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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D497E it is the complementary color #C2B681. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D497E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D497E shade: #424979, #535B8C, #646D9F, #757FB2 and #8691C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D497E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D497E shade: #3D497E, #2C376B, #1B2558, #0A1345 and #000132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D497E shade: #3D497F, #423D7F, #543D7F, #663D7F and #783D7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D497E shade: #3D497F and #3D3D7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D497E shade matches the following richer shades: #3D497F, #2E3F8E, #1E369D, #0F2CAD and #0023BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D497E shade: #3D497F, #4C5370, #5B5C60, #6B6651 and #7A7042

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D497E shade: #3D6D7F, #3D5C7F, #3D4A7F, #413D7F and #533D7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D497E shade: #222947, #2F3963, #3D497F, #4A599B and #5D6DB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D497E shade: #3D497E, #7F3D7F and #647F3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D497E shade: #3D497E, #7F3D4A and #4A7F3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D497E shade: #3D497E, #7F3D7F, #7F723D and #3D7F3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D497E shade: #3D497E, #7F3D6B, #7F723D and #3D7F51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 42 / 0 / 51

HEX #3D497E

RGB 61 73 126

HSL 228.92, 0.35%, 0.37%

LAB 32.4, 11.17, -31.58

 

Complementary color

CMYK 0 / 6 / 34 / 24

HEX #C2B681

RGB 194 182 129

HSL 48.92, 0.35%, 0.63%

LAB 73.88, -3.74, 28.56

 

CMYK 45 / 40 / 0 / 53

HEX #424979

RGB 66 73 121

HSL 232.36, 0.29%, 0.37%

LAB 32.49, 10.85, -28.3

 

CMYK 41 / 35 / 0 / 45

HEX #535B8C

RGB 83 91 140

HSL 231.58, 0.26%, 0.44%

LAB 39.94, 10.01, -28.17

 

CMYK 37 / 31 / 0 / 38

HEX #646D9F

RGB 100 109 159

HSL 230.85, 0.24%, 0.51%

LAB 47.17, 9.33, -28.12

 

CMYK 34 / 29 / 0 / 30

HEX #757FB2

RGB 117 127 178

HSL 230.16, 0.28%, 0.58%

LAB 54.21, 8.76, -28.13

 

CMYK 32 / 26 / 0 / 23

HEX #8691C5

RGB 134 145 197

HSL 229.52, 0.35%, 0.65%

LAB 61.09, 8.28, -28.19

 

CMYK 52 / 42 / 0 / 51

HEX #3D497E

RGB 61 73 126

HSL 228.92, 0.35%, 0.37%

LAB 32.4, 11.17, -31.58

 

CMYK 59 / 49 / 0 / 58

HEX #2C376B

RGB 44 55 107

HSL 229.52, 0.42%, 0.3%

LAB 24.73, 12.51, -31.86

 

CMYK 69 / 58 / 0 / 65

HEX #1B2558

RGB 27 37 88

HSL 230.16, 0.53%, 0.23%

LAB 16.8, 14.41, -32.21

 

CMYK 86 / 72 / 0 / 73

HEX #0A1345

RGB 10 19 69

HSL 230.85, 0.75%, 0.15%

LAB 8.65, 17.23, -32.49

 

CMYK 100 / 98 / 0 / 80

HEX #000132

RGB 0 1 50

HSL 238.8, 1%, 0.1%

LAB 2.28, 14.22, -29.13

 

CMYK 52 / 43 / 0 / 50

HEX #3D497F

RGB 61 73 127

HSL 229.09, 0.35%, 0.37%

LAB 32.46, 11.51, -32.11

 

CMYK 48 / 52 / 0 / 50

HEX #423D7F

RGB 66 61 127

HSL 244.55, 0.35%, 0.37%

LAB 29.48, 20.73, -36.83

 

