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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D967C it is the complementary color #C26983. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D967C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D967C shade: #429677, #53A88A, #64BA9D, #75CCB0 and #86DEC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D967C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D967C shade: #3D967C, #2C8469, #1B7256, #0A6043 and #004E30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D967C shade: #3C947A, #3C9463, #3C944B, #45943C and #5D943C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D967C shade: #3C947A, #3C9492, #3C7E94, #3C6794 and #3C4F94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D967C shade matches the following richer shades: #3C947A, #2BA581, #1AB688 and #09C78F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D967C shade: #3C947A, #4D8373, #5E726C, #6F6165 and #80505E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D967C shade: #3C944B, #3C9462, #3C947A, #3C9491 and #3C7F94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D967C shade: #24594A, #307762, #3C947A, #48B193 and #63BFA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D967C shade: #3D967C, #3C4594 and #94563C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D967C shade: #3D967C, #7A3C94 and #947A3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D967C shade: #3D967C, #3C4594, #943C56 and #948B3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D967C shade: #3D967C, #4E3C94, #943C56 and #82943C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 17 / 41

HEX #3D967C

RGB 61 150 124

HSL 162.47, 0.42%, 0.41%

LAB 56.35, -33.09, 5.83

 

Complementary color

CMYK 0 / 46 / 32 / 24

HEX #C26983

RGB 194 105 131

HSL 342.47, 0.42%, 0.59%

LAB 55.29, 38.35, 1.6

 

CMYK 56 / 0 / 21 / 41

HEX #429677

RGB 66 150 119

HSL 157.86, 0.39%, 0.42%

LAB 56.39, -33.2, 8.75

 

CMYK 51 / 0 / 18 / 34

HEX #53A88A

RGB 83 168 138

HSL 158.82, 0.34%, 0.49%

LAB 63.08, -33.12, 7.67

 

CMYK 46 / 0 / 16 / 27

HEX #64BA9D

RGB 100 186 157

HSL 159.77, 0.38%, 0.56%

LAB 69.66, -32.98, 6.69

 

CMYK 43 / 0 / 14 / 20

HEX #75CCB0

RGB 117 204 176

HSL 160.69, 0.46%, 0.63%

LAB 76.13, -32.81, 5.78

 

CMYK 40 / 0 / 12 / 13

HEX #86DEC3

RGB 134 222 195

HSL 161.59, 0.57%, 0.7%

LAB 82.51, -32.62, 4.94

 

CMYK 59 / 0 / 17 / 41

HEX #3D967C

RGB 61 150 124

HSL 162.47, 0.42%, 0.41%

LAB 56.35, -33.09, 5.83

 

CMYK 67 / 0 / 20 / 48

HEX #2C8469

RGB 44 132 105

HSL 161.59, 0.5%, 0.35%

LAB 49.57, -32.9, 7.01

 

CMYK 76 / 0 / 25 / 55

HEX #1B7256

RGB 27 114 86

HSL 160.69, 0.62%, 0.28%

LAB 42.67, -32.42, 8.37

 

CMYK 90 / 0 / 30 / 62

HEX #0A6043

RGB 10 96 67

HSL 159.77, 0.81%, 0.21%

LAB 35.67, -31.42, 9.98

 

CMYK 100 / 0 / 38 / 69

HEX #004E30

RGB 0 78 48

HSL 156.92, 1%, 0.15%

LAB 28.54, -29.58, 11.92

 

CMYK 59 / 0 / 18 / 42

HEX #3C947A

RGB 60 148 122

HSL 162.27, 0.42%, 0.41%

LAB 55.63, -32.87, 5.94

 

CMYK 59 / 0 / 33 / 42

HEX #3C9463

RGB 60 148 99

HSL 146.59, 0.42%, 0.41%

LAB 55.11, -38.11, 18.24

 

CMYK 59 / 0 / 49 / 42

HEX #3C944B

RGB 60 148 75

HSL 130.23, 0.42%, 0.41%

LAB 54.71, -42.47, 30.77

 

