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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E3940 it is the complementary color #C1C6BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E3940. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E3940 shade: #43393B, #544B4E, #655D61, #766F74 and #878187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E3940. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E3940 shade: #3E3940, #2D272D, #1C151A and #0B0307

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E3940 shade: #3E3940, #403940, #40393F, #40393D and #40393B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E3940 shade: #3E3940, #3C3940, #3A3940 and #393940

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E3940 shade matches the following richer shades: #3E3940, #432F4A, #472554, #4B1B5E and #4F1168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E3940 shade: #3E3940, #3A4336, #364D2D, #325723 and #2D6119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E3940 shade: #3A3940, #3C3940, #3E3940, #403940 and #40393F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E3940 shade: #141215, #29262B, #3E3940, #534C56 and #69606C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E3940 shade: #3E3940, #40393A and #39403B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E3940 shade: #3E3940, #403E39 and #39403E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E3940 shade: #3E3940, #40393A, #3B4039 and #394040

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E3940 shade: #3E3940, #403A39, #3B4039 and #393F40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 11 / 0 / 75

HEX #3E3940

RGB 62 57 64

HSL 282.86, 0.06%, 0.24%

LAB 24.7, 3.74, -3.54

 

Complementary color

CMYK 3 / 0 / 4 / 22

HEX #C1C6BF

RGB 193 198 191

HSL 102.86, 0.06%, 0.76%

LAB 79.32, -3, 2.89

 

CMYK 0 / 15 / 12 / 74

HEX #43393B

RGB 67 57 59

HSL 348, 0.08%, 0.24%

LAB 25.06, 4.79, 0.37

 

CMYK 0 / 11 / 7 / 67

HEX #544B4E

RGB 84 75 78

HSL 340, 0.06%, 0.31%

LAB 32.85, 4.36, -0.42

 

CMYK 0 / 8 / 4 / 60

HEX #655D61

RGB 101 93 97

HSL 330, 0.04%, 0.38%

LAB 40.34, 4.01, -1.13

 

CMYK 0 / 6 / 2 / 54

HEX #766F74

RGB 118 111 116

HSL 317.14, 0.03%, 0.45%

LAB 47.6, 3.7, -1.8

 

CMYK 0 / 4 / 0 / 47

HEX #878187

RGB 135 129 135

HSL 300, 0.02%, 0.52%

LAB 54.66, 3.43, -2.43

 

CMYK 3 / 11 / 0 / 75

HEX #3E3940

RGB 62 57 64

HSL 282.86, 0.06%, 0.24%

LAB 24.7, 3.74, -3.54

 

CMYK 0 / 13 / 0 / 82

HEX #2D272D

RGB 45 39 45

HSL 300, 0.07%, 0.16%

LAB 16.5, 4.16, -2.91

 

CMYK 0 / 25 / 7 / 89

HEX #1C151A

RGB 28 21 26

HSL 317.14, 0.14%, 0.1%

LAB 7.75, 4.71, -2.21

 

CMYK 0 / 73 / 36 / 96

HEX #0B0307

RGB 11 3 7

HSL 330, 0.57%, 0.03%

LAB 1.37, 2.66, -0.78

 

CMYK 3 / 11 / 0 / 75

HEX #3E3940

RGB 62 57 64

HSL 282.86, 0.06%, 0.24%

LAB 24.7, 3.74, -3.54

 

CMYK 0 / 11 / 0 / 75

HEX #403940

RGB 64 57 64

HSL 300, 0.06%, 0.24%

LAB 24.91, 4.59, -3.22

 

CMYK 0 / 11 / 2 / 75

HEX #40393F

RGB 64 57 63

HSL 308.57, 0.06%, 0.24%

LAB 24.87, 4.36, -2.6

 

CMYK 0 / 11 / 5 / 75

HEX #40393D

RGB 64 57 61

HSL 325.71, 0.06%, 0.24%

LAB 24.81, 3.91, -1.37

 

