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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D5B13 it is the complementary color #C2A4EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D5B13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D5B13 shade: #425B0E, #536D21, #647F34, #759147 and #86A35A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D5B13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D5B13 shade: #3D5B13, #2C4900, #1B3700, #0A2500 and #001300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D5B13 shade: #3E5C13, #515C13, #5C5313, #5C3F13 and #5C2C13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D5B13 shade: #3E5C13, #2A5C13, #165C13, #135C24 and #135C37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D5B13 shade matches the following richer shades: #3E5C13, #3F650A and #416E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D5B13 shade: #3E5C13, #3C531C, #3B4A25, #39412E and #383837

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D5B13 shade: #5C5413, #515C13, #3E5C13, #2A5C13 and #175C13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D5B13 shade: #101805, #273A0C, #3E5C13, #557E1A and #6BA022

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D5B13 shade: #3D5B13, #135C40 and #5C135B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D5B13 shade: #3D5B13, #133E5C and #5C133E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D5B13 shade: #3D5B13, #135C40, #32135C and #5C132F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D5B13 shade: #3D5B13, #135C56, #32135C and #5C1319

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 79 / 64

HEX #3D5B13

RGB 61 91 19

HSL 85, 0.65%, 0.22%

LAB 35.05, -23.37, 35.63

 

Complementary color

CMYK 18 / 31 / 0 / 7

HEX #C2A4EC

RGB 194 164 236

HSL 265, 0.65%, 0.78%

LAB 72.28, 24.89, -32.09

 

CMYK 27 / 0 / 85 / 64

HEX #425B0E

RGB 66 91 14

HSL 79.48, 0.73%, 0.21%

LAB 35.35, -21.49, 37.87

 

CMYK 24 / 0 / 70 / 57

HEX #536D21

RGB 83 109 33

HSL 80.53, 0.54%, 0.28%

LAB 42.59, -22.06, 37.82

 

CMYK 21 / 0 / 59 / 50

HEX #647F34

RGB 100 127 52

HSL 81.6, 0.42%, 0.35%

LAB 49.66, -22.37, 36.93

 

CMYK 19 / 0 / 51 / 43

HEX #759147

RGB 117 145 71

HSL 82.7, 0.34%, 0.42%

LAB 56.57, -22.53, 35.78

 

CMYK 18 / 0 / 45 / 36

HEX #86A35A

RGB 134 163 90

HSL 83.84, 0.29%, 0.5%

LAB 63.34, -22.61, 34.56

 

CMYK 33 / 0 / 79 / 64

HEX #3D5B13

RGB 61 91 19

HSL 85, 0.65%, 0.22%

LAB 35.05, -23.37, 35.63

 

CMYK 40 / 0 / 100 / 71

HEX #2C4900

RGB 44 73 0

HSL 83.84, 1%, 0.14%

LAB 27.57, -22.73, 35.49

 

CMYK 51 / 0 / 100 / 78

HEX #1B3700

RGB 27 55 0

HSL 90.55, 1%, 0.11%

LAB 19.9, -21.04, 27.5

 

CMYK 73 / 0 / 100 / 85

HEX #0A2500

RGB 10 37 0

HSL 103.78, 1%, 0.07%

LAB 11.88, -18.96, 17.24

 

CMYK 100 / 0 / 100 / 93

HEX #001300

RGB 0 19 0

HSL 120, 1%, 0.04%

LAB 4.21, -8.59, 6.14

 

CMYK 33 / 0 / 79 / 64

HEX #3E5C13

RGB 62 92 19

HSL 84.66, 0.66%, 0.22%

LAB 35.45, -23.44, 36.05

 

CMYK 12 / 0 / 79 / 64

HEX #515C13

RGB 81 92 19

HSL 69.04, 0.66%, 0.22%

LAB 36.84, -14.85, 37.86

 

CMYK 0 / 10 / 79 / 64

HEX #5C5313

RGB 92 83 19

HSL 52.6, 0.66%, 0.22%

LAB 35.02, -4.28, 36.49

 