CMYK 53 / 0 / 59 / 42

HEX #45943C

RGB 69 148 60

HSL 113.86, 0.42%, 0.41%

LAB 54.84, -42.15, 38.57

 

CMYK 37 / 0 / 59 / 42

HEX #5D943C

RGB 93 148 60

HSL 97.5, 0.42%, 0.41%

LAB 55.92, -34.39, 40.11

 

CMYK 59 / 0 / 18 / 42

HEX #3C947A

RGB 60 148 122

HSL 162.27, 0.42%, 0.41%

LAB 55.63, -32.87, 5.94

 

CMYK 59 / 0 / 1 / 42

HEX #3C9492

RGB 60 148 146

HSL 178.64, 0.42%, 0.41%

LAB 56.3, -26.44, -6.82

 

CMYK 59 / 15 / 0 / 42

HEX #3C7E94

RGB 60 126 148

HSL 195, 0.42%, 0.41%

LAB 49.52, -14.21, -18.21

 

CMYK 59 / 30 / 0 / 42

HEX #3C6794

RGB 60 103 148

HSL 210.68, 0.42%, 0.41%

LAB 42.46, -0.74, -29.14

 

CMYK 59 / 47 / 0 / 42

HEX #3C4F94

RGB 60 79 148

HSL 227.05, 0.42%, 0.41%

LAB 35.38, 14.61, -40.34

 

CMYK 59 / 0 / 18 / 42

HEX #3C947A

RGB 60 148 122

HSL 162.27, 0.42%, 0.41%

LAB 55.63, -32.87, 5.94

 

CMYK 74 / 0 / 22 / 35

HEX #2BA581

RGB 43 165 129

HSL 162.3, 0.59%, 0.41%

LAB 60.79, -41.67, 9.28

 

CMYK 86 / 0 / 25 / 29

HEX #1AB688

RGB 26 182 136

HSL 162.31, 0.75%, 0.41%

LAB 66.1, -48.77, 12.88

 

CMYK 95 / 0 / 28 / 22

HEX #09C78F

RGB 9 199 143

HSL 162.32, 0.91%, 0.41%

LAB 71.48, -54.61, 16.59

 

CMYK 59 / 0 / 18 / 42

HEX #3C947A

RGB 60 148 122

HSL 162.27, 0.42%, 0.41%

LAB 55.63, -32.87, 5.94

 

CMYK 41 / 0 / 12 / 49

HEX #4D8373

RGB 77 131 115

HSL 162.22, 0.26%, 0.41%

LAB 50.74, -21.93, 3.03

 

CMYK 18 / 0 / 5 / 55

HEX #5E726C

RGB 94 114 108

HSL 162, 0.1%, 0.41%

LAB 46.31, -8.72, 0.85

 

CMYK 0 / 13 / 9 / 56

HEX #6F6165

RGB 111 97 101

HSL 342.86, 0.07%, 0.41%

LAB 42.56, 6.36, -0.21

 

CMYK 0 / 38 / 27 / 50

HEX #80505E

RGB 128 80 94

HSL 342.5, 0.23%, 0.41%

LAB 39.81, 22.19, 0.3

 

CMYK 59 / 0 / 49 / 42

HEX #3C944B

RGB 60 148 75

HSL 130.23, 0.42%, 0.41%

LAB 54.71, -42.47, 30.77

 

CMYK 59 / 0 / 34 / 42

HEX #3C9462

RGB 60 148 98

HSL 145.91, 0.42%, 0.41%

LAB 55.1, -38.31, 18.77

 

CMYK 59 / 0 / 18 / 42

HEX #3C947A

RGB 60 148 122

HSL 162.27, 0.42%, 0.41%

LAB 55.63, -32.87, 5.94

 

CMYK 59 / 0 / 2 / 42

HEX #3C9491

RGB 60 148 145

HSL 177.95, 0.42%, 0.41%

LAB 56.27, -26.72, -6.3

 

