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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DD61E it is the complementary color #C229E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DD61E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DD61E shade: #42D619, #53E82C, #64FA3F, #75FF52 and #86FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DD61E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DD61E shade: #3DD61E, #2CC40B, #1BB200, #0AA000 and #008E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DD61E shade: #3DD61E, #6FD61E, #A0D61E, #D2D61E and #D6A81E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DD61E shade: #3DD61E, #1ED631, #1ED662, #1ED694 and #1ED6C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DD61E shade matches the following richer shades: #3DD61E and #30EA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DD61E shade: #3DD61E, #4AC232, #57AE46, #649A5A and #72866D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DD61E shade: #A2D61E, #71D61E, #40D61E, #1ED62D and #1ED65E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DD61E shade: #288D14, #33B219, #3DD61E, #57E33B and #76E85F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DD61E shade: #3DD61E, #1ED3D6 and #D61E89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DD61E shade: #3DD61E, #1E40D6 and #D61E40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DD61E shade: #3DD61E, #1ED3D6, #B41ED6 and #D6211E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DD61E shade: #3DD61E, #1E9CD6, #B41ED6 and #D6581E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 86 / 16

HEX #3DD61E

RGB 61 214 30

HSL 109.89, 0.75%, 0.48%

LAB 75.56, -69.24, 69.66

 

Complementary color

CMYK 14 / 82 / 0 / 12

HEX #C229E1

RGB 194 41 225

HSL 289.89, 0.75%, 0.52%

LAB 50.09, 79.01, -61

 

CMYK 69 / 0 / 88 / 16

HEX #42D619

RGB 66 214 25

HSL 106.98, 0.79%, 0.47%

LAB 75.65, -68.53, 70.75

 

CMYK 64 / 0 / 81 / 9

HEX #53E82C

RGB 83 232 44

HSL 107.55, 0.8%, 0.54%

LAB 81.69, -70.1, 72.07

 

CMYK 60 / 0 / 75 / 2

HEX #64FA3F

RGB 100 250 63

HSL 108.13, 0.95%, 0.61%

LAB 87.7, -71.23, 72.45

 

CMYK 54 / 0 / 68 / 0

HEX #75FF52

RGB 117 255 82

HSL 107.86, 1%, 0.66%

LAB 89.82, -67.52, 68.22

 

CMYK 47 / 0 / 60 / 0

HEX #86FF65

RGB 134 255 101

HSL 107.14, 1%, 0.7%

LAB 90.56, -61.32, 61.67

 

CMYK 71 / 0 / 86 / 16

HEX #3DD61E

RGB 61 214 30

HSL 109.89, 0.75%, 0.48%

LAB 75.56, -69.24, 69.66

 

CMYK 78 / 0 / 94 / 23

HEX #2CC40B

RGB 44 196 11

HSL 109.3, 0.89%, 0.41%

LAB 69.5, -67.03, 67.49

 

CMYK 85 / 0 / 100 / 30

HEX #1BB200

RGB 27 178 0

HSL 110.9, 1%, 0.35%

LAB 63.4, -64.06, 63.75

 

CMYK 94 / 0 / 100 / 37

HEX #0AA000

RGB 10 160 0

HSL 116.25, 1%, 0.31%

LAB 57.28, -60.25, 58.78

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 71 / 0 / 86 / 16

HEX #3DD61E

RGB 61 214 30

HSL 109.89, 0.75%, 0.48%

LAB 75.56, -69.24, 69.66

 

CMYK 48 / 0 / 86 / 16

HEX #6FD61E

RGB 111 214 30

HSL 93.59, 0.75%, 0.48%

LAB 77.02, -57.38, 71.5

 

CMYK 25 / 0 / 86 / 16

HEX #A0D61E

RGB 160 214 30

HSL 77.61, 0.75%, 0.48%

LAB 79.42, -40.45, 74.5

 

CMYK 2 / 0 / 86 / 16

HEX #D2D61E

RGB 210 214 30

HSL 61.3, 0.75%, 0.48%

LAB 82.85, -20.17, 78.74

 

CMYK 0 / 21 / 86 / 16

HEX #D6A81E

RGB 214 168 30

HSL 45, 0.75%, 0.48%

LAB 71.14, 5.13, 69.37

 

CMYK 71 / 0 / 86 / 16

HEX #3DD61E

RGB 61 214 30

HSL 109.89, 0.75%, 0.48%

LAB 75.56, -69.24, 69.66

 

CMYK 86 / 0 / 77 / 16

HEX #1ED631

RGB 30 214 49

HSL 126.2, 0.75%, 0.48%

LAB 75.2, -72.15, 64.2

 

CMYK 86 / 0 / 54 / 16

HEX #1ED662

RGB 30 214 98

HSL 142.17, 0.75%, 0.48%

LAB 75.61, -67.04, 44.92

 

CMYK 86 / 0 / 31 / 16

HEX #1ED694

RGB 30 214 148

HSL 158.48, 0.75%, 0.48%

LAB 76.38, -58.03, 20.74

 

CMYK 86 / 0 / 8 / 16

HEX #1ED6C5

RGB 30 214 197

HSL 174.46, 0.75%, 0.48%

LAB 77.52, -45.88, -3.73

 

CMYK 71 / 0 / 86 / 16

HEX #3DD61E

RGB 61 214 30

HSL 109.89, 0.75%, 0.48%

LAB 75.56, -69.24, 69.66

 

CMYK 79 / 0 / 96 / 8

HEX #30EA0A

RGB 48 234 10

HSL 109.82, 0.92%, 0.48%

LAB 81.56, -77.49, 77.52

 

CMYK 71 / 0 / 86 / 16

HEX #3DD61E

RGB 61 214 30

HSL 109.89, 0.75%, 0.48%

LAB 75.56, -69.24, 69.66

 

