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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D5DAC it is the complementary color #C2A253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D5DAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D5DAC shade: #425DA7, #536FBA, #6481CD, #7593E0 and #86A5F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D5DAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D5DAC shade: #3D5DAC, #2C4B99, #1B3986, #0A2773 and #001560

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D5DAC shade: #3C5DAD, #3C3FAD, #593CAD, #773CAD and #953CAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D5DAC shade: #3C5DAD, #3C3FAD and #3C3CAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D5DAC shade matches the following richer shades: #3C5DAD, #2A55C0, #174DD3 and #0445E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D5DAC shade: #3C5DAD, #4F659A, #626D87, #757574 and #887D61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D5DAC shade: #3C9AAD, #3C7CAD, #3C5EAD, #3C40AD and #573CAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D5DAC shade: #273C70, #324D8F, #3C5DAD, #5172C2 and #708ACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D5DAC shade: #3D5DAC, #A23CAD and #8BAD3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D5DAC shade: #3D5DAC, #AD3C5E and #5EAD3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D5DAC shade: #3D5DAC, #A23CAD, #AD8B3C and #48AD3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D5DAC shade: #3D5DAC, #AD3C97, #AD8B3C and #3CAD53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 46 / 0 / 33

HEX #3D5DAC

RGB 61 93 172

HSL 222.7, 0.48%, 0.46%

LAB 40.9, 14.25, -45.87

 

Complementary color

CMYK 0 / 16 / 57 / 24

HEX #C2A253

RGB 194 162 83

HSL 42.7, 0.48%, 0.54%

LAB 67.97, 2.24, 44.88

 

CMYK 60 / 44 / 0 / 35

HEX #425DA7

RGB 66 93 167

HSL 223.96, 0.43%, 0.46%

LAB 40.86, 13.43, -42.95

 

CMYK 55 / 40 / 0 / 27

HEX #536FBA

RGB 83 111 186

HSL 223.69, 0.43%, 0.53%

LAB 47.95, 12.1, -42.73

 

CMYK 51 / 37 / 0 / 20

HEX #6481CD

RGB 100 129 205

HSL 223.43, 0.51%, 0.6%

LAB 54.88, 11.04, -42.56

 

CMYK 48 / 34 / 0 / 12

HEX #7593E0

RGB 117 147 224

HSL 223.18, 0.63%, 0.67%

LAB 61.68, 10.17, -42.44

 

CMYK 45 / 32 / 0 / 5

HEX #86A5F3

RGB 134 165 243

HSL 222.94, 0.82%, 0.74%

LAB 68.35, 9.43, -42.36

 

CMYK 65 / 46 / 0 / 33

HEX #3D5DAC

RGB 61 93 172

HSL 222.7, 0.48%, 0.46%

LAB 40.9, 14.25, -45.87

 

CMYK 71 / 51 / 0 / 40

HEX #2C4B99

RGB 44 75 153

HSL 222.94, 0.55%, 0.39%

LAB 33.71, 16.19, -46.11

 

CMYK 80 / 57 / 0 / 47

HEX #1B3986

RGB 27 57 134

HSL 223.18, 0.66%, 0.32%

LAB 26.39, 18.75, -46.31

 

CMYK 91 / 66 / 0 / 55

HEX #0A2773

RGB 10 39 115

HSL 223.43, 0.84%, 0.25%

LAB 19.03, 22.14, -46.33

 

CMYK 100 / 78 / 0 / 62

HEX #001560

RGB 0 21 96

HSL 226.88, 1%, 0.19%

LAB 11.83, 26.31, -45.75

 

CMYK 65 / 46 / 0 / 32

HEX #3C5DAD

RGB 60 93 173

HSL 222.48, 0.48%, 0.46%

LAB 40.91, 14.43, -46.44

 

CMYK 65 / 64 / 0 / 32

HEX #3C3FAD

RGB 60 63 173

HSL 238.41, 0.48%, 0.46%

LAB 32.99, 33.85, -59.25

 

