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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D317B it is the complementary color #C2CE84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D317B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D317B shade: #423176, #534389, #64559C, #7567AF and #8679C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D317B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D317B shade: #3D317B, #2C1F68, #1B0D55, #0A0042 and #00002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D317B shade: #3D317B, #51317B, #65317B, #79317B and #7B316A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D317B shade: #3D317B and #31317B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D317B shade matches the following richer shades: #3D317B, #34238A, #2A1598 and #2107A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D317B shade: #3D317B, #463F6D, #504D5F, #595B51 and #636943

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D317B shade: #314E7B, #313A7B, #3C317B, #50317B and #64317B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D317B shade: #201940, #2E255E, #3D317B, #4C3D99 and #5B49B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D317B shade: #3D317B, #7B3161 and #447B31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D317B shade: #3D317B, #7B3C31 and #317B3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D317B shade: #3D317B, #7B3161, #707B31 and #317B4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D317B shade: #3D317B, #7B314B, #707B31 and #317B61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 60 / 0 / 52

HEX #3D317B

RGB 61 49 123

HSL 249.73, 0.43%, 0.34%

LAB 25.62, 26.1, -40.56

 

Complementary color

CMYK 6 / 0 / 36 / 19

HEX #C2CE84

RGB 194 206 132

HSL 69.73, 0.43%, 0.66%

LAB 80.34, -15.73, 35.48

 

CMYK 44 / 58 / 0 / 54

HEX #423176

RGB 66 49 118

HSL 254.78, 0.41%, 0.33%

LAB 25.75, 25.7, -37.15

 

CMYK 39 / 51 / 0 / 46

HEX #534389

RGB 83 67 137

HSL 253.71, 0.34%, 0.4%

LAB 33.26, 24.41, -36.9

 

CMYK 36 / 46 / 0 / 39

HEX #64559C

RGB 100 85 156

HSL 252.68, 0.29%, 0.47%

LAB 40.58, 23.3, -36.69

 

CMYK 33 / 41 / 0 / 31

HEX #7567AF

RGB 117 103 175

HSL 251.67, 0.31%, 0.55%

LAB 47.72, 22.35, -36.53

 

CMYK 31 / 38 / 0 / 24

HEX #8679C2

RGB 134 121 194

HSL 250.68, 0.37%, 0.62%

LAB 54.7, 21.53, -36.43

 

CMYK 50 / 60 / 0 / 52

HEX #3D317B

RGB 61 49 123

HSL 249.73, 0.43%, 0.34%

LAB 25.62, 26.1, -40.56

 

CMYK 58 / 70 / 0 / 59

HEX #2C1F68

RGB 44 31 104

HSL 250.68, 0.54%, 0.26%

LAB 17.99, 27.82, -40.81

 

CMYK 68 / 85 / 0 / 67

HEX #1B0D55

RGB 27 13 85

HSL 251.67, 0.73%, 0.19%

LAB 10.38, 29.53, -40.66

 

CMYK 85 / 100 / 0 / 74

HEX #0A0042

RGB 10 0 66

HSL 249.09, 1%, 0.13%

LAB 4.14, 26.6, -37.77

 

CMYK 100 / 100 / 0 / 82

HEX #00002F

RGB 0 0 47

HSL 240, 1%, 0.09%

LAB 1.85, 13.03, -27.55

 

CMYK 50 / 60 / 0 / 52

HEX #3D317B

RGB 61 49 123

HSL 249.73, 0.43%, 0.34%

LAB 25.62, 26.1, -40.56

 

CMYK 34 / 60 / 0 / 52

HEX #51317B

RGB 81 49 123

HSL 265.95, 0.43%, 0.34%

LAB 27.78, 31.02, -36.96

 

CMYK 18 / 60 / 0 / 52

HEX #65317B

RGB 101 49 123

HSL 282.16, 0.43%, 0.34%

LAB 30.38, 36.43, -32.65

 

CMYK 2 / 60 / 0 / 52

HEX #79317B

RGB 121 49 123

HSL 298.38, 0.43%, 0.34%

LAB 33.33, 42.03, -27.8

 

CMYK 0 / 60 / 14 / 52

HEX #7B316A

RGB 123 49 106

HSL 313.78, 0.43%, 0.34%

LAB 32.81, 39.54, -17.86

 

CMYK 50 / 60 / 0 / 52

HEX #3D317B

RGB 61 49 123

HSL 249.73, 0.43%, 0.34%

LAB 25.62, 26.1, -40.56

 

CMYK 60 / 60 / 0 / 52

HEX #31317B

RGB 49 49 123

HSL 240, 0.43%, 0.34%

LAB 24.58, 23.53, -42.3

 

CMYK 50 / 60 / 0 / 52

HEX #3D317B

RGB 61 49 123

HSL 249.73, 0.43%, 0.34%

LAB 25.62, 26.1, -40.56

 

CMYK 62 / 75 / 0 / 46

HEX #34238A

RGB 52 35 138

HSL 249.9, 0.6%, 0.34%

LAB 22.89, 37.95, -54.48

 

CMYK 72 / 86 / 0 / 40

HEX #2A1598

RGB 42 21 152

HSL 249.62, 0.76%, 0.34%

LAB 21.19, 48.18, -65.99

 

CMYK 80 / 96 / 0 / 35

HEX #2107A6

RGB 33 7 166

HSL 249.81, 0.92%, 0.34%

LAB 20.94, 56.07, -75

 

CMYK 50 / 60 / 0 / 52

HEX #3D317B

RGB 61 49 123

HSL 249.73, 0.43%, 0.34%

LAB 25.62, 26.1, -40.56

 

