HEX #645B70

RGB 100 91 112

HSL 265.71, 0.1%, 0.4%

LAB 40.18, 8.12, -10.6

 

CMYK 11 / 17 / 0 / 49

HEX #756D83

RGB 117 109 131

HSL 261.82, 0.09%, 0.47%

LAB 47.44, 7.72, -10.99

 

CMYK 11 / 15 / 0 / 41

HEX #867F96

RGB 134 127 150

HSL 258.26, 0.1%, 0.54%

LAB 54.5, 7.36, -11.39

 

CMYK 23 / 30 / 0 / 69

HEX #3D374F

RGB 61 55 79

HSL 255, 0.18%, 0.26%

LAB 24.6, 8.53, -13.68

 

CMYK 27 / 38 / 0 / 76

HEX #2C253C

RGB 44 37 60

HSL 258.26, 0.24%, 0.19%

LAB 16.43, 9.23, -13.56

 

CMYK 34 / 54 / 0 / 84

HEX #1B1329

RGB 27 19 41

HSL 261.82, 0.37%, 0.12%

LAB 7.76, 10.18, -13.56

 

CMYK 55 / 95 / 0 / 91

HEX #0A0116

RGB 10 1 22

HSL 265.71, 0.91%, 0.05%

LAB 1.3, 5.89, -8.8

 

CMYK 100 / 100 / 0 / 99

HEX #000003

RGB 0 0 3

HSL 240, 1%, 0.01%

LAB 0.06, 0.42, -1.14

 

CMYK 23 / 31 / 0 / 69

HEX #3C364E

RGB 60 54 78

HSL 255, 0.18%, 0.26%

LAB 24.16, 8.56, -13.71

 

CMYK 15 / 31 / 0 / 69

HEX #42364E

RGB 66 54 78

HSL 270, 0.18%, 0.26%

LAB 24.79, 10.81, -12.69

 

CMYK 6 / 31 / 0 / 69

HEX #49364E

RGB 73 54 78

HSL 287.5, 0.18%, 0.26%

LAB 25.58, 13.5, -11.41

 

CMYK 0 / 31 / 3 / 69

HEX #4E364C

RGB 78 54 76

HSL 305, 0.18%, 0.26%

LAB 26.1, 15, -9.24

 

CMYK 0 / 31 / 10 / 69

HEX #4E3646

RGB 78 54 70

HSL 320, 0.18%, 0.26%

LAB 25.86, 13.73, -5.62

 

CMYK 23 / 31 / 0 / 69

HEX #3C364E

RGB 60 54 78

HSL 255, 0.18%, 0.26%

LAB 24.16, 8.56, -13.71

 

CMYK 31 / 31 / 0 / 69

HEX #36364E

RGB 54 54 78

HSL 240, 0.18%, 0.26%

LAB 23.58, 6.38, -14.65

 

CMYK 23 / 31 / 0 / 69

HEX #3C364E

RGB 60 54 78

HSL 255, 0.18%, 0.26%

LAB 24.16, 8.56, -13.71

 

CMYK 39 / 51 / 0 / 65

HEX #362B58

RGB 54 43 88

HSL 254.67, 0.34%, 0.26%

LAB 20.89, 17, -25.52

 

CMYK 51 / 68 / 0 / 61

HEX #312063

RGB 49 32 99

HSL 255.22, 0.51%, 0.26%

LAB 18.31, 26.55, -36.98

 

CMYK 60 / 80 / 0 / 57

HEX #2C166E

RGB 44 22 110

HSL 255, 0.67%, 0.26%

LAB 16.68, 35.08, -46.88

 

CMYK 69 / 91 / 0 / 53

HEX #260B79

RGB 38 11 121

HSL 254.73, 0.83%, 0.26%

LAB 15.65, 42.69, -55.7

 

CMYK 23 / 31 / 0 / 69

HEX #3C364E

RGB 60 54 78

HSL 255, 0.18%, 0.26%

LAB 24.16, 8.56, -13.71

 

CMYK 3 / 3 / 0 / 74

HEX #414143

RGB 65 65 67

HSL 240, 0.02%, 0.26%

LAB 27.6, 0.45, -1.22

 

CMYK 5 / 0 / 25 / 71

HEX #474B38

RGB 71 75 56

HSL 72.63, 0.15%, 0.26%

LAB 31.01, -5.47, 10.8

 

CMYK 12 / 0 / 47 / 66

HEX #4C562E

RGB 76 86 46

HSL 75, 0.3%, 0.26%

LAB 34.78, -11.3, 21.93

 

CMYK 16 / 0 / 64 / 62

HEX #516123

RGB 81 97 35

HSL 75.48, 0.47%, 0.26%

LAB 38.59, -16.42, 32.51

 

