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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D9422 it is the complementary color #C26BDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D9422. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D9422 shade: #42941D, #53A630, #64B843, #75CA56 and #86DC69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D9422. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D9422 shade: #3D9422, #2C820F, #1B7000, #0A5E00 and #004C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D9422 shade: #3D9521, #5C9521, #7B9521, #959021 and #957121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D9422 shade: #3D9521, #219525, #219544, #219564 and #219583

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D9422 shade matches the following richer shades: #3D9521, #35A413 and #2DB304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D9422 shade: #3D9521, #458630, #4C773F, #54694E and #5C5A5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D9422 shade: #7C9521, #5D9521, #3E9521, #219523 and #219542

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D9422 shade: #215212, #2F741A, #3D9521, #4BB729 and #5CD138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D9422 shade: #3D9422, #21958F and #95216D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D9422 shade: #3D9422, #213E95 and #95213E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D9422 shade: #3D9422, #21958F, #782195 and #952127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D9422 shade: #3D9422, #217895, #782195 and #953E21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 77 / 42

HEX #3D9422

RGB 61 148 34

HSL 105.79, 0.63%, 0.36%

LAB 54.33, -46.84, 48.98

 

Complementary color

CMYK 12 / 52 / 0 / 13

HEX #C26BDD

RGB 194 107 221

HSL 285.79, 0.63%, 0.64%

LAB 59.16, 52.44, -44.26

 

CMYK 55 / 0 / 80 / 42

HEX #42941D

RGB 66 148 29

HSL 101.34, 0.67%, 0.35%

LAB 54.48, -45.78, 50.85

 

CMYK 50 / 0 / 71 / 35

HEX #53A630

RGB 83 166 48

HSL 102.2, 0.55%, 0.42%

LAB 61.07, -46.46, 50.81

 

CMYK 46 / 0 / 64 / 28

HEX #64B843

RGB 100 184 67

HSL 103.08, 0.47%, 0.49%

LAB 67.57, -46.81, 50.12

 

CMYK 42 / 0 / 57 / 21

HEX #75CA56

RGB 117 202 86

HSL 103.97, 0.52%, 0.56%

LAB 73.99, -46.96, 49.12

 

CMYK 39 / 0 / 52 / 14

HEX #86DC69

RGB 134 220 105

HSL 104.87, 0.62%, 0.64%

LAB 80.33, -46.97, 47.99

 

CMYK 59 / 0 / 77 / 42

HEX #3D9422

RGB 61 148 34

HSL 105.79, 0.63%, 0.36%

LAB 54.33, -46.84, 48.98

 

CMYK 66 / 0 / 88 / 49

HEX #2C820F

RGB 44 130 15

HSL 104.87, 0.79%, 0.28%

LAB 47.67, -45.63, 48.29

 

CMYK 76 / 0 / 100 / 56

HEX #1B7000

RGB 27 112 0

HSL 105.54, 1%, 0.22%

LAB 40.93, -43.62, 45.81

 

CMYK 89 / 0 / 100 / 63

HEX #0A5E00

RGB 10 94 0

HSL 113.62, 1%, 0.18%

LAB 34.13, -40.32, 40.25

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 59 / 0 / 78 / 42

HEX #3D9521

RGB 61 149 33

HSL 105.52, 0.64%, 0.36%

LAB 54.65, -47.28, 49.64

 

CMYK 38 / 0 / 78 / 42

HEX #5C9521

RGB 92 149 33

HSL 89.48, 0.64%, 0.36%

LAB 55.97, -37.41, 51.36

 

CMYK 17 / 0 / 78 / 42

HEX #7B9521

RGB 123 149 33

HSL 73.45, 0.64%, 0.36%

LAB 57.86, -25.04, 53.82

 

CMYK 0 / 3 / 78 / 42

HEX #959021

RGB 149 144 33

HSL 57.41, 0.64%, 0.36%

LAB 58.46, -10.99, 55.12

 

CMYK 0 / 24 / 78 / 42

HEX #957121

RGB 149 113 33

HSL 41.38, 0.64%, 0.36%

LAB 49.87, 6.23, 47.12

 

CMYK 59 / 0 / 78 / 42

HEX #3D9521

RGB 61 149 33

HSL 105.52, 0.64%, 0.36%

LAB 54.65, -47.28, 49.64

 

CMYK 78 / 0 / 75 / 42

HEX #219525

RGB 33 149 37

HSL 122.07, 0.64%, 0.36%

LAB 53.98, -52.83, 47.3

 

CMYK 78 / 0 / 54 / 42

HEX #219544

RGB 33 149 68

HSL 138.1, 0.64%, 0.36%

LAB 54.28, -49.2, 33.7

 

CMYK 78 / 0 / 33 / 42

HEX #219564

RGB 33 149 100

HSL 154.66, 0.64%, 0.36%

LAB 54.8, -43.18, 17.14

 

CMYK 78 / 0 / 12 / 42

HEX #219583

RGB 33 149 131

HSL 170.69, 0.64%, 0.36%

LAB 55.54, -35.36, 0.58

 

CMYK 59 / 0 / 78 / 42

HEX #3D9521

RGB 61 149 33

HSL 105.52, 0.64%, 0.36%

LAB 54.65, -47.28, 49.64

 

CMYK 68 / 0 / 88 / 36

HEX #35A413

RGB 53 164 19

HSL 105.93, 0.79%, 0.36%

LAB 59.3, -55.21, 57.68

 

CMYK 75 / 0 / 98 / 30

HEX #2DB304

RGB 45 179 4

HSL 105.94, 0.96%, 0.36%

LAB 64, -61.9, 63.83

 

