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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D7A2D it is the complementary color #C285D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D7A2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D7A2D shade: #427A28, #538C3B, #649E4E, #75B061 and #86C274

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D7A2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D7A2D shade: #3D7A2D, #2C681A, #1B5607, #0A4400 and #003200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D7A2D shade: #3D7A2D, #527A2D, #677A2D, #7A792D and #7A642D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D7A2D shade: #3D7A2D, #2D7A32, #2D7A47, #2D7A5B and #2D7A70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D7A2D shade matches the following richer shades: #3D7A2D, #35881F, #2D9612 and #25A304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D7A2D shade: #3D7A2D, #456D3B, #4D5F48, #555256 and #5D4463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D7A2D shade: #677A2D, #527A2D, #3E7A2D, #2D7A31 and #2D7A45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D7A2D shade: #1F3E17, #2E5C22, #3D7A2D, #4C9838 and #5BB743

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D7A2D shade: #3D7A2D, #2D7A79 and #7A2D5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D7A2D shade: #3D7A2D, #2D3E7A and #7A2D3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D7A2D shade: #3D7A2D, #2D7A79, #6A2D7A and #7A2D2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D7A2D shade: #3D7A2D, #2D647A, #6A2D7A and #7A432D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 63 / 52

HEX #3D7A2D

RGB 61 122 45

HSL 107.53, 0.46%, 0.33%

LAB 45.77, -35.38, 35.34

 

Complementary color

CMYK 8 / 37 / 0 / 18

HEX #C285D2

RGB 194 133 210

HSL 287.53, 0.46%, 0.67%

LAB 64.08, 36.48, -30.42

 

CMYK 46 / 0 / 67 / 52

HEX #427A28

RGB 66 122 40

HSL 100.98, 0.51%, 0.32%

LAB 45.95, -34.25, 37.96

 

CMYK 41 / 0 / 58 / 45

HEX #538C3B

RGB 83 140 59

HSL 102.22, 0.41%, 0.39%

LAB 52.85, -34.4, 36.91

 

CMYK 37 / 0 / 51 / 38

HEX #649E4E

RGB 100 158 78

HSL 103.5, 0.34%, 0.46%

LAB 59.63, -34.36, 35.68

 

CMYK 34 / 0 / 45 / 31

HEX #75B061

RGB 117 176 97

HSL 104.81, 0.33%, 0.54%

LAB 66.29, -34.24, 34.43

 

CMYK 31 / 0 / 40 / 24

HEX #86C274

RGB 134 194 116

HSL 106.15, 0.39%, 0.61%

LAB 72.83, -34.08, 33.21

 

CMYK 50 / 0 / 63 / 52

HEX #3D7A2D

RGB 61 122 45

HSL 107.53, 0.46%, 0.33%

LAB 45.77, -35.38, 35.34

 

CMYK 58 / 0 / 75 / 59

HEX #2C681A

RGB 44 104 26

HSL 106.15, 0.6%, 0.25%

LAB 38.74, -34.96, 36.2

 

CMYK 69 / 0 / 92 / 66

HEX #1B5607

RGB 27 86 7

HSL 104.81, 0.85%, 0.18%

LAB 31.59, -33.88, 35.96

 

CMYK 85 / 0 / 100 / 73

HEX #0A4400

RGB 10 68 0

HSL 111.18, 1%, 0.13%

LAB 24.32, -31.46, 31.99

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 50 / 0 / 63 / 52

HEX #3D7A2D

RGB 61 122 45

HSL 107.53, 0.46%, 0.33%

LAB 45.77, -35.38, 35.34

 

CMYK 33 / 0 / 63 / 52

HEX #527A2D

RGB 82 122 45

HSL 91.17, 0.46%, 0.33%

LAB 46.85, -27.87, 36.85

 

CMYK 16 / 0 / 63 / 52

HEX #677A2D

RGB 103 122 45

HSL 74.81, 0.46%, 0.33%

LAB 48.25, -19.15, 38.8

 