CMYK 31 / 22 / 0 / 69

HEX #363D4E

RGB 54 61 78

HSL 222.5, 0.18%, 0.26%

LAB 25.78, 1.67, -11.27

 

CMYK 31 / 31 / 0 / 69

HEX #36364E

RGB 54 54 78

HSL 240, 0.18%, 0.26%

LAB 23.58, 6.38, -14.65

 

CMYK 23 / 31 / 0 / 69

HEX #3C364E

RGB 60 54 78

HSL 255, 0.18%, 0.26%

LAB 24.16, 8.56, -13.71

 

CMYK 15 / 31 / 0 / 69

HEX #42364E

RGB 66 54 78

HSL 270, 0.18%, 0.26%

LAB 24.79, 10.81, -12.69

 

CMYK 6 / 31 / 0 / 69

HEX #49364E

RGB 73 54 78

HSL 287.5, 0.18%, 0.26%

LAB 25.58, 13.5, -11.41

 

CMYK 24 / 31 / 0 / 89

HEX #16141D

RGB 22 20 29

HSL 253.33, 0.18%, 0.1%

LAB 6.86, 3.31, -5.9

 

CMYK 23 / 30 / 0 / 79

HEX #292535

RGB 41 37 53

HSL 255, 0.18%, 0.18%

LAB 15.76, 6.02, -9.72

 

CMYK 23 / 31 / 0 / 69

HEX #3C364E

RGB 60 54 78

HSL 255, 0.18%, 0.26%

LAB 24.16, 8.56, -13.71

 

CMYK 23 / 30 / 0 / 60

HEX #4F4766

RGB 79 71 102

HSL 255.48, 0.18%, 0.34%

LAB 32.1, 10.67, -16.88

 

CMYK 23 / 30 / 0 / 51

HEX #61587E

RGB 97 88 126

HSL 254.21, 0.18%, 0.42%

LAB 39.63, 12.35, -20.06

 

CMYK 23 / 30 / 0 / 69

HEX #3D374F

RGB 61 55 79

HSL 255, 0.18%, 0.26%

LAB 24.6, 8.53, -13.68

 

CMYK 0 / 31 / 14 / 69

HEX #4E3643

RGB 78 54 67

HSL 327.5, 0.18%, 0.26%

LAB 25.75, 13.12, -3.79

 

CMYK 27 / 0 / 31 / 69

HEX #394E36

RGB 57 78 54

HSL 112.5, 0.18%, 0.26%

LAB 30.84, -13.6, 11.65

 

CMYK 23 / 30 / 0 / 69

HEX #3D374F

RGB 61 55 79

HSL 255, 0.18%, 0.26%

LAB 24.6, 8.53, -13.68

 

CMYK 0 / 23 / 31 / 69

HEX #4E3C36

RGB 78 60 54

HSL 15, 0.18%, 0.26%

LAB 27.07, 6.86, 6.72

 

CMYK 31 / 0 / 23 / 69

HEX #364E3C

RGB 54 78 60

HSL 135, 0.18%, 0.26%

LAB 30.78, -13.54, 7.75

 

CMYK 23 / 30 / 0 / 69

HEX #3D374F

RGB 61 55 79

HSL 255, 0.18%, 0.26%

LAB 24.6, 8.53, -13.68

 

CMYK 0 / 31 / 14 / 69

HEX #4E3643

RGB 78 54 67

HSL 327.5, 0.18%, 0.26%

LAB 25.75, 13.12, -3.79

 

CMYK 8 / 0 / 31 / 69

HEX #484E36

RGB 72 78 54

HSL 75, 0.18%, 0.26%

LAB 32.02, -7.19, 13.44

 

CMYK 31 / 0 / 17 / 69

HEX #364E41

RGB 54 78 65

HSL 147.5, 0.18%, 0.26%

LAB 30.91, -12.4, 4.76

 

CMYK 23 / 30 / 0 / 69

HEX #3D374F

RGB 61 55 79

HSL 255, 0.18%, 0.26%

LAB 24.6, 8.53, -13.68

 

CMYK 0 / 31 / 23 / 69

HEX #4E363C

RGB 78 54 60

HSL 345, 0.18%, 0.26%

LAB 25.52, 11.79, 0.53

 

CMYK 8 / 0 / 31 / 69

HEX #484E36

RGB 72 78 54

HSL 75, 0.18%, 0.26%

LAB 32.02, -7.19, 13.44

 

CMYK 31 / 0 / 8 / 69

HEX #364E48

RGB 54 78 72

HSL 165, 0.18%, 0.26%

LAB 31.12, -10.69, 0.59

 

Description

Color code: HEX #3D374F | qconv.com Color code: HEX #3D374F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 55 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 55 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 30 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 30% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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