CMYK 59 / 0 / 78 / 42

HEX #3D9521

RGB 61 149 33

HSL 105.52, 0.64%, 0.36%

LAB 54.65, -47.28, 49.64

 

CMYK 49 / 0 / 64 / 47

HEX #458630

RGB 69 134 48

HSL 105.35, 0.47%, 0.36%

LAB 50.13, -37.66, 38.91

 

CMYK 36 / 0 / 47 / 53

HEX #4C773F

RGB 76 119 63

HSL 106.07, 0.31%, 0.36%

LAB 45.76, -26.47, 26.12

 

CMYK 20 / 0 / 26 / 59

HEX #54694E

RGB 84 105 78

HSL 106.67, 0.15%, 0.36%

LAB 42.06, -13.56, 12.67

 

CMYK 1 / 3 / 0 / 64

HEX #5C5A5D

RGB 92 90 93

HSL 280, 0.02%, 0.36%

LAB 38.51, 1.43, -1.45

 

CMYK 17 / 0 / 78 / 42

HEX #7C9521

RGB 124 149 33

HSL 72.93, 0.64%, 0.36%

LAB 57.93, -24.62, 53.91

 

CMYK 38 / 0 / 78 / 42

HEX #5D9521

RGB 93 149 33

HSL 88.97, 0.64%, 0.36%

LAB 56.02, -37.05, 51.43

 

CMYK 58 / 0 / 78 / 42

HEX #3E9521

RGB 62 149 33

HSL 105, 0.64%, 0.36%

LAB 54.69, -47.02, 49.68

 

CMYK 78 / 0 / 77 / 42

HEX #219523

RGB 33 149 35

HSL 121.03, 0.64%, 0.36%

LAB 53.96, -52.99, 48.02

 

CMYK 78 / 0 / 56 / 42

HEX #219542

RGB 33 149 66

HSL 137.07, 0.64%, 0.36%

LAB 54.25, -49.5, 34.68

 

CMYK 60 / 0 / 78 / 68

HEX #215212

RGB 33 82 18

HSL 105.94, 0.64%, 0.2%

LAB 30.4, -29.74, 30.92

 

CMYK 59 / 0 / 78 / 55

HEX #2F741A

RGB 47 116 26

HSL 106, 0.63%, 0.28%

LAB 43.02, -38.94, 40.56

 

CMYK 59 / 0 / 78 / 42

HEX #3D9521

RGB 61 149 33

HSL 105.52, 0.64%, 0.36%

LAB 54.65, -47.28, 49.64

 

CMYK 59 / 0 / 78 / 28

HEX #4BB729

RGB 75 183 41

HSL 105.63, 0.63%, 0.44%

LAB 66.15, -55.55, 58.27

 

CMYK 56 / 0 / 73 / 18

HEX #5CD138

RGB 92 209 56

HSL 105.88, 0.62%, 0.52%

LAB 74.93, -59.52, 62.05

 

CMYK 59 / 0 / 77 / 42

HEX #3D9422

RGB 61 148 34

HSL 105.79, 0.63%, 0.36%

LAB 54.33, -46.84, 48.98

 

CMYK 78 / 0 / 4 / 42

HEX #21958F

RGB 33 149 143

HSL 176.9, 0.64%, 0.36%

LAB 55.89, -31.89, -5.79

 

CMYK 0 / 78 / 27 / 42

HEX #95216D

RGB 149 33 109

HSL 320.69, 0.64%, 0.36%

LAB 35.17, 53.79, -15.75

 

CMYK 59 / 0 / 77 / 42

HEX #3D9422

RGB 61 148 34

HSL 105.79, 0.63%, 0.36%

LAB 54.33, -46.84, 48.98

 

CMYK 78 / 58 / 0 / 42

HEX #213E95

RGB 33 62 149

HSL 225, 0.64%, 0.36%

LAB 29.26, 21.97, -50.9

 

CMYK 0 / 78 / 58 / 42

HEX #95213E

RGB 149 33 62

HSL 345, 0.64%, 0.36%

LAB 33.62, 48.98, 12.34

 

CMYK 59 / 0 / 77 / 42

HEX #3D9422

RGB 61 148 34

HSL 105.79, 0.63%, 0.36%

LAB 54.33, -46.84, 48.98

 

CMYK 78 / 0 / 4 / 42

HEX #21958F

RGB 33 149 143

HSL 176.9, 0.64%, 0.36%

LAB 55.89, -31.89, -5.79

 

CMYK 19 / 78 / 0 / 42

HEX #782195

RGB 120 33 149

HSL 285, 0.64%, 0.36%

LAB 32.37, 53.75, -45.44

 

CMYK 0 / 78 / 74 / 42

HEX #952127

RGB 149 33 39

HSL 356.9, 0.64%, 0.36%

LAB 33.19, 47.6, 26.56

 

CMYK 59 / 0 / 77 / 42

HEX #3D9422

RGB 61 148 34

HSL 105.79, 0.63%, 0.36%

LAB 54.33, -46.84, 48.98

 

CMYK 78 / 19 / 0 / 42

HEX #217895

RGB 33 120 149

HSL 195, 0.64%, 0.36%

LAB 46.88, -14.95, -22.93

 

CMYK 19 / 78 / 0 / 42

HEX #782195

RGB 120 33 149

HSL 285, 0.64%, 0.36%

LAB 32.37, 53.75, -45.44

 

CMYK 0 / 58 / 78 / 42

HEX #953E21

RGB 149 62 33

HSL 15, 0.64%, 0.36%

LAB 37.74, 34.85, 35.07

 

Description

Color code: HEX #3D9422 | qconv.com Color code: HEX #3D9422 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 148 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 148 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 77 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 77% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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