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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D6B1D it is the complementary color #C294E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D6B1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D6B1D shade: #426B18, #537D2B, #648F3E, #75A151 and #86B364

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D6B1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D6B1D shade: #3D6B1D, #2C590A, #1B4700, #0A3500 and #002300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D6B1D shade: #3D6C1D, #526C1D, #686C1D, #6C5A1D and #6C451D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D6B1D shade: #3D6C1D, #286C1D, #1D6C27, #1D6C3C and #1D6C52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D6B1D shade matches the following richer shades: #3D6C1D, #3B7712 and #398207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D6B1D shade: #3D6C1D, #3F6028, #415533, #434A3F and #453F4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D6B1D shade: #686C1D, #536C1D, #3E6C1D, #296C1D and #1D6C26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D6B1D shade: #182B0B, #2B4B14, #3D6C1D, #508C26 and #62AC2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D6B1D shade: #3D6B1D, #1D6C5B and #6C1D5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D6B1D shade: #3D6B1D, #1D3E6C and #6C1D3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D6B1D shade: #3D6B1D, #1D6C5B, #4B1D6C and #6C1D2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D6B1D shade: #3D6B1D, #1D656C, #4B1D6C and #6C241D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 73 / 58

HEX #3D6B1D

RGB 61 107 29

HSL 95.38, 0.57%, 0.27%

LAB 40.57, -30.28, 37.05

 

Complementary color

CMYK 14 / 35 / 0 / 11

HEX #C294E2

RGB 194 148 226

HSL 275.38, 0.57%, 0.73%

LAB 68.12, 31.56, -33.04

 

CMYK 38 / 0 / 78 / 58

HEX #426B18

RGB 66 107 24

HSL 89.64, 0.63%, 0.26%

LAB 40.8, -28.76, 39.42

 

CMYK 34 / 0 / 66 / 51

HEX #537D2B

RGB 83 125 43

HSL 90.73, 0.49%, 0.33%

LAB 47.86, -29.11, 38.92

 

CMYK 30 / 0 / 57 / 44

HEX #648F3E

RGB 100 143 62

HSL 91.85, 0.4%, 0.4%

LAB 54.76, -29.24, 37.9

 

CMYK 27 / 0 / 50 / 37

HEX #75A151

RGB 117 161 81

HSL 93, 0.33%, 0.47%

LAB 61.54, -29.25, 36.71

 

CMYK 25 / 0 / 44 / 30

HEX #86B364

RGB 134 179 100

HSL 94.18, 0.34%, 0.55%

LAB 68.19, -29.2, 35.5

 

CMYK 43 / 0 / 73 / 58

HEX #3D6B1D

RGB 61 107 29

HSL 95.38, 0.57%, 0.27%

LAB 40.57, -30.28, 37.05

 

CMYK 51 / 0 / 89 / 65

HEX #2C590A

RGB 44 89 10

HSL 94.18, 0.8%, 0.19%

LAB 33.35, -29.66, 36.85

 

CMYK 62 / 0 / 100 / 72

HEX #1B4700

RGB 27 71 0

HSL 97.18, 1%, 0.14%

LAB 25.98, -28.29, 33.75

 

CMYK 81 / 0 / 100 / 79

HEX #0A3500

RGB 10 53 0

HSL 108.68, 1%, 0.1%

LAB 18.41, -25.81, 25.59

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 44 / 0 / 73 / 58

HEX #3D6C1D

RGB 61 108 29

HSL 95.7, 0.58%, 0.27%

LAB 40.91, -30.74, 37.4

 

CMYK 24 / 0 / 73 / 58

HEX #526C1D

RGB 82 108 29

HSL 79.75, 0.58%, 0.27%

LAB 42.17, -22.28, 39.1

 

CMYK 4 / 0 / 73 / 58

HEX #686C1D

RGB 104 108 29

HSL 63.04, 0.58%, 0.27%

LAB 43.88, -12.3, 41.38

 

