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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E2B43 it is the complementary color #C1D4BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E2B43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E2B43 shade: #432B3E, #543D51, #654F64, #766177 and #87738A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E2B43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E2B43 shade: #3E2B43, #2D1930, #1C071D and #0B000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E2B43 shade: #3F2B44, #442B42, #442B3C, #442B35 and #442B2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E2B43 shade: #3F2B44, #382B44, #312B44 and #2B2B44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E2B43 shade matches the following richer shades: #3F2B44, #44224D, #491956, #4F105F and #540768

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E2B43 shade: #3F2B44, #3A343B, #343D32, #2F4629 and #2A5020

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E2B43 shade: #312B44, #382B44, #3F2B44, #442B43 and #442B3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E2B43 shade: #100B12, #281B2B, #3F2B44, #563B5D and #6D4B76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E2B43 shade: #3E2B43, #442B2C and #2B4435

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E2B43 shade: #3E2B43, #443F2B and #2B443F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E2B43 shade: #3E2B43, #442B2C, #31442B and #2B4444

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E2B43 shade: #3E2B43, #44322B, #31442B and #2B3D44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 36 / 0 / 74

HEX #3E2B43

RGB 62 43 67

HSL 287.5, 0.22%, 0.22%

LAB 20.66, 13.89, -11.68

 

Complementary color

CMYK 9 / 0 / 11 / 17

HEX #C1D4BC

RGB 193 212 188

HSL 107.5, 0.22%, 0.78%

LAB 82.94, -10.8, 9.71

 

CMYK 0 / 36 / 7 / 74

HEX #432B3E

RGB 67 43 62

HSL 312.5, 0.22%, 0.22%

LAB 21.09, 14.74, -7.55

 

CMYK 0 / 27 / 4 / 67

HEX #543D51

RGB 84 61 81

HSL 307.83, 0.16%, 0.28%

LAB 28.94, 13.94, -8.15

 

CMYK 0 / 22 / 1 / 60

HEX #654F64

RGB 101 79 100

HSL 302.73, 0.12%, 0.35%

LAB 36.52, 13.27, -8.68

 

CMYK 1 / 18 / 0 / 53

HEX #766177

RGB 118 97 119

HSL 297.27, 0.1%, 0.42%

LAB 43.85, 12.69, -9.18

 

CMYK 2 / 17 / 0 / 46

HEX #87738A

RGB 135 115 138

HSL 292.17, 0.09%, 0.5%

LAB 50.98, 12.19, -9.66

 

CMYK 7 / 36 / 0 / 74

HEX #3E2B43

RGB 62 43 67

HSL 287.5, 0.22%, 0.22%

LAB 20.66, 13.89, -11.68

 

CMYK 6 / 48 / 0 / 81

HEX #2D1930

RGB 45 25 48

HSL 292.17, 0.32%, 0.14%

LAB 12.39, 14.8, -11.29

 

CMYK 3 / 76 / 0 / 89

HEX #1C071D

RGB 28 7 29

HSL 297.27, 0.61%, 0.07%

LAB 4.4, 12.83, -9.52

 

CMYK 0 / 100 / 9 / 96

HEX #0B000A

RGB 11 0 10

HSL 305.45, 1%, 0.02%

LAB 0.84, 4.27, -2.77

 

CMYK 7 / 37 / 0 / 73

HEX #3F2B44

RGB 63 43 68

HSL 288, 0.23%, 0.22%

LAB 20.83, 14.52, -12.08

 

CMYK 0 / 37 / 3 / 73

HEX #442B42

RGB 68 43 66

HSL 304.8, 0.23%, 0.22%

LAB 21.39, 16.02, -9.81

 

CMYK 0 / 37 / 12 / 73

HEX #442B3C

RGB 68 43 60

HSL 319.2, 0.23%, 0.22%

LAB 21.14, 14.73, -6.09

 