CMYK 49 / 65 / 0 / 32

HEX #593CAD

RGB 89 60 173

HSL 255.4, 0.48%, 0.46%

LAB 34.75, 40.7, -56.28

 

CMYK 31 / 65 / 0 / 32

HEX #773CAD

RGB 119 60 173

HSL 271.33, 0.48%, 0.46%

LAB 38.15, 47.02, -50.61

 

CMYK 14 / 65 / 0 / 32

HEX #953CAD

RGB 149 60 173

HSL 287.26, 0.48%, 0.46%

LAB 42.21, 53.98, -43.87

 

CMYK 65 / 46 / 0 / 32

HEX #3C5DAD

RGB 60 93 173

HSL 222.48, 0.48%, 0.46%

LAB 40.91, 14.43, -46.44

 

CMYK 65 / 64 / 0 / 32

HEX #3C3FAD

RGB 60 63 173

HSL 238.41, 0.48%, 0.46%

LAB 32.99, 33.85, -59.25

 

CMYK 65 / 65 / 0 / 32

HEX #3C3CAD

RGB 60 60 173

HSL 240, 0.48%, 0.46%

LAB 32.28, 35.73, -60.41

 

CMYK 65 / 46 / 0 / 32

HEX #3C5DAD

RGB 60 93 173

HSL 222.48, 0.48%, 0.46%

LAB 40.91, 14.43, -46.44

 

CMYK 78 / 56 / 0 / 25

HEX #2A55C0

RGB 42 85 192

HSL 222.8, 0.64%, 0.46%

LAB 39.23, 24.2, -60.33

 

CMYK 89 / 64 / 0 / 17

HEX #174DD3

RGB 23 77 211

HSL 222.77, 0.8%, 0.46%

LAB 38.19, 35.22, -73.07

 

CMYK 98 / 70 / 0 / 10

HEX #0445E6

RGB 4 69 230

HSL 222.74, 0.97%, 0.46%

LAB 37.83, 46.66, -84.54

 

CMYK 65 / 46 / 0 / 32

HEX #3C5DAD

RGB 60 93 173

HSL 222.48, 0.48%, 0.46%

LAB 40.91, 14.43, -46.44

 

CMYK 49 / 34 / 0 / 40

HEX #4F659A

RGB 79 101 154

HSL 222.4, 0.32%, 0.46%

LAB 43.22, 6.99, -31.45

 

CMYK 27 / 19 / 0 / 47

HEX #626D87

RGB 98 109 135

HSL 222.16, 0.16%, 0.46%

LAB 46.02, 2.15, -15.68

 

CMYK 0 / 0 / 1 / 54

HEX #757574

RGB 117 117 116

HSL 60, 0%, 0.46%

LAB 49.21, -0.2, 0.54

 

CMYK 0 / 8 / 29 / 47

HEX #887D61

RGB 136 125 97

HSL 43.08, 0.17%, 0.46%

LAB 52.69, -0.46, 16.81

 

CMYK 65 / 11 / 0 / 32

HEX #3C9AAD

RGB 60 154 173

HSL 190.09, 0.48%, 0.46%

LAB 59.06, -21.43, -18.07

 

CMYK 65 / 28 / 0 / 32

HEX #3C7CAD

RGB 60 124 173

HSL 206.02, 0.48%, 0.46%

LAB 49.97, -4.79, -32.09

 

CMYK 65 / 46 / 0 / 32

HEX #3C5EAD

RGB 60 94 173

HSL 221.95, 0.48%, 0.46%

LAB 41.19, 13.78, -45.99

 

CMYK 65 / 63 / 0 / 32

HEX #3C40AD

RGB 60 64 173

HSL 237.88, 0.48%, 0.46%

LAB 33.23, 33.21, -58.86

 

CMYK 50 / 65 / 0 / 32

HEX #573CAD

RGB 87 60 173

HSL 254.34, 0.48%, 0.46%

LAB 34.55, 40.32, -56.61

 