CMYK 34 / 52 / 0 / 50

HEX #543D7F

RGB 84 61 127

HSL 260.91, 0.35%, 0.37%

LAB 31.24, 25.58, -33.92

 

CMYK 20 / 52 / 0 / 50

HEX #663D7F

RGB 102 61 127

HSL 277.27, 0.35%, 0.37%

LAB 33.34, 30.84, -30.46

 

CMYK 6 / 52 / 0 / 50

HEX #783D7F

RGB 120 61 127

HSL 293.64, 0.35%, 0.37%

LAB 35.72, 36.3, -26.55

 

CMYK 52 / 43 / 0 / 50

HEX #3D497F

RGB 61 73 127

HSL 229.09, 0.35%, 0.37%

LAB 32.46, 11.51, -32.11

 

CMYK 52 / 52 / 0 / 50

HEX #3D3D7F

RGB 61 61 127

HSL 240, 0.35%, 0.37%

LAB 29.06, 19.5, -37.53

 

CMYK 52 / 43 / 0 / 50

HEX #3D497F

RGB 61 73 127

HSL 229.09, 0.35%, 0.37%

LAB 32.46, 11.51, -32.11

 

CMYK 68 / 56 / 0 / 44

HEX #2E3F8E

RGB 46 63 142

HSL 229.38, 0.51%, 0.37%

LAB 29.64, 20.45, -45.96

 

CMYK 81 / 66 / 0 / 38

HEX #1E369D

RGB 30 54 157

HSL 228.66, 0.68%, 0.37%

LAB 27.71, 30.19, -58.32

 

CMYK 91 / 75 / 0 / 32

HEX #0F2CAD

RGB 15 44 173

HSL 228.99, 0.84%, 0.37%

LAB 26.51, 41.61, -69.99

 

CMYK 100 / 81 / 0 / 26

HEX #0023BC

RGB 0 35 188

HSL 228.83, 1%, 0.37%

LAB 26.25, 51.36, -79.36

 

CMYK 52 / 43 / 0 / 50

HEX #3D497F

RGB 61 73 127

HSL 229.09, 0.35%, 0.37%

LAB 32.46, 11.51, -32.11

 

CMYK 32 / 26 / 0 / 56

HEX #4C5370

RGB 76 83 112

HSL 228.33, 0.19%, 0.37%

LAB 35.78, 4.71, -17.51

 

CMYK 5 / 4 / 0 / 62

HEX #5B5C60

RGB 91 92 96

HSL 228, 0.03%, 0.37%

LAB 39.11, 0.47, -2.43

 

CMYK 0 / 5 / 24 / 58

HEX #6B6651

RGB 107 102 81

HSL 48.46, 0.14%, 0.37%

LAB 43.1, -1.82, 12.6

 

CMYK 0 / 8 / 46 / 52

HEX #7A7042

RGB 122 112 66

HSL 49.29, 0.3%, 0.37%

LAB 47.13, -3.1, 26.91

 

CMYK 52 / 14 / 0 / 50

HEX #3D6D7F

RGB 61 109 127

HSL 196.36, 0.35%, 0.37%

LAB 43.45, -10.95, -15.01

 

CMYK 52 / 28 / 0 / 50

HEX #3D5C7F

RGB 61 92 127

HSL 211.82, 0.35%, 0.37%

LAB 38.16, -0.74, -23.15

 

CMYK 52 / 42 / 0 / 50

HEX #3D4A7F

RGB 61 74 127

HSL 228.18, 0.35%, 0.37%

LAB 32.75, 10.85, -31.65

 

CMYK 49 / 52 / 0 / 50

HEX #413D7F

RGB 65 61 127

HSL 243.64, 0.35%, 0.37%

LAB 29.4, 20.48, -36.97

 

CMYK 35 / 52 / 0 / 50

HEX #533D7F

RGB 83 61 127

HSL 260, 0.35%, 0.37%

LAB 31.13, 25.29, -34.1

 

