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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DAF7F it is the complementary color #C25080. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DAF7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DAF7F shade: #42AF7A, #53C18D, #64D3A0, #75E5B3 and #86F7C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DAF7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DAF7F shade: #3DAF7F, #2C9D6C, #1B8B59, #0A7946 and #006733

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DAF7F shade: #3CAD7E, #3CAD5F, #3CAD41, #56AD3C and #75AD3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DAF7F shade: #3CAD7E, #3CAD9C, #3CA0AD, #3C81AD and #3C63AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DAF7F shade matches the following richer shades: #3CAD7E, #2AC081, #17D384 and #04E687

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DAF7F shade: #3CAD7E, #4F9A7B, #628778, #757475 and #886172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DAF7F shade: #3CAD40, #3CAD5E, #3CAD7C, #3CAD9A and #3CA2AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DAF7F shade: #277051, #328F68, #3CAD7E, #51C292 and #70CCA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DAF7F shade: #3DAF7F, #3C57AD and #AD4F3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DAF7F shade: #3DAF7F, #7C3CAD and #AD7C3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DAF7F shade: #3DAF7F, #3C57AD, #AD3C6D and #AD933C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DAF7F shade: #3DAF7F, #443CAD, #AD3C6D and #A6AD3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 27 / 31

HEX #3DAF7F

RGB 61 175 127

HSL 154.74, 0.48%, 0.46%

LAB 64.31, -43.48, 15.39

 

Complementary color

CMYK 0 / 59 / 34 / 24

HEX #C25080

RGB 194 80 128

HSL 334.74, 0.48%, 0.54%

LAB 50.41, 50.4, -3.77

 

CMYK 62 / 0 / 30 / 31

HEX #42AF7A

RGB 66 175 122

HSL 150.83, 0.45%, 0.47%

LAB 64.34, -43.6, 18.19

 

CMYK 57 / 0 / 27 / 24

HEX #53C18D

RGB 83 193 141

HSL 151.64, 0.47%, 0.54%

LAB 70.8, -43.67, 16.91

 

CMYK 53 / 0 / 24 / 17

HEX #64D3A0

RGB 100 211 160

HSL 152.43, 0.56%, 0.61%

LAB 77.18, -43.63, 15.74

 

CMYK 49 / 0 / 22 / 10

HEX #75E5B3

RGB 117 229 179

HSL 153.21, 0.68%, 0.68%

LAB 83.48, -43.51, 14.66

 

CMYK 46 / 0 / 20 / 3

HEX #86F7C6

RGB 134 247 198

HSL 153.98, 0.88%, 0.75%

LAB 89.7, -43.34, 13.65

 

CMYK 65 / 0 / 27 / 31

HEX #3DAF7F

RGB 61 175 127

HSL 154.74, 0.48%, 0.46%

LAB 64.31, -43.48, 15.39

 

CMYK 72 / 0 / 31 / 38

HEX #2C9D6C

RGB 44 157 108

HSL 153.98, 0.56%, 0.39%

LAB 57.78, -43.09, 16.8

 

CMYK 81 / 0 / 36 / 45

HEX #1B8B59

RGB 27 139 89

HSL 153.21, 0.67%, 0.33%

LAB 51.17, -42.33, 18.37

 

CMYK 92 / 0 / 42 / 53

HEX #0A7946

RGB 10 121 70

HSL 152.43, 0.85%, 0.26%

LAB 44.49, -41, 20.16

 

CMYK 100 / 0 / 50 / 60

HEX #006733

RGB 0 103 51

HSL 149.71, 1%, 0.2%

LAB 37.73, -38.83, 22.17

 

CMYK 65 / 0 / 27 / 32

HEX #3CAD7E

RGB 60 173 126

HSL 155.04, 0.48%, 0.46%

LAB 63.63, -43.04, 15

 

CMYK 65 / 0 / 45 / 32

HEX #3CAD5F

RGB 60 173 95

HSL 138.58, 0.48%, 0.46%

LAB 63.07, -49.13, 30.91

 

