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Color name
HEX #3E2C97

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E2C97 it is the complementary color #C1D368. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E2C97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E2C97 shade: #432C92, #543EA5, #6550B8, #7662CB and #8774DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E2C97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E2C97 shade: #3E2C97, #2D1A84, #1C0871, #0B005E and #00004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E2C97 shade: #3D2B96, #5A2B96, #772B96, #932B96 and #962B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E2C97 shade: #3D2B96 and #2B2B96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E2C97 shade matches the following richer shades: #3D2B96, #331BA5 and #280CB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E2C97 shade: #3D2B96, #473B86, #524A76, #5C5A67 and #676A57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E2C97 shade: #2B5296, #2B3696, #3D2B96, #592B96 and #762B96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E2C97 shade: #231956, #302276, #3D2B96, #4A34B6 and #5F49CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E2C97 shade: #3E2C97, #962B6F and #44962B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E2C97 shade: #3E2C97, #963D2B and #2B963D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E2C97 shade: #3E2C97, #962B6F, #84962B and #2B9652

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E2C97 shade: #3E2C97, #962B4F, #84962B and #2B9672

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 71 / 0 / 41

HEX #3E2C97

RGB 62 44 151

HSL 250.09, 0.55%, 0.38%

LAB 26.9, 38.43, -55.89

 

Complementary color

CMYK 9 / 0 / 51 / 17

HEX #C1D368

RGB 193 211 104

HSL 70.09, 0.55%, 0.62%

LAB 81.25, -21.61, 50.4

 

CMYK 54 / 70 / 0 / 43

HEX #432C92

RGB 67 44 146

HSL 253.53, 0.54%, 0.37%

LAB 26.93, 37.69, -52.75

 

CMYK 49 / 62 / 0 / 35

HEX #543EA5

RGB 84 62 165

HSL 252.82, 0.45%, 0.45%

LAB 34.08, 36.15, -52.6

 

CMYK 45 / 57 / 0 / 28

HEX #6550B8

RGB 101 80 184

HSL 252.12, 0.42%, 0.52%

LAB 41.16, 34.71, -52.35

 

CMYK 42 / 52 / 0 / 20

HEX #7662CB

RGB 118 98 203

HSL 251.43, 0.5%, 0.59%

LAB 48.13, 33.41, -52.08

 

CMYK 39 / 48 / 0 / 13

HEX #8774DE

RGB 135 116 222

HSL 250.75, 0.62%, 0.66%

LAB 54.99, 32.26, -51.84

 

CMYK 59 / 71 / 0 / 41

HEX #3E2C97

RGB 62 44 151

HSL 250.09, 0.55%, 0.38%

LAB 26.9, 38.43, -55.89

 

CMYK 66 / 80 / 0 / 48

HEX #2D1A84

RGB 45 26 132

HSL 250.75, 0.67%, 0.31%

LAB 19.89, 40.04, -55.66

 

CMYK 75 / 93 / 0 / 56

HEX #1C0871

RGB 28 8 113

HSL 251.43, 0.87%, 0.24%

LAB 13.31, 40.75, -54.45

 

CMYK 88 / 100 / 0 / 63

HEX #0B005E

RGB 11 0 94

HSL 247.02, 1%, 0.18%

LAB 7.94, 38.39, -50.86

 

CMYK 100 / 100 / 0 / 71

HEX #00004B

RGB 0 0 75

HSL 240, 1%, 0.15%

LAB 4.59, 29.9, -43.41

 

CMYK 59 / 71 / 0 / 41

HEX #3D2B96

RGB 61 43 150

HSL 250.09, 0.55%, 0.38%

LAB 26.51, 38.53, -55.93

 

CMYK 40 / 71 / 0 / 41

HEX #5A2B96

RGB 90 43 150

HSL 266.36, 0.55%, 0.38%

LAB 29.67, 43.7, -50.63

 

CMYK 21 / 71 / 0 / 41

HEX #772B96

RGB 119 43 150

HSL 282.62, 0.55%, 0.38%

LAB 33.67, 49.81, -43.97

 

CMYK 2 / 71 / 0 / 41

HEX #932B96

RGB 147 43 150

HSL 298.32, 0.55%, 0.38%

LAB 38.08, 56.15, -36.67

 

CMYK 0 / 71 / 18 / 41

HEX #962B7B

RGB 150 43 123

HSL 315.14, 0.55%, 0.38%

LAB 37.19, 52.53, -21.41

 

CMYK 59 / 71 / 0 / 41

HEX #3D2B96

RGB 61 43 150

HSL 250.09, 0.55%, 0.38%

LAB 26.51, 38.53, -55.93

 

CMYK 71 / 71 / 0 / 41

HEX #2B2B96

RGB 43 43 150

HSL 240, 0.55%, 0.38%

LAB 25.09, 36.07, -58.32

 

CMYK 59 / 71 / 0 / 41

HEX #3D2B96

RGB 61 43 150

HSL 250.09, 0.55%, 0.38%

LAB 26.51, 38.53, -55.93

 

CMYK 69 / 84 / 0 / 35

HEX #331BA5

RGB 51 27 165

HSL 250.43, 0.72%, 0.38%

LAB 24.34, 50.16, -68.7

 

CMYK 78 / 93 / 0 / 29

HEX #280CB5

RGB 40 12 181

HSL 249.94, 0.88%, 0.38%

LAB 23.84, 59.08, -79.18

 

CMYK 59 / 71 / 0 / 41

HEX #3D2B96

RGB 61 43 150

HSL 250.09, 0.55%, 0.38%

LAB 26.51, 38.53, -55.93

 

