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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D61BD it is the complementary color #C29E42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D61BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D61BD shade: #4261B8, #5373CB, #6485DE, #7597F1 and #86A9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D61BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D61BD shade: #3D61BD, #2C4FAA, #1B3D97, #0A2B84 and #001971

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D61BD shade: #3D61BC, #3D3EBC, #5E3DBC, #803DBC and #A23DBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D61BD shade: #3D61BC, #3D3EBC and #3D3DBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D61BD shade matches the following richer shades: #3D61BC, #2958D0, #144FE5 and #0046F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D61BD shade: #3D61BC, #5169A8, #657294, #797B80 and #8E846B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D61BD shade: #3DA5BC, #3D83BC, #3D61BC, #3D3FBC and #5D3DBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D61BD shade: #29417E, #33519D, #3D61BC, #5979C9 and #7892D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D61BD shade: #3D61BD, #B23DBC and #94BC3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D61BD shade: #3D61BD, #BC3D61 and #61BC3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D61BD shade: #3D61BD, #B23DBC, #BC983D and #47BC3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D61BD shade: #3D61BD, #BC3DA1, #BC983D and #3DBC58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 49 / 0 / 26

HEX #3D61BD

RGB 61 97 189

HSL 223.13, 0.51%, 0.49%

LAB 43.09, 17.81, -52.31

 

Complementary color

CMYK 0 / 19 / 66 / 24

HEX #C29E42

RGB 194 158 66

HSL 43.13, 0.51%, 0.51%

LAB 66.76, 3.21, 51.58

 

CMYK 64 / 47 / 0 / 28

HEX #4261B8

RGB 66 97 184

HSL 224.24, 0.47%, 0.49%

LAB 43.02, 16.86, -49.49

 

CMYK 59 / 43 / 0 / 20

HEX #5373CB

RGB 83 115 203

HSL 224, 0.54%, 0.56%

LAB 49.99, 15.29, -49.25

 

CMYK 55 / 40 / 0 / 13

HEX #6485DE

RGB 100 133 222

HSL 223.77, 0.65%, 0.63%

LAB 56.84, 14.02, -49.04

 

CMYK 51 / 37 / 0 / 5

HEX #7597F1

RGB 117 151 241

HSL 223.55, 0.82%, 0.7%

LAB 63.56, 12.97, -48.87

 

CMYK 47 / 34 / 0 / 0

HEX #86A9FF

RGB 134 169 255

HSL 222.64, 1%, 0.76%

LAB 69.94, 10.62, -46.39

 

CMYK 68 / 49 / 0 / 26

HEX #3D61BD

RGB 61 97 189

HSL 223.13, 0.51%, 0.49%

LAB 43.09, 17.81, -52.31

 

CMYK 74 / 54 / 0 / 33

HEX #2C4FAA

RGB 44 79 170

HSL 223.33, 0.59%, 0.42%

LAB 36.04, 20.01, -52.54

 

CMYK 82 / 60 / 0 / 41

HEX #1B3D97

RGB 27 61 151

HSL 223.55, 0.7%, 0.35%

LAB 28.91, 22.81, -52.69

 

CMYK 92 / 67 / 0 / 48

HEX #0A2B84

RGB 10 43 132

HSL 223.77, 0.86%, 0.28%

LAB 21.79, 26.35, -52.6

 

CMYK 100 / 78 / 0 / 56

HEX #001971

RGB 0 25 113

HSL 226.73, 1%, 0.22%

LAB 14.89, 30.45, -51.87

 

CMYK 68 / 48 / 0 / 26

HEX #3D61BC

RGB 61 97 188

HSL 222.99, 0.51%, 0.49%

LAB 43.02, 17.45, -51.83

 

CMYK 68 / 67 / 0 / 26

HEX #3D3EBC

RGB 61 62 188

HSL 239.53, 0.51%, 0.49%

LAB 34.12, 39.73, -66.28

 