CMYK 65 / 0 / 62 / 32

HEX #3CAD41

RGB 60 173 65

HSL 122.65, 0.48%, 0.46%

LAB 62.7, -53.37, 45.18

 

CMYK 50 / 0 / 65 / 32

HEX #56AD3C

RGB 86 173 60

HSL 106.19, 0.48%, 0.46%

LAB 63.5, -47.29, 48.5

 

CMYK 32 / 0 / 65 / 32

HEX #75AD3C

RGB 117 173 60

HSL 89.73, 0.48%, 0.46%

LAB 64.96, -36.95, 50.51

 

CMYK 65 / 0 / 27 / 32

HEX #3CAD7E

RGB 60 173 126

HSL 155.04, 0.48%, 0.46%

LAB 63.63, -43.04, 15

 

CMYK 65 / 0 / 10 / 32

HEX #3CAD9C

RGB 60 173 156

HSL 170.97, 0.48%, 0.46%

LAB 64.36, -35.68, -0.59

 

CMYK 65 / 8 / 0 / 32

HEX #3CA0AD

RGB 60 160 173

HSL 186.9, 0.48%, 0.46%

LAB 60.89, -24.52, -15.3

 

CMYK 65 / 25 / 0 / 32

HEX #3C81AD

RGB 60 129 173

HSL 203.36, 0.48%, 0.46%

LAB 51.47, -7.7, -29.75

 

CMYK 65 / 43 / 0 / 32

HEX #3C63AD

RGB 60 99 173

HSL 219.29, 0.48%, 0.46%

LAB 42.61, 10.58, -43.71

 

CMYK 65 / 0 / 27 / 32

HEX #3CAD7E

RGB 60 173 126

HSL 155.04, 0.48%, 0.46%

LAB 63.63, -43.04, 15

 

CMYK 78 / 0 / 33 / 25

HEX #2AC081

RGB 42 192 129

HSL 154.8, 0.64%, 0.46%

LAB 69.31, -52.71, 21.14

 

CMYK 89 / 0 / 37 / 17

HEX #17D384

RGB 23 211 132

HSL 154.79, 0.8%, 0.46%

LAB 75.1, -60.72, 27.34

 

CMYK 98 / 0 / 41 / 10

HEX #04E687

RGB 4 230 135

HSL 154.78, 0.97%, 0.46%

LAB 80.94, -67.43, 33.53

 

CMYK 65 / 0 / 27 / 32

HEX #3CAD7E

RGB 60 173 126

HSL 155.04, 0.48%, 0.46%

LAB 63.63, -43.04, 15

 

CMYK 49 / 0 / 20 / 40

HEX #4F9A7B

RGB 79 154 123

HSL 155.2, 0.32%, 0.46%

LAB 58.23, -30.95, 9.17

 

CMYK 27 / 0 / 11 / 47

HEX #628778

RGB 98 135 120

HSL 155.68, 0.16%, 0.46%

LAB 53.26, -16.3, 3.9

 

CMYK 0 / 1 / 0 / 54

HEX #757475

RGB 117 116 117

HSL 300, 0%, 0.46%

LAB 48.95, 0.59, -0.42

 

CMYK 0 / 29 / 16 / 47

HEX #886172

RGB 136 97 114

HSL 333.85, 0.17%, 0.46%

LAB 45.63, 18.6, -3.29

 

CMYK 65 / 0 / 63 / 32

HEX #3CAD40

RGB 60 173 64

HSL 122.12, 0.48%, 0.46%

LAB 62.69, -53.48, 45.62

 

CMYK 65 / 0 / 46 / 32

HEX #3CAD5E

RGB 60 173 94

HSL 138.05, 0.48%, 0.46%

LAB 63.06, -49.3, 31.41

 

CMYK 65 / 0 / 28 / 32

HEX #3CAD7C

RGB 60 173 124

HSL 153.98, 0.48%, 0.46%

LAB 63.59, -43.49, 16.04

 

CMYK 65 / 0 / 11 / 32

HEX #3CAD9A

RGB 60 173 154

HSL 169.91, 0.48%, 0.46%

LAB 64.31, -36.21, 0.44

 