CMYK 0 / 17 / 73 / 58

HEX #6C5A1D

RGB 108 90 29

HSL 46.33, 0.58%, 0.27%

LAB 38.88, -0.02, 36.47

 

CMYK 0 / 36 / 73 / 58

HEX #6C451D

RGB 108 69 29

HSL 30.38, 0.58%, 0.27%

LAB 32.99, 12.73, 30.27

 

CMYK 44 / 0 / 73 / 58

HEX #3D6C1D

RGB 61 108 29

HSL 95.7, 0.58%, 0.27%

LAB 40.91, -30.74, 37.4

 

CMYK 63 / 0 / 73 / 58

HEX #286C1D

RGB 40 108 29

HSL 111.65, 0.58%, 0.27%

LAB 40.02, -37.44, 36.21

 

CMYK 73 / 0 / 64 / 58

HEX #1D6C27

RGB 29 108 39

HSL 127.59, 0.58%, 0.27%

LAB 39.8, -38.87, 31.2

 

CMYK 73 / 0 / 44 / 58

HEX #1D6C3C

RGB 29 108 60

HSL 143.54, 0.58%, 0.27%

LAB 40.1, -35.43, 20.17

 

CMYK 73 / 0 / 24 / 58

HEX #1D6C52

RGB 29 108 82

HSL 160.25, 0.58%, 0.27%

LAB 40.57, -30.39, 7.8

 

CMYK 44 / 0 / 73 / 58

HEX #3D6C1D

RGB 61 108 29

HSL 95.7, 0.58%, 0.27%

LAB 40.91, -30.74, 37.4

 

CMYK 50 / 0 / 85 / 53

HEX #3B7712

RGB 59 119 18

HSL 95.64, 0.74%, 0.27%

LAB 44.47, -36.97, 44.82

 

CMYK 56 / 0 / 95 / 49

HEX #398207

RGB 57 130 7

HSL 95.61, 0.9%, 0.27%

LAB 48.07, -42.44, 50.45

 

CMYK 44 / 0 / 73 / 58

HEX #3D6C1D

RGB 61 108 29

HSL 95.7, 0.58%, 0.27%

LAB 40.91, -30.74, 37.4

 

CMYK 34 / 0 / 58 / 62

HEX #3F6028

RGB 63 96 40

HSL 95.36, 0.41%, 0.27%

LAB 37.07, -23.07, 27.87

 

CMYK 24 / 0 / 40 / 67

HEX #415533

RGB 65 85 51

HSL 95.29, 0.25%, 0.27%

LAB 33.69, -14.8, 17.4

 

CMYK 9 / 0 / 15 / 71

HEX #434A3F

RGB 67 74 63

HSL 98.18, 0.08%, 0.27%

LAB 30.52, -5.26, 5.61

 

CMYK 7 / 15 / 0 / 71

HEX #453F4A

RGB 69 63 74

HSL 272.73, 0.08%, 0.27%

LAB 27.61, 5.03, -5.74

 

CMYK 4 / 0 / 73 / 58

HEX #686C1D

RGB 104 108 29

HSL 63.04, 0.58%, 0.27%

LAB 43.88, -12.3, 41.38

 

CMYK 23 / 0 / 73 / 58

HEX #536C1D

RGB 83 108 29

HSL 78.99, 0.58%, 0.27%

LAB 42.24, -21.85, 39.19

 

CMYK 43 / 0 / 73 / 58

HEX #3E6C1D

RGB 62 108 29

HSL 94.94, 0.58%, 0.27%

LAB 40.96, -30.37, 37.47

 

CMYK 62 / 0 / 73 / 58

HEX #296C1D

RGB 41 108 29

HSL 110.89, 0.58%, 0.27%

LAB 40.06, -37.17, 36.26

 

CMYK 73 / 0 / 65 / 58

HEX #1D6C26

RGB 29 108 38

HSL 126.84, 0.58%, 0.27%

LAB 39.79, -39, 31.69

 