CMYK 50 / 68 / 0 / 26

HEX #5E3DBC

RGB 94 61 188

HSL 255.59, 0.51%, 0.49%

LAB 36.65, 45.44, -62.05

 

CMYK 32 / 68 / 0 / 26

HEX #803DBC

RGB 128 61 188

HSL 271.65, 0.51%, 0.49%

LAB 40.5, 52.09, -55.61

 

CMYK 14 / 68 / 0 / 26

HEX #A23DBC

RGB 162 61 188

HSL 287.72, 0.51%, 0.49%

LAB 45.15, 59.52, -47.89

 

CMYK 68 / 48 / 0 / 26

HEX #3D61BC

RGB 61 97 188

HSL 222.99, 0.51%, 0.49%

LAB 43.02, 17.45, -51.83

 

CMYK 68 / 67 / 0 / 26

HEX #3D3EBC

RGB 61 62 188

HSL 239.53, 0.51%, 0.49%

LAB 34.12, 39.73, -66.28

 

CMYK 68 / 68 / 0 / 26

HEX #3D3DBC

RGB 61 61 188

HSL 240, 0.51%, 0.49%

LAB 33.9, 40.33, -66.65

 

CMYK 68 / 48 / 0 / 26

HEX #3D61BC

RGB 61 97 188

HSL 222.99, 0.51%, 0.49%

LAB 43.02, 17.45, -51.83

 

CMYK 80 / 58 / 0 / 18

HEX #2958D0

RGB 41 88 208

HSL 223.11, 0.67%, 0.49%

LAB 41.22, 28.21, -66.36

 

CMYK 91 / 66 / 0 / 10

HEX #144FE5

RGB 20 79 229

HSL 223.06, 0.84%, 0.49%

LAB 40.24, 40.54, -79.99

 

CMYK 100 / 72 / 0 / 2

HEX #0046F9

RGB 0 70 249

HSL 223.13, 1%, 0.49%

LAB 39.95, 52.67, -91.77

 

CMYK 68 / 48 / 0 / 26

HEX #3D61BC

RGB 61 97 188

HSL 222.99, 0.51%, 0.49%

LAB 43.02, 17.45, -51.83

 

CMYK 52 / 38 / 0 / 34

HEX #5169A8

RGB 81 105 168

HSL 223.45, 0.35%, 0.49%

LAB 45.19, 9.49, -36.61

 

CMYK 32 / 23 / 0 / 42

HEX #657294

RGB 101 114 148

HSL 223.4, 0.19%, 0.49%

LAB 48.18, 3.56, -20.06

 

CMYK 5 / 4 / 0 / 50

HEX #797B80

RGB 121 123 128

HSL 222.86, 0.03%, 0.49%

LAB 51.6, 0.28, -2.99

 

CMYK 0 / 7 / 25 / 44

HEX #8E846B

RGB 142 132 107

HSL 42.86, 0.14%, 0.49%

LAB 55.4, -0.46, 14.88

 

CMYK 68 / 12 / 0 / 26

HEX #3DA5BC

RGB 61 165 188

HSL 190.87, 0.51%, 0.49%

LAB 62.96, -22.3, -20.58

 

CMYK 68 / 30 / 0 / 26

HEX #3D83BC

RGB 61 131 188

HSL 206.93, 0.51%, 0.49%

LAB 52.79, -3.56, -36.3

 

CMYK 68 / 48 / 0 / 26

HEX #3D61BC

RGB 61 97 188

HSL 222.99, 0.51%, 0.49%

LAB 43.02, 17.45, -51.83

 

CMYK 68 / 66 / 0 / 26

HEX #3D3FBC

RGB 61 63 188

HSL 239.06, 0.51%, 0.49%

LAB 34.35, 39.12, -65.91

 

CMYK 51 / 68 / 0 / 26

HEX #5D3DBC

RGB 93 61 188

HSL 255.12, 0.51%, 0.49%

LAB 36.55, 45.26, -62.21

 