CMYK 47 / 56 / 0 / 47

HEX #473B86

RGB 71 59 134

HSL 249.6, 0.39%, 0.38%

LAB 29.88, 25.52, -40.52

 

CMYK 31 / 37 / 0 / 54

HEX #524A76

RGB 82 74 118

HSL 250.91, 0.23%, 0.38%

LAB 33.98, 14.12, -23.99

 

CMYK 11 / 13 / 0 / 60

HEX #5C5A67

RGB 92 90 103

HSL 249.23, 0.07%, 0.38%

LAB 38.84, 3.67, -7.15

 

CMYK 3 / 0 / 18 / 58

HEX #676A57

RGB 103 106 87

HSL 69.47, 0.1%, 0.38%

LAB 44.06, -4.83, 10.29

 

CMYK 71 / 45 / 0 / 41

HEX #2B5296

RGB 43 82 150

HSL 218.13, 0.55%, 0.38%

LAB 35.5, 10.21, -41.41

 

CMYK 71 / 64 / 0 / 41

HEX #2B3696

RGB 43 54 150

HSL 233.83, 0.55%, 0.38%

LAB 27.72, 29.02, -54

 

CMYK 59 / 71 / 0 / 41

HEX #3D2B96

RGB 61 43 150

HSL 250.09, 0.55%, 0.38%

LAB 26.51, 38.53, -55.93

 

CMYK 41 / 71 / 0 / 41

HEX #592B96

RGB 89 43 150

HSL 265.79, 0.55%, 0.38%

LAB 29.55, 43.5, -50.84

 

CMYK 21 / 71 / 0 / 41

HEX #762B96

RGB 118 43 150

HSL 282.06, 0.55%, 0.38%

LAB 33.52, 49.59, -44.21

 

CMYK 59 / 71 / 0 / 66

HEX #231956

RGB 35 25 86

HSL 249.84, 0.55%, 0.22%

LAB 13.97, 23.77, -35.43

 

CMYK 59 / 71 / 0 / 54

HEX #302276

RGB 48 34 118

HSL 250, 0.55%, 0.3%

LAB 20.36, 31.37, -45.98

 

CMYK 59 / 71 / 0 / 41

HEX #3D2B96

RGB 61 43 150

HSL 250.09, 0.55%, 0.38%

LAB 26.51, 38.53, -55.93

 

CMYK 59 / 71 / 0 / 29

HEX #4A34B6

RGB 74 52 182

HSL 250.15, 0.56%, 0.46%

LAB 32.46, 45.37, -65.43

 

CMYK 53 / 64 / 0 / 21

HEX #5F49CA

RGB 95 73 202

HSL 250.23, 0.55%, 0.54%

LAB 40.35, 42.98, -64.18

 

CMYK 59 / 71 / 0 / 41

HEX #3E2C97

RGB 62 44 151

HSL 250.09, 0.55%, 0.38%

LAB 26.9, 38.43, -55.89

 

CMYK 0 / 71 / 26 / 41

HEX #962B6F

RGB 150 43 111

HSL 321.87, 0.55%, 0.38%

LAB 36.67, 50.84, -14.7

 

CMYK 55 / 0 / 71 / 41

HEX #44962B

RGB 68 150 43

HSL 105.98, 0.55%, 0.38%

LAB 55.29, -44.98, 46.63

 

CMYK 59 / 71 / 0 / 41

HEX #3E2C97

RGB 62 44 151

HSL 250.09, 0.55%, 0.38%

LAB 26.9, 38.43, -55.89

 

CMYK 0 / 59 / 71 / 41

HEX #963D2B

RGB 150 61 43

HSL 10.09, 0.55%, 0.38%

LAB 37.84, 36.23, 29.59

 

CMYK 71 / 0 / 59 / 41

HEX #2B963D

RGB 43 150 61

HSL 130.09, 0.55%, 0.38%

LAB 54.72, -48.92, 37.76

 

CMYK 59 / 71 / 0 / 41

HEX #3E2C97

RGB 62 44 151

HSL 250.09, 0.55%, 0.38%

LAB 26.9, 38.43, -55.89

 

CMYK 0 / 71 / 26 / 41

HEX #962B6F

RGB 150 43 111

HSL 321.87, 0.55%, 0.38%

LAB 36.67, 50.84, -14.7

 

CMYK 12 / 0 / 71 / 41

HEX #84962B

RGB 132 150 43

HSL 70.09, 0.55%, 0.38%

LAB 58.87, -21.15, 51.43

 

CMYK 71 / 0 / 45 / 41

HEX #2B9652

RGB 43 150 82

HSL 141.87, 0.55%, 0.38%

LAB 55.01, -45.66, 27.33

 

CMYK 59 / 71 / 0 / 41

HEX #3E2C97

RGB 62 44 151

HSL 250.09, 0.55%, 0.38%

LAB 26.9, 38.43, -55.89

 

CMYK 0 / 71 / 47 / 41

HEX #962B4F

RGB 150 43 79

HSL 339.81, 0.55%, 0.38%

LAB 35.55, 47.12, 4.05

 

CMYK 12 / 0 / 71 / 41

HEX #84962B

RGB 132 150 43

HSL 70.09, 0.55%, 0.38%

LAB 58.87, -21.15, 51.43

 

CMYK 71 / 0 / 24 / 41

HEX #2B9672

RGB 43 150 114

HSL 159.81, 0.55%, 0.38%

LAB 55.63, -38.89, 10.42

 

Description

Color code: HEX #3E2C97 | qconv.com Color code: HEX #3E2C97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 44 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 44 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 71 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 71% 0% 41% C M Y K

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Provide designers and agencies with accurate color values.

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