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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D5411 it is the complementary color #C2ABEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D5411. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D5411 shade: #42540C, #53661F, #647832, #758A45 and #869C58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D5411. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D5411 shade: #3D5411, #2C4200, #1B3000, #0A1E00 and #000C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D5411 shade: #3D5411, #4F5411, #544711, #543511 and #542311

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D5411 shade: #3D5411, #2B5411, #195411, #11541B and #11542D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D5411 shade matches the following richer shades: #3D5411, #405C09 and #426500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D5411 shade: #3D5411, #3A4C19, #384421, #353B2A and #333332

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D5411 shade: #544711, #505411, #3E5411, #2C5411 and #1A5411

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D5411 shade: #0B1003, #24320A, #3D5411, #567618 and #6F991F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D5411 shade: #3D5411, #115435 and #501154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D5411 shade: #3D5411, #113E54 and #54113E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D5411 shade: #3D5411, #115435, #271154 and #541130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D5411 shade: #3D5411, #115449, #271154 and #54111C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 80 / 67

HEX #3D5411

RGB 61 84 17

HSL 80.6, 0.66%, 0.2%

LAB 32.64, -19.9, 34.08

 

Complementary color

CMYK 18 / 28 / 0 / 7

HEX #C2ABEE

RGB 194 171 238

HSL 260.6, 0.66%, 0.8%

LAB 74.04, 21.47, -30.46

 

CMYK 21 / 0 / 86 / 67

HEX #42540C

RGB 66 84 12

HSL 75, 0.75%, 0.19%

LAB 32.97, -17.9, 36.37

 

CMYK 19 / 0 / 70 / 60

HEX #53661F

RGB 83 102 31

HSL 76.06, 0.53%, 0.26%

LAB 40.31, -18.56, 36.33

 

CMYK 17 / 0 / 58 / 53

HEX #647832

RGB 100 120 50

HSL 77.14, 0.41%, 0.33%

LAB 47.46, -18.94, 35.41

 

CMYK 15 / 0 / 50 / 46

HEX #758A45

RGB 117 138 69

HSL 78.26, 0.33%, 0.41%

LAB 54.44, -19.17, 34.23

 

CMYK 14 / 0 / 44 / 39

HEX #869C58

RGB 134 156 88

HSL 79.41, 0.28%, 0.48%

LAB 61.26, -19.3, 33

 

CMYK 27 / 0 / 80 / 67

HEX #3D5411

RGB 61 84 17

HSL 80.6, 0.66%, 0.2%

LAB 32.64, -19.9, 34.08

 

CMYK 33 / 0 / 100 / 74

HEX #2C4200

RGB 44 66 0

HSL 80, 1%, 0.13%

LAB 25.05, -19.16, 33.21

 

CMYK 44 / 0 / 100 / 81

HEX #1B3000

RGB 27 48 0

HSL 86.25, 1%, 0.09%

LAB 17.21, -17.49, 24.33

 

CMYK 67 / 0 / 100 / 88

HEX #0A1E00

RGB 10 30 0

HSL 100, 1%, 0.06%

LAB 8.93, -14.36, 13.11

 

CMYK 100 / 0 / 100 / 95

HEX #000C00

RGB 0 12 0

HSL 120, 1%, 0.02%

LAB 2.38, -4.85, 3.47

 

CMYK 27 / 0 / 80 / 67

HEX #3D5411

RGB 61 84 17

HSL 80.6, 0.66%, 0.2%

LAB 32.64, -19.9, 34.08

 

CMYK 6 / 0 / 80 / 67

HEX #4F5411

RGB 79 84 17

HSL 64.48, 0.66%, 0.2%

LAB 34.07, -11.41, 35.95

 

CMYK 0 / 15 / 80 / 67

HEX #544711

RGB 84 71 17

HSL 48.36, 0.66%, 0.2%

LAB 30.48, -1.13, 32.67

 

CMYK 0 / 37 / 80 / 67

HEX #543511

RGB 84 53 17

HSL 32.24, 0.66%, 0.2%

LAB 25.17, 10.26, 27.38

 

CMYK 0 / 58 / 80 / 67

HEX #542311

RGB 84 35 17

HSL 16.12, 0.66%, 0.2%

LAB 20.55, 21.43, 22.49

 

CMYK 27 / 0 / 80 / 67

HEX #3D5411

RGB 61 84 17

HSL 80.6, 0.66%, 0.2%

LAB 32.64, -19.9, 34.08

 

CMYK 49 / 0 / 80 / 67

HEX #2B5411

RGB 43 84 17

HSL 96.72, 0.66%, 0.2%

LAB 31.57, -27.31, 32.66

 

CMYK 70 / 0 / 80 / 67

HEX #195411

RGB 25 84 17

HSL 112.84, 0.66%, 0.2%

LAB 30.85, -32.9, 31.7

 

CMYK 80 / 0 / 68 / 67

HEX #11541B

RGB 17 84 27

HSL 128.96, 0.66%, 0.2%

LAB 30.73, -33.53, 26.86

 

CMYK 80 / 0 / 46 / 67

HEX #11542D

RGB 17 84 45

HSL 145.07, 0.66%, 0.2%

LAB 30.99, -30.47, 17.06

 

CMYK 27 / 0 / 80 / 67

HEX #3D5411

RGB 61 84 17

HSL 80.6, 0.66%, 0.2%

LAB 32.64, -19.9, 34.08

 

CMYK 30 / 0 / 90 / 64

HEX #405C09

RGB 64 92 9

HSL 80.24, 0.82%, 0.2%

LAB 35.53, -23.11, 39.5

 

CMYK 35 / 0 / 100 / 60

HEX #426500

RGB 66 101 0

HSL 80.79, 1%, 0.2%

LAB 38.67, -27.04, 44.69

 

