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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DE857 it is the complementary color #C217A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DE857. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DE857 shade: #42E852, #53FA65, #64FF78, #75FF8B and #86FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DE857. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DE857 shade: #3DE857, #2CD644, #1BC431, #0AB21E and #00A00B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DE857 shade: #3AE755, #4FE73A, #7DE73A, #ACE73A and #DBE73A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DE857 shade: #3AE755, #3AE783, #3AE7B2, #3AE7E1 and #3AC0E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DE857 shade matches the following richer shades: #3AE755 and #28F948

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DE857 shade: #3AE755, #4CD661, #5EC46D, #6FB27A and #81A186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DE857 shade: #7DE73A, #4EE73A, #3AE754, #3AE782 and #3AE7B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DE857 shade: #15BA2E, #1ADF38, #3AE755, #5FEC75 and #84F095

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DE857 shade: #3DE857, #3AABE7 and #E73A66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DE857 shade: #3DE857, #543AE7 and #E7543A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DE857 shade: #3DE857, #3AABE7, #E73ACD and #E7773A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DE857 shade: #3DE857, #3A77E7, #E73ACD and #E7AB3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 63 / 9

HEX #3DE857

RGB 61 232 87

HSL 129.12, 0.79%, 0.57%

LAB 81.51, -70.65, 56.81

 

Complementary color

CMYK 0 / 88 / 13 / 24

HEX #C217A8

RGB 194 23 168

HSL 309.12, 0.79%, 0.43%

LAB 45.51, 73.87, -35.21

 

CMYK 72 / 0 / 65 / 9

HEX #42E852

RGB 66 232 82

HSL 125.78, 0.78%, 0.58%

LAB 81.56, -70.41, 58.96

 

CMYK 67 / 0 / 60 / 2

HEX #53FA65

RGB 83 250 101

HSL 126.47, 0.94%, 0.65%

LAB 87.56, -71.36, 57.85

 

CMYK 61 / 0 / 53 / 0

HEX #64FF78

RGB 100 255 120

HSL 127.74, 1%, 0.7%

LAB 89.67, -67.48, 52.02

 

CMYK 54 / 0 / 45 / 0

HEX #75FF8B

RGB 117 255 139

HSL 129.57, 1%, 0.73%

LAB 90.4, -61.11, 44.13

 

CMYK 47 / 0 / 38 / 0

HEX #86FF9E

RGB 134 255 158

HSL 131.9, 1%, 0.76%

LAB 91.26, -54.01, 36.09

 

CMYK 74 / 0 / 63 / 9

HEX #3DE857

RGB 61 232 87

HSL 129.12, 0.79%, 0.57%

LAB 81.51, -70.65, 56.81

 

CMYK 79 / 0 / 68 / 16

HEX #2CD644

RGB 44 214 68

HSL 128.47, 0.67%, 0.51%

LAB 75.48, -69.2, 57.85

 

CMYK 86 / 0 / 75 / 23

HEX #1BC431

RGB 27 196 49

HSL 127.81, 0.76%, 0.44%

LAB 69.42, -67.15, 58.51

 

CMYK 94 / 0 / 83 / 30

HEX #0AB21E

RGB 10 178 30

HSL 127.14, 0.89%, 0.37%

LAB 63.34, -64.31, 58.44

 

CMYK 100 / 0 / 93 / 37

HEX #00A00B

RGB 0 160 11

HSL 124.13, 1%, 0.31%

LAB 57.24, -60.52, 57.08

 

CMYK 75 / 0 / 63 / 9

HEX #3AE755

RGB 58 231 85

HSL 129.36, 0.78%, 0.57%

LAB 81.13, -70.97, 57.21

 

CMYK 66 / 0 / 75 / 9

HEX #4FE73A

RGB 79 231 58

HSL 112.72, 0.78%, 0.57%

LAB 81.36, -69.78, 67.64

 