CMYK 0 / 32 / 79 / 64

HEX #5C3F13

RGB 92 63 19

HSL 36.16, 0.66%, 0.22%

LAB 29.1, 8.04, 30.71

 

CMYK 0 / 52 / 79 / 64

HEX #5C2C13

RGB 92 44 19

HSL 20.55, 0.66%, 0.22%

LAB 24.08, 19.85, 25.53

 

CMYK 33 / 0 / 79 / 64

HEX #3E5C13

RGB 62 92 19

HSL 84.66, 0.66%, 0.22%

LAB 35.45, -23.44, 36.05

 

CMYK 54 / 0 / 79 / 64

HEX #2A5C13

RGB 42 92 19

HSL 101.1, 0.66%, 0.22%

LAB 34.38, -31.08, 34.64

 

CMYK 76 / 0 / 79 / 64

HEX #165C13

RGB 22 92 19

HSL 117.53, 0.66%, 0.22%

LAB 33.71, -36.46, 33.75

 

CMYK 79 / 0 / 61 / 64

HEX #135C24

RGB 19 92 36

HSL 133.97, 0.66%, 0.22%

LAB 33.82, -35, 25.72

 

CMYK 79 / 0 / 40 / 64

HEX #135C37

RGB 19 92 55

HSL 149.59, 0.66%, 0.22%

LAB 34.13, -31.43, 15.19

 

CMYK 33 / 0 / 79 / 64

HEX #3E5C13

RGB 62 92 19

HSL 84.66, 0.66%, 0.22%

LAB 35.45, -23.44, 36.05

 

CMYK 38 / 0 / 90 / 60

HEX #3F650A

RGB 63 101 10

HSL 85.05, 0.82%, 0.22%

LAB 38.53, -27.88, 41.81

 

CMYK 41 / 0 / 99 / 57

HEX #416E01

RGB 65 110 1

HSL 84.77, 0.98%, 0.22%

LAB 41.65, -31.59, 46.73

 

CMYK 33 / 0 / 79 / 64

HEX #3E5C13

RGB 62 92 19

HSL 84.66, 0.66%, 0.22%

LAB 35.45, -23.44, 36.05

 

CMYK 28 / 0 / 66 / 67

HEX #3C531C

RGB 60 83 28

HSL 85.09, 0.5%, 0.22%

LAB 32.33, -18.9, 28.67

 

CMYK 20 / 0 / 50 / 71

HEX #3B4A25

RGB 59 74 37

HSL 84.32, 0.33%, 0.22%

LAB 29.31, -13.29, 20.1

 

CMYK 12 / 0 / 29 / 75

HEX #39412E

RGB 57 65 46

HSL 85.26, 0.17%, 0.22%

LAB 26.3, -7.37, 10.53

 

CMYK 0 / 0 / 2 / 78

HEX #383837

RGB 56 56 55

HSL 60, 0.01%, 0.22%

LAB 23.49, -0.23, 0.62

 

CMYK 0 / 9 / 79 / 64

HEX #5C5413

RGB 92 84 19

HSL 53.42, 0.66%, 0.22%

LAB 35.33, -4.87, 36.78

 

CMYK 12 / 0 / 79 / 64

HEX #515C13

RGB 81 92 19

HSL 69.04, 0.66%, 0.22%

LAB 36.84, -14.85, 37.86

 

CMYK 33 / 0 / 79 / 64

HEX #3E5C13

RGB 62 92 19

HSL 84.66, 0.66%, 0.22%

LAB 35.45, -23.44, 36.05

 

CMYK 54 / 0 / 79 / 64

HEX #2A5C13

RGB 42 92 19

HSL 101.1, 0.66%, 0.22%

LAB 34.38, -31.08, 34.64

 

CMYK 75 / 0 / 79 / 64

HEX #175C13

RGB 23 92 19

HSL 116.71, 0.66%, 0.22%

LAB 33.74, -36.26, 33.78

 

