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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D676A it is the complementary color #C29895. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D676A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D676A shade: #426765, #537978, #648B8B, #759D9E and #86AFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D676A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D676A shade: #3D676A, #2C5557, #1B4344, #0A3131 and #001F1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D676A shade: #3D676A, #3D5B6A, #3D4F6A, #3D436A and #443D6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D676A shade: #3D676A, #3D5B6A, #3D4F6A, #3D436A and #3D3D6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D676A shade matches the following richer shades: #3D676A, #2F7378, #227F86, #148B93 and #0697A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D676A shade: #3D676A, #4B5C5D, #58504F, #664442 and #733834

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D676A shade: #3D6A55, #3D6A61, #3D676A, #3D5B6A and #3D4F6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D676A shade: #1F3436, #2E4E50, #3D676A, #4C8185 and #5B9A9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D676A shade: #3D676A, #493D6A and #6A5B3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D676A shade: #3D676A, #6A3D67 and #676A3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D676A shade: #3D676A, #493D6A, #6A403D and #5E6A3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D676A shade: #3D676A, #573D6A, #6A403D and #516A3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 3 / 0 / 58

HEX #3D676A

RGB 61 103 106

HSL 184, 0.27%, 0.33%

LAB 40.79, -13.75, -6.31

 

Complementary color

CMYK 0 / 22 / 23 / 24

HEX #C29895

RGB 194 152 149

HSL 4, 0.27%, 0.67%

LAB 66.59, 15.23, 7.58

 

CMYK 36 / 0 / 2 / 60

HEX #426765

RGB 66 103 101

HSL 176.76, 0.22%, 0.33%

LAB 40.89, -13.63, -3.07

 

CMYK 31 / 0 / 1 / 53

HEX #537978

RGB 83 121 120

HSL 178.42, 0.19%, 0.4%

LAB 48.1, -13.51, -3.74

 

CMYK 28 / 0 / 0 / 45

HEX #648B8B

RGB 100 139 139

HSL 180, 0.16%, 0.47%

LAB 55.11, -13.41, -4.37

 

CMYK 26 / 1 / 0 / 38

HEX #759D9E

RGB 117 157 158

HSL 181.46, 0.17%, 0.54%

LAB 61.97, -13.31, -4.96

 

CMYK 24 / 1 / 0 / 31

HEX #86AFB1

RGB 134 175 177

HSL 182.79, 0.22%, 0.61%

LAB 68.68, -13.24, -5.53

 

CMYK 42 / 3 / 0 / 58

HEX #3D676A

RGB 61 103 106

HSL 184, 0.27%, 0.33%

LAB 40.79, -13.75, -6.31

 

CMYK 49 / 2 / 0 / 66

HEX #2C5557

RGB 44 85 87

HSL 182.79, 0.33%, 0.26%

LAB 33.39, -13.74, -5.64

 

CMYK 60 / 1 / 0 / 73

HEX #1B4344

RGB 27 67 68

HSL 181.46, 0.43%, 0.19%

LAB 25.76, -13.6, -4.88

 

CMYK 80 / 0 / 0 / 81

HEX #0A3131

RGB 10 49 49

HSL 180, 0.66%, 0.12%

LAB 17.84, -13.14, -3.95

 

CMYK 100 / 0 / 3 / 88

HEX #001F1E

RGB 0 31 30

HSL 178.06, 1%, 0.06%

LAB 9.59, -11.67, -2.7

 

CMYK 42 / 3 / 0 / 58

HEX #3D676A

RGB 61 103 106

HSL 184, 0.27%, 0.33%

LAB 40.79, -13.75, -6.31

 

CMYK 42 / 14 / 0 / 58

HEX #3D5B6A

RGB 61 91 106

HSL 200, 0.27%, 0.33%

LAB 36.96, -6.73, -12.07

 

CMYK 42 / 25 / 0 / 58

HEX #3D4F6A

RGB 61 79 106

HSL 216, 0.27%, 0.33%

LAB 33.19, 0.73, -17.84

 