CMYK 0 / 1 / 63 / 52

HEX #7A792D

RGB 122 121 45

HSL 59.22, 0.46%, 0.33%

LAB 49.5, -10.11, 40.6

 

CMYK 0 / 18 / 63 / 52

HEX #7A642D

RGB 122 100 45

HSL 42.86, 0.46%, 0.33%

LAB 43.42, 1.87, 33.88

 

CMYK 50 / 0 / 63 / 52

HEX #3D7A2D

RGB 61 122 45

HSL 107.53, 0.46%, 0.33%

LAB 45.77, -35.38, 35.34

 

CMYK 63 / 0 / 59 / 52

HEX #2D7A32

RGB 45 122 50

HSL 123.9, 0.46%, 0.33%

LAB 45.23, -39.3, 32.08

 

CMYK 63 / 0 / 42 / 52

HEX #2D7A47

RGB 45 122 71

HSL 140.26, 0.46%, 0.33%

LAB 45.54, -35.86, 21.1

 

CMYK 63 / 0 / 25 / 52

HEX #2D7A5B

RGB 45 122 91

HSL 155.84, 0.46%, 0.33%

LAB 45.95, -31.54, 10.09

 

CMYK 63 / 0 / 8 / 52

HEX #2D7A70

RGB 45 122 112

HSL 172.21, 0.46%, 0.33%

LAB 46.51, -26.02, -1.53

 

CMYK 50 / 0 / 63 / 52

HEX #3D7A2D

RGB 61 122 45

HSL 107.53, 0.46%, 0.33%

LAB 45.77, -35.38, 35.34

 

CMYK 61 / 0 / 77 / 47

HEX #35881F

RGB 53 136 31

HSL 107.43, 0.63%, 0.33%

LAB 50.05, -44.65, 45.75

 

CMYK 70 / 0 / 88 / 41

HEX #2D9612

RGB 45 150 18

HSL 107.73, 0.79%, 0.33%

LAB 54.46, -52.21, 53.59

 

CMYK 77 / 0 / 98 / 36

HEX #25A304

RGB 37 163 4

HSL 107.55, 0.95%, 0.33%

LAB 58.6, -58.23, 59.38

 

CMYK 50 / 0 / 63 / 52

HEX #3D7A2D

RGB 61 122 45

HSL 107.53, 0.46%, 0.33%

LAB 45.77, -35.38, 35.34

 

CMYK 37 / 0 / 46 / 57

HEX #456D3B

RGB 69 109 59

HSL 108, 0.3%, 0.33%

LAB 42.03, -24.68, 23.54

 

CMYK 19 / 0 / 24 / 63

HEX #4D5F48

RGB 77 95 72

HSL 106.96, 0.14%, 0.33%

LAB 38.25, -11.82, 10.95

 

CMYK 1 / 5 / 0 / 66

HEX #555256

RGB 85 82 86

HSL 285, 0.02%, 0.33%

LAB 35.28, 2.07, -1.91

 

CMYK 6 / 31 / 0 / 61

HEX #5D4463

RGB 93 68 99

HSL 288.39, 0.19%, 0.33%

LAB 32.62, 16.92, -14.05

 

CMYK 16 / 0 / 63 / 52

HEX #677A2D

RGB 103 122 45

HSL 74.81, 0.46%, 0.33%

LAB 48.25, -19.15, 38.8

 

CMYK 33 / 0 / 63 / 52

HEX #527A2D

RGB 82 122 45

HSL 91.17, 0.46%, 0.33%

LAB 46.85, -27.87, 36.85

 

CMYK 49 / 0 / 63 / 52

HEX #3E7A2D

RGB 62 122 45

HSL 106.75, 0.46%, 0.33%

LAB 45.82, -35.06, 35.4

 

CMYK 63 / 0 / 60 / 52

HEX #2D7A31

RGB 45 122 49

HSL 123.12, 0.46%, 0.33%

LAB 45.22, -39.44, 32.57

 

CMYK 63 / 0 / 43 / 52

HEX #2D7A45

RGB 45 122 69

HSL 138.7, 0.46%, 0.33%

LAB 45.51, -36.24, 22.18

 

