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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DACD7 it is the complementary color #C25328. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DACD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DACD7 shade: #42ACD2, #53BEE5, #64D0F8, #75E2FF and #86F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DACD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DACD7 shade: #3DACD7, #2C9AC4, #1B88B1, #0A769E and #00648B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DACD7 shade: #3CABD7, #3C82D7, #3C58D7, #493CD7 and #733CD7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DACD7 shade: #3CABD7, #3C82D7, #3C58D7 and #3C3CD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DACD7 shade matches the following richer shades: #3CABD7, #29B4EA and #16BCFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DACD7 shade: #3CABD7, #4FA3C4, #629BB1, #75929E and #888A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DACD7 shade: #3CD7AD, #3CD7D7, #3CADD7, #3C84D7 and #3C5BD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DACD7 shade: #207CA0, #2797C2, #3CABD7, #5EBADE and #80C9E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DACD7 shade: #3DACD7, #843CD7 and #D7C23C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DACD7 shade: #3DACD7, #D73CAD and #ADD73C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DACD7 shade: #3DACD7, #843CD7, #D7653C and #8ED73C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DACD7 shade: #3DACD7, #B23CD7, #D7653C and #60D73C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 20 / 0 / 16

HEX #3DACD7

RGB 61 172 215

HSL 196.75, 0.66%, 0.54%

LAB 66.06, -17.33, -30.8

 

Complementary color

CMYK 0 / 57 / 79 / 24

HEX #C25328

RGB 194 83 40

HSL 16.75, 0.66%, 0.46%

LAB 49.26, 42.12, 45.55

 

CMYK 69 / 18 / 0 / 18

HEX #42ACD2

RGB 66 172 210

HSL 195.83, 0.62%, 0.54%

LAB 65.99, -18.25, -28.13

 

CMYK 64 / 17 / 0 / 10

HEX #53BEE5

RGB 83 190 229

HSL 196.03, 0.74%, 0.61%

LAB 72.44, -19.05, -28.57

 

CMYK 60 / 16 / 0 / 3

HEX #64D0F8

RGB 100 208 248

HSL 196.22, 0.91%, 0.68%

LAB 78.81, -19.67, -28.97

 

CMYK 54 / 11 / 0 / 0

HEX #75E2FF

RGB 117 226 255

HSL 192.61, 1%, 0.73%

LAB 84.69, -23.53, -23.66

 

CMYK 47 / 4 / 0 / 0

HEX #86F4FF

RGB 134 244 255

HSL 185.45, 1%, 0.76%

LAB 90.32, -28.79, -15.1

 

CMYK 72 / 20 / 0 / 16

HEX #3DACD7

RGB 61 172 215

HSL 196.75, 0.66%, 0.54%

LAB 66.06, -17.33, -30.8

 

CMYK 78 / 21 / 0 / 23

HEX #2C9AC4

RGB 44 154 196

HSL 196.58, 0.63%, 0.47%

LAB 59.55, -16.1, -30.32

 

CMYK 85 / 23 / 0 / 31

HEX #1B88B1

RGB 27 136 177

HSL 196.4, 0.74%, 0.4%

LAB 52.97, -14.5, -29.79

 

CMYK 94 / 25 / 0 / 38

HEX #0A769E

RGB 10 118 158

HSL 196.22, 0.88%, 0.33%

LAB 46.3, -12.41, -29.15

 

CMYK 100 / 28 / 0 / 45

HEX #00648B

RGB 0 100 139

HSL 196.83, 1%, 0.27%

LAB 39.54, -9.7, -28.41

 

CMYK 72 / 20 / 0 / 16

HEX #3CABD7

RGB 60 171 215

HSL 197.03, 0.66%, 0.54%

LAB 65.74, -16.93, -31.29

 

CMYK 72 / 40 / 0 / 16

HEX #3C82D7

RGB 60 130 215

HSL 212.9, 0.66%, 0.54%

LAB 53.85, 6.44, -49.97

 