CMYK 65 / 46 / 0 / 56

HEX #273C70

RGB 39 60 112

HSL 222.74, 0.48%, 0.3%

LAB 26.25, 9.82, -32.64

 

CMYK 65 / 46 / 0 / 44

HEX #324D8F

RGB 50 77 143

HSL 222.58, 0.48%, 0.38%

LAB 33.92, 12.12, -39.67

 

CMYK 65 / 46 / 0 / 32

HEX #3C5DAD

RGB 60 93 173

HSL 222.48, 0.48%, 0.46%

LAB 40.91, 14.43, -46.44

 

CMYK 58 / 41 / 0 / 24

HEX #5172C2

RGB 81 114 194

HSL 222.48, 0.48%, 0.54%

LAB 49.1, 12.49, -45.51

 

CMYK 45 / 32 / 0 / 20

HEX #708ACC

RGB 112 138 204

HSL 223.04, 0.47%, 0.62%

LAB 58.02, 8.29, -37.02

 

CMYK 65 / 46 / 0 / 33

HEX #3D5DAC

RGB 61 93 172

HSL 222.7, 0.48%, 0.46%

LAB 40.9, 14.25, -45.87

 

CMYK 6 / 65 / 0 / 32

HEX #A23CAD

RGB 162 60 173

HSL 294.16, 0.48%, 0.46%

LAB 44.13, 57.1, -40.69

 

CMYK 20 / 0 / 65 / 32

HEX #8BAD3C

RGB 139 173 60

HSL 78.05, 0.48%, 0.46%

LAB 66.29, -28.45, 52.33

 

CMYK 65 / 46 / 0 / 33

HEX #3D5DAC

RGB 61 93 172

HSL 222.7, 0.48%, 0.46%

LAB 40.9, 14.25, -45.87

 

CMYK 0 / 65 / 46 / 32

HEX #AD3C5E

RGB 173 60 94

HSL 341.95, 0.48%, 0.46%

LAB 42.65, 48.85, 5.27

 

CMYK 46 / 0 / 65 / 32

HEX #5EAD3C

RGB 94 173 60

HSL 101.95, 0.48%, 0.46%

LAB 63.83, -44.85, 48.96

 

CMYK 65 / 46 / 0 / 33

HEX #3D5DAC

RGB 61 93 172

HSL 222.7, 0.48%, 0.46%

LAB 40.9, 14.25, -45.87

 

CMYK 6 / 65 / 0 / 32

HEX #A23CAD

RGB 162 60 173

HSL 294.16, 0.48%, 0.46%

LAB 44.13, 57.1, -40.69

 

CMYK 0 / 20 / 65 / 32

HEX #AD8B3C

RGB 173 139 60

HSL 41.95, 0.48%, 0.46%

LAB 59.59, 3.98, 45.95

 

CMYK 58 / 0 / 65 / 32

HEX #48AD3C

RGB 72 173 60

HSL 113.63, 0.48%, 0.46%

LAB 63, -51.12, 47.82

 

CMYK 65 / 46 / 0 / 33

HEX #3D5DAC

RGB 61 93 172

HSL 222.7, 0.48%, 0.46%

LAB 40.9, 14.25, -45.87

 

CMYK 0 / 65 / 13 / 32

HEX #AD3C97

RGB 173 60 151

HSL 311.68, 0.48%, 0.46%

LAB 44.73, 56.16, -26.52

 

CMYK 0 / 20 / 65 / 32

HEX #AD8B3C

RGB 173 139 60

HSL 41.95, 0.48%, 0.46%

LAB 59.59, 3.98, 45.95

 

CMYK 65 / 0 / 52 / 32

HEX #3CAD53

RGB 60 173 83

HSL 132.21, 0.48%, 0.46%

LAB 62.9, -51.03, 36.83

 

Description

Color code: HEX #3D5DAC | qconv.com Color code: HEX #3D5DAC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 93 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 93 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 46 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 46% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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