CMYK 50 / 0 / 63 / 76

HEX #1F3E17

RGB 31 62 23

HSL 107.69, 0.46%, 0.17%

LAB 22.99, -20.53, 20.21

 

CMYK 50 / 0 / 63 / 64

HEX #2E5C22

RGB 46 92 34

HSL 107.59, 0.46%, 0.25%

LAB 34.7, -28.22, 28.04

 

CMYK 50 / 0 / 63 / 52

HEX #3D7A2D

RGB 61 122 45

HSL 107.53, 0.46%, 0.33%

LAB 45.77, -35.38, 35.34

 

CMYK 50 / 0 / 63 / 40

HEX #4C9838

RGB 76 152 56

HSL 107.5, 0.46%, 0.41%

LAB 56.37, -42.19, 42.27

 

CMYK 50 / 0 / 63 / 28

HEX #5BB743

RGB 91 183 67

HSL 107.59, 0.46%, 0.49%

LAB 66.9, -49.11, 49.27

 

CMYK 50 / 0 / 63 / 52

HEX #3D7A2D

RGB 61 122 45

HSL 107.53, 0.46%, 0.33%

LAB 45.77, -35.38, 35.34

 

CMYK 63 / 0 / 1 / 52

HEX #2D7A79

RGB 45 122 121

HSL 179.22, 0.46%, 0.33%

LAB 46.79, -23.38, -6.46

 

CMYK 0 / 63 / 24 / 52

HEX #7A2D5D

RGB 122 45 93

HSL 322.6, 0.46%, 0.33%

LAB 31.36, 39.09, -11.76

 

CMYK 50 / 0 / 63 / 52

HEX #3D7A2D

RGB 61 122 45

HSL 107.53, 0.46%, 0.33%

LAB 45.77, -35.38, 35.34

 

CMYK 63 / 49 / 0 / 52

HEX #2D3E7A

RGB 45 62 122

HSL 226.75, 0.46%, 0.33%

LAB 27.87, 13.45, -36.37

 

CMYK 0 / 63 / 49 / 52

HEX #7A2D3E

RGB 122 45 62

HSL 346.75, 0.46%, 0.33%

LAB 30.31, 35.12, 6.97

 

CMYK 50 / 0 / 63 / 52

HEX #3D7A2D

RGB 61 122 45

HSL 107.53, 0.46%, 0.33%

LAB 45.77, -35.38, 35.34

 

CMYK 63 / 0 / 1 / 52

HEX #2D7A79

RGB 45 122 121

HSL 179.22, 0.46%, 0.33%

LAB 46.79, -23.38, -6.46

 

CMYK 13 / 63 / 0 / 52

HEX #6A2D7A

RGB 106 45 122

HSL 287.53, 0.46%, 0.33%

LAB 30.27, 39.67, -32.16

 

CMYK 0 / 63 / 62 / 52

HEX #7A2D2E

RGB 122 45 46

HSL 359.22, 0.46%, 0.33%

LAB 29.94, 33.68, 16.94

 

CMYK 50 / 0 / 63 / 52

HEX #3D7A2D

RGB 61 122 45

HSL 107.53, 0.46%, 0.33%

LAB 45.77, -35.38, 35.34

 

CMYK 63 / 18 / 0 / 52

HEX #2D647A

RGB 45 100 122

HSL 197.14, 0.46%, 0.33%

LAB 39.71, -10.96, -17.77

 

CMYK 13 / 63 / 0 / 52

HEX #6A2D7A

RGB 106 45 122

HSL 287.53, 0.46%, 0.33%

LAB 30.27, 39.67, -32.16

 

CMYK 0 / 45 / 63 / 52

HEX #7A432D

RGB 122 67 45

HSL 17.14, 0.46%, 0.33%

LAB 34.68, 21.5, 23.56

 

Description

Color code: HEX #3D7A2D | qconv.com Color code: HEX #3D7A2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 122 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 122 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 63 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 63% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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