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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DA8CB it is the complementary color #C25734. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DA8CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DA8CB shade: #42A8C6, #53BAD9, #64CCEC, #75DEFF and #86F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DA8CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DA8CB shade: #3DA8CB, #2C96B8, #1B84A5, #0A7292 and #00607F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DA8CB shade: #3DA8CB, #3D82CB, #3D5CCB, #453DCB and #6B3DCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DA8CB shade: #3DA8CB, #3D82CB, #3D5CCB and #3D3DCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DA8CB shade matches the following richer shades: #3DA8CB, #29B2DF and #15BCF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DA8CB shade: #3DA8CB, #519EB7, #6594A3, #798A90 and #8C807C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DA8CB shade: #3DCBA0, #3DCBC6, #3DAACB, #3D84CB and #3D5ECB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DA8CB shade: #267690, #2F90B0, #3DA8CB, #5EB7D4 and #7EC5DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DA8CB shade: #3DA8CB, #7B3DCB and #CBB33D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DA8CB shade: #3DA8CB, #CB3DAA and #AACB3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DA8CB shade: #3DA8CB, #7B3DCB, #CB5E3D and #8ECB3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DA8CB shade: #3DA8CB, #A53DCB, #CB5E3D and #63CB3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 17 / 0 / 20

HEX #3DA8CB

RGB 61 168 203

HSL 194.79, 0.58%, 0.52%

LAB 64.41, -19.11, -26.7

 

Complementary color

CMYK 0 / 55 / 73 / 24

HEX #C25734

RGB 194 87 52

HSL 14.79, 0.58%, 0.48%

LAB 50.14, 40.65, 40.36

 

CMYK 67 / 15 / 0 / 22

HEX #42A8C6

RGB 66 168 198

HSL 193.64, 0.54%, 0.52%

LAB 64.36, -19.95, -24

 

CMYK 62 / 14 / 0 / 15

HEX #53BAD9

RGB 83 186 217

HSL 193.88, 0.64%, 0.59%

LAB 70.85, -20.63, -24.48

 

CMYK 58 / 14 / 0 / 7

HEX #64CCEC

RGB 100 204 236

HSL 194.12, 0.78%, 0.66%

LAB 77.25, -21.14, -24.93

 

CMYK 54 / 13 / 0 / 0

HEX #75DEFF

RGB 117 222 255

HSL 194.35, 1%, 0.73%

LAB 83.57, -21.54, -25.35

 

CMYK 47 / 6 / 0 / 0

HEX #86F0FF

RGB 134 240 255

HSL 187.44, 1%, 0.76%

LAB 89.21, -26.87, -16.76

 

CMYK 70 / 17 / 0 / 20

HEX #3DA8CB

RGB 61 168 203

HSL 194.79, 0.58%, 0.52%

LAB 64.41, -19.11, -26.7

 

CMYK 76 / 18 / 0 / 28

HEX #2C96B8

RGB 44 150 184

HSL 194.57, 0.61%, 0.45%

LAB 57.86, -18.02, -26.18

 

CMYK 84 / 20 / 0 / 35

HEX #1B84A5

RGB 27 132 165

HSL 194.35, 0.72%, 0.38%

LAB 51.21, -16.57, -25.59

 

CMYK 93 / 22 / 0 / 43

HEX #0A7292

RGB 10 114 146

HSL 194.12, 0.87%, 0.31%

LAB 44.48, -14.62, -24.89

 

CMYK 100 / 24 / 0 / 50

HEX #00607F

RGB 0 96 127

HSL 194.65, 1%, 0.25%

LAB 37.66, -12.04, -24.07

 

CMYK 70 / 17 / 0 / 20

HEX #3DA8CB

RGB 61 168 203

HSL 194.79, 0.58%, 0.52%

LAB 64.41, -19.11, -26.7

 

CMYK 70 / 36 / 0 / 20

HEX #3D82CB

RGB 61 130 203

HSL 210.85, 0.58%, 0.52%

LAB 53.24, 2.3, -44.14

 