CMYK 0 / 11 / 8 / 75

HEX #40393B

RGB 64 57 59

HSL 342.86, 0.06%, 0.24%

LAB 24.74, 3.48, -0.13

 

CMYK 3 / 11 / 0 / 75

HEX #3E3940

RGB 62 57 64

HSL 282.86, 0.06%, 0.24%

LAB 24.7, 3.74, -3.54

 

CMYK 6 / 11 / 0 / 75

HEX #3C3940

RGB 60 57 64

HSL 265.71, 0.06%, 0.24%

LAB 24.5, 2.91, -3.86

 

CMYK 9 / 11 / 0 / 75

HEX #3A3940

RGB 58 57 64

HSL 248.57, 0.06%, 0.24%

LAB 24.31, 2.09, -4.18

 

CMYK 11 / 11 / 0 / 75

HEX #393940

RGB 57 57 64

HSL 240, 0.06%, 0.24%

LAB 24.21, 1.68, -4.33

 

CMYK 3 / 11 / 0 / 75

HEX #3E3940

RGB 62 57 64

HSL 282.86, 0.06%, 0.24%

LAB 24.7, 3.74, -3.54

 

CMYK 9 / 36 / 0 / 71

HEX #432F4A

RGB 67 47 74

HSL 284.44, 0.22%, 0.24%

LAB 22.73, 14.86, -13.18

 

CMYK 15 / 56 / 0 / 67

HEX #472554

RGB 71 37 84

HSL 283.4, 0.39%, 0.24%

LAB 21.22, 25.16, -22.2

 

CMYK 20 / 71 / 0 / 63

HEX #4B1B5E

RGB 75 27 94

HSL 282.99, 0.55%, 0.24%

LAB 20.39, 34.33, -30.14

 

CMYK 24 / 84 / 0 / 59

HEX #4F1168

RGB 79 17 104

HSL 282.76, 0.72%, 0.24%

LAB 20.29, 41.8, -36.85

 

CMYK 3 / 11 / 0 / 75

HEX #3E3940

RGB 62 57 64

HSL 282.86, 0.06%, 0.24%

LAB 24.7, 3.74, -3.54

 

CMYK 13 / 0 / 19 / 74

HEX #3A4336

RGB 58 67 54

HSL 101.54, 0.11%, 0.24%

LAB 27.24, -6.61, 6.67

 

CMYK 30 / 0 / 42 / 70

HEX #364D2D

RGB 54 77 45

HSL 103.13, 0.26%, 0.24%

LAB 30.11, -15.9, 16.22

 

CMYK 43 / 0 / 60 / 66

HEX #325723

RGB 50 87 35

HSL 102.69, 0.43%, 0.24%

LAB 33.17, -24.25, 25.78

 

CMYK 54 / 0 / 74 / 62

HEX #2D6119

RGB 45 97 25

HSL 103.33, 0.59%, 0.24%

LAB 36.32, -31.76, 34.14

 

CMYK 9 / 11 / 0 / 75

HEX #3A3940

RGB 58 57 64

HSL 248.57, 0.06%, 0.24%

LAB 24.31, 2.09, -4.18

 

CMYK 6 / 11 / 0 / 75

HEX #3C3940

RGB 60 57 64

HSL 265.71, 0.06%, 0.24%

LAB 24.5, 2.91, -3.86

 

CMYK 3 / 11 / 0 / 75

HEX #3E3940

RGB 62 57 64

HSL 282.86, 0.06%, 0.24%

LAB 24.7, 3.74, -3.54

 

CMYK 0 / 11 / 0 / 75

HEX #403940

RGB 64 57 64

HSL 300, 0.06%, 0.24%

LAB 24.91, 4.59, -3.22

 

CMYK 0 / 11 / 2 / 75

HEX #40393F

RGB 64 57 63

HSL 308.57, 0.06%, 0.24%

LAB 24.87, 4.36, -2.6

 

