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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D6DAF it is the complementary color #C29250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D6DAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D6DAF shade: #426DAA, #537FBD, #6491D0, #75A3E3 and #86B5F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D6DAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D6DAF shade: #3D6DAF, #2C5B9C, #1B4989, #0A3776 and #002563

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D6DAF shade: #3C6CAD, #3C4EAD, #4A3CAD, #683CAD and #873CAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D6DAF shade: #3C6CAD, #3C4EAD and #3C3CAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D6DAF shade matches the following richer shades: #3C6CAD, #2A69C0, #1766D3 and #0463E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D6DAF shade: #3C6CAD, #4F6F9A, #627287, #757574 and #887861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D6DAF shade: #3CA9AD, #3C8BAD, #3C6DAD, #3C4FAD and #483CAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D6DAF shade: #274670, #32598F, #3C6CAD, #5181C2 and #7097CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D6DAF shade: #3D6DAF, #933CAD and #9AAD3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D6DAF shade: #3D6DAF, #AD3C6D and #6DAD3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D6DAF shade: #3D6DAF, #933CAD, #AD7C3C and #57AD3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D6DAF shade: #3D6DAF, #AD3CA6, #AD7C3C and #3CAD44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 38 / 0 / 31

HEX #3D6DAF

RGB 61 109 175

HSL 214.74, 0.48%, 0.46%

LAB 45.67, 5.18, -40.02

 

Complementary color

CMYK 0 / 25 / 59 / 24

HEX #C29250

RGB 194 146 80

HSL 34.74, 0.48%, 0.54%

LAB 63.84, 10.71, 41.52

 

CMYK 61 / 36 / 0 / 33

HEX #426DAA

RGB 66 109 170

HSL 215.19, 0.44%, 0.46%

LAB 45.63, 4.38, -37.14

 

CMYK 56 / 33 / 0 / 26

HEX #537FBD

RGB 83 127 189

HSL 215.09, 0.45%, 0.53%

LAB 52.61, 3.35, -37.09

 

CMYK 52 / 30 / 0 / 18

HEX #6491D0

RGB 100 145 208

HSL 215, 0.53%, 0.6%

LAB 59.45, 2.53, -37.08

 

CMYK 48 / 28 / 0 / 11

HEX #75A3E3

RGB 117 163 227

HSL 214.91, 0.66%, 0.67%

LAB 66.15, 1.86, -37.1

 

CMYK 46 / 26 / 0 / 4

HEX #86B5F6

RGB 134 181 246

HSL 214.82, 0.86%, 0.75%

LAB 72.74, 1.31, -37.14

 

CMYK 65 / 38 / 0 / 31

HEX #3D6DAF

RGB 61 109 175

HSL 214.74, 0.48%, 0.46%

LAB 45.67, 5.18, -40.02

 

CMYK 72 / 42 / 0 / 39

HEX #2C5B9C

RGB 44 91 156

HSL 214.82, 0.56%, 0.39%

LAB 38.58, 6.76, -40.09

 

CMYK 80 / 47 / 0 / 46

HEX #1B4989

RGB 27 73 137

HSL 214.91, 0.67%, 0.32%

LAB 31.36, 8.89, -40.15

 

CMYK 92 / 53 / 0 / 54

HEX #0A3776

RGB 10 55 118

HSL 215, 0.84%, 0.25%

LAB 24.02, 11.84, -40.12

 

CMYK 100 / 63 / 0 / 61

HEX #002563

RGB 0 37 99

HSL 217.58, 1%, 0.19%

LAB 16.62, 15.88, -39.86

 

CMYK 65 / 38 / 0 / 32

HEX #3C6CAD

RGB 60 108 173

HSL 214.51, 0.48%, 0.46%

LAB 45.22, 4.91, -39.56

 

CMYK 65 / 55 / 0 / 32

HEX #3C4EAD

RGB 60 78 173

HSL 230.44, 0.48%, 0.46%

LAB 36.79, 24.18, -53.07

 