CMYK 72 / 59 / 0 / 16

HEX #3C58D7

RGB 60 88 215

HSL 229.16, 0.66%, 0.54%

LAB 42.53, 32.8, -68.21

 

CMYK 66 / 72 / 0 / 16

HEX #493CD7

RGB 73 60 215

HSL 245.03, 0.66%, 0.54%

LAB 37.03, 51.07, -77.19

 

CMYK 47 / 72 / 0 / 16

HEX #733CD7

RGB 115 60 215

HSL 261.29, 0.66%, 0.54%

LAB 40.87, 56.92, -70.75

 

CMYK 72 / 20 / 0 / 16

HEX #3CABD7

RGB 60 171 215

HSL 197.03, 0.66%, 0.54%

LAB 65.74, -16.93, -31.29

 

CMYK 72 / 40 / 0 / 16

HEX #3C82D7

RGB 60 130 215

HSL 212.9, 0.66%, 0.54%

LAB 53.85, 6.44, -49.97

 

CMYK 72 / 59 / 0 / 16

HEX #3C58D7

RGB 60 88 215

HSL 229.16, 0.66%, 0.54%

LAB 42.53, 32.8, -68.21

 

CMYK 72 / 72 / 0 / 16

HEX #3C3CD7

RGB 60 60 215

HSL 240, 0.66%, 0.54%

LAB 36.17, 49.72, -78.63

 

CMYK 72 / 20 / 0 / 16

HEX #3CABD7

RGB 60 171 215

HSL 197.03, 0.66%, 0.54%

LAB 65.74, -16.93, -31.29

 

CMYK 82 / 23 / 0 / 8

HEX #29B4EA

RGB 41 180 234

HSL 196.79, 0.82%, 0.54%

LAB 68.79, -17.33, -37.01

 

CMYK 91 / 26 / 0 / 1

HEX #16BCFD

RGB 22 188 253

HSL 196.88, 0.98%, 0.54%

LAB 71.71, -16.15, -42.77

 

CMYK 72 / 20 / 0 / 16

HEX #3CABD7

RGB 60 171 215

HSL 197.03, 0.66%, 0.54%

LAB 65.74, -16.93, -31.29

 

CMYK 60 / 17 / 0 / 23

HEX #4FA3C4

RGB 79 163 196

HSL 196.92, 0.5%, 0.54%

LAB 63.21, -15.67, -24.6

 

CMYK 45 / 12 / 0 / 31

HEX #629BB1

RGB 98 155 177

HSL 196.71, 0.34%, 0.54%

LAB 60.97, -12.72, -17.29

 

CMYK 26 / 8 / 0 / 38

HEX #75929E

RGB 117 146 158

HSL 197.56, 0.17%, 0.54%

LAB 58.8, -7.31, -9.68

 

CMYK 2 / 1 / 0 / 45

HEX #888A8B

RGB 136 138 139

HSL 200, 0.01%, 0.54%

LAB 57.34, -0.53, -0.8

 

CMYK 72 / 0 / 20 / 16

HEX #3CD7AD

RGB 60 215 173

HSL 163.74, 0.66%, 0.54%

LAB 77.63, -49.65, 9.31

 

CMYK 72 / 0 / 0 / 16

HEX #3CD7D7

RGB 60 215 215

HSL 180, 0.66%, 0.54%

LAB 78.73, -38.61, -11.53

 

CMYK 72 / 20 / 0 / 16

HEX #3CADD7

RGB 60 173 215

HSL 196.26, 0.66%, 0.54%

LAB 66.33, -17.99, -30.38

 

CMYK 72 / 39 / 0 / 16

HEX #3C84D7

RGB 60 132 215

HSL 212.13, 0.66%, 0.54%

LAB 54.42, 5.23, -49.07

 

CMYK 72 / 58 / 0 / 16

HEX #3C5BD7

RGB 60 91 215

HSL 228, 0.66%, 0.54%

LAB 43.28, 30.9, -66.98

 

