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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D71DB it is the complementary color #C28E24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D71DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D71DB shade: #4271D6, #5383E9, #6495FC, #75A7FF and #86B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D71DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D71DB shade: #3D71DB, #2C5FC8, #1B4DB5, #0A3BA2 and #00298F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D71DB shade: #3D71DB, #3D46DB, #5E3DDB, #893DDB and #B33DDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D71DB shade: #3D71DB, #3D46DB and #3D3DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D71DB shade matches the following richer shades: #3D71DB and #2A6AED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D71DB shade: #3D71DB, #4F77C8, #627DB6, #7484A3 and #878A91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D71DB shade: #3DC6DB, #3D9CDB, #3D71DB, #3D47DB and #5C3DDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D71DB shade: #1E4BA7, #255BCA, #3D71DB, #5F8AE1 and #82A4E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D71DB shade: #3D71DB, #C63DDB and #B1DB3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D71DB shade: #3D71DB, #DB3D71 and #71DB3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D71DB shade: #3D71DB, #C63DDB, #DBA63D and #52DB3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D71DB shade: #3D71DB, #DB3DC1, #DBA63D and #3DDB57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 48 / 0 / 14

HEX #3D71DB

RGB 61 113 219

HSL 220.25, 0.69%, 0.55%

LAB 49.4, 18.54, -59.36

 

Complementary color

CMYK 0 / 27 / 81 / 24

HEX #C28E24

RGB 194 142 36

HSL 40.25, 0.69%, 0.45%

LAB 62.46, 10.51, 59.41

 

CMYK 69 / 47 / 0 / 16

HEX #4271D6

RGB 66 113 214

HSL 220.95, 0.64%, 0.55%

LAB 49.28, 17.44, -56.7

 

CMYK 64 / 44 / 0 / 9

HEX #5383E9

RGB 83 131 233

HSL 220.8, 0.77%, 0.62%

LAB 56.04, 15.67, -56.5

 

CMYK 60 / 41 / 0 / 1

HEX #6495FC

RGB 100 149 252

HSL 220.66, 0.96%, 0.69%

LAB 62.7, 14.21, -56.32

 

CMYK 54 / 35 / 0 / 0

HEX #75A7FF

RGB 117 167 255

HSL 218.26, 1%, 0.73%

LAB 68.49, 8.02, -48.73

 

CMYK 47 / 27 / 0 / 0

HEX #86B9FF

RGB 134 185 255

HSL 214.71, 1%, 0.76%

LAB 74.18, 1.65, -39.76

 

CMYK 72 / 48 / 0 / 14

HEX #3D71DB

RGB 61 113 219

HSL 220.25, 0.69%, 0.55%

LAB 49.4, 18.54, -59.36

 

CMYK 78 / 53 / 0 / 22

HEX #2C5FC8

RGB 44 95 200

HSL 220.38, 0.64%, 0.48%

LAB 42.6, 20.93, -59.51

 

CMYK 85 / 57 / 0 / 29

HEX #1B4DB5

RGB 27 77 181

HSL 220.52, 0.74%, 0.41%

LAB 35.75, 23.87, -59.57

 

CMYK 94 / 64 / 0 / 36

HEX #0A3BA2

RGB 10 59 162

HSL 220.66, 0.88%, 0.34%

LAB 28.9, 27.47, -59.41

 

CMYK 100 / 71 / 0 / 44

HEX #00298F

RGB 0 41 143

HSL 222.8, 1%, 0.28%

LAB 22.19, 31.67, -58.82

 

CMYK 72 / 48 / 0 / 14

HEX #3D71DB

RGB 61 113 219

HSL 220.25, 0.69%, 0.55%

LAB 49.4, 18.54, -59.36

 

CMYK 72 / 68 / 0 / 14

HEX #3D46DB

RGB 61 70 219

HSL 236.58, 0.69%, 0.55%

LAB 38.7, 45.38, -76.77

 

CMYK 57 / 72 / 0 / 14

HEX #5E3DDB

RGB 94 61 219

HSL 252.53, 0.69%, 0.55%

LAB 39.3, 54.37, -75.7

 

CMYK 37 / 72 / 0 / 14

HEX #893DDB

RGB 137 61 219

HSL 268.86, 0.69%, 0.55%

LAB 43.9, 61.18, -67.98

 

CMYK 18 / 72 / 0 / 14

HEX #B33DDB

RGB 179 61 219

HSL 284.81, 0.69%, 0.55%

LAB 49.54, 69.09, -58.59

 

CMYK 72 / 48 / 0 / 14

HEX #3D71DB

RGB 61 113 219

HSL 220.25, 0.69%, 0.55%

LAB 49.4, 18.54, -59.36

 

CMYK 72 / 68 / 0 / 14

HEX #3D46DB

RGB 61 70 219

HSL 236.58, 0.69%, 0.55%

LAB 38.7, 45.38, -76.77

 

CMYK 72 / 72 / 0 / 14

HEX #3D3DDB

RGB 61 61 219

HSL 240, 0.69%, 0.55%

LAB 36.83, 50.55, -79.86

 

CMYK 72 / 48 / 0 / 14

HEX #3D71DB

RGB 61 113 219

HSL 220.25, 0.69%, 0.55%

LAB 49.4, 18.54, -59.36

 

CMYK 82 / 55 / 0 / 7

HEX #2A6AED

RGB 42 106 237

HSL 220.31, 0.84%, 0.55%

LAB 48.15, 27.64, -71.55

 

CMYK 72 / 48 / 0 / 14

HEX #3D71DB

RGB 61 113 219

HSL 220.25, 0.69%, 0.55%

LAB 49.4, 18.54, -59.36

 