CMYK 57 / 65 / 0 / 32

HEX #4A3CAD

RGB 74 60 173

HSL 247.43, 0.48%, 0.46%

LAB 33.36, 37.95, -58.6

 

CMYK 40 / 65 / 0 / 32

HEX #683CAD

RGB 104 60 173

HSL 263.36, 0.48%, 0.46%

LAB 36.35, 43.75, -53.6

 

CMYK 22 / 65 / 0 / 32

HEX #873CAD

RGB 135 60 173

HSL 279.82, 0.48%, 0.46%

LAB 40.25, 50.68, -47.13

 

CMYK 65 / 38 / 0 / 32

HEX #3C6CAD

RGB 60 108 173

HSL 214.51, 0.48%, 0.46%

LAB 45.22, 4.91, -39.56

 

CMYK 65 / 55 / 0 / 32

HEX #3C4EAD

RGB 60 78 173

HSL 230.44, 0.48%, 0.46%

LAB 36.79, 24.18, -53.07

 

CMYK 65 / 65 / 0 / 32

HEX #3C3CAD

RGB 60 60 173

HSL 240, 0.48%, 0.46%

LAB 32.28, 35.73, -60.41

 

CMYK 65 / 38 / 0 / 32

HEX #3C6CAD

RGB 60 108 173

HSL 214.51, 0.48%, 0.46%

LAB 45.22, 4.91, -39.56

 

CMYK 78 / 45 / 0 / 25

HEX #2A69C0

RGB 42 105 192

HSL 214.8, 0.64%, 0.46%

LAB 44.8, 11.21, -51.33

 

CMYK 89 / 52 / 0 / 17

HEX #1766D3

RGB 23 102 211

HSL 214.79, 0.8%, 0.46%

LAB 44.78, 18.95, -62.31

 

CMYK 98 / 57 / 0 / 10

HEX #0463E6

RGB 4 99 230

HSL 214.78, 0.97%, 0.46%

LAB 45.17, 27.64, -72.49

 

CMYK 65 / 38 / 0 / 32

HEX #3C6CAD

RGB 60 108 173

HSL 214.51, 0.48%, 0.46%

LAB 45.22, 4.91, -39.56

 

CMYK 49 / 28 / 0 / 40

HEX #4F6F9A

RGB 79 111 154

HSL 214.4, 0.32%, 0.46%

LAB 46.13, 0.84, -26.9

 

CMYK 27 / 16 / 0 / 47

HEX #627287

RGB 98 114 135

HSL 214.05, 0.16%, 0.46%

LAB 47.47, -0.83, -13.48

 

CMYK 0 / 0 / 1 / 54

HEX #757574

RGB 117 117 116

HSL 60, 0%, 0.46%

LAB 49.21, -0.2, 0.54

 

CMYK 0 / 12 / 29 / 47

HEX #887861

RGB 136 120 97

HSL 35.38, 0.17%, 0.46%

LAB 51.3, 2.4, 14.91

 

CMYK 65 / 2 / 0 / 32

HEX #3CA9AD

RGB 60 169 173

HSL 182.12, 0.48%, 0.46%

LAB 63.63, -29.01, -11.16

 

CMYK 65 / 20 / 0 / 32

HEX #3C8BAD

RGB 60 139 173

HSL 198.05, 0.48%, 0.46%

LAB 54.49, -13.36, -25.06

 

CMYK 65 / 37 / 0 / 32

HEX #3C6DAD

RGB 60 109 173

HSL 213.98, 0.48%, 0.46%

LAB 45.52, 4.29, -39.09

 

CMYK 65 / 54 / 0 / 32

HEX #3C4FAD

RGB 60 79 173

HSL 229.91, 0.48%, 0.46%

LAB 37.06, 23.53, -52.64

 

CMYK 58 / 65 / 0 / 32

HEX #483CAD

RGB 72 60 173

HSL 246.37, 0.48%, 0.46%

LAB 33.19, 37.61, -58.88

 

