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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D3319 it is the complementary color #C2CCE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D3319. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D3319 shade: #423314, #534527, #64573A, #75694D and #867B60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D3319. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D3319 shade: #3D3319, #2C2106, #1B0F00 and #0A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D3319 shade: #3D3319, #3D2919, #3D1F19 and #3D1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D3319 shade: #3D3319, #3D3D19, #343D19, #2A3D19 and #203D19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D3319 shade matches the following richer shades: #3D3319, #443612, #4B390B and #523C04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D3319 shade: #3D3319, #363020, #2F2D27, #282A2E and #212635

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D3319 shade: #3D1F19, #3D2919, #3D3319, #3D3C19 and #343D19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D3319 shade: #020201, #201A0D, #3D3319, #5A4B25 and #786431

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D3319 shade: #3D3319, #1C3D19 and #24193D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D3319 shade: #3D3319, #193D33 and #33193D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D3319 shade: #3D3319, #1C3D19, #19233D and #3A193D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D3319 shade: #3D3319, #193D21, #19233D and #3D1935

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 59 / 76

HEX #3D3319

RGB 61 51 25

HSL 43.33, 0.42%, 0.17%

LAB 21.69, 0.39, 18.03

 

Complementary color

CMYK 16 / 11 / 0 / 10

HEX #C2CCE6

RGB 194 204 230

HSL 223.33, 0.42%, 0.83%

LAB 82.04, 1.82, -14

 

CMYK 0 / 23 / 70 / 74

HEX #423314

RGB 66 51 20

HSL 40.43, 0.53%, 0.17%

LAB 22.22, 2.51, 21.83

 

CMYK 0 / 17 / 53 / 67

HEX #534527

RGB 83 69 39

HSL 40.91, 0.36%, 0.24%

LAB 30.01, 1.43, 20.27

 

CMYK 0 / 13 / 42 / 61

HEX #64573A

RGB 100 87 58

HSL 41.43, 0.27%, 0.31%

LAB 37.54, 0.68, 18.81

 

CMYK 0 / 10 / 34 / 54

HEX #75694D

RGB 117 105 77

HSL 42, 0.21%, 0.38%

LAB 44.83, 0.13, 17.5

 

CMYK 0 / 8 / 28 / 47

HEX #867B60

RGB 134 123 96

HSL 42.63, 0.17%, 0.45%

LAB 51.93, -0.3, 16.32

 

CMYK 0 / 16 / 59 / 76

HEX #3D3319

RGB 61 51 25

HSL 43.33, 0.42%, 0.17%

LAB 21.69, 0.39, 18.03

 

CMYK 0 / 25 / 86 / 83

HEX #2C2106

RGB 44 33 6

HSL 42.63, 0.76%, 0.1%

LAB 13.45, 1.62, 17.43

 

CMYK 0 / 44 / 100 / 89

HEX #1B0F00

RGB 27 15 0

HSL 33.33, 1%, 0.05%

LAB 5.19, 3.14, 7.83

 

CMYK 0 / 100 / 100 / 96

HEX #0A0000

RGB 10 0 0

HSL 0, 1%, 0.02%

LAB 0.58, 2.62, 0.92

 

CMYK 0 / 16 / 59 / 76

HEX #3D3319

RGB 61 51 25

HSL 43.33, 0.42%, 0.17%

LAB 21.69, 0.39, 18.03

 

CMYK 0 / 33 / 59 / 76

HEX #3D2919

RGB 61 41 25

HSL 26.67, 0.42%, 0.17%

LAB 18.58, 7.08, 14.16

 

CMYK 0 / 49 / 59 / 76

HEX #3D1F19

RGB 61 31 25

HSL 10, 0.42%, 0.17%

LAB 15.71, 13.79, 10.44

 

CMYK 0 / 59 / 59 / 76

HEX #3D1919

RGB 61 25 25

HSL 0, 0.42%, 0.17%

LAB 14.16, 17.65, 8.38

 

CMYK 0 / 16 / 59 / 76

HEX #3D3319

RGB 61 51 25

HSL 43.33, 0.42%, 0.17%

LAB 21.69, 0.39, 18.03

 

CMYK 0 / 0 / 59 / 76

HEX #3D3D19

RGB 61 61 25

HSL 60, 0.42%, 0.17%

LAB 24.95, -6.02, 21.92

 

CMYK 15 / 0 / 59 / 76

HEX #343D19

RGB 52 61 25

HSL 75, 0.42%, 0.17%

LAB 24.12, -10.48, 20.74

 

CMYK 31 / 0 / 59 / 76

HEX #2A3D19

RGB 42 61 25

HSL 91.67, 0.42%, 0.17%

LAB 23.34, -15.15, 19.61

 

CMYK 48 / 0 / 59 / 76

HEX #203D19

RGB 32 61 25

HSL 108.33, 0.42%, 0.17%

LAB 22.71, -19.34, 18.7

 

CMYK 0 / 16 / 59 / 76

HEX #3D3319

RGB 61 51 25

HSL 43.33, 0.42%, 0.17%

LAB 21.69, 0.39, 18.03

 

CMYK 0 / 21 / 74 / 73

HEX #443612

RGB 68 54 18

HSL 43.2, 0.58%, 0.17%

LAB 23.37, 1.43, 24.31

 

CMYK 0 / 24 / 85 / 71

HEX #4B390B

RGB 75 57 11

HSL 43.13, 0.74%, 0.17%

LAB 25.1, 2.74, 29.8

 

CMYK 0 / 27 / 95 / 68

HEX #523C04

RGB 82 60 4

HSL 43.08, 0.91%, 0.17%

LAB 26.83, 4.18, 34.58

 

