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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D4951 it is the complementary color #C2B6AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D4951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D4951 shade: #42494C, #535B5F, #646D72, #757F85 and #869198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D4951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D4951 shade: #3D4951, #2C373E, #1B252B, #0A1318 and #000105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D4951 shade: #3D4951, #3D4451, #3D3E51, #413D51 and #463D51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D4951 shade: #3D4951, #3D4451, #3D3E51 and #3D3D51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D4951 shade matches the following richer shades: #3D4951, #314B5C, #264E68, #1A5074 and #0F527F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D4951 shade: #3D4951, #484745, #54443A, #60422E and #6B4023

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D4951 shade: #3D514E, #3D4E51, #3D4951, #3D4451 and #3D3E51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D4951 shade: #191E22, #2B3439, #3D4951, #4F5E68 and #607380

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D4951 shade: #3D4951, #493D51 and #51513D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D4951 shade: #3D4951, #513D49 and #49513D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D4951 shade: #3D4951, #493D51, #51453D and #45513D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D4951 shade: #3D4951, #4F3D51, #51453D and #3F513D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 10 / 0 / 68

HEX #3D4951

RGB 61 73 81

HSL 204, 0.14%, 0.28%

LAB 30.28, -2.73, -6.36

 

Complementary color

CMYK 0 / 6 / 10 / 24

HEX #C2B6AE

RGB 194 182 174

HSL 24, 0.14%, 0.72%

LAB 74.81, 2.87, 5.59

 

CMYK 13 / 4 / 0 / 70

HEX #42494C

RGB 66 73 76

HSL 198, 0.07%, 0.28%

LAB 30.51, -2.12, -2.76

 

CMYK 13 / 4 / 0 / 63

HEX #535B5F

RGB 83 91 95

HSL 200, 0.07%, 0.35%

LAB 38.11, -2.2, -3.37

 

CMYK 12 / 4 / 0 / 55

HEX #646D72

RGB 100 109 114

HSL 201.43, 0.07%, 0.42%

LAB 45.44, -2.29, -3.96

 

CMYK 12 / 5 / 0 / 48

HEX #757F85

RGB 117 127 133

HSL 202.5, 0.06%, 0.49%

LAB 52.57, -2.39, -4.52

 

CMYK 12 / 5 / 0 / 40

HEX #869198

RGB 134 145 152

HSL 203.33, 0.08%, 0.56%

LAB 59.51, -2.48, -5.06

 

CMYK 25 / 10 / 0 / 68

HEX #3D4951

RGB 61 73 81

HSL 204, 0.14%, 0.28%

LAB 30.28, -2.73, -6.36

 

CMYK 29 / 11 / 0 / 76

HEX #2C373E

RGB 44 55 62

HSL 203.33, 0.17%, 0.21%

LAB 22.36, -2.64, -5.88

 

CMYK 37 / 14 / 0 / 83

HEX #1B252B

RGB 27 37 43

HSL 202.5, 0.23%, 0.14%

LAB 14, -2.55, -5.4

 

CMYK 58 / 21 / 0 / 91

HEX #0A1318

RGB 10 19 24

HSL 201.43, 0.41%, 0.07%

LAB 5.39, -1.79, -4.33

 

CMYK 100 / 80 / 0 / 98

HEX #000105

RGB 0 1 5

HSL 228, 1%, 0.01%

LAB 0.3, 0.29, -1.61

 

CMYK 25 / 10 / 0 / 68

HEX #3D4951

RGB 61 73 81

HSL 204, 0.14%, 0.28%

LAB 30.28, -2.73, -6.36

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 25 / 23 / 0 / 68

HEX #3D3E51

RGB 61 62 81

HSL 237, 0.14%, 0.28%

LAB 26.82, 4.4, -11.59

 

CMYK 20 / 25 / 0 / 68

HEX #413D51

RGB 65 61 81

HSL 252, 0.14%, 0.28%

LAB 26.89, 6.55, -11.46

 

CMYK 14 / 25 / 0 / 68

HEX #463D51

RGB 70 61 81

HSL 267, 0.14%, 0.28%

LAB 27.39, 8.45, -10.65

 

CMYK 25 / 10 / 0 / 68

HEX #3D4951

RGB 61 73 81

HSL 204, 0.14%, 0.28%

LAB 30.28, -2.73, -6.36

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 25 / 23 / 0 / 68

HEX #3D3E51

RGB 61 62 81

HSL 237, 0.14%, 0.28%

LAB 26.82, 4.4, -11.59

 

CMYK 25 / 25 / 0 / 68

HEX #3D3D51

RGB 61 61 81

HSL 240, 0.14%, 0.28%

LAB 26.52, 5.06, -12.06

 

CMYK 25 / 10 / 0 / 68

HEX #3D4951

RGB 61 73 81

HSL 204, 0.14%, 0.28%

LAB 30.28, -2.73, -6.36

 

CMYK 47 / 18 / 0 / 64

HEX #314B5C

RGB 49 75 92

HSL 203.72, 0.3%, 0.28%

LAB 30.54, -4.72, -13.11

 

CMYK 63 / 25 / 0 / 59

HEX #264E68

RGB 38 78 104

HSL 203.64, 0.46%, 0.28%

LAB 31.49, -5.35, -19.32

 

CMYK 78 / 31 / 0 / 55

HEX #1A5074

RGB 26 80 116

HSL 204, 0.63%, 0.28%

LAB 32.3, -4.27, -25.63

 

CMYK 88 / 35 / 0 / 50

HEX #0F527F

RGB 15 82 127

HSL 204.11, 0.79%, 0.28%

LAB 33.28, -2.39, -30.93

 