CMYK 42 / 37 / 0 / 58

HEX #3D436A

RGB 61 67 106

HSL 232, 0.27%, 0.33%

LAB 29.53, 8.56, -23.53

 

CMYK 36 / 42 / 0 / 58

HEX #443D6A

RGB 68 61 106

HSL 249.33, 0.27%, 0.33%

LAB 28.4, 14.7, -25.27

 

CMYK 42 / 3 / 0 / 58

HEX #3D676A

RGB 61 103 106

HSL 184, 0.27%, 0.33%

LAB 40.79, -13.75, -6.31

 

CMYK 42 / 14 / 0 / 58

HEX #3D5B6A

RGB 61 91 106

HSL 200, 0.27%, 0.33%

LAB 36.96, -6.73, -12.07

 

CMYK 42 / 25 / 0 / 58

HEX #3D4F6A

RGB 61 79 106

HSL 216, 0.27%, 0.33%

LAB 33.19, 0.73, -17.84

 

CMYK 42 / 37 / 0 / 58

HEX #3D436A

RGB 61 67 106

HSL 232, 0.27%, 0.33%

LAB 29.53, 8.56, -23.53

 

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

CMYK 42 / 3 / 0 / 58

HEX #3D676A

RGB 61 103 106

HSL 184, 0.27%, 0.33%

LAB 40.79, -13.75, -6.31

 

CMYK 61 / 4 / 0 / 53

HEX #2F7378

RGB 47 115 120

HSL 184.11, 0.44%, 0.33%

LAB 44.55, -19.61, -9.2

 

CMYK 75 / 5 / 0 / 47

HEX #227F86

RGB 34 127 134

HSL 184.2, 0.6%, 0.33%

LAB 48.56, -23.66, -11.51

 

CMYK 86 / 5 / 0 / 42

HEX #148B93

RGB 20 139 147

HSL 183.78, 0.76%, 0.33%

LAB 52.64, -26.95, -12.97

 

CMYK 96 / 6 / 0 / 37

HEX #0697A1

RGB 6 151 161

HSL 183.87, 0.93%, 0.33%

LAB 56.83, -29.05, -14.71

 

CMYK 42 / 3 / 0 / 58

HEX #3D676A

RGB 61 103 106

HSL 184, 0.27%, 0.33%

LAB 40.79, -13.75, -6.31

 

CMYK 19 / 1 / 0 / 64

HEX #4B5C5D

RGB 75 92 93

HSL 183.33, 0.11%, 0.33%

LAB 37.74, -6.24, -2.75

 

CMYK 0 / 9 / 10 / 65

HEX #58504F

RGB 88 80 79

HSL 6.67, 0.05%, 0.33%

LAB 34.76, 3.1, 1.78

 

CMYK 0 / 33 / 35 / 60

HEX #664442

RGB 102 68 66

HSL 3.33, 0.21%, 0.33%

LAB 32.6, 14.39, 7.16

 

CMYK 0 / 51 / 55 / 55

HEX #733834

RGB 115 56 52

HSL 3.81, 0.38%, 0.33%

LAB 31.16, 25.48, 14.47

 

CMYK 42 / 0 / 20 / 58

HEX #3D6A55

RGB 61 106 85

HSL 152, 0.27%, 0.33%

LAB 41.15, -20.83, 6.98

 

CMYK 42 / 0 / 8 / 58

HEX #3D6A61

RGB 61 106 97

HSL 168, 0.27%, 0.33%

LAB 41.47, -17.86, 0.18

 

CMYK 42 / 3 / 0 / 58

HEX #3D676A

RGB 61 103 106

HSL 184, 0.27%, 0.33%

LAB 40.79, -13.75, -6.31

 

CMYK 42 / 14 / 0 / 58

HEX #3D5B6A

RGB 61 91 106

HSL 200, 0.27%, 0.33%

LAB 36.96, -6.73, -12.07

 