CMYK 0 / 37 / 22 / 73

HEX #442B35

RGB 68 43 53

HSL 336, 0.23%, 0.22%

LAB 20.88, 13.35, -1.68

 

CMYK 0 / 37 / 32 / 73

HEX #442B2E

RGB 68 43 46

HSL 352.8, 0.23%, 0.22%

LAB 20.65, 12.1, 2.81

 

CMYK 7 / 37 / 0 / 73

HEX #3F2B44

RGB 63 43 68

HSL 288, 0.23%, 0.22%

LAB 20.83, 14.52, -12.08

 

CMYK 18 / 37 / 0 / 73

HEX #382B44

RGB 56 43 68

HSL 271.2, 0.23%, 0.22%

LAB 19.99, 11.83, -13.46

 

CMYK 28 / 37 / 0 / 73

HEX #312B44

RGB 49 43 68

HSL 254.4, 0.23%, 0.22%

LAB 19.22, 9.22, -14.71

 

CMYK 37 / 37 / 0 / 73

HEX #2B2B44

RGB 43 43 68

HSL 240, 0.23%, 0.22%

LAB 18.62, 7.07, -15.68

 

CMYK 7 / 37 / 0 / 73

HEX #3F2B44

RGB 63 43 68

HSL 288, 0.23%, 0.22%

LAB 20.83, 14.52, -12.08

 

CMYK 12 / 56 / 0 / 70

HEX #44224D

RGB 68 34 77

HSL 287.44, 0.39%, 0.22%

LAB 19.67, 24.33, -19.95

 

CMYK 15 / 71 / 0 / 66

HEX #491956

RGB 73 25 86

HSL 287.21, 0.55%, 0.22%

LAB 19.16, 32.96, -26.8

 

CMYK 17 / 83 / 0 / 63

HEX #4F105F

RGB 79 16 95

HSL 287.85, 0.71%, 0.22%

LAB 19.47, 40.22, -32.24

 

CMYK 19 / 93 / 0 / 59

HEX #540768

RGB 84 7 104

HSL 287.63, 0.87%, 0.22%

LAB 20.19, 45.62, -36.98

 

CMYK 7 / 37 / 0 / 73

HEX #3F2B44

RGB 63 43 68

HSL 288, 0.23%, 0.22%

LAB 20.83, 14.52, -12.08

 

CMYK 2 / 12 / 0 / 77

HEX #3A343B

RGB 58 52 59

HSL 291.43, 0.06%, 0.22%

LAB 22.55, 4.22, -3.43

 

CMYK 15 / 0 / 18 / 76

HEX #343D32

RGB 52 61 50

HSL 109.09, 0.1%, 0.22%

LAB 24.63, -6.29, 5.54

 

CMYK 33 / 0 / 41 / 73

HEX #2F4629

RGB 47 70 41

HSL 107.59, 0.26%, 0.22%

LAB 27.14, -15.55, 14.71

 

CMYK 48 / 0 / 60 / 69

HEX #2A5020

RGB 42 80 32

HSL 107.5, 0.43%, 0.22%

LAB 30.24, -24.18, 23.85

 

CMYK 28 / 37 / 0 / 73

HEX #312B44

RGB 49 43 68

HSL 254.4, 0.23%, 0.22%

LAB 19.22, 9.22, -14.71

 

CMYK 18 / 37 / 0 / 73

HEX #382B44

RGB 56 43 68

HSL 271.2, 0.23%, 0.22%

LAB 19.99, 11.83, -13.46

 

CMYK 7 / 37 / 0 / 73

HEX #3F2B44

RGB 63 43 68

HSL 288, 0.23%, 0.22%

LAB 20.83, 14.52, -12.08

 

CMYK 0 / 37 / 1 / 73

HEX #442B43

RGB 68 43 67

HSL 302.4, 0.23%, 0.22%

LAB 21.44, 16.25, -10.42

 

CMYK 0 / 37 / 12 / 73

HEX #442B3C

RGB 68 43 60

HSL 319.2, 0.23%, 0.22%

LAB 21.14, 14.73, -6.09

 