CMYK 65 / 38 / 0 / 56

HEX #274670

RGB 39 70 112

HSL 214.52, 0.48%, 0.3%

LAB 29.37, 3.01, -27.7

 

CMYK 65 / 38 / 0 / 44

HEX #32598F

RGB 50 89 143

HSL 214.84, 0.48%, 0.38%

LAB 37.49, 4.25, -33.98

 

CMYK 65 / 38 / 0 / 32

HEX #3C6CAD

RGB 60 108 173

HSL 214.51, 0.48%, 0.46%

LAB 45.22, 4.91, -39.56

 

CMYK 58 / 34 / 0 / 24

HEX #5181C2

RGB 81 129 194

HSL 214.51, 0.48%, 0.54%

LAB 53.32, 3.37, -38.84

 

CMYK 45 / 26 / 0 / 20

HEX #7097CC

RGB 112 151 204

HSL 214.57, 0.47%, 0.62%

LAB 61.6, 0.75, -31.44

 

CMYK 65 / 38 / 0 / 31

HEX #3D6DAF

RGB 61 109 175

HSL 214.74, 0.48%, 0.46%

LAB 45.67, 5.18, -40.02

 

CMYK 15 / 65 / 0 / 32

HEX #933CAD

RGB 147 60 173

HSL 286.19, 0.48%, 0.46%

LAB 41.93, 53.51, -44.34

 

CMYK 11 / 0 / 65 / 32

HEX #9AAD3C

RGB 154 173 60

HSL 70.09, 0.48%, 0.46%

LAB 67.34, -22.28, 53.76

 

CMYK 65 / 38 / 0 / 31

HEX #3D6DAF

RGB 61 109 175

HSL 214.74, 0.48%, 0.46%

LAB 45.67, 5.18, -40.02

 

CMYK 0 / 65 / 37 / 32

HEX #AD3C6D

RGB 173 60 109

HSL 333.98, 0.48%, 0.46%

LAB 43.09, 50.46, -3.39

 

CMYK 37 / 0 / 65 / 32

HEX #6DAD3C

RGB 109 173 60

HSL 93.98, 0.48%, 0.46%

LAB 64.54, -39.83, 49.93

 

CMYK 65 / 38 / 0 / 31

HEX #3D6DAF

RGB 61 109 175

HSL 214.74, 0.48%, 0.46%

LAB 45.67, 5.18, -40.02

 

CMYK 15 / 65 / 0 / 32

HEX #933CAD

RGB 147 60 173

HSL 286.19, 0.48%, 0.46%

LAB 41.93, 53.51, -44.34

 

CMYK 0 / 28 / 65 / 32

HEX #AD7C3C

RGB 173 124 60

HSL 33.98, 0.48%, 0.46%

LAB 55.71, 12.35, 41.64

 

CMYK 50 / 0 / 65 / 32

HEX #57AD3C

RGB 87 173 60

HSL 105.66, 0.48%, 0.46%

LAB 63.54, -47, 48.56

 

CMYK 65 / 38 / 0 / 31

HEX #3D6DAF

RGB 61 109 175

HSL 214.74, 0.48%, 0.46%

LAB 45.67, 5.18, -40.02

 

CMYK 0 / 65 / 4 / 32

HEX #AD3CA6

RGB 173 60 166

HSL 303.72, 0.48%, 0.46%

LAB 45.45, 58.57, -34.35

 

CMYK 0 / 28 / 65 / 32

HEX #AD7C3C

RGB 173 124 60

HSL 33.98, 0.48%, 0.46%

LAB 55.71, 12.35, 41.64

 

CMYK 65 / 0 / 61 / 32

HEX #3CAD44

RGB 60 173 68

HSL 124.25, 0.48%, 0.46%

LAB 62.73, -53.02, 43.85

 

Description

Color code: HEX #3D6DAF | qconv.com Color code: HEX #3D6DAF | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 109 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 109 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 38 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 38% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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