CMYK 70 / 55 / 0 / 20

HEX #3D5CCB

RGB 61 92 203

HSL 226.9, 0.58%, 0.52%

LAB 42.7, 26.08, -61.04

 

CMYK 66 / 70 / 0 / 20

HEX #453DCB

RGB 69 61 203

HSL 243.38, 0.58%, 0.52%

LAB 35.82, 46.26, -72.25

 

CMYK 47 / 70 / 0 / 20

HEX #6B3DCB

RGB 107 61 203

HSL 259.44, 0.58%, 0.52%

LAB 39.2, 51.9, -66.59

 

CMYK 70 / 17 / 0 / 20

HEX #3DA8CB

RGB 61 168 203

HSL 194.79, 0.58%, 0.52%

LAB 64.41, -19.11, -26.7

 

CMYK 70 / 36 / 0 / 20

HEX #3D82CB

RGB 61 130 203

HSL 210.85, 0.58%, 0.52%

LAB 53.24, 2.3, -44.14

 

CMYK 70 / 55 / 0 / 20

HEX #3D5CCB

RGB 61 92 203

HSL 226.9, 0.58%, 0.52%

LAB 42.7, 26.08, -61.04

 

CMYK 70 / 70 / 0 / 20

HEX #3D3DCB

RGB 61 61 203

HSL 240, 0.58%, 0.52%

LAB 35.28, 45.33, -73.15

 

CMYK 70 / 17 / 0 / 20

HEX #3DA8CB

RGB 61 168 203

HSL 194.79, 0.58%, 0.52%

LAB 64.41, -19.11, -26.7

 

CMYK 82 / 20 / 0 / 13

HEX #29B2DF

RGB 41 178 223

HSL 194.84, 0.74%, 0.52%

LAB 67.75, -20, -32.61

 

CMYK 91 / 23 / 0 / 5

HEX #15BCF3

RGB 21 188 243

HSL 194.86, 0.9%, 0.52%

LAB 71.28, -19.64, -38.04

 

CMYK 70 / 17 / 0 / 20

HEX #3DA8CB

RGB 61 168 203

HSL 194.79, 0.58%, 0.52%

LAB 64.41, -19.11, -26.7

 

CMYK 56 / 14 / 0 / 28

HEX #519EB7

RGB 81 158 183

HSL 194.71, 0.41%, 0.52%

LAB 61.33, -16.54, -20.2

 

CMYK 38 / 9 / 0 / 36

HEX #6594A3

RGB 101 148 163

HSL 194.52, 0.25%, 0.52%

LAB 58.59, -11.91, -12.93

 

CMYK 16 / 4 / 0 / 44

HEX #798A90

RGB 121 138 144

HSL 195.65, 0.09%, 0.52%

LAB 56.34, -4.79, -5.28

 

CMYK 0 / 9 / 11 / 45

HEX #8C807C

RGB 140 128 124

HSL 15, 0.07%, 0.52%

LAB 54.52, 3.82, 3.81

 

CMYK 70 / 0 / 21 / 20

HEX #3DCBA0

RGB 61 203 160

HSL 161.83, 0.58%, 0.52%

LAB 73.7, -47.64, 10.68

 

CMYK 70 / 0 / 2 / 20

HEX #3DCBC6

RGB 61 203 198

HSL 177.89, 0.58%, 0.52%

LAB 74.69, -37.8, -8.41

 

CMYK 70 / 16 / 0 / 20

HEX #3DAACB

RGB 61 170 203

HSL 193.94, 0.58%, 0.52%

LAB 65, -20.16, -25.79

 

CMYK 70 / 35 / 0 / 20

HEX #3D84CB

RGB 61 132 203

HSL 210, 0.58%, 0.52%

LAB 53.82, 1.1, -43.23

 

CMYK 70 / 54 / 0 / 20

HEX #3D5ECB

RGB 61 94 203

HSL 226.06, 0.58%, 0.52%

LAB 43.23, 24.8, -60.19

 