CMYK 11 / 39 / 0 / 93

HEX #100B12

RGB 16 11 18

HSL 282.86, 0.24%, 0.06%

LAB 3.55, 2.82, -2.81

 

CMYK 7 / 37 / 0 / 83

HEX #281B2B

RGB 40 27 43

HSL 288.75, 0.23%, 0.14%

LAB 12.02, 10.06, -8.29

 

CMYK 7 / 37 / 0 / 73

HEX #3F2B44

RGB 63 43 68

HSL 288, 0.23%, 0.22%

LAB 20.83, 14.52, -12.08

 

CMYK 8 / 37 / 0 / 64

HEX #563B5D

RGB 86 59 93

HSL 287.65, 0.22%, 0.3%

LAB 29.15, 18.67, -15.6

 

CMYK 8 / 36 / 0 / 54

HEX #6D4B76

RGB 109 75 118

HSL 287.44, 0.22%, 0.38%

LAB 37.1, 22.6, -18.93

 

CMYK 7 / 36 / 0 / 74

HEX #3E2B43

RGB 62 43 67

HSL 287.5, 0.22%, 0.22%

LAB 20.66, 13.89, -11.68

 

CMYK 0 / 37 / 35 / 73

HEX #442B2C

RGB 68 43 44

HSL 357.6, 0.23%, 0.22%

LAB 20.59, 11.78, 4.1

 

CMYK 37 / 0 / 22 / 73

HEX #2B4435

RGB 43 68 53

HSL 144, 0.23%, 0.22%

LAB 26.46, -13.48, 6.07

 

CMYK 7 / 36 / 0 / 74

HEX #3E2B43

RGB 62 43 67

HSL 287.5, 0.22%, 0.22%

LAB 20.66, 13.89, -11.68

 

CMYK 0 / 7 / 37 / 73

HEX #443F2B

RGB 68 63 43

HSL 48, 0.23%, 0.22%

LAB 26.62, -1.51, 13.07

 

CMYK 37 / 0 / 7 / 73

HEX #2B443F

RGB 43 68 63

HSL 168, 0.23%, 0.22%

LAB 26.75, -10.94, -0.04

 

CMYK 7 / 36 / 0 / 74

HEX #3E2B43

RGB 62 43 67

HSL 287.5, 0.22%, 0.22%

LAB 20.66, 13.89, -11.68

 

CMYK 0 / 37 / 35 / 73

HEX #442B2C

RGB 68 43 44

HSL 357.6, 0.23%, 0.22%

LAB 20.59, 11.78, 4.1

 

CMYK 28 / 0 / 37 / 73

HEX #31442B

RGB 49 68 43

HSL 105.6, 0.23%, 0.22%

LAB 26.63, -13.21, 12.79

 

CMYK 37 / 0 / 0 / 73

HEX #2B4444

RGB 43 68 68

HSL 180, 0.23%, 0.22%

LAB 26.92, -9.55, -3.07

 

CMYK 7 / 36 / 0 / 74

HEX #3E2B43

RGB 62 43 67

HSL 287.5, 0.22%, 0.22%

LAB 20.66, 13.89, -11.68

 

CMYK 0 / 26 / 37 / 73

HEX #44322B

RGB 68 50 43

HSL 16.8, 0.23%, 0.22%

LAB 22.6, 6.96, 7.6

 

CMYK 28 / 0 / 37 / 73

HEX #31442B

RGB 49 68 43

HSL 105.6, 0.23%, 0.22%

LAB 26.63, -13.21, 12.79

 

CMYK 37 / 10 / 0 / 73

HEX #2B3D44

RGB 43 61 68

HSL 196.8, 0.23%, 0.22%

LAB 24.54, -5.16, -6.62

 

Description

Color code: HEX #3E2B43 | qconv.com Color code: HEX #3E2B43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 43 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 43 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 36 magenta, none yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 36% 0% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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