CMYK 0 / 16 / 59 / 76

HEX #3D3319

RGB 61 51 25

HSL 43.33, 0.42%, 0.17%

LAB 21.69, 0.39, 18.03

 

CMYK 0 / 11 / 41 / 79

HEX #363020

RGB 54 48 32

HSL 43.64, 0.26%, 0.17%

LAB 20.05, -0.27, 11.25

 

CMYK 0 / 4 / 17 / 82

HEX #2F2D27

RGB 47 45 39

HSL 45, 0.09%, 0.17%

LAB 18.49, -0.41, 4.2

 

CMYK 13 / 9 / 0 / 82

HEX #282A2E

RGB 40 42 46

HSL 220, 0.07%, 0.17%

LAB 17.01, 0.13, -2.91

 

CMYK 38 / 28 / 0 / 79

HEX #212635

RGB 33 38 53

HSL 225, 0.23%, 0.17%

LAB 15.31, 2.22, -10.47

 

CMYK 0 / 49 / 59 / 76

HEX #3D1F19

RGB 61 31 25

HSL 10, 0.42%, 0.17%

LAB 15.71, 13.79, 10.44

 

CMYK 0 / 33 / 59 / 76

HEX #3D2919

RGB 61 41 25

HSL 26.67, 0.42%, 0.17%

LAB 18.58, 7.08, 14.16

 

CMYK 0 / 16 / 59 / 76

HEX #3D3319

RGB 61 51 25

HSL 43.33, 0.42%, 0.17%

LAB 21.69, 0.39, 18.03

 

CMYK 0 / 2 / 59 / 76

HEX #3D3C19

RGB 61 60 25

HSL 58.33, 0.42%, 0.17%

LAB 24.62, -5.39, 21.54

 

CMYK 15 / 0 / 59 / 76

HEX #343D19

RGB 52 61 25

HSL 75, 0.42%, 0.17%

LAB 24.12, -10.48, 20.74

 

CMYK 0 / 0 / 50 / 99

HEX #020201

RGB 2 2 1

HSL 60, 0.33%, 0.01%

LAB 0.53, -0.14, 0.38

 

CMYK 0 / 19 / 59 / 87

HEX #201A0D

RGB 32 26 13

HSL 41.05, 0.42%, 0.09%

LAB 9.6, 0.57, 8.92

 

CMYK 0 / 16 / 59 / 76

HEX #3D3319

RGB 61 51 25

HSL 43.33, 0.42%, 0.17%

LAB 21.69, 0.39, 18.03

 

CMYK 0 / 17 / 59 / 65

HEX #5A4B25

RGB 90 75 37

HSL 43.02, 0.42%, 0.25%

LAB 32.57, 0.9, 24.74

 

CMYK 0 / 17 / 59 / 53

HEX #786431

RGB 120 100 49

HSL 43.1, 0.42%, 0.33%

LAB 43.26, 1.26, 31.51

 

CMYK 0 / 16 / 59 / 76

HEX #3D3319

RGB 61 51 25

HSL 43.33, 0.42%, 0.17%

LAB 21.69, 0.39, 18.03

 

CMYK 54 / 0 / 59 / 76

HEX #1C3D19

RGB 28 61 25

HSL 115, 0.42%, 0.17%

LAB 22.49, -20.82, 18.4

 

CMYK 41 / 59 / 0 / 76

HEX #24193D

RGB 36 25 61

HSL 258.33, 0.42%, 0.17%

LAB 12.01, 15.4, -21.3

 

CMYK 0 / 16 / 59 / 76

HEX #3D3319

RGB 61 51 25

HSL 43.33, 0.42%, 0.17%

LAB 21.69, 0.39, 18.03

 

CMYK 59 / 0 / 16 / 76

HEX #193D33

RGB 25 61 51

HSL 163.33, 0.42%, 0.17%

LAB 22.94, -15.91, 2.23

 

CMYK 16 / 59 / 0 / 76

HEX #33193D

RGB 51 25 61

HSL 283.33, 0.42%, 0.17%

LAB 14.04, 20.32, -17.95

 

CMYK 0 / 16 / 59 / 76

HEX #3D3319

RGB 61 51 25

HSL 43.33, 0.42%, 0.17%

LAB 21.69, 0.39, 18.03

 

CMYK 54 / 0 / 59 / 76

HEX #1C3D19

RGB 28 61 25

HSL 115, 0.42%, 0.17%

LAB 22.49, -20.82, 18.4

 

CMYK 59 / 43 / 0 / 76

HEX #19233D

RGB 25 35 61

HSL 223.33, 0.42%, 0.17%

LAB 14.09, 4.65, -18.05

 

CMYK 5 / 59 / 0 / 76

HEX #3A193D

RGB 58 25 61

HSL 295, 0.42%, 0.17%

LAB 15.12, 22.7, -16.16

 

CMYK 0 / 16 / 59 / 76

HEX #3D3319

RGB 61 51 25

HSL 43.33, 0.42%, 0.17%

LAB 21.69, 0.39, 18.03

 

CMYK 59 / 0 / 46 / 76

HEX #193D21

RGB 25 61 33

HSL 133.33, 0.42%, 0.17%

LAB 22.49, -20.38, 13.42

 

CMYK 59 / 43 / 0 / 76

HEX #19233D

RGB 25 35 61

HSL 223.33, 0.42%, 0.17%

LAB 14.09, 4.65, -18.05

 

CMYK 0 / 59 / 13 / 76

HEX #3D1935

RGB 61 25 53

HSL 313.33, 0.42%, 0.17%

LAB 15.19, 22.05, -10.35

 

Description

Color code: HEX #3D3319 | qconv.com Color code: HEX #3D3319 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 51 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 51 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 59 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 59% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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