CMYK 33 / 0 / 79 / 91

HEX #101805

RGB 16 24 5

HSL 85.26, 0.66%, 0.06%

LAB 6.99, -6.89, 8.3

 

CMYK 33 / 0 / 79 / 77

HEX #273A0C

RGB 39 58 12

HSL 84.78, 0.66%, 0.14%

LAB 21.89, -16.29, 24.96

 

CMYK 33 / 0 / 79 / 64

HEX #3E5C13

RGB 62 92 19

HSL 84.66, 0.66%, 0.22%

LAB 35.45, -23.44, 36.05

 

CMYK 33 / 0 / 79 / 51

HEX #557E1A

RGB 85 126 26

HSL 84.6, 0.66%, 0.3%

LAB 48.17, -30.05, 46.18

 

CMYK 33 / 0 / 79 / 37

HEX #6BA022

RGB 107 160 34

HSL 85.24, 0.65%, 0.38%

LAB 60.23, -36.63, 55.35

 

CMYK 33 / 0 / 79 / 64

HEX #3D5B13

RGB 61 91 19

HSL 85, 0.65%, 0.22%

LAB 35.05, -23.37, 35.63

 

CMYK 79 / 0 / 30 / 64

HEX #135C40

RGB 19 92 64

HSL 156.99, 0.66%, 0.22%

LAB 34.32, -29.29, 9.97

 

CMYK 0 / 79 / 1 / 64

HEX #5C135B

RGB 92 19 91

HSL 300.82, 0.66%, 0.22%

LAB 21.93, 41.34, -25.52

 

CMYK 33 / 0 / 79 / 64

HEX #3D5B13

RGB 61 91 19

HSL 85, 0.65%, 0.22%

LAB 35.05, -23.37, 35.63

 

CMYK 79 / 33 / 0 / 64

HEX #133E5C

RGB 19 62 92

HSL 204.66, 0.66%, 0.22%

LAB 24.82, -3.14, -22.09

 

CMYK 0 / 79 / 33 / 64

HEX #5C133E

RGB 92 19 62

HSL 324.66, 0.66%, 0.22%

LAB 20.4, 36.7, -8.21

 

CMYK 33 / 0 / 79 / 64

HEX #3D5B13

RGB 61 91 19

HSL 85, 0.65%, 0.22%

LAB 35.05, -23.37, 35.63

 

CMYK 79 / 0 / 30 / 64

HEX #135C40

RGB 19 92 64

HSL 156.99, 0.66%, 0.22%

LAB 34.32, -29.29, 9.97

 

CMYK 46 / 79 / 0 / 64

HEX #32135C

RGB 50 19 92

HSL 265.48, 0.66%, 0.22%

LAB 15.04, 32.22, -37.64

 

CMYK 0 / 79 / 49 / 64

HEX #5C132F

RGB 92 19 47

HSL 336.99, 0.66%, 0.22%

LAB 19.83, 34.89, 1.46

 

CMYK 33 / 0 / 79 / 64

HEX #3D5B13

RGB 61 91 19

HSL 85, 0.65%, 0.22%

LAB 35.05, -23.37, 35.63

 

CMYK 79 / 0 / 7 / 64

HEX #135C56

RGB 19 92 86

HSL 175.07, 0.66%, 0.22%

LAB 34.93, -22.97, -2.82

 

CMYK 46 / 79 / 0 / 64

HEX #32135C

RGB 50 19 92

HSL 265.48, 0.66%, 0.22%

LAB 15.04, 32.22, -37.64

 

CMYK 0 / 79 / 73 / 64

HEX #5C1319

RGB 92 19 25

HSL 355.07, 0.66%, 0.22%

LAB 19.27, 33.06, 16.2

 

Description

Color code: HEX #3D5B13 | qconv.com Color code: HEX #3D5B13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 91 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 91 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 79 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 79% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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