CMYK 46 / 0 / 75 / 9

HEX #7DE73A

RGB 125 231 58

HSL 96.76, 0.78%, 0.57%

LAB 82.82, -58.25, 69.57

 

CMYK 26 / 0 / 75 / 9

HEX #ACE73A

RGB 172 231 58

HSL 80.46, 0.78%, 0.57%

LAB 85.11, -42.27, 72.57

 

CMYK 5 / 0 / 75 / 9

HEX #DBE73A

RGB 219 231 58

HSL 64.16, 0.78%, 0.57%

LAB 88.22, -23.77, 76.59

 

CMYK 75 / 0 / 63 / 9

HEX #3AE755

RGB 58 231 85

HSL 129.36, 0.78%, 0.57%

LAB 81.13, -70.97, 57.21

 

CMYK 75 / 0 / 43 / 9

HEX #3AE783

RGB 58 231 131

HSL 145.32, 0.78%, 0.57%

LAB 81.67, -64.61, 36.57

 

CMYK 75 / 0 / 23 / 9

HEX #3AE7B2

RGB 58 231 178

HSL 161.62, 0.78%, 0.57%

LAB 82.52, -55.17, 13.61

 

CMYK 75 / 0 / 3 / 9

HEX #3AE7E1

RGB 58 231 225

HSL 177.92, 0.78%, 0.57%

LAB 83.7, -43.2, -9.46

 

CMYK 75 / 17 / 0 / 9

HEX #3AC0E7

RGB 58 192 231

HSL 193.53, 0.78%, 0.57%

LAB 72.47, -22.91, -29.66

 

CMYK 75 / 0 / 63 / 9

HEX #3AE755

RGB 58 231 85

HSL 129.36, 0.78%, 0.57%

LAB 81.13, -70.97, 57.21

 

CMYK 84 / 0 / 71 / 2

HEX #28F948

RGB 40 249 72

HSL 129.19, 0.95%, 0.57%

LAB 86.34, -79.63, 67.72

 

CMYK 75 / 0 / 63 / 9

HEX #3AE755

RGB 58 231 85

HSL 129.36, 0.78%, 0.57%

LAB 81.13, -70.97, 57.21

 

CMYK 64 / 0 / 55 / 16

HEX #4CD661

RGB 76 214 97

HSL 129.13, 0.63%, 0.57%

LAB 76.37, -60.83, 46.49

 

CMYK 52 / 0 / 44 / 23

HEX #5EC46D

RGB 94 196 109

HSL 128.82, 0.46%, 0.57%

LAB 71.53, -48.13, 34.76

 

CMYK 38 / 0 / 31 / 30

HEX #6FB27A

RGB 111 178 122

HSL 129.85, 0.3%, 0.57%

LAB 67, -33.21, 22.09

 

CMYK 20 / 0 / 17 / 37

HEX #81A186

RGB 129 161 134

HSL 129.38, 0.15%, 0.57%

LAB 63.24, -16.56, 10.46

 

CMYK 46 / 0 / 75 / 9

HEX #7DE73A

RGB 125 231 58

HSL 96.76, 0.78%, 0.57%

LAB 82.82, -58.25, 69.57

 

CMYK 66 / 0 / 75 / 9

HEX #4EE73A

RGB 78 231 58

HSL 113.06, 0.78%, 0.57%

LAB 81.33, -69.97, 67.61

 

CMYK 75 / 0 / 64 / 9

HEX #3AE754

RGB 58 231 84

HSL 129.02, 0.78%, 0.57%

LAB 81.12, -71.08, 57.62

 

CMYK 75 / 0 / 44 / 9

HEX #3AE782

RGB 58 231 130

HSL 144.97, 0.78%, 0.57%

LAB 81.65, -64.78, 37.05

 

CMYK 75 / 0 / 23 / 9

HEX #3AE7B1

RGB 58 231 177

HSL 161.27, 0.78%, 0.57%

LAB 82.5, -55.4, 14.1

 