CMYK 74 / 18 / 0 / 44

HEX #267690

RGB 38 118 144

HSL 194.72, 0.58%, 0.36%

LAB 46.15, -14.92, -21.08

 

CMYK 73 / 18 / 0 / 31

HEX #2F90B0

RGB 47 144 176

HSL 194.88, 0.58%, 0.44%

LAB 55.77, -17.1, -24.84

 

CMYK 70 / 17 / 0 / 20

HEX #3DA8CB

RGB 61 168 203

HSL 194.79, 0.58%, 0.52%

LAB 64.41, -19.11, -26.7

 

CMYK 56 / 14 / 0 / 17

HEX #5EB7D4

RGB 94 183 212

HSL 194.75, 0.58%, 0.6%

LAB 70.18, -18.5, -22.74

 

CMYK 43 / 10 / 0 / 14

HEX #7EC5DC

RGB 126 197 220

HSL 194.68, 0.57%, 0.68%

LAB 75.78, -16.33, -18.45

 

CMYK 70 / 17 / 0 / 20

HEX #3DA8CB

RGB 61 168 203

HSL 194.79, 0.58%, 0.52%

LAB 64.41, -19.11, -26.7

 

CMYK 39 / 70 / 0 / 20

HEX #7B3DCB

RGB 123 61 203

HSL 266.2, 0.58%, 0.52%

LAB 40.99, 54.76, -63.58

 

CMYK 0 / 12 / 70 / 20

HEX #CBB33D

RGB 203 179 61

HSL 49.86, 0.58%, 0.52%

LAB 73.07, -4.33, 60.53

 

CMYK 70 / 17 / 0 / 20

HEX #3DA8CB

RGB 61 168 203

HSL 194.79, 0.58%, 0.52%

LAB 64.41, -19.11, -26.7

 

CMYK 0 / 70 / 16 / 20

HEX #CB3DAA

RGB 203 61 170

HSL 313.94, 0.58%, 0.52%

LAB 50.61, 66.25, -28.29

 

CMYK 16 / 0 / 70 / 20

HEX #AACB3D

RGB 170 203 61

HSL 73.94, 0.58%, 0.52%

LAB 77.04, -30.19, 63.65

 

CMYK 70 / 17 / 0 / 20

HEX #3DA8CB

RGB 61 168 203

HSL 194.79, 0.58%, 0.52%

LAB 64.41, -19.11, -26.7

 

CMYK 39 / 70 / 0 / 20

HEX #7B3DCB

RGB 123 61 203

HSL 266.2, 0.58%, 0.52%

LAB 40.99, 54.76, -63.58

 

CMYK 0 / 54 / 70 / 20

HEX #CB5E3D

RGB 203 94 61

HSL 13.94, 0.58%, 0.52%

LAB 52.99, 41.05, 39.13

 

CMYK 30 / 0 / 70 / 20

HEX #8ECB3D

RGB 142 203 61

HSL 85.77, 0.58%, 0.52%

LAB 75.33, -40.98, 61.37

 

CMYK 70 / 17 / 0 / 20

HEX #3DA8CB

RGB 61 168 203

HSL 194.79, 0.58%, 0.52%

LAB 64.41, -19.11, -26.7

 

CMYK 19 / 70 / 0 / 20

HEX #A53DCB

RGB 165 61 203

HSL 283.94, 0.58%, 0.52%

LAB 46.51, 63.12, -54.39

 

CMYK 0 / 54 / 70 / 20

HEX #CB5E3D

RGB 203 94 61

HSL 13.94, 0.58%, 0.52%

LAB 52.99, 41.05, 39.13

 

CMYK 51 / 0 / 70 / 20

HEX #63CB3D

RGB 99 203 61

HSL 103.94, 0.58%, 0.52%

LAB 73.35, -55.06, 58.71

 

Description

Color code: HEX #3DA8CB | qconv.com Color code: HEX #3DA8CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 168 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 168 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 17 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 17% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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