CMYK 80 / 23 / 0 / 37

HEX #207CA0

RGB 32 124 160

HSL 196.88, 0.67%, 0.38%

LAB 48.59, -13.4, -26.74

 

CMYK 80 / 22 / 0 / 24

HEX #2797C2

RGB 39 151 194

HSL 196.65, 0.67%, 0.46%

LAB 58.47, -15.68, -30.89

 

CMYK 72 / 20 / 0 / 16

HEX #3CABD7

RGB 60 171 215

HSL 197.03, 0.66%, 0.54%

LAB 65.74, -16.93, -31.29

 

CMYK 58 / 16 / 0 / 13

HEX #5EBADE

RGB 94 186 222

HSL 196.88, 0.66%, 0.62%

LAB 71.4, -17.12, -26.33

 

CMYK 44 / 12 / 0 / 10

HEX #80C9E5

RGB 128 201 229

HSL 196.63, 0.66%, 0.7%

LAB 77.29, -15.53, -21

 

CMYK 72 / 20 / 0 / 16

HEX #3DACD7

RGB 61 172 215

HSL 196.75, 0.66%, 0.54%

LAB 66.06, -17.33, -30.8

 

CMYK 39 / 72 / 0 / 16

HEX #843CD7

RGB 132 60 215

HSL 267.87, 0.66%, 0.54%

LAB 42.83, 59.79, -67.47

 

CMYK 0 / 10 / 72 / 16

HEX #D7C23C

RGB 215 194 60

HSL 51.87, 0.66%, 0.54%

LAB 78.09, -7, 66.23

 

CMYK 72 / 20 / 0 / 16

HEX #3DACD7

RGB 61 172 215

HSL 196.75, 0.66%, 0.54%

LAB 66.06, -17.33, -30.8

 

CMYK 0 / 72 / 20 / 16

HEX #D73CAD

RGB 215 60 173

HSL 316.26, 0.66%, 0.54%

LAB 52.62, 69.93, -26.79

 

CMYK 20 / 0 / 72 / 16

HEX #ADD73C

RGB 173 215 60

HSL 76.26, 0.66%, 0.54%

LAB 80.63, -34.63, 67.62

 

CMYK 72 / 20 / 0 / 16

HEX #3DACD7

RGB 61 172 215

HSL 196.75, 0.66%, 0.54%

LAB 66.06, -17.33, -30.8

 

CMYK 39 / 72 / 0 / 16

HEX #843CD7

RGB 132 60 215

HSL 267.87, 0.66%, 0.54%

LAB 42.83, 59.79, -67.47

 

CMYK 0 / 53 / 72 / 16

HEX #D7653C

RGB 215 101 60

HSL 15.87, 0.66%, 0.54%

LAB 56.17, 42.09, 43.71

 

CMYK 34 / 0 / 72 / 16

HEX #8ED73C

RGB 142 215 60

HSL 88.26, 0.66%, 0.54%

LAB 78.86, -46.19, 65.27

 

CMYK 72 / 20 / 0 / 16

HEX #3DACD7

RGB 61 172 215

HSL 196.75, 0.66%, 0.54%

LAB 66.06, -17.33, -30.8

 

CMYK 17 / 72 / 0 / 16

HEX #B23CD7

RGB 178 60 215

HSL 285.68, 0.66%, 0.54%

LAB 49.01, 68.49, -57.16

 

CMYK 0 / 53 / 72 / 16

HEX #D7653C

RGB 215 101 60

HSL 15.87, 0.66%, 0.54%

LAB 56.17, 42.09, 43.71

 

CMYK 55 / 0 / 72 / 16

HEX #60D73C

RGB 96 215 60

HSL 106.06, 0.66%, 0.54%

LAB 76.93, -60.35, 62.71

 

Description

Color code: HEX #3DACD7 | qconv.com Color code: HEX #3DACD7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 172 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 172 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 20 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 20% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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