CMYK 59 / 14 / 0 / 42

HEX #3C7F94

RGB 60 127 148

HSL 194.32, 0.42%, 0.41%

LAB 49.83, -14.77, -17.74

 

CMYK 60 / 0 / 17 / 65

HEX #24594A

RGB 36 89 74

HSL 163.02, 0.42%, 0.25%

LAB 34.01, -21.76, 3.4

 

CMYK 60 / 0 / 18 / 53

HEX #307762

RGB 48 119 98

HSL 162.25, 0.43%, 0.33%

LAB 45.23, -27.7, 4.94

 

CMYK 59 / 0 / 18 / 42

HEX #3C947A

RGB 60 148 122

HSL 162.27, 0.42%, 0.41%

LAB 55.63, -32.87, 5.94

 

CMYK 59 / 0 / 17 / 31

HEX #48B193

RGB 72 177 147

HSL 162.86, 0.42%, 0.49%

LAB 65.69, -37.59, 6.37

 

CMYK 48 / 0 / 14 / 25

HEX #63BFA4

RGB 99 191 164

HSL 162.39, 0.42%, 0.57%

LAB 71.28, -33.97, 5.2

 

CMYK 59 / 0 / 17 / 41

HEX #3D967C

RGB 61 150 124

HSL 162.47, 0.42%, 0.41%

LAB 56.35, -33.09, 5.83

 

CMYK 59 / 53 / 0 / 42

HEX #3C4594

RGB 60 69 148

HSL 233.86, 0.42%, 0.41%

LAB 32.6, 21.21, -44.8

 

CMYK 0 / 42 / 59 / 42

HEX #94563C

RGB 148 86 60

HSL 17.73, 0.42%, 0.41%

LAB 43.18, 23.03, 26.03

 

CMYK 59 / 0 / 17 / 41

HEX #3D967C

RGB 61 150 124

HSL 162.47, 0.42%, 0.41%

LAB 56.35, -33.09, 5.83

 

CMYK 18 / 59 / 0 / 42

HEX #7A3C94

RGB 122 60 148

HSL 282.27, 0.42%, 0.41%

LAB 36.94, 41.92, -37.49

 

CMYK 0 / 18 / 59 / 42

HEX #947A3C

RGB 148 122 60

HSL 42.27, 0.42%, 0.41%

LAB 52.44, 2.32, 37.18

 

CMYK 59 / 0 / 17 / 41

HEX #3D967C

RGB 61 150 124

HSL 162.47, 0.42%, 0.41%

LAB 56.35, -33.09, 5.83

 

CMYK 59 / 53 / 0 / 42

HEX #3C4594

RGB 60 69 148

HSL 233.86, 0.42%, 0.41%

LAB 32.6, 21.21, -44.8

 

CMYK 0 / 59 / 42 / 42

HEX #943C56

RGB 148 60 86

HSL 342.27, 0.42%, 0.41%

LAB 38.2, 39.61, 3.34

 

CMYK 0 / 6 / 59 / 42

HEX #948B3C

RGB 148 139 60

HSL 53.86, 0.42%, 0.41%

LAB 57.16, -7.14, 42.57

 

CMYK 59 / 0 / 17 / 41

HEX #3D967C

RGB 61 150 124

HSL 162.47, 0.42%, 0.41%

LAB 56.35, -33.09, 5.83

 

CMYK 47 / 59 / 0 / 42

HEX #4E3C94

RGB 78 60 148

HSL 252.27, 0.42%, 0.41%

LAB 31.78, 30.89, -46.05

 

CMYK 0 / 59 / 42 / 42

HEX #943C56

RGB 148 60 86

HSL 342.27, 0.42%, 0.41%

LAB 38.2, 39.61, 3.34

 

CMYK 12 / 0 / 59 / 42

HEX #82943C

RGB 130 148 60

HSL 72.27, 0.42%, 0.41%

LAB 58.28, -19.76, 43.41

 

Description

Color code: HEX #3D967C | qconv.com Color code: HEX #3D967C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 150 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 150 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 17 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 17% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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