CMYK 62 / 0 / 74 / 24

HEX #4AC232

RGB 74 194 50

HSL 110, 0.59%, 0.48%

LAB 69.66, -59.05, 58.69

 

CMYK 50 / 0 / 60 / 32

HEX #57AE46

RGB 87 174 70

HSL 110.19, 0.43%, 0.48%

LAB 63.95, -46.37, 44.55

 

CMYK 35 / 0 / 42 / 40

HEX #649A5A

RGB 100 154 90

HSL 110.63, 0.26%, 0.48%

LAB 58.56, -30.81, 28.06

 

CMYK 15 / 0 / 19 / 47

HEX #72866D

RGB 114 134 109

HSL 108, 0.1%, 0.48%

LAB 53.74, -12.29, 11.09

 

CMYK 24 / 0 / 86 / 16

HEX #A2D61E

RGB 162 214 30

HSL 76.96, 0.75%, 0.48%

LAB 79.54, -39.68, 74.65

 

CMYK 47 / 0 / 86 / 16

HEX #71D61E

RGB 113 214 30

HSL 92.93, 0.75%, 0.48%

LAB 77.1, -56.78, 71.6

 

CMYK 70 / 0 / 86 / 16

HEX #40D61E

RGB 64 214 30

HSL 108.91, 0.75%, 0.48%

LAB 75.62, -68.72, 69.74

 

CMYK 86 / 0 / 79 / 16

HEX #1ED62D

RGB 30 214 45

HSL 124.89, 0.75%, 0.48%

LAB 75.18, -72.4, 65.38

 

CMYK 86 / 0 / 56 / 16

HEX #1ED65E

RGB 30 214 94

HSL 140.87, 0.75%, 0.48%

LAB 75.56, -67.6, 46.73

 

CMYK 72 / 0 / 86 / 45

HEX #288D14

RGB 40 141 20

HSL 110.08, 0.75%, 0.32%

LAB 51.33, -50.09, 50.26

 

CMYK 71 / 0 / 86 / 30

HEX #33B219

RGB 51 178 25

HSL 109.8, 0.75%, 0.4%

LAB 63.85, -59.93, 60.33

 

CMYK 71 / 0 / 86 / 16

HEX #3DD61E

RGB 61 214 30

HSL 109.89, 0.75%, 0.48%

LAB 75.56, -69.24, 69.66

 

CMYK 62 / 0 / 74 / 11

HEX #57E33B

RGB 87 227 59

HSL 110, 0.75%, 0.56%

LAB 80.34, -66.73, 66.38

 

CMYK 49 / 0 / 59 / 9

HEX #76E85F

RGB 118 232 95

HSL 109.93, 0.75%, 0.64%

LAB 83.12, -57.64, 55.63

 

CMYK 71 / 0 / 86 / 16

HEX #3DD61E

RGB 61 214 30

HSL 109.89, 0.75%, 0.48%

LAB 75.56, -69.24, 69.66

 

CMYK 86 / 1 / 0 / 16

HEX #1ED3D6

RGB 30 211 214

HSL 180.98, 0.75%, 0.48%

LAB 77.11, -39.69, -13.47

 

CMYK 0 / 86 / 36 / 16

HEX #D61E89

RGB 214 30 137

HSL 325.11, 0.75%, 0.48%

LAB 48.3, 73.24, -11.98

 

CMYK 71 / 0 / 86 / 16

HEX #3DD61E

RGB 61 214 30

HSL 109.89, 0.75%, 0.48%

LAB 75.56, -69.24, 69.66

 

CMYK 86 / 70 / 0 / 16

HEX #1E40D6

RGB 30 64 214

HSL 228.91, 0.75%, 0.48%

LAB 35.59, 44.82, -79.06

 

CMYK 0 / 86 / 70 / 16

HEX #D61E40

RGB 214 30 64

HSL 348.91, 0.75%, 0.48%

LAB 46.44, 67.94, 30.19

 

CMYK 71 / 0 / 86 / 16

HEX #3DD61E

RGB 61 214 30

HSL 109.89, 0.75%, 0.48%

LAB 75.56, -69.24, 69.66

 

CMYK 86 / 1 / 0 / 16

HEX #1ED3D6

RGB 30 211 214

HSL 180.98, 0.75%, 0.48%

LAB 77.11, -39.69, -13.47

 

CMYK 16 / 86 / 0 / 16

HEX #B41ED6

RGB 180 30 214

HSL 288.91, 0.75%, 0.48%

LAB 46.29, 77.23, -60.96

 

CMYK 0 / 85 / 86 / 16

HEX #D6211E

RGB 214 33 30

HSL 0.98, 0.75%, 0.48%

LAB 46.28, 66.24, 48.97

 

CMYK 71 / 0 / 86 / 16

HEX #3DD61E

RGB 61 214 30

HSL 109.89, 0.75%, 0.48%

LAB 75.56, -69.24, 69.66

 

CMYK 86 / 27 / 0 / 16

HEX #1E9CD6

RGB 30 156 214

HSL 198.91, 0.75%, 0.48%

LAB 60.7, -12.13, -38.63

 

CMYK 16 / 86 / 0 / 16

HEX #B41ED6

RGB 180 30 214

HSL 288.91, 0.75%, 0.48%

LAB 46.29, 77.23, -60.96

 

CMYK 0 / 59 / 86 / 16

HEX #D6581E

RGB 214 88 30

HSL 18.91, 0.75%, 0.48%

LAB 53.35, 46.92, 54.82

 

Description

Color code: HEX #3DD61E | qconv.com Color code: HEX #3DD61E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 214 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 214 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 86 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 86% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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