CMYK 25 / 10 / 0 / 68

HEX #3D4951

RGB 61 73 81

HSL 204, 0.14%, 0.28%

LAB 30.28, -2.73, -6.36

 

CMYK 0 / 1 / 4 / 72

HEX #484745

RGB 72 71 69

HSL 40, 0.02%, 0.28%

LAB 30.19, -0.01, 1.34

 

CMYK 0 / 19 / 31 / 67

HEX #54443A

RGB 84 68 58

HSL 23.08, 0.18%, 0.28%

LAB 30.22, 5.12, 8.63

 

CMYK 0 / 31 / 52 / 62

HEX #60422E

RGB 96 66 46

HSL 24, 0.35%, 0.28%

LAB 30.83, 10.33, 17.32

 

CMYK 0 / 40 / 67 / 58

HEX #6B4023

RGB 107 64 35

HSL 24.17, 0.51%, 0.28%

LAB 31.61, 15.72, 25.3

 

CMYK 25 / 0 / 4 / 68

HEX #3D514E

RGB 61 81 78

HSL 171, 0.14%, 0.28%

LAB 32.76, -8.44, -0.77

 

CMYK 25 / 4 / 0 / 68

HEX #3D4E51

RGB 61 78 81

HSL 189, 0.14%, 0.28%

LAB 31.89, -5.85, -3.97

 

CMYK 25 / 10 / 0 / 68

HEX #3D4951

RGB 61 73 81

HSL 204, 0.14%, 0.28%

LAB 30.28, -2.73, -6.36

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 25 / 23 / 0 / 68

HEX #3D3E51

RGB 61 62 81

HSL 237, 0.14%, 0.28%

LAB 26.82, 4.4, -11.59

 

CMYK 26 / 12 / 0 / 87

HEX #191E22

RGB 25 30 34

HSL 206.67, 0.15%, 0.12%

LAB 10.93, -1.15, -3.5

 

CMYK 25 / 9 / 0 / 78

HEX #2B3439

RGB 43 52 57

HSL 201.43, 0.14%, 0.2%

LAB 21.08, -2.45, -4.42

 

CMYK 25 / 10 / 0 / 68

HEX #3D4951

RGB 61 73 81

HSL 204, 0.14%, 0.28%

LAB 30.28, -2.73, -6.36

 

CMYK 24 / 10 / 0 / 59

HEX #4F5E68

RGB 79 94 104

HSL 204, 0.14%, 0.36%

LAB 39.01, -3.26, -7.62

 

CMYK 25 / 10 / 0 / 50

HEX #607380

RGB 96 115 128

HSL 204.38, 0.14%, 0.44%

LAB 47.37, -3.86, -9.48

 

CMYK 25 / 10 / 0 / 68

HEX #3D4951

RGB 61 73 81

HSL 204, 0.14%, 0.28%

LAB 30.28, -2.73, -6.36

 

CMYK 10 / 25 / 0 / 68

HEX #493D51

RGB 73 61 81

HSL 276, 0.14%, 0.28%

LAB 27.7, 9.61, -10.14

 

CMYK 0 / 0 / 25 / 68

HEX #51513D

RGB 81 81 61

HSL 60, 0.14%, 0.28%

LAB 33.92, -3.84, 11.81

 

CMYK 25 / 10 / 0 / 68

HEX #3D4951

RGB 61 73 81

HSL 204, 0.14%, 0.28%

LAB 30.28, -2.73, -6.36

 

CMYK 0 / 25 / 10 / 68

HEX #513D49

RGB 81 61 73

HSL 324, 0.14%, 0.28%

LAB 28.29, 11.05, -3.93

 

CMYK 10 / 0 / 25 / 68

HEX #49513D

RGB 73 81 61

HSL 84, 0.14%, 0.28%

LAB 33.22, -7.34, 10.73

 

CMYK 25 / 10 / 0 / 68

HEX #3D4951

RGB 61 73 81

HSL 204, 0.14%, 0.28%

LAB 30.28, -2.73, -6.36

 

CMYK 10 / 25 / 0 / 68

HEX #493D51

RGB 73 61 81

HSL 276, 0.14%, 0.28%

LAB 27.7, 9.61, -10.14

 

CMYK 0 / 15 / 25 / 68

HEX #51453D

RGB 81 69 61

HSL 24, 0.14%, 0.28%

LAB 30.26, 3.63, 6.72

 

CMYK 15 / 0 / 25 / 68

HEX #45513D

RGB 69 81 61

HSL 96, 0.14%, 0.28%

LAB 32.89, -9.04, 10.22

 

CMYK 25 / 10 / 0 / 68

HEX #3D4951

RGB 61 73 81

HSL 204, 0.14%, 0.28%

LAB 30.28, -2.73, -6.36

 

CMYK 2 / 25 / 0 / 68

HEX #4F3D51

RGB 79 61 81

HSL 294, 0.14%, 0.28%

LAB 28.36, 11.96, -9.08

 

CMYK 0 / 15 / 25 / 68

HEX #51453D

RGB 81 69 61

HSL 24, 0.14%, 0.28%

LAB 30.26, 3.63, 6.72

 

CMYK 22 / 0 / 25 / 68

HEX #3F513D

RGB 63 81 61

HSL 114, 0.14%, 0.28%

LAB 32.43, -11.52, 9.52

 

Description

Color code: HEX #3D4951 | qconv.com Color code: HEX #3D4951 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 73 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 73 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 10 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 10% 0% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - MobAlien - Extraterr...
Link: http://mobalien.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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