CMYK 5 / 14 / 0 / 92

HEX #141215

RGB 20 18 21

HSL 280, 0.08%, 0.08%

LAB 5.74, 1.48, -1.52

 

CMYK 5 / 12 / 0 / 83

HEX #29262B

RGB 41 38 43

HSL 276, 0.06%, 0.16%

LAB 15.65, 2.59, -2.79

 

CMYK 3 / 11 / 0 / 75

HEX #3E3940

RGB 62 57 64

HSL 282.86, 0.06%, 0.24%

LAB 24.7, 3.74, -3.54

 

CMYK 3 / 12 / 0 / 66

HEX #534C56

RGB 83 76 86

HSL 282, 0.06%, 0.32%

LAB 33.31, 5.04, -4.84

 

CMYK 3 / 11 / 0 / 58

HEX #69606C

RGB 105 96 108

HSL 285, 0.06%, 0.4%

LAB 41.93, 6.04, -5.49

 

CMYK 3 / 11 / 0 / 75

HEX #3E3940

RGB 62 57 64

HSL 282.86, 0.06%, 0.24%

LAB 24.7, 3.74, -3.54

 

CMYK 0 / 11 / 9 / 75

HEX #40393A

RGB 64 57 58

HSL 351.43, 0.06%, 0.24%

LAB 24.71, 3.26, 0.49

 

CMYK 11 / 0 / 8 / 75

HEX #39403B

RGB 57 64 59

HSL 137.14, 0.06%, 0.24%

LAB 26.31, -4.07, 2.07

 

CMYK 3 / 11 / 0 / 75

HEX #3E3940

RGB 62 57 64

HSL 282.86, 0.06%, 0.24%

LAB 24.7, 3.74, -3.54

 

CMYK 0 / 3 / 11 / 75

HEX #403E39

RGB 64 62 57

HSL 42.86, 0.06%, 0.24%

LAB 26.25, -0.21, 3.37

 

CMYK 11 / 0 / 3 / 75

HEX #39403E

RGB 57 64 62

HSL 162.86, 0.06%, 0.24%

LAB 26.4, -3.37, 0.23

 

CMYK 3 / 11 / 0 / 75

HEX #3E3940

RGB 62 57 64

HSL 282.86, 0.06%, 0.24%

LAB 24.7, 3.74, -3.54

 

CMYK 0 / 11 / 9 / 75

HEX #40393A

RGB 64 57 58

HSL 351.43, 0.06%, 0.24%

LAB 24.71, 3.26, 0.49

 

CMYK 8 / 0 / 11 / 75

HEX #3B4039

RGB 59 64 57

HSL 102.86, 0.06%, 0.24%

LAB 26.42, -3.67, 3.57

 

CMYK 11 / 0 / 0 / 75

HEX #394040

RGB 57 64 64

HSL 180, 0.06%, 0.24%

LAB 26.47, -2.89, -0.99

 

CMYK 3 / 11 / 0 / 75

HEX #3E3940

RGB 62 57 64

HSL 282.86, 0.06%, 0.24%

LAB 24.7, 3.74, -3.54

 

CMYK 0 / 9 / 11 / 75

HEX #403A39

RGB 64 58 57

HSL 8.57, 0.06%, 0.24%

LAB 24.99, 2.4, 1.56

 

CMYK 8 / 0 / 11 / 75

HEX #3B4039

RGB 59 64 57

HSL 102.86, 0.06%, 0.24%

LAB 26.42, -3.67, 3.57

 

CMYK 11 / 2 / 0 / 75

HEX #393F40

RGB 57 63 64

HSL 188.57, 0.06%, 0.24%

LAB 26.14, -2.25, -1.47

 

Description

Color code: HEX #3E3940 | qconv.com Color code: HEX #3E3940 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 57 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 57 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 11 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 11% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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