CMYK 36 / 42 / 0 / 57

HEX #463F6D

RGB 70 63 109

HSL 249.13, 0.27%, 0.34%

LAB 29.31, 14.9, -25.73

 

CMYK 16 / 19 / 0 / 63

HEX #504D5F

RGB 80 77 95

HSL 250, 0.1%, 0.34%

LAB 33.65, 5.38, -10.07

 

CMYK 2 / 0 / 11 / 64

HEX #595B51

RGB 89 91 81

HSL 72, 0.06%, 0.34%

LAB 38.2, -2.84, 5.49

 

CMYK 6 / 0 / 36 / 59

HEX #636943

RGB 99 105 67

HSL 69.47, 0.22%, 0.34%

LAB 43, -9.13, 20.63

 

CMYK 60 / 37 / 0 / 52

HEX #314E7B

RGB 49 78 123

HSL 216.49, 0.43%, 0.34%

LAB 32.99, 3.93, -28.84

 

CMYK 60 / 53 / 0 / 52

HEX #313A7B

RGB 49 58 123

HSL 232.7, 0.43%, 0.34%

LAB 27.04, 17.4, -38.31

 

CMYK 51 / 60 / 0 / 52

HEX #3C317B

RGB 60 49 123

HSL 248.92, 0.43%, 0.34%

LAB 25.53, 25.87, -40.71

 

CMYK 35 / 60 / 0 / 52

HEX #50317B

RGB 80 49 123

HSL 265.14, 0.43%, 0.34%

LAB 27.66, 30.76, -37.16

 

CMYK 19 / 60 / 0 / 52

HEX #64317B

RGB 100 49 123

HSL 281.35, 0.43%, 0.34%

LAB 30.24, 36.15, -32.88

 

CMYK 50 / 61 / 0 / 75

HEX #201940

RGB 32 25 64

HSL 250.77, 0.44%, 0.17%

LAB 11.77, 15.24, -23.82

 

CMYK 51 / 61 / 0 / 63

HEX #2E255E

RGB 46 37 94

HSL 249.47, 0.44%, 0.26%

LAB 18.85, 20.87, -32.81

 

CMYK 50 / 60 / 0 / 52

HEX #3D317B

RGB 61 49 123

HSL 249.73, 0.43%, 0.34%

LAB 25.62, 26.1, -40.56

 

CMYK 50 / 60 / 0 / 40

HEX #4C3D99

RGB 76 61 153

HSL 249.78, 0.43%, 0.42%

LAB 32.2, 31.38, -48.43

 

CMYK 50 / 60 / 0 / 29

HEX #5B49B6

RGB 91 73 182

HSL 249.91, 0.43%, 0.5%

LAB 38.49, 36.16, -55.53

 

CMYK 50 / 60 / 0 / 52

HEX #3D317B

RGB 61 49 123

HSL 249.73, 0.43%, 0.34%

LAB 25.62, 26.1, -40.56

 

CMYK 0 / 60 / 21 / 52

HEX #7B3161

RGB 123 49 97

HSL 321.08, 0.43%, 0.34%

LAB 32.42, 38.07, -12.71

 

CMYK 45 / 0 / 60 / 52

HEX #447B31

RGB 68 123 49

HSL 104.59, 0.43%, 0.34%

LAB 46.47, -33.05, 34.26

 

CMYK 50 / 60 / 0 / 52

HEX #3D317B

RGB 61 49 123

HSL 249.73, 0.43%, 0.34%

LAB 25.62, 26.1, -40.56

 

CMYK 0 / 51 / 60 / 52

HEX #7B3C31

RGB 123 60 49

HSL 8.92, 0.43%, 0.34%

LAB 33.27, 26.29, 19.37

 

CMYK 60 / 0 / 51 / 52

HEX #317B3C

RGB 49 123 60

HSL 128.92, 0.43%, 0.34%

LAB 45.83, -37.24, 27.59

 

CMYK 50 / 60 / 0 / 52

HEX #3D317B

RGB 61 49 123

HSL 249.73, 0.43%, 0.34%

LAB 25.62, 26.1, -40.56

 

CMYK 0 / 60 / 21 / 52

HEX #7B3161

RGB 123 49 97

HSL 321.08, 0.43%, 0.34%

LAB 32.42, 38.07, -12.71

 

CMYK 9 / 0 / 60 / 52

HEX #707B31

RGB 112 123 49

HSL 68.92, 0.43%, 0.34%

LAB 49.29, -15.38, 38.23

 

CMYK 60 / 0 / 39 / 52

HEX #317B4B

RGB 49 123 75

HSL 141.08, 0.43%, 0.34%

LAB 46.08, -34.57, 19.56

 

CMYK 50 / 60 / 0 / 52

HEX #3D317B

RGB 61 49 123

HSL 249.73, 0.43%, 0.34%

LAB 25.62, 26.1, -40.56

 

CMYK 0 / 60 / 39 / 52

HEX #7B314B

RGB 123 49 75

HSL 338.92, 0.43%, 0.34%

LAB 31.61, 34.96, 0.34

 

CMYK 9 / 0 / 60 / 52

HEX #707B31

RGB 112 123 49

HSL 68.92, 0.43%, 0.34%

LAB 49.29, -15.38, 38.23

 

CMYK 60 / 0 / 21 / 52

HEX #317B61

RGB 49 123 97

HSL 158.92, 0.43%, 0.34%

LAB 46.55, -29.66, 7.43

 

Description

Color code: HEX #3D317B | qconv.com Color code: HEX #3D317B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 49 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 49 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 60 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 60% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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