CMYK 67 / 48 / 0 / 51

HEX #29417E

RGB 41 65 126

HSL 223.06, 0.51%, 0.33%

LAB 28.79, 12.13, -37.4

 

CMYK 68 / 48 / 0 / 38

HEX #33519D

RGB 51 81 157

HSL 223.02, 0.51%, 0.41%

LAB 36.03, 14.84, -44.76

 

CMYK 68 / 48 / 0 / 26

HEX #3D61BC

RGB 61 97 188

HSL 222.99, 0.51%, 0.49%

LAB 43.02, 17.45, -51.83

 

CMYK 56 / 40 / 0 / 21

HEX #5979C9

RGB 89 121 201

HSL 222.86, 0.51%, 0.57%

LAB 51.85, 12.17, -45.12

 

CMYK 43 / 31 / 0 / 17

HEX #7892D3

RGB 120 146 211

HSL 222.86, 0.51%, 0.65%

LAB 61.01, 7.69, -36.24

 

CMYK 68 / 49 / 0 / 26

HEX #3D61BD

RGB 61 97 189

HSL 223.13, 0.51%, 0.49%

LAB 43.09, 17.81, -52.31

 

CMYK 5 / 68 / 0 / 26

HEX #B23DBC

RGB 178 61 188

HSL 295.28, 0.51%, 0.49%

LAB 47.54, 63.15, -43.94

 

CMYK 21 / 0 / 68 / 26

HEX #94BC3D

RGB 148 188 61

HSL 78.9, 0.51%, 0.49%

LAB 71.28, -31.9, 57.33

 

CMYK 68 / 49 / 0 / 26

HEX #3D61BD

RGB 61 97 189

HSL 223.13, 0.51%, 0.49%

LAB 43.09, 17.81, -52.31

 

CMYK 0 / 68 / 48 / 26

HEX #BC3D61

RGB 188 61 97

HSL 342.99, 0.51%, 0.49%

LAB 45.49, 53.47, 7.81

 

CMYK 48 / 0 / 68 / 26

HEX #61BC3D

RGB 97 188 61

HSL 102.99, 0.51%, 0.49%

LAB 68.64, -49.87, 53.75

 

CMYK 68 / 49 / 0 / 26

HEX #3D61BD

RGB 61 97 189

HSL 223.13, 0.51%, 0.49%

LAB 43.09, 17.81, -52.31

 

CMYK 5 / 68 / 0 / 26

HEX #B23DBC

RGB 178 61 188

HSL 295.28, 0.51%, 0.49%

LAB 47.54, 63.15, -43.94

 

CMYK 0 / 19 / 68 / 26

HEX #BC983D

RGB 188 152 61

HSL 42.99, 0.51%, 0.49%

LAB 64.55, 3.54, 51.28

 

CMYK 62 / 0 / 68 / 26

HEX #47BC3D

RGB 71 188 61

HSL 115.28, 0.51%, 0.49%

LAB 67.76, -56.73, 52.54

 

CMYK 68 / 49 / 0 / 26

HEX #3D61BD

RGB 61 97 189

HSL 223.13, 0.51%, 0.49%

LAB 43.09, 17.81, -52.31

 

CMYK 0 / 68 / 14 / 26

HEX #BC3DA1

RGB 188 61 161

HSL 312.76, 0.51%, 0.49%

LAB 47.75, 61.19, -27.61

 

CMYK 0 / 19 / 68 / 26

HEX #BC983D

RGB 188 152 61

HSL 42.99, 0.51%, 0.49%

LAB 64.55, 3.54, 51.28

 

CMYK 68 / 0 / 53 / 26

HEX #3DBC58

RGB 61 188 88

HSL 132.76, 0.51%, 0.49%

LAB 67.77, -55.64, 40.32

 

Description

Color code: HEX #3D61BD | qconv.com Color code: HEX #3D61BD | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 97 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 97 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 49 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 49% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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