CMYK 89 / 0 / 75 / 27

HEX #15BA2E

RGB 21 186 46

HSL 129.09, 0.8%, 0.41%

LAB 66.12, -64.91, 56.22

 

CMYK 88 / 0 / 75 / 13

HEX #1ADF38

RGB 26 223 56

HSL 129.14, 0.79%, 0.49%

LAB 78.04, -74.54, 64.74

 

CMYK 75 / 0 / 63 / 9

HEX #3AE755

RGB 58 231 85

HSL 129.36, 0.78%, 0.57%

LAB 81.13, -70.97, 57.21

 

CMYK 60 / 0 / 50 / 7

HEX #5FEC75

RGB 95 236 117

HSL 129.36, 0.79%, 0.65%

LAB 83.81, -62.13, 46.24

 

CMYK 45 / 0 / 38 / 6

HEX #84F095

RGB 132 240 149

HSL 129.44, 0.78%, 0.73%

LAB 86.7, -49.82, 34.55

 

CMYK 74 / 0 / 63 / 9

HEX #3DE857

RGB 61 232 87

HSL 129.12, 0.79%, 0.57%

LAB 81.51, -70.65, 56.81

 

CMYK 75 / 26 / 0 / 9

HEX #3AABE7

RGB 58 171 231

HSL 200.81, 0.78%, 0.57%

LAB 66.36, -11.83, -39.13

 

CMYK 0 / 75 / 56 / 9

HEX #E73A66

RGB 231 58 102

HSL 344.74, 0.78%, 0.57%

LAB 52.92, 67.57, 16.29

 

CMYK 74 / 0 / 63 / 9

HEX #3DE857

RGB 61 232 87

HSL 129.12, 0.79%, 0.57%

LAB 81.51, -70.65, 56.81

 

CMYK 64 / 75 / 0 / 9

HEX #543AE7

RGB 84 58 231

HSL 249.02, 0.78%, 0.57%

LAB 39.04, 58.14, -83.01

 

CMYK 0 / 64 / 75 / 9

HEX #E7543A

RGB 231 84 58

HSL 9.02, 0.78%, 0.57%

LAB 55.72, 55.58, 45.01

 

CMYK 74 / 0 / 63 / 9

HEX #3DE857

RGB 61 232 87

HSL 129.12, 0.79%, 0.57%

LAB 81.51, -70.65, 56.81

 

CMYK 75 / 26 / 0 / 9

HEX #3AABE7

RGB 58 171 231

HSL 200.81, 0.78%, 0.57%

LAB 66.36, -11.83, -39.13

 

CMYK 0 / 75 / 11 / 9

HEX #E73ACD

RGB 231 58 205

HSL 309.02, 0.78%, 0.57%

LAB 56.51, 78.56, -39.02

 

CMYK 0 / 48 / 75 / 9

HEX #E7773A

RGB 231 119 58

HSL 21.16, 0.78%, 0.57%

LAB 62.07, 39.16, 51.68

 

CMYK 74 / 0 / 63 / 9

HEX #3DE857

RGB 61 232 87

HSL 129.12, 0.79%, 0.57%

LAB 81.51, -70.65, 56.81

 

CMYK 75 / 48 / 0 / 9

HEX #3A77E7

RGB 58 119 231

HSL 218.84, 0.78%, 0.57%

LAB 51.68, 18.78, -62.44

 

CMYK 0 / 75 / 11 / 9

HEX #E73ACD

RGB 231 58 205

HSL 309.02, 0.78%, 0.57%

LAB 56.51, 78.56, -39.02

 

CMYK 0 / 26 / 75 / 9

HEX #E7AB3A

RGB 231 171 58

HSL 39.19, 0.78%, 0.57%

LAB 73.82, 11.81, 63.38

 

Description

Color code: HEX #3DE857 | qconv.com Color code: HEX #3DE857 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 232 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 232 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 63 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 63% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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