CMYK 44 / 0 / 74 / 83

HEX #182B0B

RGB 24 43 11

HSL 95.63, 0.59%, 0.11%

LAB 15.2, -14.89, 17.29

 

CMYK 43 / 0 / 73 / 71

HEX #2B4B14

RGB 43 75 20

HSL 94.91, 0.58%, 0.19%

LAB 28.37, -22.74, 28.03

 

CMYK 44 / 0 / 73 / 58

HEX #3D6C1D

RGB 61 108 29

HSL 95.7, 0.58%, 0.27%

LAB 40.91, -30.74, 37.4

 

CMYK 43 / 0 / 73 / 45

HEX #508C26

RGB 80 140 38

HSL 95.29, 0.57%, 0.35%

LAB 52.51, -37.45, 45.92

 

CMYK 43 / 0 / 73 / 33

HEX #62AC2F

RGB 98 172 47

HSL 95.52, 0.57%, 0.43%

LAB 63.6, -44.2, 53.98

 

CMYK 43 / 0 / 73 / 58

HEX #3D6B1D

RGB 61 107 29

HSL 95.38, 0.57%, 0.27%

LAB 40.57, -30.28, 37.05

 

CMYK 73 / 0 / 16 / 58

HEX #1D6C5B

RGB 29 108 91

HSL 167.09, 0.58%, 0.27%

LAB 40.8, -27.95, 2.7

 

CMYK 0 / 73 / 14 / 58

HEX #6C1D5D

RGB 108 29 93

HSL 311.39, 0.58%, 0.27%

LAB 26.32, 42.03, -19.72

 

CMYK 43 / 0 / 73 / 58

HEX #3D6B1D

RGB 61 107 29

HSL 95.38, 0.57%, 0.27%

LAB 40.57, -30.28, 37.05

 

CMYK 73 / 43 / 0 / 58

HEX #1D3E6C

RGB 29 62 108

HSL 214.94, 0.58%, 0.27%

LAB 26.13, 4.97, -30.32

 

CMYK 0 / 73 / 43 / 58

HEX #6C1D3E

RGB 108 29 62

HSL 334.94, 0.58%, 0.27%

LAB 25, 37.68, -1

 

CMYK 43 / 0 / 73 / 58

HEX #3D6B1D

RGB 61 107 29

HSL 95.38, 0.57%, 0.27%

LAB 40.57, -30.28, 37.05

 

CMYK 73 / 0 / 16 / 58

HEX #1D6C5B

RGB 29 108 91

HSL 167.09, 0.58%, 0.27%

LAB 40.8, -27.95, 2.7

 

CMYK 31 / 73 / 0 / 58

HEX #4B1D6C

RGB 75 29 108

HSL 274.94, 0.58%, 0.27%

LAB 21.79, 36.73, -37.06

 

CMYK 0 / 73 / 57 / 58

HEX #6C1D2E

RGB 108 29 46

HSL 347.09, 0.58%, 0.27%

LAB 24.53, 36.06, 9.25

 

CMYK 43 / 0 / 73 / 58

HEX #3D6B1D

RGB 61 107 29

HSL 95.38, 0.57%, 0.27%

LAB 40.57, -30.28, 37.05

 

CMYK 73 / 6 / 0 / 58

HEX #1D656C

RGB 29 101 108

HSL 185.32, 0.58%, 0.27%

LAB 38.99, -19.11, -10.36

 

CMYK 31 / 73 / 0 / 58

HEX #4B1D6C

RGB 75 29 108

HSL 274.94, 0.58%, 0.27%

LAB 21.79, 36.73, -37.06

 

CMYK 0 / 67 / 73 / 58

HEX #6C241D

RGB 108 36 29

HSL 5.32, 0.58%, 0.27%

LAB 25.38, 31.6, 21.67

 

Description

Color code: HEX #3D6B1D | qconv.com Color code: HEX #3D6B1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 107 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 107 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 73 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 73% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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