CMYK 52 / 42 / 0 / 72

HEX #222947

RGB 34 41 71

HSL 228.65, 0.35%, 0.21%

LAB 17.37, 6.62, -19.75

 

CMYK 53 / 42 / 0 / 61

HEX #2F3963

RGB 47 57 99

HSL 228.46, 0.36%, 0.29%

LAB 25.05, 9, -26.17

 

CMYK 52 / 43 / 0 / 50

HEX #3D497F

RGB 61 73 127

HSL 229.09, 0.35%, 0.37%

LAB 32.46, 11.51, -32.11

 

CMYK 52 / 43 / 0 / 39

HEX #4A599B

RGB 74 89 155

HSL 228.89, 0.35%, 0.45%

LAB 39.53, 13.66, -37.9

 

CMYK 47 / 38 / 0 / 31

HEX #5D6DB1

RGB 93 109 177

HSL 228.57, 0.35%, 0.53%

LAB 47.54, 12.8, -38.11

 

CMYK 52 / 42 / 0 / 51

HEX #3D497E

RGB 61 73 126

HSL 228.92, 0.35%, 0.37%

LAB 32.4, 11.17, -31.58

 

CMYK 0 / 52 / 0 / 50

HEX #7F3D7F

RGB 127 61 127

HSL 300, 0.35%, 0.37%

LAB 36.71, 38.44, -24.93

 

CMYK 21 / 0 / 52 / 50

HEX #647F3D

RGB 100 127 61

HSL 84.55, 0.35%, 0.37%

LAB 49.77, -21.41, 32.47

 

CMYK 52 / 42 / 0 / 51

HEX #3D497E

RGB 61 73 126

HSL 228.92, 0.35%, 0.37%

LAB 32.4, 11.17, -31.58

 

CMYK 0 / 52 / 42 / 50

HEX #7F3D4A

RGB 127 61 74

HSL 348.18, 0.35%, 0.37%

LAB 34.69, 29.93, 5.5

 

CMYK 42 / 0 / 52 / 50

HEX #4A7F3D

RGB 74 127 61

HSL 108.18, 0.35%, 0.37%

LAB 48.22, -31.29, 30.24

 

CMYK 52 / 42 / 0 / 51

HEX #3D497E

RGB 61 73 126

HSL 228.92, 0.35%, 0.37%

LAB 32.4, 11.17, -31.58

 

CMYK 0 / 52 / 0 / 50

HEX #7F3D7F

RGB 127 61 127

HSL 300, 0.35%, 0.37%

LAB 36.71, 38.44, -24.93

 

CMYK 0 / 10 / 52 / 50

HEX #7F723D

RGB 127 114 61

HSL 48.18, 0.35%, 0.37%

LAB 48.11, -2.52, 30.99

 

CMYK 52 / 0 / 52 / 50

HEX #3D7F3D

RGB 61 127 61

HSL 120, 0.35%, 0.37%

LAB 47.63, -35.47, 29.38

 

CMYK 52 / 42 / 0 / 51

HEX #3D497E

RGB 61 73 126

HSL 228.92, 0.35%, 0.37%

LAB 32.4, 11.17, -31.58

 

CMYK 0 / 52 / 16 / 50

HEX #7F3D6B

RGB 127 61 107

HSL 318.18, 0.35%, 0.37%

LAB 35.81, 34.78, -13.83

 

CMYK 0 / 10 / 52 / 50

HEX #7F723D

RGB 127 114 61

HSL 48.18, 0.35%, 0.37%

LAB 48.11, -2.52, 30.99

 

CMYK 52 / 0 / 36 / 50

HEX #3D7F51

RGB 61 127 81

HSL 138.18, 0.35%, 0.37%

LAB 47.96, -32.05, 18.74

 

Description

Color code: HEX #3D497E | qconv.com Color code: HEX #3D497E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 73 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 73 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 42 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 42% 0% 51% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

44% - Singapore Exchange L...
Link: http://www.sgx.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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