CMYK 27 / 0 / 80 / 67

HEX #3D5411

RGB 61 84 17

HSL 80.6, 0.66%, 0.2%

LAB 32.64, -19.9, 34.08

 

CMYK 24 / 0 / 67 / 70

HEX #3A4C19

RGB 58 76 25

HSL 81.18, 0.5%, 0.2%

LAB 29.76, -16.29, 27.32

 

CMYK 18 / 0 / 51 / 73

HEX #384421

RGB 56 68 33

HSL 80.57, 0.35%, 0.2%

LAB 26.98, -11.72, 19.53

 

CMYK 10 / 0 / 29 / 77

HEX #353B2A

RGB 53 59 42

HSL 81.18, 0.17%, 0.2%

LAB 23.84, -6.18, 9.73

 

CMYK 0 / 0 / 2 / 80

HEX #333332

RGB 51 51 50

HSL 60, 0.01%, 0.2%

LAB 21.21, -0.23, 0.63

 

CMYK 0 / 15 / 80 / 67

HEX #544711

RGB 84 71 17

HSL 48.36, 0.66%, 0.2%

LAB 30.48, -1.13, 32.67

 

CMYK 5 / 0 / 80 / 67

HEX #505411

RGB 80 84 17

HSL 63.58, 0.66%, 0.2%

LAB 34.16, -10.92, 36.07

 

CMYK 26 / 0 / 80 / 67

HEX #3E5411

RGB 62 84 17

HSL 79.7, 0.66%, 0.2%

LAB 32.71, -19.45, 34.17

 

CMYK 48 / 0 / 80 / 67

HEX #2C5411

RGB 44 84 17

HSL 95.82, 0.66%, 0.2%

LAB 31.62, -26.94, 32.72

 

CMYK 69 / 0 / 80 / 67

HEX #1A5411

RGB 26 84 17

HSL 111.94, 0.66%, 0.2%

LAB 30.88, -32.65, 31.74

 

CMYK 31 / 0 / 81 / 94

HEX #0B1003

RGB 11 16 3

HSL 83.08, 0.68%, 0.04%

LAB 4.05, -3.54, 4.77

 

CMYK 28 / 0 / 80 / 80

HEX #24320A

RGB 36 50 10

HSL 81, 0.67%, 0.12%

LAB 18.71, -13.35, 22.2

 

CMYK 27 / 0 / 80 / 67

HEX #3D5411

RGB 61 84 17

HSL 80.6, 0.66%, 0.2%

LAB 32.64, -19.9, 34.08

 

CMYK 27 / 0 / 80 / 54

HEX #567618

RGB 86 118 24

HSL 80.43, 0.66%, 0.28%

LAB 45.64, -25.9, 44.5

 

CMYK 27 / 0 / 80 / 40

HEX #6F991F

RGB 111 153 31

HSL 80.66, 0.66%, 0.36%

LAB 58.28, -32.03, 54.57

 

CMYK 27 / 0 / 80 / 67

HEX #3D5411

RGB 61 84 17

HSL 80.6, 0.66%, 0.2%

LAB 32.64, -19.9, 34.08

 

CMYK 80 / 0 / 37 / 67

HEX #115435

RGB 17 84 53

HSL 152.24, 0.66%, 0.2%

LAB 31.15, -28.69, 12.4

 

CMYK 5 / 80 / 0 / 67

HEX #501154

RGB 80 17 84

HSL 296.42, 0.66%, 0.2%

LAB 19, 37.84, -25.63

 

CMYK 27 / 0 / 80 / 67

HEX #3D5411

RGB 61 84 17

HSL 80.6, 0.66%, 0.2%

LAB 32.64, -19.9, 34.08

 

CMYK 80 / 26 / 0 / 67

HEX #113E54

RGB 17 62 84

HSL 199.7, 0.66%, 0.2%

LAB 24.34, -6.67, -17.61

 

CMYK 0 / 80 / 26 / 67

HEX #54113E

RGB 84 17 62

HSL 319.7, 0.66%, 0.2%

LAB 18.51, 35.1, -11.23

 

CMYK 27 / 0 / 80 / 67

HEX #3D5411

RGB 61 84 17

HSL 80.6, 0.66%, 0.2%

LAB 32.64, -19.9, 34.08

 

CMYK 80 / 0 / 37 / 67

HEX #115435

RGB 17 84 53

HSL 152.24, 0.66%, 0.2%

LAB 31.15, -28.69, 12.4

 

CMYK 54 / 80 / 0 / 67

HEX #271154

RGB 39 17 84

HSL 259.7, 0.66%, 0.2%

LAB 12.43, 28.83, -36.57

 

CMYK 0 / 80 / 43 / 67

HEX #541130

RGB 84 17 48

HSL 332.24, 0.66%, 0.2%

LAB 17.91, 33.21, -2.25

 

CMYK 27 / 0 / 80 / 67

HEX #3D5411

RGB 61 84 17

HSL 80.6, 0.66%, 0.2%

LAB 32.64, -19.9, 34.08

 

CMYK 80 / 0 / 13 / 67

HEX #115449

RGB 17 84 73

HSL 170.15, 0.66%, 0.2%

LAB 31.67, -23.22, 0.57

 

CMYK 54 / 80 / 0 / 67

HEX #271154

RGB 39 17 84

HSL 259.7, 0.66%, 0.2%

LAB 12.43, 28.83, -36.57

 

CMYK 0 / 80 / 67 / 67

HEX #54111C

RGB 84 17 28

HSL 350.15, 0.66%, 0.2%

LAB 17.32, 31.26, 11.25

 

Description

Color code: HEX #3D5411 | qconv.com Color code: HEX #3D5411 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 84 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 84 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 80 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 80% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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