CMYK 65 / 6 / 0 / 32

HEX #3CA2AD

RGB 60 162 173

HSL 185.84, 0.48%, 0.46%

LAB 61.5, -25.53, -14.38

 

CMYK 65 / 0 / 28 / 56

HEX #277051

RGB 39 112 81

HSL 154.52, 0.48%, 0.3%

LAB 42.18, -30.58, 10.7

 

CMYK 65 / 0 / 27 / 44

HEX #328F68

RGB 50 143 104

HSL 154.84, 0.48%, 0.38%

LAB 53.3, -36.96, 12.87

 

CMYK 65 / 0 / 27 / 32

HEX #3CAD7E

RGB 60 173 126

HSL 155.04, 0.48%, 0.46%

LAB 63.63, -43.04, 15

 

CMYK 58 / 0 / 25 / 24

HEX #51C292

RGB 81 194 146

HSL 154.51, 0.48%, 0.54%

LAB 71.15, -43.46, 14.69

 

CMYK 45 / 0 / 19 / 20

HEX #70CCA5

RGB 112 204 165

HSL 154.57, 0.47%, 0.62%

LAB 75.67, -36.51, 11

 

CMYK 65 / 0 / 27 / 31

HEX #3DAF7F

RGB 61 175 127

HSL 154.74, 0.48%, 0.46%

LAB 64.31, -43.48, 15.39

 

CMYK 65 / 50 / 0 / 32

HEX #3C57AD

RGB 60 87 173

HSL 225.66, 0.48%, 0.46%

LAB 39.23, 18.32, -49.13

 

CMYK 0 / 54 / 65 / 32

HEX #AD4F3C

RGB 173 79 60

HSL 10.09, 0.48%, 0.46%

LAB 45.36, 37.03, 29.55

 

CMYK 65 / 0 / 27 / 31

HEX #3DAF7F

RGB 61 175 127

HSL 154.74, 0.48%, 0.46%

LAB 64.31, -43.48, 15.39

 

CMYK 28 / 65 / 0 / 32

HEX #7C3CAD

RGB 124 60 173

HSL 273.98, 0.48%, 0.46%

LAB 38.78, 48.15, -49.55

 

CMYK 0 / 28 / 65 / 32

HEX #AD7C3C

RGB 173 124 60

HSL 33.98, 0.48%, 0.46%

LAB 55.71, 12.35, 41.64

 

CMYK 65 / 0 / 27 / 31

HEX #3DAF7F

RGB 61 175 127

HSL 154.74, 0.48%, 0.46%

LAB 64.31, -43.48, 15.39

 

CMYK 65 / 50 / 0 / 32

HEX #3C57AD

RGB 60 87 173

HSL 225.66, 0.48%, 0.46%

LAB 39.23, 18.32, -49.13

 

CMYK 0 / 65 / 37 / 32

HEX #AD3C6D

RGB 173 60 109

HSL 333.98, 0.48%, 0.46%

LAB 43.09, 50.46, -3.39

 

CMYK 0 / 15 / 65 / 32

HEX #AD933C

RGB 173 147 60

HSL 46.19, 0.48%, 0.46%

LAB 61.72, -0.41, 48.26

 

CMYK 65 / 0 / 27 / 31

HEX #3DAF7F

RGB 61 175 127

HSL 154.74, 0.48%, 0.46%

LAB 64.31, -43.48, 15.39

 

CMYK 61 / 65 / 0 / 32

HEX #443CAD

RGB 68 60 173

HSL 244.25, 0.48%, 0.46%

LAB 32.87, 36.95, -59.42

 

CMYK 0 / 65 / 37 / 32

HEX #AD3C6D

RGB 173 60 109

HSL 333.98, 0.48%, 0.46%

LAB 43.09, 50.46, -3.39

 

CMYK 4 / 0 / 65 / 32

HEX #A6AD3C

RGB 166 173 60

HSL 63.72, 0.48%, 0.46%

LAB 68.26, -17.21, 55

 

Description

Color code: HEX #3DAF7F | qconv.com Color code: HEX #3DAF7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 175 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 175 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 27 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 27% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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