CMYK 61 / 41 / 0 / 22

HEX #4F77C8

RGB 79 119 200

HSL 220.17, 0.52%, 0.55%

LAB 50.72, 11.04, -46.39

 

CMYK 46 / 31 / 0 / 29

HEX #627DB6

RGB 98 125 182

HSL 220.71, 0.37%, 0.55%

LAB 52.55, 5.88, -33.11

 

CMYK 29 / 19 / 0 / 36

HEX #7484A3

RGB 116 132 163

HSL 219.57, 0.2%, 0.55%

LAB 54.93, 1.57, -18.4

 

CMYK 7 / 5 / 0 / 43

HEX #878A91

RGB 135 138 145

HSL 222, 0.04%, 0.55%

LAB 57.44, 0.33, -4.12

 

CMYK 72 / 10 / 0 / 14

HEX #3DC6DB

RGB 61 198 219

HSL 187.97, 0.69%, 0.55%

LAB 73.87, -29.29, -21.02

 

CMYK 72 / 29 / 0 / 14

HEX #3D9CDB

RGB 61 156 219

HSL 203.92, 0.69%, 0.55%

LAB 61.55, -7.23, -40.03

 

CMYK 72 / 48 / 0 / 14

HEX #3D71DB

RGB 61 113 219

HSL 220.25, 0.69%, 0.55%

LAB 49.4, 18.54, -59.36

 

CMYK 72 / 68 / 0 / 14

HEX #3D47DB

RGB 61 71 219

HSL 236.2, 0.69%, 0.55%

LAB 38.92, 44.79, -76.41

 

CMYK 58 / 72 / 0 / 14

HEX #5C3DDB

RGB 92 61 219

HSL 251.77, 0.69%, 0.55%

LAB 39.12, 54.1, -76

 

CMYK 82 / 55 / 0 / 35

HEX #1E4BA7

RGB 30 75 167

HSL 220.29, 0.7%, 0.39%

LAB 34.19, 19.93, -53.78

 

CMYK 82 / 55 / 0 / 21

HEX #255BCA

RGB 37 91 202

HSL 220.36, 0.69%, 0.47%

LAB 41.44, 23.61, -62.55

 

CMYK 72 / 48 / 0 / 14

HEX #3D71DB

RGB 61 113 219

HSL 220.25, 0.69%, 0.55%

LAB 49.4, 18.54, -59.36

 

CMYK 58 / 39 / 0 / 12

HEX #5F8AE1

RGB 95 138 225

HSL 220.15, 0.68%, 0.63%

LAB 58.08, 10.98, -48.76

 

CMYK 44 / 29 / 0 / 9

HEX #82A4E8

RGB 130 164 232

HSL 220, 0.69%, 0.71%

LAB 67.37, 5.89, -37.89

 

CMYK 72 / 48 / 0 / 14

HEX #3D71DB

RGB 61 113 219

HSL 220.25, 0.69%, 0.55%

LAB 49.4, 18.54, -59.36

 

CMYK 10 / 72 / 0 / 14

HEX #C63DDB

RGB 198 61 219

HSL 292.03, 0.69%, 0.55%

LAB 52.35, 72.9, -53.92

 

CMYK 19 / 0 / 72 / 14

HEX #B1DB3D

RGB 177 219 61

HSL 75.95, 0.69%, 0.55%

LAB 82.03, -34.85, 68.72

 

CMYK 72 / 48 / 0 / 14

HEX #3D71DB

RGB 61 113 219

HSL 220.25, 0.69%, 0.55%

LAB 49.4, 18.54, -59.36

 

CMYK 0 / 72 / 48 / 14

HEX #DB3D71

RGB 219 61 113

HSL 340.25, 0.69%, 0.55%

LAB 51.37, 64.07, 7.17

 

CMYK 48 / 0 / 72 / 14

HEX #71DB3D

RGB 113 219 61

HSL 100.25, 0.69%, 0.55%

LAB 78.76, -57.08, 64.4

 

CMYK 72 / 48 / 0 / 14

HEX #3D71DB

RGB 61 113 219

HSL 220.25, 0.69%, 0.55%

LAB 49.4, 18.54, -59.36

 

CMYK 10 / 72 / 0 / 14

HEX #C63DDB

RGB 198 61 219

HSL 292.03, 0.69%, 0.55%

LAB 52.35, 72.9, -53.92

 

CMYK 0 / 24 / 72 / 14

HEX #DBA63D

RGB 219 166 61

HSL 39.87, 0.69%, 0.55%

LAB 71.33, 9.46, 59.3

 

CMYK 63 / 0 / 72 / 14

HEX #52DB3D

RGB 82 219 61

HSL 112.03, 0.69%, 0.55%

LAB 77.75, -64.99, 63.05

 

CMYK 72 / 48 / 0 / 14

HEX #3D71DB

RGB 61 113 219

HSL 220.25, 0.69%, 0.55%

LAB 49.4, 18.54, -59.36

 

CMYK 0 / 72 / 12 / 14

HEX #DB3DC1

RGB 219 61 193

HSL 309.87, 0.69%, 0.55%

LAB 54.29, 73.3, -35.75

 

CMYK 0 / 24 / 72 / 14

HEX #DBA63D

RGB 219 166 61

HSL 39.87, 0.69%, 0.55%

LAB 71.33, 9.46, 59.3

 

CMYK 72 / 0 / 60 / 14

HEX #3DDB57

RGB 61 219 87

HSL 129.87, 0.69%, 0.55%

LAB 77.49, -66.44, 52.25

 

Description

Color code: HEX #3D71DB | qconv.com Color code: HEX #3D71DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 113 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 113 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 48 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 48% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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