CMYK 42 / 25 / 0 / 58

HEX #3D4F6A

RGB 61 79 106

HSL 216, 0.27%, 0.33%

LAB 33.19, 0.73, -17.84

 

CMYK 43 / 4 / 0 / 79

HEX #1F3436

RGB 31 52 54

HSL 185.22, 0.27%, 0.17%

LAB 20.1, -7.72, -3.93

 

CMYK 43 / 2 / 0 / 69

HEX #2E4E50

RGB 46 78 80

HSL 183.53, 0.27%, 0.25%

LAB 30.9, -11.14, -4.9

 

CMYK 42 / 3 / 0 / 58

HEX #3D676A

RGB 61 103 106

HSL 184, 0.27%, 0.33%

LAB 40.79, -13.75, -6.31

 

CMYK 43 / 3 / 0 / 48

HEX #4C8185

RGB 76 129 133

HSL 184.21, 0.27%, 0.41%

LAB 50.61, -16.51, -7.71

 

CMYK 43 / 3 / 0 / 38

HEX #5B9A9F

RGB 91 154 159

HSL 184.41, 0.27%, 0.49%

LAB 59.74, -18.89, -8.98

 

CMYK 42 / 3 / 0 / 58

HEX #3D676A

RGB 61 103 106

HSL 184, 0.27%, 0.33%

LAB 40.79, -13.75, -6.31

 

CMYK 31 / 42 / 0 / 58

HEX #493D6A

RGB 73 61 106

HSL 256, 0.27%, 0.33%

LAB 28.89, 16.28, -24.47

 

CMYK 0 / 14 / 42 / 58

HEX #6A5B3D

RGB 106 91 61

HSL 40, 0.27%, 0.33%

LAB 39.38, 1.4, 19.55

 

CMYK 42 / 3 / 0 / 58

HEX #3D676A

RGB 61 103 106

HSL 184, 0.27%, 0.33%

LAB 40.79, -13.75, -6.31

 

CMYK 0 / 42 / 3 / 58

HEX #6A3D67

RGB 106 61 103

HSL 304, 0.27%, 0.33%

LAB 32.66, 26.78, -16.39

 

CMYK 3 / 0 / 42 / 58

HEX #676A3D

RGB 103 106 61

HSL 64, 0.27%, 0.33%

LAB 43.55, -8.74, 24.85

 

CMYK 42 / 3 / 0 / 58

HEX #3D676A

RGB 61 103 106

HSL 184, 0.27%, 0.33%

LAB 40.79, -13.75, -6.31

 

CMYK 31 / 42 / 0 / 58

HEX #493D6A

RGB 73 61 106

HSL 256, 0.27%, 0.33%

LAB 28.89, 16.28, -24.47

 

CMYK 0 / 40 / 42 / 58

HEX #6A403D

RGB 106 64 61

HSL 4, 0.27%, 0.33%

LAB 31.96, 17.91, 9.55

 

CMYK 11 / 0 / 42 / 58

HEX #5E6A3D

RGB 94 106 61

HSL 76, 0.27%, 0.33%

LAB 42.8, -12.68, 23.74

 

CMYK 42 / 3 / 0 / 58

HEX #3D676A

RGB 61 103 106

HSL 184, 0.27%, 0.33%

LAB 40.79, -13.75, -6.31

 

CMYK 18 / 42 / 0 / 58

HEX #573D6A

RGB 87 61 106

HSL 274.67, 0.27%, 0.33%

LAB 30.41, 20.9, -21.97

 

CMYK 0 / 40 / 42 / 58

HEX #6A403D

RGB 106 64 61

HSL 4, 0.27%, 0.33%

LAB 31.96, 17.91, 9.55

 

CMYK 24 / 0 / 42 / 58

HEX #516A3D

RGB 81 106 61

HSL 93.33, 0.27%, 0.33%

LAB 41.84, -18.15, 22.31

 

Description

Color code: HEX #3D676A | qconv.com Color code: HEX #3D676A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 103 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 103 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 3 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 3% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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